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Honest Reporting Canada’s Mike Fegelman delivers Kanee Lecture

Honest Reporting Canada executive director Mike Fegelman (Keith Levit photo)

By BERNIE BELLAN Mike Fegelman is the executive director and editor-in-chief of Honest Reporting Canada. Honest Reporting was founded in 2000 in the United Kingdom. It describes its mission as “to ensure truth, integrity and fairness, and to combat ideological prejudice in journalism and the media, as it impacts Israel to ensure truth, integrity and fairness, and to combat ideological prejudice in journalism and the media, as it impacts Israel.”
On Sunday, April 7, Fegelman was the keynote speaker at the Jewish Heritage Centre of Western Canada’s annual Sol & Florence Kanee Distinguished Lecture Series.
Fegelman told the audience of about 250 at the Adas Yeshurun-Herzlia Synagogue that, before he was hired as Honest Reporting Canada’s executive director, “I knew nothing about Israel. I was hired because I was objective.”
Honest Reporting Canada “monitors news media 24 hours a day,” Fegelman said. With only a staff of six (including Fegelman), he said that they field on average 600-700 inquiries a day about alleged instances of media bias within Canadian media.
When HRC sees instances of what it perceives to be instances of unfair or biased reporting about Israel, it attempts to contact the journalist responsible for that “misinformation” or, as was the case with a particularly odious cartoon in La Presse of Israel Prime Minister Netanyahu depicted as a vampire, the paper itself was contacted and asked to issue a retraction of that cartoon and apology. (The cartoon has since been removed from La Presse’s website and La Presse did issue an apology.)

While Honest Reporting Canada might make the claim that its mission is to monitor news media in Canada for bias toward Israel and what it would regard as “unfair reporting,” however, after listening to Fegelman’s 45-minute talk – and especially to some of the responses he gave to questions from the audience following his talk, one might question the degree to which he himself is as “objective” as he claimed to be.
One particular subject was mentioned several times: the reporting by the Gaza Health Ministry on how many Palestinians have been killed in Gaza since Israel launched its retaliatory war following the Hamas-led massacre of 240 Israelis on October 7.
At one point Fegelman said that “we have to point out the fact Hamas provides no evidence to corroborate their claims (as to how many Palestinians have been killed). Media should at least acknowledge Israel’s claim that 15,000 of those killed are terrorists.”
Various reports, however, have cited Israeli intelligence officials as confirming that the Israel Defence Forces actually accept the Gaza Health Ministry’s figures for the number of casualties in the ongoing conflict. For instance, there was this report about what was reported on a Hebrew-language website in Israel: “Two Israeli intelligence officials who spoke to the Hebrew-language Local Call news website said the health ministry is mostly ‘reliable’ and their main source of statistics on civilian deaths in Gaza.”
Fegelman said that when it is reported that “33,000 Palestinians have been killed,” as reported by the “Gaza Health Ministry,” that health ministry “doesn’t distinguish between civilians and combatants.” Further, Fegelman asked: “Are some of the children killed actually child soldiers?” The problem is, absent any verifiable information from the IDF on this point, how do we know?
The problem, moreover, which Fegelman didn’t address, is absent any contradictory information coming from Israeli sources themselves about civilian deaths, what are media supposed to report?
So, when a questioner later said to Fegelman, “All people see on TV is dead babies. Can you give us some language to use in response?” Fegelman admitted “there isn’t an easy answer for the things Israel has had to do.”

My bringing this up is not to begin engaging in a series of “fact checks” on what Fegelman said during his talk. Rather, it is to show that “bias” and “unfair reporting” is something that can be continually argued – and perhaps by entering into a dissection of every instance of what Honest Reporting Canada might regard as anti-Israel bias, Fegelman – and the audience members who so strongly applauded his remarks, are all missing the larger picture, which is that Israel has, and is taking a terrible beating in world public opinion – not because of bias or distorted reporting, but because of the huge losses in both lives and property that Palestinians in Gaza have suffered – and the images that are there for the entire world to see.

