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Jewish leaders escalate concerns about unclear political conditions on federal security grants
(JTA) — The federal government distributes hundreds of millions of dollars each year to houses of worship to protect them from violent attacks, such as the synagogue arson in Jackson, Mississippi, last month or the car ramming at the Chabad headquarters in Brooklyn last week.
But would a synagogue that declares itself a sanctuary for refugees — and refuses to cooperate with Immigration and Customs Enforcement — be eligible for that funding under the Trump administration? What about a congregation that runs afoul of the administration’s anti-DEI push by offering programs aimed at making Jews of color, Jews with disabilities or LGBTQ Jews feel more welcome?
After more than six months of inquiries by Jewish organizations and members of Congress, the answer remains unclear: The federal government has not provided a definitive explanation of what conditions will apply to the funding. With the application deadline now passed, congregations that applied despite the uncertainty are waiting to find out whether they will receive an award.
“We are facing real threats against our communities,” Amy Spitalnick, the CEO, Jewish Council for Public Affairs, said in a statement. “Yet — as we’ve been warning for months — we’re now seeing this vital program thrown into chaos and politicized in dangerous ways — from the delayed rollout, to confusing and contradictory guidance, to new conditions that force communities to choose between their values and their security.”
The latest effort to keep the security funding untethered from ideological or political conditions came Thursday in a letter signed by a bipartisan group of members of Congress set to be sent to Kristi Noem, the U.S. secretary of homeland security, who oversees the program.
The letter was organized by Jewish Federations of North America, which for the first time is publicly calling to remove the conditions.
In the letter, lawmakers urge DHS to keep the Nonprofit Security Grant Program focused on its core purpose and free of unrelated policy requirements.
“In this time of rising antisemitic terror attacks and violence against diverse faith-based institutions, we believe it is crucial that NSGP remains a critical resource for all who seek to worship in safety and free from partisan politicization,” the letter says.
According to Eric Fingerhut, JFNA’s president and CEO, some Jewish institutions decided not to apply for the funding this year, though there is no estimate of how many.
“We continue to encourage every Jewish institution with heightened security needs to apply for these funds,” said in a statement. “We have also heard from our community that the current terms and conditions have had the unintended effect of deterring some organizations from applying, which is why we believe they should be updated appropriately.”
The letter follows a more forceful appeal sent last month by members of the Congressional Jewish Caucus — which is composed entirely of Democrats — organized by the Jewish Council for Public Affairs. That letter raised similar concerns about political and ideological conditions being attached to the grants.
The Department of Homeland Security has not responded to the Congressional Jewish Caucus letter has not answered requests for comment from the Jewish Telegraphic Agency since August.
Created more than 20 years ago, the program provides grants to nonprofits deemed at high risk of terrorism or extremist violence, helping them pay for “target hardening” and other physical security upgrades. Eligible expenses typically include cameras, access controls, alarms, locks and protective barriers. Congress allocated $274.5 million in each of the last two years and raised funding to $300 million for 2026. In 2024, lawmakers also approved a one-time $400 million infusion to address a surge in threats against houses of worship and nonprofit organizations following Hamas’ Oct. 7, 2023, attack on Israel.
Demand has far outpaced available funding. In 2024, roughly 7,600 applicants sought nearly $1 billion in grants, and only 43% were approved. Jewish institutions have historically comprised a significant share of the recipients.
When the federal nonprofit security grants were first proposed in 2004, they triggered a sharp debate inside the Jewish community: the Union for Reform Judaism, the Anti-Defamation League and the American Jewish Committee opposed the idea on church-state grounds, warning that direct federal support for houses of worship risked crossing a constitutional line.
That argument was echoed by prominent Jewish lawmakers during Senate consideration of the “High-Risk Non-Profit Security Enhancement Act.” Sen. Carl Levin backed an amendment to bar aid for security improvements to houses of worship, and Sen. Frank Lautenberg argued that even with safeguards, federal funding for religious sites “crossed a line,” citing a letter from Reform and Reconstructionist leaders that said such aid “seriously weakens the wall separating church and state.”
