Local News
Jewish Heritage Centre to present talk on Western Canadian Jewish anarchists, including Feivel Simkin
By BERNIE BELLAN Maria Tarasova-Chomard is a young (24 year old) student, originally from Russia, now living in Paris, who will be presenting a talk on Western Canadian Jewish anarchists for the Jewish Heritage Centre of Western Canada on Sunday, October 3rd.
In the September 1st article I noted that I would have more about my interview with Maria in our September 15 issue, including some detailed information about certain Jewish individuals who were leading anarchists in Winnipeg in the early part of the 20th century.
I should also note that Maria is the first student winner of the Switzer-Cooperstock prize, given for an original essay on a subject relating to Western Canadian Jewish history. The Switzer-Cooperstock prize is awarded biennially, with the new student prize awarded in alternate years.
Returning to my conversation with Maria, which occurred over Zoom on August 24 while Maria was in her Paris home, I asked her “whether there were any names of well-known Jewish anarchists from Western Canada that” she could “throw out for the benefit of readers”?
Maria responded: “Yes, there were the Prasow brothers – Zalman and Israel – they were the leaders of the movement actually. Then there was Feivel (Frank) Simkin.”
Saying the name “Feivel Simkin” certainly triggered a greater interest on my part, since the Simkin name is so well known within the Jewish community. While I don’t want to preempt anything Maria might have to say during her talk on October 3rd, I’m sure reading the name “Simkin”, followed by the word “anarchist” might come as a bit of a surprise to at least some readers.
Following my conversation with Maria, I sent an email to Stan Carbone, curator of the Jewish Heritage Centre, in which I noted that Maria had said that Feivel Simkin was a leading anarchist in Winnipeg – which came as a surprise to me. I had known that Feivel Simkin had been the publisher of the Israelite Press, but beyond that, I knew nothing about the man.
So, Stan sent me a transcript of an interview that Roz Usiskin had conducted with Feivel Simkin in 1977, in which he tells his life story – also how he defines “anarchism”. Here is what he said at one point in the interview: “They believed that you should educate yourself, and then you didn’t need government to look after you.”
I said to Maria that I’d always been a little unclear how to define “anarchist”. I said to her that I thought the anarchist movement had begun in the late 19th century, but she said it actually began earlier than that – “in the beginning of the 19th century”, but the “period of the flourishing of the movement was really toward the end of the century”.
I asked Maria to give me “a Cole’s Notes definition of ‘anarchism’”.
Maria answered: “The most important aspect is that it’s a movement that believes in a society based on community, based on unity, and denies constraint and privilege.”
I asked: “But doesn’t it reject most forms of government authority?”
Maria responded: “Yes, but that comes from a rejection of constraint and privilege. Every state, every government (according to anarchists) is based on constraint and privilege – and hierarchy.”
As our conversation continued, I asked Maria how easy is it to actually identify individuals in the early 20th century in Winnipeg as “anarchists”?
She said it is difficult to do because “there are very few records and since the movement was essentially clandestine, they were actually paying attention not to keep evidence as to who was an anarchist, but when I talk about the ‘anarchist’ movement’ in my work, I talk not only about those who were directly involved in the organizations and activities of the organizations, but also everyone who was interested in the ideas – who called themselves radicals or libertarians.
“We can distinguish two circles. There was the core – the actual activists, the organizers – and there were those who participated in events, were sort of around”, but who couldn’t necessarily be described as ‘anarchists’.”
I asked what documentation might have existed that would have led Maria to conclude that the Prasow brothers and Feivel Simkin were the leaders of the anarchist movement?
Maria said it was mostly through “correspondence” among those three figures, especially correspondence between the Prasows and the leading American anarchist at the time, Emma Goldman (who actually stayed with the Prasows in their house at one time when she visited Winnipeg, Maria noted).
I wondered though, whether that correspondence would have been conducted in English or Yiddish – since Yiddish would have been the mother tongue of those early 20th century anarchists.
Maria explained that English was the preferred language of the anarchists, especially since Emma Goldman had insisted that anarchists’ writing be in English, so that it would be understood by “the generation born in America”.
As a result of this emphasis on the next generation, “a lot of their effort went into education,” Maria said.