One might argue that Israel had no choice: It had to deal such a severe blow to Hamas that the amount of destruction that has occurred in Gaza is justified, but to argue that “the war for public opinion is no less important than the war on the ground,” as Fegelman suggested at one point – well Mike, if that’s the case, then Israel has lost that war. The more honest assessment would be that, in an existential battle for survival, which is what some would argue is a fair description of the war in which Israel is currently engaged, then public opinion matters very little to Israeli decision makers.

Before entering into a more detailed description of what Fegelman had to say, I have to enter a particular objection toward what both he and several audience members had to say about the supposed “anti-Israel bias” exhibited by the Winnipeg Free Press. This subject has become one that has been raised quite a bit over the past few months within certain circles within the local Jewish community – especially after a controversial column by Jen Zoratti.
But, to say, as Fegelman did, that “the Free Press has an anti-Israel narrative on its op ed pages” – without providing any specific examples to warrant that accusation, is nothing more than an instance of Fegelman engaging in the kind of bias that Honest Reporting Canada accuses Canadian media outlets of exhibiting when it comes to reporting on Israel.

Still, in the interest of attempting to give readers the flavour of Fegelman’s talk, I will offer some of the remarks he made without entering into any further discussion whether what he had to say had merit.
Fegelman began by claiming that “media commentators are often parroting Hamas and are, in effect, becoming stenographers for this group.” He suggested we “need to challenge misinformation and disinformation.”
While Honest Reporting may have originated in the United Kingdom in 2000, “its genesis (in Canada) was just a few blocks away,” Fegelman explained. “We were founded (in Canada) by the late Izzy Asper,” he noted.
With specific reference to the Toronto Star, Fegelman suggested we have seen instances “of Canada’s largest paper calling for Israel’s annihilation” on its editorial pages by advocating for a one-state solution.

In reporting on the current Gaza war, Fegelman argued, “it’s increasingly difficult to tell who is the arsonist and who is the fire fighter?”
‘The media want to run with the most sensational story,” he said, “but part of our mandate is to educate journalists.”
“The sympathy for Israel following the October 7 massacre lasted all but a few minutes,” he suggested.
“This is a war between barbarism and civilization,” Fegelman said.
He referred to a famous remark made by Golda Meir with reference to the Yom Kippur War in 1973: “The world hates us when a Jew lashes out. The world loves us only when we are to be pitied.”
“The world is horribly indifferent to Jewish blood being spilled,” Fegelman observed.

We are making sure that when there are those who seek to libel the Jewish people, we have to fight back,” Fegelman said, “but knowing how to challenge disinformation is enormously difficult.”
Still, he argued, “We cannot let our opposition have a monopoly on discourse.”
“The war for public opinion is no less important than the war on the ground. If we lose, Israel will go down as the perceived villain.”
When it comes to civilian casualties, however, Fegelman claimed that “Israel deplores each and every innocent life that is taken.”
Saying that, in some ways, “Hamas is worse than ISIS,” Fegelman argued that “when hate becomes normalized, it becomes weaponized….We are in a genocidal propaganda war the likes of which we have never seen….Too many media outlets, whether it’s out of malice or of ignorance, have been spreading misinformation.”
When it comes to fighting back though, Fegelman argued, “We are not just passive victims – but like a muscle, if you do not use it, it becomes atrophied.”

Turning to the subject of social media, Fegelman observed that “Yesterday’s bigots used to be on the margins of mainstream social media; now they’re in the mainstream.”
“We cannot be afraid to tell the world what Hamas’s raison d’etre is – which is to seek an Islamic caliphate.”
But, what then “is the answer to media bias?” Fegelman asked. “We cannot rely on the old playbook,” he said.
Instead, he proposed five pillars of action:

  1. “We cannot project fear. We have to project resilience and instil Jewish pride.”
  2. “We must demand that we procure consistency” (from our elected representatives). Fegelman referred specifically to the recent resolution passed in the House of Commons when, among other things, Members of Parliament voted to restore funding to UNWRA.
  3. “We must demand that people speak up and speak out” against media when the media demonstrate indefensible behaviour. As an example, Fegelman pointed to the photograph of Hamas victim Shani Louk’s badly mutilated body in the back of a Hamas truck, which won a prestigious photography award. (It should be pointed out that Shani’s own father defended the photo as a “symbol” of an era.)
  4. “We have to make an alternative view impossible to ignore.”
  5. “We must avoid self-imposed limitations on our advocacy. We must not only project strength, we must possess it, too.”