Over time, however, particularly as threats against Jewish institutions intensified, opposition within the Jewish community largely subsided. For many, the urgent need to protect lives outweighed earlier worries. The program was increasingly described by Jewish leaders and lawmakers as a rare bipartisan success: a lifesaving initiative that strengthened security at synagogues and other institutions without leading to government interference in religious affairs.
That consensus began to fray last year under the Trump administration, which introduced new grant terms that Jewish groups say extend beyond security into matters of values and policy.
The revised rules require grant recipients to make broad certifications related to immigration enforcement and diversity practices, prompting concerns that synagogues could risk losing funding for declaring themselves sanctuaries, declining to cooperate with immigration authorities, or offering inclusion-focused programming.
In August, an open letter signed by faith-based groups criticized the revised grant conditions and urged organizations to reconsider participation in the program as long as the conditions are in place.
“We are unified in refusing to capitulate to conditions that would require us to sacrifice the safety and dignity of our community members, neighbors, and partners in order to receive funding,” the letter said.
Signatories included progressive Jewish advocacy groups such as Bend the Arc: Jewish Action, Jews for Racial & Economic Justice and, Jewish Voice for Peace, as well as congregations such as Kolot Chayeinu in Brooklyn, Kehilla Community Synagogue in Oakland, and Temple Beth El in Stamford, Connecticut.
Groups like JFNA and JCPA that have long championed the program took a different tack. They advised Jewish institutions and congregations to apply for funding while they worked behind the scenes to push for changes, noting that if the conditions were still in place when grants were offered, applicants could then decline the money.
In November, DHS told JCPA that the immigration cooperation requirements do not apply to nonprofit security grants, though the official funding notice has not been revised to reflect the change and the applications nevertheless required applicants to disclose whether their work or mission involves supporting immigrants. Language barring what the administration defines as “illegal DEIA” activities remains in effect.
The uncertainty is underscored by a government FAQ that asks whether accepting nonprofit security grant funding could allow the federal government to impose restrictions “in any other area of policy that may contradict the religious and/or other beliefs” of a recipient. Rather than offering a clear answer, the guidance advises applicants to consult legal counsel — a response advocates have flagged as concerning.
A related dispute is also unfolding in federal court. In October, a judge in Rhode Island ruled in Illinois et al. v. FEMA that the Trump administration could not require states to cooperate with federal immigration enforcement as a condition of receiving certain homeland security grants, ordering those requirements stripped from grant agreements.
But a subsequent DHS memo notes that the ruling applies only to the 21 states and jurisdictions that sued, and that the administration will reinstate the conditions if it prevails on appeal.
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The play is about Birthright, but it’s about a lot more than Israel
Towards the end of Birthright, a new play that just made its New York City debut at the MCC Theatre, two characters are arguing over Israel and Zionism in the wake of Oct. 7. The talking points will be familiar to anyone who’s been ensconced in the discourse of the past few years: Izzy says that Zionism is and has always been a colonialist project, and Chaya blames the conflict on Palestinian leaders who rejected early two-state solutions.
As they argue, each is frantically Googling; their phone screens are projected onto the walls of the set. We can see the chasm between their echo chambers: Izzy goes to the Jewish Voice for Peace website, Chaya to The Jerusalem Post. Each time they focus on their own screen, the sound of the argument becomes muffled and indistinct until they resurface to throw a new piece of evidence into the conversation.
It’s a clever piece of production magic that effectively drives home the schism over Israel in the Jewish world, and our inability to hear each other.
Birthright, commissioned by Miami New Drama from Tony Award-winning playwright Jonathan Spector and here directed by Teddy Bergman, is nominally about the eponymous free trip to Israel. But really it’s about a group of six friends that formed on the trip, and their personal journeys — through Judaism, and through life — as the somewhat motley crew diverges and reconnects over the years.
