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Holocaust survivor Edith Kimelman keynote speaker at the Jewish Heritage Centre’s 19th annual Holocaust and Human Rights Symposium
By MYRON LOVE
Edith Kimelman, whom I have known for many years, exudes elegance and confidence. Beneath the surface though, this child survivor of the Holocaust – in common with most Holocaust survivors – will tell you she continues to bear the scars of the trauma that she went through. And, as with many of her fellow survivors, she came here with nothing and built a life for herself as a wife, mother, grandmother, scholar and educator.
In recent years, Kimelman has devoted much of her time to Holocaust education, sharing her story with many high school students in and around Winnipeg in an effort to inspire young people to eschew prejudice and hate and work for the betterment of society. In 2016, she was one of those featured in filmmakers Yolanda Papini Pollock and Erol Meryl’s “Never Again: A Broken Promise” – a documentary on genocide.
On Thursday, March 12, Kimelman told her story to her largest audience yet – 1,350 high school students from 27 Manitoba schools who were in attendance at the University of Winnipeg’s Duckworth Centre for the 19th annual Holocaust and Human Rights Symposium presented by the Jewish Heritage Centre of Western Canada.
Kimelman and Indigenous leader, acclaimed author, and Indian Residential School survivor Theodore Fontaine were the two keynote speakers for the day, with Kimelman speaking in the morning and Fontaine in the afternoon session.
The symposium began with remarks from Dr. Annette Trimbee, President and Vice-Chancellor of the University of Winnipeg. She noted that pre-war Germany society was not much different from our own society today. “Minority communities in many countries are still being marginalized and abused,” she pointed out.
Trimbee quoted the late Simon Wiesenthal, who said that “for evil to flourish, it only requires good men to do nothing”.
She also spoke of the importance of education in making the world a better place.
In introducing Edith Kimelman, Belle Jarniewski began by putting the Holocaust into graphic context. The executive director of the Jewish Heritage Centre of Western Canada and director of the Freeman Family Foundation Holocaust Education Centre noted that, along with death camps, the Nazis built tens of thousands more slave labour camps, transit camps and ghettos throughout Nazi-occupied Europe.
In addition to the more than three million Jews murdered in the death camps – as well as millions more Roma, Jehovah’s Witnesses, political prisoners and others deemed “undesirable”, 1.4 million more Jews in Eastern Europe were murdered by the Einsatzgruppen in mass shootings.
Jarniewski also spoke of Canada’s sorry record of residential schools as well as the worrying explosion in recent years of antisemitism, racism, and anti-immigrant sentiment in many countries. “There are at least 100 active white supremacist hate groups in Canada alone”, she added, noting that many espouse neo-Nazi ideology.
Jarniewski urged the students at the symposium to add their voices to the fight against hate. “Together, we can make a difference,” she said.
Kimelman began her remarks with a paraphrase from the great Israeli statesman Abba Eban, who described the Holocaust as one of the greatest crises in the history of Western civilization – with the Jews at the centre of it: “Antisemitism is the most violent hatred,” she observed. “I have carried the trauma of what we went through all of my life. I was robbed of my childhood but still managed to find a spark from the ashes from which I was able to build a new life in a new country.”
She described her early years as a happy time, doted on by loving parents in a small, community in Ukraine, where her best friend was a non-Jewish little girl next door. Life as the six-year-old Edith knew it came to an end in June 1941, when the Nazis arrived. Her family’s home was ransacked by the neighbours and almost everything was taken.
“I saw my best friend wearing my best clothes,” she recalled. “My friends shunned me. I sensed that something was wrong, but I didn’t know what it was. I thought that I must have done something wrong.”
A short time later, German soldiers took her father away and shot him. She and her mother found his body and had to carry it back to their home, where two of her mother’s brothers came to take her father’s body for burial.
Part of Edith’s family home was overtaken by Ukrainian militia. Her mother overheard some of the militiamen making plans to drown Edith, her mother and grandmother (her father’s mother), along with some Russian soldiers who they had previously captured – in the Horin River. Her mother woke the little girl in the middle of the night (her grandmother refused to leave) and they walked 24 km to Rowno, where they were taken in by her mother’s relatives.
Her mother’s parents were farmers in another village. They sent a farmer with a wagon filled with hay to pick up mother and daughter and bring them to the safety of their farm. In the fall of 1941, 19,000 Jews in the Rowno Ghetto who did not possess work permits were gathered at the train station, then taken directly to Soscenki, and shot into prepared mass graves.