As a result of “the obsessive magnifying glass being put on Israel,” Fegelman suggested, “terrorism is being accepted as a legitimate means of statecraft.”

Although many Jews may be in a state of despair these days, Fegelman told this story to illustrate how Israel has endured bleak situations before: When President Biden was a senator, he had occasion to visit Israel shortly before the Yom Kippur War, when he met with then-Prime Minister Golda Meir. After being shown maps which showed how precarious Israel’s security situation was, apparently Biden’s face showed how worried he was.
“Don’t look so worried,” Golda told Biden. “We have a secret weapon: We have no place else to go.”

In describing what Honest Reporting Canada has been able to accomplish, Fegelman said, “We have 60,000 subscribers.” (To subscribe to HRC’s reports, simply go to its website at https://honestreporting.ca and click on the “subscribe” button.) “We all have the power of agency,” he added.
“We may not see the elimination of antisemitism in our lifetimes,” he said, “but we have to push it to the margins.”
“If not now, when? The answer is now.”

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UNVEILING for the headstone of Dr. Velimir Kon (Sept. 18, 1950-June 27, 2025)

A true mensch and person of many talents and profoundness, Dr. Velimir (Shlomo) Kon is deeply missed and loved by his family and friends.

Known for his warmth, kindness, integrity and love of learning and teaching, Velimir continues to inspire all who knew him and his memory warms our hearts and souls. Velimir is deeply missed.

You are invited to helps us remember and honour our beloved husband and father who passed away almost a year ago.

We, Branka, Deborah and Lea Kon, wish to inform our relatives and friends of the unveiling of a headstone dedicated to his loving memory on FRIDAY, JUNE 26, 2026 at 11:00am at the HEBREW SICK CEMETERY (2605 McPhillips Street) followed by lunch at the Chabad Lubavitch of Winnipeg – Jewish Learning Centre (1845 Mathers Avenue). Please come say a l’chaim in his honour.

In Memoriam
1st Yahrzeit
In loving memory of Dr. Velimir (Shlomo) Kon
who passed away June 27, 2025, 12 Days in Tammuz.

⁃ Forever and deeply loved and missed by his wife of over 50 years, Branka, and daughters Deborah and Lea Kon. Velimir brought joy to our lives with his boundless kindness and gentleness, irrepressible humour, great intellect and love of people, tikun olam and Judaism.

Not a day goes by that we do not mention Velimir and feel his presence with us. Our lives are not the same without him and we deeply miss and cherish him. We can never forget his presence that was larger than life, yet also his humility and thoughtfulness.

A gentleman to the very core, Velimir was respected as a scientist, academic, professor, researcher, and later as a teacher and mentor. He always endeavoured to make every place he worked and lived at better and was able to bridge many cultures. He was Abraham of his generation and made many personal sacrifices; giving up status, position and privilege in order for his family to have a better and peaceful future.

May his memory always be a blessing. He left us at only 74 years young and we wish we had had more time together. Indeed, to know him was to love him.

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Younger Jewish talents continue to shine in their respective categories at annual Winnipeg Music Festival

clockwise from upper left: Yale Rayburn-Vander Hout, Juliet Eskin, Nate Kravetsky, Alex Schaeffer, Gregory H=yman

By MYRON LOVE  A number of younger members of our community were repeat stars at the most recent (108th annual) Winnipeg Music Festival – which takes place annually in March. Among the repeat Jewish singers and musicians in the ranks of high achievers this year were” Yale Rayburn-Vander Hout, Gregory Hyman, Alex Schaeffer, Juliet Eskin, Noah Kravetsky, and Lyla Chisick. 