The show is a long one, three and a half hours once you include its two intermissions. Each act depicts a single night, spaced over the course of nearly two decades — first, right after they’ve returned from their trip to Israel in 2006, then in their early 30s as their careers are taking off in 2016, and finally a year after Oct. 7. While the runtime is admittedly long, it allows for well-developed characters, which are essential to approaching such a touchy topic with any nuance, and the fast-paced dialogue keeps things moving briskly. (A reasonable helping of humor, including a Kanye reference in every act, doesn’t hurt.)
And the show does manage an astonishing amount of subtlety for a topic that has become so factionalized. The characters represent a reasonably diverse range of Jewish thought and experience, though certainly leaves some out. (There are no Jews of color or converts, for example, and no true right-wing hawks.)
There’s Chaya (Zoe Winters, best known as Logan Roy’s secretary and mistress on Succession), who grew up Conservadox, but spent college rushing a sorority and dyeing her hair blonde; she ends up working for the Democratic establishment. Noah (Eli Gelb, Tony-nominated for Stereophonic) is a political wonk with a Facebook-addled dad prone to right-wing conspiracy theories. Izzy (Molly Bernard), a queer Jew who eschewed law school, has worked on the Jewish left long before it became buzzy. Lev (Hale Appleman), a lost soul wanderer with a penchant for Jewish philosophy — he name-drops Abraham Joshua Heschel’s The Sabbath and Yosef Yerushalmi’s Zakhor — has family who survived the Holocaust. Alona (Molly Ranson), a sociology PhD who fell for an IDF soldier on the trip, eventually marries an Israeli and moves to Tel Aviv. And Emerson (Nate Mann), a musician, is barely aware that he’s Jewish when he lands on their trip half by accident.
This long summary represents only a smidgen of the events in the group’s lives. The play makes sharp use of production gimmicks, opening the second and third acts by projecting a montage of messages, summarizing the events of the group’s intervening years — and also cleverly reminding us of the quirks of bygone eras. Before the second act, we see wedding invitations and job announcements sent out by email, and then newborn photos posted on Facebook. Before the third, there are group chats on iMessage and then Whatsapp, where we see more birth announcements. Later, they exchange articles about the Israel-Hamas war.
This glut of information is how the show achieves its depth. On paper, one could slot some of these characters into obvious archetypes: The Zionist who makes aliyah, the queer anti-Zionist activist who has made politics her whole identity, the centrist liberal who staunchly supports Israel. But every character has real depth and pathos, and none of the action plays out to its stereotypical end.
When someone asks Izzy, the JVP-type activist, why she hates Israel so much, she doesn’t list out its sins; instead, she’s affronted. “I don’t hate Israel. I love it,” she says. “What it could be at its best.” She doesn’t believe she’s fighting against the nation, but for it.
Meanwhile, Alona, who made aliyah, does not launch into a speech about how Hamas has to be eradicated before the war can end; Bibi, the rest of the Israeli government and settlers, she says, are just as much of a “cancer” as any terrorist group.
Though the political discussions are impressively nuanced, Birthright finds its true success in spending as much time on the rest of the characters’ lives as it does on their political stances. There are the complications of falling for a non-Jewish partner. The ways having children changes life in inalterable ways. Divorces. Substance abuse. The way a dream career can still disappoint. For a topic that is so often turned into a polemic, the play takes a broader view.
In presenting stories of real, believable Jewish lives that are not solely defined by their Judaism, the play demonstrates that Jewishness doesn’t mean just one thing to anyone. Instead, it explores the ways Jewish identity layers on, mingles with and sometimes challenges the rest of one’s choices, values and beliefs.
There are views left out of Birthright, to be sure. No one is right wing (the characters call their group “BirthLeft”), and in the first act they all make fun of their trip as a way to get Jewish kids laid. No one is truly hawkish about the war; in the first act, the characters make fun of George W. Bush and fantasize about working on Democratic campaigns. No one is making an argument, as plenty of people have in the past few years, that Palestinians should be exiled from Gaza or deserve to die.
But the overall point can apply equally: Judaism, and Israel, is not one clear thing. There’s no perfect answer. We aren’t all supposed to agree — but that doesn’t have to tear us apart. It’s a simple message, but one that is hard to believe these days; Birthright makes it feel tangible.