In the fall of 1942, Edith and her mother continued to stay with her mother’s family in Tuchin. The remaining Jews in the Tuchin ghetto decided to burn it down rather than being slowly depleted in small groups.
At another point, Kimelman’s mother was badly beaten by some Germans and left with permanent kidney damage.
Kimelman told how she, her mother, grandparents, and her uncles and aunt were hidden in a haystack by a kindly Ukrainian lady throughout the winter of 1942-43. After that, they joined other escapees in the forest.
There were other brushes with death and finally, in early 1944, the group of about 75 destitute and desperate Jews was liberated by Partisans. That spring, Edith and her mother were both afflicted with typhus. Her mother eventually died in Lodz as a result of the severe beating that she had received, which had damaged her kidneys.
“With my mother’s death, everything I loved, everything I held dear also died,” Kimelman recalled. “I felt that I had nothing to live for. Fortunately, my grandmother, my uncles and my aunt gave me the courage to hang on to life.”
In 1949, Edith and her surviving family came to Winnipeg, where she lived with her grandmother and an uncle. Education had been very important to her parents and, by becoming well educated, Edith was determined to honour their memory. She went to university as a mature student, earning a BA from the University of Winnipeg and certification from the University of Manitoba, followed by graduate studies at Bar Ilan University and the Hebrew University in Israel, Oxford, and Columbia. She became an educator and an administrator in the Jewish school system.
Edith was married to Sam for 63 years prior to his passing in 2017. She is the proud mother of three sons and grandmother of two grandsons.
“I see myself as a branch that was ripped from a tree, but managed to take root and grow,” she told her audience. “We are fortunate that in Canada, we have the opportunity to raise our family in freedom, peace and security.”
Nonetheless, she added, quoting Bernie Farber, former executive director of the Canadian Jewish Congress, “Jews are no strangers to antisemitism. While history has shown us that Jew hatred may take an occasional holiday, it never takes a permanent vacation.”
“I am frightened by the current rise of antisemitism and am reaching a time in my life when every day is a bonus. The world is turbulent; so many countries are at war with other or themselves. I am grateful that I live in Canada where I can express my feelings before you without feeling repercussions just because I am Jewish. I hope I have been able to leave you some seeds of thought which will take root.”
The symposium receives funding from the Jewish Foundation of Manitoba and the Asper Foundation, while the Jewish Heritage Centre is a beneficiary agency of the Jewish Federation of Winnipeg,
Local News
Former Winnipegger Adam Druxman living the Hollywood dream
By MYRON LOVE A dwindling number of Post readers may still remember the song “You Ought to be in Pictures.” Adam Druxman may not be in “pictures,” but his life’ s work is the next best thing. For almost 40 years, the former Winnipegger has had the privilege of being behind the camera helping to make magic happen.
“I always loved the movies,” says the son of the late George Druxman and the recently deceased Joan Druxman. But, growing up in Winnipeg (Old Tuxedo largely),” he recalls, “the prospect of actually having a career in movies in the ‘80s was quite a reach.”
As a young adult, the closest Druxman came to the movie business was working for Adi’s Video Shoppe (which most of us of an older generation will no doubt remember). Ultimately, it was a chance exposure to the Winnipeg Film Group that turned out to be his entry into film production.
The young, aspiring filmmaker signed up in 1988 to take a course in filmmaking – through the WFG – with acclaimed Winnpeg-based filmmaker John Paisz.
“From John, I learned to write, shoot and edit a film,” Druxman recalls. “At that moment, I knew this is what I wanted to do.”
With a grant from the National Film Board of Canada and the WFG, the young filmmaker created a five-minute film called “The Guinea Pig Age,” a satirical look at how humans have become test subjects for products and the environment.
The next evolution in Druxman’s pursuit came in 1989 with a move to Toronto where he hoped to enrol in Ryerson’s film program. “I decided in August that I wanted to go to film school, but it was way too late for enrolment,” he recounts. “I wasn’t able to get into the program until the following year, but I decided to move to Toronto anyway. That was my first time living away from home. I enrolled in some night courses and and also began looking for a job.”
He was, he says, encouraged to seek work in the industry as a production assistant – essentially a “gofer”, he points out. “I didn’t know that was a thing I could do. So I send out 1,000 resumés –with nothing on them because I didn’t have any experience.”