Yale Rayburn-Vander Hout


Vocalist Yale Rayburn-Vander Hout, the oldest of this year’s group of Jewish repeat winners, was competing in his fifth straight festival, where he continued to build on his accomplishments in previous festivals.  This year, the 20-year-old son of Samantha and Peter finished first in two musical theatre categories – songs from musical theatre productions between 1965 and 1999, and shows from the past 26 years. Yale sang “I’m Allergic to Cats,” from the 2016 musical “The Theory of Relativity,” and “Suppertime,” from the 1967 musical, “You’re a Good man, Charlie Brown.”
The former Gray Academy student is currently enrolled at the University of Manitoba’s Desautels Faculty of Music in the Choral program.  Yale says that he is hoping to get into the performance track in the fall with the goal of earning a degree in Classical Voice Performance en route to pursuing a career in musical theatre.

Gregory Hyman


As reported previously, Gregory  Hyman is a multi-faceted artist who can do it all. The 18-year-old son of Hartley and Rishona Hyman is a singer/songwriter/musician (guitar) who records and performs under the stage name, GMH. His versatility shone through once again in his eighth Music Festival, in which he registered first-place finishes for vocal performances in both “Popular and Contemporary Music” and “TV and Movie Music “categories.
Gregory notes that he was also recommended to compete in the provincial finals in June.    The St. John’s-Ravenscourt student (and soon-to be) graduate continues to be busy on stage. In January, he headlined a sold out solo show at Sidestage on Osborne featuring some of his new material.  In March, he released an album of his newest songs. Readers can check out his latest compositions on any of the music streaming platforms as well as his own social media (thegmh) on Instagram. 
Gregory also continues to host his own podcast: “Talk and Rock with GMH – now in its fifth season – in which he interviews various people in the music business across Canada.
While Gregory says that a musical career is his “dream,” he reports that he is hedging his bets and considering different potential career opportunities.  Come September, he will be enrolled at the University of Manitoba in a University One program, which will allow him to select from a variety of courses that can count toward a degree.

Alex Schaeffer

Sixteen-year-old Alex Schaeffer won first place this year in the “Musicals Prior to 1965, 16 Years and Under” category with “Try Me” from “She Loves Me,” and was runner-up in the “Musicals 1965 to 1999, 16 Years and Under” category with “On My Own,” from “Les Misérables.” For the son of Marc Schaeffer and Kae Sasaki, this was his fifth year competing in the festival.
The Grant Park High School student made his big stage debut three years ago as Kurt von Trapp in “The Sound of Music,” followed by playing Michael Hobbs in “Elf the Musical” this past winter at the Royal MTC.
Alex recently performed in Grant Park High School’s production of “Something Rotten!”  This summer Schaeffer can be seen again at the Winnipeg Fringe Festival, where he will be appearing in a production staged by Rem Lezar Theatre. 
Rounding out the voice winners is Lyla Chisick. The daughter of Daniel and Baillee was competing in her second music festival. This year, she scored  Gold performances in the “Vocal Solo,” “Manitoba Composers,” and “TV/Movie Musical, 12 and under” categories.
Lyla reports that she began taking voice lessons from Jessica Kos-Whicher three years ago.   She says she regularly takes part in the Shaarey Zedek Synagogue Family Service and has sung at several community events. Lyla adds that she is already looking forward to next year’s music festival.

Nate Kravetsky


Nate Kravetsky and Juliet Eskin competed in the festival as musicians rather than singers. Juliet, 16, plays the viola,  and is also is the violist in the Assiniboine String Quartet. In this, her fifth go-round at the festival, Juliet, the daughter of the musically talented Kelly Robinon and Josh Eskin,  had first place finishes in the  “Viola Solo, level 8,” “Baroque or Classical  Concerto,” and “Romantic Composers” categories.

Juliet Eskin


Juliet originally took up the violin – adding the viola a couple of  years after.  She also just finished performing in the Grant Park High School production of “Something Rotten!”
Nate Kravetsky is currently in Grade 5 level piano. He studies with Erica Schultz and has been taking lessons from her since age 5.
Nate competed in three categories at the Winnipeg music festival: “Baroque,” “Sonata,” and “Contemporary/own choice.”
His own choice selection was the theme from his favourite video game, “Hollow Knight.” 

Nate, who is in Grade 7 at Gray Academy, is also preoccupied preparing for his upcoming bar mitzvah.
We look forward to the continued musical success off Yale, Gregory,  Alex, Nate, Juliet and Lyla,  and what new talent may be unveiled at next year’s Winnipeg Music festival.
.