Given the anarchists’ objection to governmental authority, I wondered whether there was a convergence between anarchism and the kibbutz movement, for instance, which was also predicted on a rejection of authority?
Maria suggested though that there was a fundamental divide between anarchism and Zionism. For anarchists, “the nation should either not exist or should only exist until there are not any nations at all. The Zionist movement (in contrast) was about Jewish nationalism. For anarchists, building the nation or an ethnic movement was not important at all.”
But, just how many identifiable anarchists were there in Winnipeg in the early part of the 20th century, I wondered? “Would they have been in the hundreds?” I asked Maria.
“Oh no,” she answered. “I’ve been able to identify only five or six of them.” (And yet, in Roz Usiskin’s interview with Feivel Simkin, he referred to Emma Goldman filling a hall with 700 attendees when she spoke in Winnipeg, so surely that must have been more than a passing interest in anarchy among a great many Winnipeg Jews in the early 20th century.)
Still, as Maria pointed out, “they may have been people who were simply interested in going to a talk.”
Was anarchism more than a “fringe movement” then? I asked.
“Oh yes,” Maria responded. “They were noticeable in the ideological landscape of the time, especially before (the Winnipeg General) Strike, in 1919. They were bringing about real change in the sense that their influence, their contribution to real projects, to social education was pretty noticeable –and pretty impressive, for the time. It wasn’t just a marginal group, even though it was a lot less numerous than some of the other currents.”
During our entire conversation, the discussion was confined to Jewish anarchists. I wondered, however, whether Maria had come across any references to non-Jewish anarchists during that period in the early 20th century?
“It’s not something I have found a lot of mention about,” Maria answered. “I know there was quite a lot of cooperation in the United States between Jewish and Italian anarchists – and with Spanish anarchists toward the 1930s, and with German groups” as well, “but in Canada it’s truly hard to say (whether there was much involvement by non-Jews in the anarchist movement). “I have not been able to find any mention of that.”
Local News
Former Winnipegger Adam Druxman living the Hollywood dream
By MYRON LOVE A dwindling number of Post readers may still remember the song “You Ought to be in Pictures.” Adam Druxman may not be in “pictures,” but his life’ s work is the next best thing. For almost 40 years, the former Winnipegger has had the privilege of being behind the camera helping to make magic happen.
“I always loved the movies,” says the son of the late George Druxman and the recently deceased Joan Druxman. But, growing up in Winnipeg (Old Tuxedo largely),” he recalls, “the prospect of actually having a career in movies in the ‘80s was quite a reach.”
As a young adult, the closest Druxman came to the movie business was working for Adi’s Video Shoppe (which most of us of an older generation will no doubt remember). Ultimately, it was a chance exposure to the Winnipeg Film Group that turned out to be his entry into film production.
The young, aspiring filmmaker signed up in 1988 to take a course in filmmaking – through the WFG – with acclaimed Winnpeg-based filmmaker John Paisz.
“From John, I learned to write, shoot and edit a film,” Druxman recalls. “At that moment, I knew this is what I wanted to do.”
With a grant from the National Film Board of Canada and the WFG, the young filmmaker created a five-minute film called “The Guinea Pig Age,” a satirical look at how humans have become test subjects for products and the environment.
The next evolution in Druxman’s pursuit came in 1989 with a move to Toronto where he hoped to enrol in Ryerson’s film program. “I decided in August that I wanted to go to film school, but it was way too late for enrolment,” he recounts. “I wasn’t able to get into the program until the following year, but I decided to move to Toronto anyway. That was my first time living away from home. I enrolled in some night courses and and also began looking for a job.”
He was, he says, encouraged to seek work in the industry as a production assistant – essentially a “gofer”, he points out. “I didn’t know that was a thing I could do. So I send out 1,000 resumés –with nothing on them because I didn’t have any experience.”
His break came when he got a call at 2:00 A.M. from a production company looking for a production assistant. “My roommate, Shanno Zaslov, answered the phone,” he recounts. “She was so excited that I had received a call that she told them not to contact anyone else while she tried to find me at a surprise birthday party. After that first job, I never looked back.”
Over the past nearly 40 years, Druxman has never been out of work for long.