As Lev says when considering their Birthright trip, and his confused feelings about it. “History, Jewish history, it’s never been a straight line, and it’s never meant only one fixed thing. It’s more a thing you interpret, that you find meaning in.”
The new play Birthright is playing at the MCC Theater in Manhattan through Jul 26, 2026.
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New York Times hires Atlantic’s Yair Rosenberg to cover Jewish American life
(JTA) — The New York Times has hired Atlantic staff writer Yair Rosenberg to launch a national beat covering Jewish American life, bringing a widely known journalist on antisemitism and Jewish affairs to a newspaper whose coverage of Israel and the Jewish community has been under unusually intense scrutiny since the Oct. 7, 2023, Hamas attack.
The appointment, announced Monday by National Editor Nestor Ramos, creates a dedicated beat focused on American Jews at a moment when questions of antisemitism, Israel, religious identity and political polarization have moved to the center of public debate.
It is the first time that the newspaper, published in the city with the world’s largest Jewish population, has a beat dedicated to Jews.
“Over the course of 15 years chronicling Jewish life in America and abroad, Yair has taken on the biggest, thorniest stories on the beat,” Ramos wrote in a memo to staff. “Now, Yair will bring that boundless energy and deep expertise to a new religion beat on National focused on Jewish American life, chronicling a period of extraordinary tension but also possibility and reinvention.”
The move brings Rosenberg to a publication that he has occasionally criticized for its coverage of Jewish affairs, but without echoing some critics’ charges of institutional bias.
For the past five years Rosenberg has written The Atlantic’s “Deep Shtetl” newsletter, blending coverage of antisemitism, American politics and Jewish culture with essays on history, religion and popular culture. Before joining The Atlantic in 2021, he spent nearly a decade at Tablet, a magazine of Jewish affairs.
Over the years, Rosenberg has broken or advanced reporting on online extremism and antisemitism while also becoming known for explaining Jewish issues to a broad audience. His work has ranged from investigations into antisemitic disinformation networks to historical features. He has written about antisemitism on the far left and on the Republican right.
During the 2016 presidential campaign, an Anti-Defamation League study found Rosenberg was among the Jewish journalists most frequently targeted with antisemitic abuse on Twitter. Rosenberg became known for responding publicly to trolls and for developing technological tools — including an “Impostor Buster” bot — designed to expose white supremacists posing online as minorities in order to inflame social tensions. The effort drew widespread attention before Twitter eventually suspended the tool.
He later described those experiences in a New York Times guest essay titled “Confessions of a Digital Nazi Hunter,” and has remained a frequent public speaker on combating online hate while preserving free expression.
Ramos’s announcement emphasized that Rosenberg’s beat would extend beyond antisemitism.
“Yair knows better than most that these fraught moments are not all that define Jewish life today—not even close,” Ramos wrote, citing stories on Hanukkah traditions, Jewish representation in popular culture and other facets of American Jewish life.
The Times, through a spokesman, declined to comment beyond Monday’s announcement. Rosenberg did not respond to a request for an interview by press time.
The hire comes as The New York Times continues to navigate a complicated relationship with many Jewish readers.
For decades the newspaper has occupied an outsized place in American Jewish public life, employing prominent Jewish reporters and editors while producing influential coverage of religion, Israel and antisemitism. Yet the newspaper has also faced sustained criticism from parts of the Jewish community over its Israel coverage, criticism that intensified after Oct. 7 and the subsequent war in Gaza.
Media watchdog organizations, some Jewish communal leaders and a number of current and former journalists have accused the Times of factual errors, headline framing and insufficient skepticism toward claims made by Hamas officials in some early coverage of the conflict.
A May 2026 column by Nicholas Kristof, alleging systemic sexual violence by Israeli authorities against Palestinian detainees, was widely criticized for amplifying unverified claims and platforming biased sources. The Times stood by Kristof’s column in an editorial note.
Defenders of the Times argue that accusations of institutional anti-Israel bias often conflate disagreement over editorial judgments with evidence of systemic prejudice.