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Jewish Heritage Centre of Western Canada’s Archivist and Curator Stan Carbone retires

By MYRON LOVE Stan Carbone, a long-time friend of our Jewish community and fixture at the Jewish Heritage Centre of Western Canada (JHCWC) for the past 25 years, retired last week.  His last day of work was May 13.
Most recently, he was the JHCWC’s Director of Programs and Exhibits.
“For the past 25 years, the Jewish Heritage Centre of Western Canada has been an integral part of my life,” Carbone said.  “I have made a lot of friends in the Jewish community, and I hope to maintain those friendships.”
Carbone’s own history reflects the immigrant experience.  He arrived in Canada in 1960 as a three-year-old with his mother and sister, from San Giovanni in Fiore, Calabria in southern Italy. His father had come a few months earlier.  Initially, the family settled in Fort Rouge which, at that time, had a substantial Italian community.  Within a couple of years, they had relocated to East Kildonan to be closer to where his father’s two sisters and their families lived.
He earned a BA Double Honours in History and Political Studies at the University of Winnipeg, followed by an MA in History at the University of Manitoba, from where he graduated in 1981.
In 1993, he was hired at the Manitoba Museum of Man and Nature (as it was then called) as Curator of Multicultural Studies.
“I always enjoyed doing research,” he said.
His first project for the JHCWC came in 2000, the year after the organization was formed through the amalgamation of the Jewish Historical Society, the Ed and Marion Vickar Jewish Museum of Western Canada and the Freeman Family Foundation Holocaust Education Centre.
Marim Zipursky had approached the Manitoba Museum of Man and Nature looking for a curator to organize a JHCWC exhibit featuring Jewish music and musicians in Winnipeg,” Carbone recalled.  “I didn’t know much about Jewish music and musicians, but I was familiar with the Jewish Historical Society – which preceded the JHCWC. I was really impressed by its extensive archives, and I was intrigued by the Jewish community’s history and the wide range of subject materials in the archives.”
The next year, when a position opened at the JHCWC, Carbone applied.
“I have been here ever since,” he said.
Over the past quarter century, Carbone has been involved in bringing to fruition several interesting exhibits. He mentions the synagogues display, a history of the YMHA, and the current exhibit highlighting the important role of women’s organizations.   The exhibit that was closest to his heart though was “A Stitch in Time,” a look at how Jews contributed to the development of the garment trade in Winnipeg. Both of his parents worked in the garment industry.
The exhibits though are just one facet of the JHCWC’s focus, Carbone noted. He mentioned how the organization contributed to the publication of Allan Levine’s “Coming of Age: A History of the Jewish People of Manitoba.”
There have also been several compilations over the years of talks that the JHCWC has organized. These are known as the “Jewish Life and Times,” consisting to date of ten volumes.
Carbone further pointed out the organization’s commitment to Holocaust education and the numerous initiatives that have brought that subject to greater public attention.
The organization’s genealogical component, he reported, draws numerous queries from people all over the world.
One particularly interesting project that Carbone spoke about is an ongoing cooperative partnership with Gray Academy.  For the past 10 years, the JHCWC has been loaning photos from the archives to the school’s art program, allowing the students to make drawings based on the photos.
“It has been a wonderful program which has given the students a better understanding of local Jewish history,” he said.
“During my time here, we have worked with numerous Jewish and non-Jewish organizations,” Carbone added.  “It helps to build bridges between the Jewish and other communities.”
 In retirement, Carbone is looking forward to doing more travelling with Anna, his wife of 40 years.   They were scheduled to leave for southern Italy on May 16.
He will also continue to be busy in his role as Italy’s vice-consul here, helping fellow Italians and others in Winnipeg.
And he is excited about having more time to spend on his own genealogical and historical research.   He has already published two books: “Italians in Winnipeg: an Illustrated History,” and “The Streets Were Not Paved With Gold: A Social History of Italians in Winnipeg”.
A future project which he is seriously considering is a study of the history of Jewish life in Calabria. 
He is also working on a family tree.
“I may be retired,” he said, “but I will still be available from time to time to help out if needed.”

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