His first credited role – as third assistant director – was in a 1992 production called “Stay Tuned, shot” in Vancouver. It starred Pam Dawber (of “Mork and Mindy” fame) and the late John Ritter. Druxman’s responsibilities included organizing the extras, maintaining quiet on the set, blocking out pedestrians and outside traffic during a take, helping to ferry actors between their trailers and the set, and alerting the performers.
After that movie, Druxman moved to Los Angeles. He was soon promoted to second assistant director and – four years later – was promoted to first assistant director – a role he has performed with distinction ever since.
“ As first assistant director,” he continues, “in prep, you manage scheduling, logistics, day-to-day operations and locations. During the shoot, you run the set, give cast and crew their call times, deal with issues such as weather delays, safety on the set, and manage the time of the shooting day.”
Among the better known movies that Druxman has been involved with have been: Adam Sandler’s “The Waterboy,” “50 First Dates,” “Boogie Nights,” “Transformers,” “Magnolia,” and two of the “Super Trooper” films.
Some of the TV series that he has worked on have included: “Weeds,” “Prison Break,” “Fargo,, Dark Matters,” “Las Vegas,” and “Cosmos: Possible Worlds” – a remake of the popular series first created by Carl Sagan 45 years ago.
“The crazy thing about living in LA,” Druxman observes, “is that I could drop in at any random Starbucks for a cup of coffee and run into a writer or director who might ask if I am available for a movie or TV show.”
It was a tough decision for Druxman to leave LA behind and move his family to Seattle about 14 years ago. “”We moved to Seattle to be closer to my wife’s family while our son was in his formative years,” he says.
Druxman admits that it was scary leaving LA. “At first, I was didn’t tell anyone I had left LA,” he recalls. “I was afraid that some producers wouldn’t consider using me because I wasn’t in LA anymore.”
Nonetheless, he felt confident that he was well-established in the industry and that – with movie and TV production largely moving out of what used to be described as “the movie capital,” -he would still be in demand. His assumption turned out to be correct.
Seven years ago he and his family moved again – this time to Chicago – after working on the movie “Candyman.”
“Housing was far more affordable in Chicago as compared to Seattle,” he says. “I had shot in Chicago four times before. I love Chicago. It’s a beautiful city. And I love the people here. It’s like a giant Winnipeg.”
“I’ve been lucky to have had a good career and met a lot of great people over the years,” Druxman says.
Currently, Druxman notes, he is in between projects. It is always a concern, he concedes – either feast or famine – especially since the industry is going through a lot of changes between the Covid lockdowns, multiple union strikes, the streaming services reducing their content, and more production going overseas. But, he remains confident that something will turn up sooner or later.
“This business is cyclical,” he observes. “There is always a ying to the yang.”
Local News
Young entrepreneur Jonah Shapiro balances business pursuits with university studies
By MYRON LOVE While most of us may not know what we wanted to do for a living when we “grew up,” Jonah Shapiro is an exception. The son of Sean and Kera Shapiro has been in business for himself since he was 14. Currently, he is balancing the responsibilities of running two businesses while taking commerce courses at Huron University in London, Ontario.
The entrepreneur’s business career began six years ago while in Grade 9 at St. John’s-Ravenscourt – evolving out of a business class he was taking at the school. “My project,” he recounts, “was marketing a golf shirt brand. After six months, the business was so successful that I expanded my product line to include team and club apparel.”
His first customers, Shapiro recalls, were students in his class. He then took over providing BBYO apparel. (He served as BBYO treasurer for two years.) He was soon providing apparel for local high school teams, businesses and specific events.
“It was rather challenging at first getting my foot in the door, he concedes. “Here I was, 14 years old, showing up and having had to have my father drive me to the appointments.”
Nonetheless, he made enough of an impression that he was soon receiving a lot of referrals.
Last September (in 2025), Shapiro began classes at Huron University with Advanced Entry to the Ivey School of Business at Western University in London, Ontario.
At the same time, he officially incorporated “Student Merch”- and expanded his reach nationally. The online Student Merch provides custom apparel and other merchandise for Canadian university groups.
Shapiro reports that he currently has contracts with student groups at Western, Queens, UBC, McMaster, McGill and York. “There are more than 300 universities across Canada,” he says. “We will soon have ambassadors at all of them.”