His break came when he got a call at 2:00 A.M. from a production company looking for a production assistant. “My roommate, Shanno Zaslov, answered the phone,” he recounts. “She was so excited that I had received a call that she told them not to contact anyone else while she tried to find me at a surprise birthday party. After that first job, I never looked back.”
Over the past nearly 40 years, Druxman has never been out of work for long.
His first credited role – as third assistant director – was in a 1992 production called “Stay Tuned, shot” in Vancouver. It starred Pam Dawber (of “Mork and Mindy” fame) and the late John Ritter. Druxman’s responsibilities included organizing the extras, maintaining quiet on the set, blocking out pedestrians and outside traffic during a take, helping to ferry actors between their trailers and the set, and alerting the performers.
After that movie, Druxman moved to Los Angeles. He was soon promoted to second assistant director and – four years later – was promoted to first assistant director – a role he has performed with distinction ever since.
“ As first assistant director,” he continues, “in prep, you manage scheduling, logistics, day-to-day operations and locations. During the shoot, you run the set, give cast and crew their call times, deal with issues such as weather delays, safety on the set, and manage the time of the shooting day.”
Among the better known movies that Druxman has been involved with have been: Adam Sandler’s “The Waterboy,” “50 First Dates,” “Boogie Nights,” “Transformers,” “Magnolia,” and two of the “Super Trooper” films.
Some of the TV series that he has worked on have included: “Weeds,” “Prison Break,” “Fargo,, Dark Matters,” “Las Vegas,” and “Cosmos: Possible Worlds” – a remake of the popular series first created by Carl Sagan 45 years ago.
“The crazy thing about living in LA,” Druxman observes, “is that I could drop in at any random Starbucks for a cup of coffee and run into a writer or director who might ask if I am available for a movie or TV show.”
It was a tough decision for Druxman to leave LA behind and move his family to Seattle about 14 years ago. “”We moved to Seattle to be closer to my wife’s family while our son was in his formative years,” he says.
Druxman admits that it was scary leaving LA. “At first, I was didn’t tell anyone I had left LA,” he recalls. “I was afraid that some producers wouldn’t consider using me because I wasn’t in LA anymore.”
Nonetheless, he felt confident that he was well-established in the industry and that – with movie and TV production largely moving out of what used to be described as “the movie capital,” -he would still be in demand. His assumption turned out to be correct.
Seven years ago he and his family moved again – this time to Chicago – after working on the movie “Candyman.”
“Housing was far more affordable in Chicago as compared to Seattle,” he says. “I had shot in Chicago four times before. I love Chicago. It’s a beautiful city. And I love the people here. It’s like a giant Winnipeg.”
“I’ve been lucky to have had a good career and met a lot of great people over the years,” Druxman says.
Currently, Druxman notes, he is in between projects. It is always a concern, he concedes – either feast or famine – especially since the industry is going through a lot of changes between the Covid lockdowns, multiple union strikes, the streaming services reducing their content, and more production going overseas. But, he remains confident that something will turn up sooner or later.
“This business is cyclical,” he observes. “There is always a ying to the yang.”
Local News
Young entrepreneur Jonah Shapiro balances business pursuits with university studies
By MYRON LOVE While most of us may not know what we wanted to do for a living when we “grew up,” Jonah Shapiro is an exception. The son of Sean and Kera Shapiro has been in business for himself since he was 14. Currently, he is balancing the responsibilities of running two businesses while taking commerce courses at Huron University in London, Ontario.
The entrepreneur’s business career began six years ago while in Grade 9 at St. John’s-Ravenscourt – evolving out of a business class he was taking at the school. “My project,” he recounts, “was marketing a golf shirt brand. After six months, the business was so successful that I expanded my product line to include team and club apparel.”
His first customers, Shapiro recalls, were students in his class. He then took over providing BBYO apparel. (He served as BBYO treasurer for two years.) He was soon providing apparel for local high school teams, businesses and specific events.
“It was rather challenging at first getting my foot in the door, he concedes. “Here I was, 14 years old, showing up and having had to have my father drive me to the appointments.”
Nonetheless, he made enough of an impression that he was soon receiving a lot of referrals.
Last September (in 2025), Shapiro began classes at Huron University with Advanced Entry to the Ivey School of Business at Western University in London, Ontario.
At the same time, he officially incorporated “Student Merch”- and expanded his reach nationally. The online Student Merch provides custom apparel and other merchandise for Canadian university groups.
Shapiro reports that he currently has contracts with student groups at Western, Queens, UBC, McMaster, McGill and York. “There are more than 300 universities across Canada,” he says. “We will soon have ambassadors at all of them.”