At Tablet and The Atlantic, Rosenberg occasionally criticized aspects of the Times’ reporting on both Israel and antisemitism. In a 2018 Tablet article he criticized The New York Times Book Review for offering a platform for the novelist Alice Walker to recommend a book by the English author David Icke that was heavily saturated in antisemitic conspiracy theories.
The next year he called out the Times for a profile of former CIA officer and would-be congressional candidate Valerie Plame that failed to mention her history of tweets sharing antisemitic theories. He has also regretted that the Times in 1937 dropped its subscription to the Jewish Telegraphic Agency syndication service because of the perception at the time that JTA’s coverage of Nazi Europe was alarmist.
Unlike some Jewish media watchdog groups, however, Rosenberg has not argued that the Times is institutionally or inherently biased against Israel or Jews. Against that backdrop, Rosenberg’s hiring is likely to be watched closely by Jewish readers across the political spectrum.
According to Ramos, Rosenberg will begin work July 20 and will be based in New York while traveling nationally for the beat.
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Canadian Museum for Human Rights opens ‘Nakba’ exhibit amid pushback from Jewish leaders
(JTA) — After weeks of backlash from Jewish groups and leaders, the Canadian Museum for Human Rights this weekend opened its exhibit on the Nakba, the narrative of Palestinian defeat and displacement upon Israel’s founding.
The Winnipeg, Manitoba, exhibit is called “Palestine Uprooted: Nakba Past and Present” and features photography, poetry and everyday objects that document the experience of Palestinian-Canadians impacted by the Nakba. Palestinians use the term, meaning “catastrophe,” to describe their mass displacement upon Israel’s establishment.
The exhibit has drawn fierce condemnation from some Jewish groups, including the Centre for Israel and Jewish Affairs.
“Materials that are one-sided and driven by a political agenda can contribute to discrimination, bullying and even assault targeting Jewish students,” the group wrote in a post on X last week. “The federal government must hold the CMHR’s leadership accountable for this egregious mishandling.”
The museum’s only Jewish board member, Mark Berlin, was upset enough by the exhibit to resign.
“Because the museum chooses to proceed with this exhibit in its present form despite repeated concerns raised by myself and members of the mainstream Jewish community and others seeking a more balanced and historically complete presentation, I can no longer, in good conscience continue to serve as a Trustee,” Berlin wrote in a resignation letter dated June 22.
In the letter, Berlin argues that the exhibit omits the context that “hundreds of thousands of Jews from Arab lands” were also displaced during the 1948 Arab-Israeli war.
“A story detached from the surrounding factual details is not the truth, it is just a story,” Berlin continued. “The museum has a statutory and moral obligation to tell the full truth, not to sacrifice it at the altar of politics.”
The museum has vigorously defended the exhibit. In a statement to the Jewish Telegraphic Agency, Isha Khan, the CEO of the museum, said that “focusing in this one exhibit on the human violations faced by of Palestinian Canadians does not negate the human rights violations faced by Jewish people.”
“Sharing the stories of one community in no way minimizes the experiences of another,” Khan continued.
Khan added that the exhibit had drawn “both criticism and support from Jewish Canadians.”
Several progressive Jewish groups in Canada, including Independent Jewish Voices, the Jewish Faculty Network, and United Jewish Peoples’ Order, defended the exhibit in a joint statement Thursday, writing that it was the “result of dedication, persistence, care and advocacy, especially from the Palestinian Canadian community.”
“We are proud to celebrate a Canadian institution that has remained steadfast in the face of unfounded criticism and pressure and chose to move forward with integrity,” the statement continued. “We hope this historic opening, and the ongoing inclusion of the exhibition in the Museum, encourages learning, reflection and action.”
The dispute over the exhibit comes as Jews in Canada have faced a spate of antisemitic attacks in recent months, including in March, when shots were fired at three Toronto-area synagogues. In 2025, there were 6,800 antisemitic incidents in Canada, marking a 9% rise from 2024, according to B’nai Brith’s annual audit of antisemitic incidents.
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