This past summer, the enterprising young man started a second business venture in his home town. “Benny’s Home Services” cleans windows. Shapiro reports that Benny’s provided its services over the summer to 325 customers in and around Winnipeg. This past summer, he says, the Benny’s team also provided its service to BB Camp – where Shapiro was a camper for many years as well as a counselor – free of charge.
He notes that the Winnipeg company has a crew of 14. With Student Merch, Shapiro handles all the managerial work by himself.
This fall, the young entrepreneur received some prestigious recognition. He was one of 12 students to participate in the Morrissette Institute for Entrepreneurship’ s Founders Program, which recognizes Western’s top student entrepreneurs and community builders and pairs them with alumni mentors, along with an opportunity for leadership roles within the Morrissette Institute. The inclusion in the program comes with a $20,000 scholarship.
The newest feather in Shapiro’s cap is his being invited to be a part of Tangerine Bank’s brand new Tangerine Business – a mobile-first digital banking platform for Canadian entrepreneurs and small businesses. Tangerine is Canada’s original digital bank.
“Tangerine asked entrepreneurs across Canada to help develop its new banking program,” he says. “I was invited to provide a young entrepreneur’s perspective.”
No doubt about it, to use an old phrase: “The world is currently Jonah Shapiro’s oyster,” and his potential would seem to be unlimited. I am sure readers will be interested to follow his career achievements over the coming years.
Local News
A local vocal extravaganza
By Dr. RAY SINGER I just experienced a revelatory weekend of superb vocal music, about which I wanted to share.
First, on attending Shaarey Zedek for Shabbat morning services I was pleasantly amazed at what was transpiring: Marlaina Sommer was beautifully singing her way through her own Bat Mitzvah service. Having married into a famous local musical family, I was not surprised also to hear her daughter and son-in-law, Sarah Sommer and Justin Odwak, sing – with their ethereal voices flowing over the congregants. Spouse and father Hillel provided percussion.
That was just for starters. My wife and I then attended the first concert in the Asper Jazz Series to hear the New York Voices in their Grand Finale concert tour, Winnipeg being the only Canadian stop on their tour.
Singing as a quartet for 38 years, their jazz singing was superb – with intricate harmonies, scat solos and amazing jazz vocals in the style of Lambert, Hendricks and Ross. They displayed exquisite control, and also interacted well with the audience.
Our final vocal musical experience was most revelatory and meaningful. This event was held on Sunday in the Laudamus theatre on the C.M. U. campus
It was organized by the Women’s Music Club of Winnipeg. Little did I know that club has been bringing in musicians of world stature for 130 years. If not for the kindness of our neighbours, Professors Harry and Mary Lynn Duckworth, we would not have known of this concert, entitled: “In a Dark Blue Night.” The title was written in both English and Yiddish in the program notes.
The music was performed by two wondrous musicians: Isabelle David, pianist and Sara Schabas, solo soprano. They performed a song cycle by the Pulitzer Prize-nominated, N.Y.C.-based Jewish composer Alex Weiser.
The first half of the concert consisted of Leiders by Viennese composers of the early to mid-20th century, all of whom were Jewish or in relationships with other Jewish composers. The composers included: Arnold Schoenberg, Alma Mahler, Erich Korngold, and others. Sara’s rendering of their songs and poems set to music was transcendent and emotive.
The narrator of theevent, Nolan Kehler, himself a musician and music radio host, was excellent in detailing the Zeitgeist around those Viennese composers and how they had to flee Vienna in the late ’30s. At least two were murdered in the Holocaust.
The second half of the concert was even more amazing. Alex Weiser composed music to accompany selected poems written by Jewish immigrants to New York early in the 20th century. Sara, having sung most of the songs in the first half in German, and one in English, then sang those poems beautifully – this time in Yiddish. Then, as a finale she sang a Gershwin medley. To add icing to this note-worthy cake, the pianist played the most challenging dramatic part of “Rhapsody in Blue,” knocking it out of the park
Thus, in one weekend I heard a Sarah and a Sara, and am grateful for our musical riches, especially brought to Winnipeg by both the Mennonite and Jewish communities. I am no music reviewer, but can appreciate the talent and artistry displayed by both Isabelle’s David and by Sara Schabas And, great news: Sara, who is from Montreal has landed a job teaching in the Desautels Faculty of Music. Hopefully many more of us will get a chance to hear her.