This past summer, the enterprising young man started a second business venture in his home town. “Benny’s Home Services” cleans windows. Shapiro reports that Benny’s provided its services over the summer to 325 customers in and around Winnipeg. This past summer, he says, the Benny’s team also provided its service to BB Camp – where Shapiro was a camper for many years as well as a counselor – free of charge.
He notes that the Winnipeg company has a crew of 14. With Student Merch, Shapiro handles all the managerial work by himself.
This fall, the young entrepreneur received some prestigious recognition. He was one of 12 students to participate in the Morrissette Institute for Entrepreneurship’ s Founders Program, which recognizes Western’s top student entrepreneurs and community builders and pairs them with alumni mentors, along with an opportunity for leadership roles within the Morrissette Institute. The inclusion in the program comes with a $20,000 scholarship.
The newest feather in Shapiro’s cap is his being invited to be a part of Tangerine Bank’s brand new Tangerine Business – a mobile-first digital banking platform for Canadian entrepreneurs and small businesses. Tangerine is Canada’s original digital bank.
“Tangerine asked entrepreneurs across Canada to help develop its new banking program,” he says. “I was invited to provide a young entrepreneur’s perspective.”
No doubt about it, to use an old phrase: “The world is currently Jonah Shapiro’s oyster,” and his potential would seem to be unlimited. I am sure readers will be interested to follow his career achievements over the coming years.
Local News
A local vocal extravaganza
By Dr. RAY SINGER I just experienced a revelatory weekend of superb vocal music, about which I wanted to share.
First, on attending Shaarey Zedek for Shabbat morning services I was pleasantly amazed at what was transpiring: Marlaina Sommer was beautifully singing her way through her own Bat Mitzvah service. Having married into a famous local musical family, I was not surprised also to hear her daughter and son-in-law, Sarah Sommer and Justin Odwak, sing – with their ethereal voices flowing over the congregants. Spouse and father Hillel provided percussion.
That was just for starters. My wife and I then attended the first concert in the Asper Jazz Series to hear the New York Voices in their Grand Finale concert tour, Winnipeg being the only Canadian stop on their tour.
Singing as a quartet for 38 years, their jazz singing was superb – with intricate harmonies, scat solos and amazing jazz vocals in the style of Lambert, Hendricks and Ross. They displayed exquisite control, and also interacted well with the audience.
Our final vocal musical experience was most revelatory and meaningful. This event was held on Sunday in the Laudamus theatre on the C.M. U. campus
It was organized by the Women’s Music Club of Winnipeg. Little did I know that club has been bringing in musicians of world stature for 130 years. If not for the kindness of our neighbours, Professors Harry and Mary Lynn Duckworth, we would not have known of this concert, entitled: “In a Dark Blue Night.” The title was written in both English and Yiddish in the program notes.
The music was performed by two wondrous musicians: Isabelle David, pianist and Sara Schabas, solo soprano. They performed a song cycle by the Pulitzer Prize-nominated, N.Y.C.-based Jewish composer Alex Weiser.
The first half of the concert consisted of Leiders by Viennese composers of the early to mid-20th century, all of whom were Jewish or in relationships with other Jewish composers. The composers included: Arnold Schoenberg, Alma Mahler, Erich Korngold, and others. Sara’s rendering of their songs and poems set to music was transcendent and emotive.
The narrator of theevent, Nolan Kehler, himself a musician and music radio host, was excellent in detailing the Zeitgeist around those Viennese composers and how they had to flee Vienna in the late ’30s. At least two were murdered in the Holocaust.
The second half of the concert was even more amazing. Alex Weiser composed music to accompany selected poems written by Jewish immigrants to New York early in the 20th century. Sara, having sung most of the songs in the first half in German, and one in English, then sang those poems beautifully – this time in Yiddish. Then, as a finale she sang a Gershwin medley. To add icing to this note-worthy cake, the pianist played the most challenging dramatic part of “Rhapsody in Blue,” knocking it out of the park
Thus, in one weekend I heard a Sarah and a Sara, and am grateful for our musical riches, especially brought to Winnipeg by both the Mennonite and Jewish communities. I am no music reviewer, but can appreciate the talent and artistry displayed by both Isabelle’s David and by Sara Schabas And, great news: Sara, who is from Montreal has landed a job teaching in the Desautels Faculty of Music. Hopefully many more of us will get a chance to hear her.
