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Jewish Heritage Centre to present talk on Western Canadian Jewish anarchists, including Feivel Simkin
By BERNIE BELLAN Maria Tarasova-Chomard is a young (24 year old) student, originally from Russia, now living in Paris, who will be presenting a talk on Western Canadian Jewish anarchists for the Jewish Heritage Centre of Western Canada on Sunday, October 3rd.
In the September 1st article I noted that I would have more about my interview with Maria in our September 15 issue, including some detailed information about certain Jewish individuals who were leading anarchists in Winnipeg in the early part of the 20th century.
I should also note that Maria is the first student winner of the Switzer-Cooperstock prize, given for an original essay on a subject relating to Western Canadian Jewish history. The Switzer-Cooperstock prize is awarded biennially, with the new student prize awarded in alternate years.
Returning to my conversation with Maria, which occurred over Zoom on August 24 while Maria was in her Paris home, I asked her “whether there were any names of well-known Jewish anarchists from Western Canada that” she could “throw out for the benefit of readers”?
Maria responded: “Yes, there were the Prasow brothers – Zalman and Israel – they were the leaders of the movement actually. Then there was Feivel (Frank) Simkin.”
Saying the name “Feivel Simkin” certainly triggered a greater interest on my part, since the Simkin name is so well known within the Jewish community. While I don’t want to preempt anything Maria might have to say during her talk on October 3rd, I’m sure reading the name “Simkin”, followed by the word “anarchist” might come as a bit of a surprise to at least some readers.
Following my conversation with Maria, I sent an email to Stan Carbone, curator of the Jewish Heritage Centre, in which I noted that Maria had said that Feivel Simkin was a leading anarchist in Winnipeg – which came as a surprise to me. I had known that Feivel Simkin had been the publisher of the Israelite Press, but beyond that, I knew nothing about the man.
So, Stan sent me a transcript of an interview that Roz Usiskin had conducted with Feivel Simkin in 1977, in which he tells his life story – also how he defines “anarchism”. Here is what he said at one point in the interview: “They believed that you should educate yourself, and then you didn’t need government to look after you.”
I said to Maria that I’d always been a little unclear how to define “anarchist”. I said to her that I thought the anarchist movement had begun in the late 19th century, but she said it actually began earlier than that – “in the beginning of the 19th century”, but the “period of the flourishing of the movement was really toward the end of the century”.
I asked Maria to give me “a Cole’s Notes definition of ‘anarchism’”.
Maria answered: “The most important aspect is that it’s a movement that believes in a society based on community, based on unity, and denies constraint and privilege.”
I asked: “But doesn’t it reject most forms of government authority?”
Maria responded: “Yes, but that comes from a rejection of constraint and privilege. Every state, every government (according to anarchists) is based on constraint and privilege – and hierarchy.”
As our conversation continued, I asked Maria how easy is it to actually identify individuals in the early 20th century in Winnipeg as “anarchists”?
She said it is difficult to do because “there are very few records and since the movement was essentially clandestine, they were actually paying attention not to keep evidence as to who was an anarchist, but when I talk about the ‘anarchist’ movement’ in my work, I talk not only about those who were directly involved in the organizations and activities of the organizations, but also everyone who was interested in the ideas – who called themselves radicals or libertarians.
“We can distinguish two circles. There was the core – the actual activists, the organizers – and there were those who participated in events, were sort of around”, but who couldn’t necessarily be described as ‘anarchists’.”
I asked what documentation might have existed that would have led Maria to conclude that the Prasow brothers and Feivel Simkin were the leaders of the anarchist movement?
Maria said it was mostly through “correspondence” among those three figures, especially correspondence between the Prasows and the leading American anarchist at the time, Emma Goldman (who actually stayed with the Prasows in their house at one time when she visited Winnipeg, Maria noted).
I wondered though, whether that correspondence would have been conducted in English or Yiddish – since Yiddish would have been the mother tongue of those early 20th century anarchists.
Maria explained that English was the preferred language of the anarchists, especially since Emma Goldman had insisted that anarchists’ writing be in English, so that it would be understood by “the generation born in America”.
As a result of this emphasis on the next generation, “a lot of their effort went into education,” Maria said.
Given the anarchists’ objection to governmental authority, I wondered whether there was a convergence between anarchism and the kibbutz movement, for instance, which was also predicted on a rejection of authority?
Maria suggested though that there was a fundamental divide between anarchism and Zionism. For anarchists, “the nation should either not exist or should only exist until there are not any nations at all. The Zionist movement (in contrast) was about Jewish nationalism. For anarchists, building the nation or an ethnic movement was not important at all.”
But, just how many identifiable anarchists were there in Winnipeg in the early part of the 20th century, I wondered? “Would they have been in the hundreds?” I asked Maria.
“Oh no,” she answered. “I’ve been able to identify only five or six of them.” (And yet, in Roz Usiskin’s interview with Feivel Simkin, he referred to Emma Goldman filling a hall with 700 attendees when she spoke in Winnipeg, so surely that must have been more than a passing interest in anarchy among a great many Winnipeg Jews in the early 20th century.)
Still, as Maria pointed out, “they may have been people who were simply interested in going to a talk.”
Was anarchism more than a “fringe movement” then? I asked.
“Oh yes,” Maria responded. “They were noticeable in the ideological landscape of the time, especially before (the Winnipeg General) Strike, in 1919. They were bringing about real change in the sense that their influence, their contribution to real projects, to social education was pretty noticeable –and pretty impressive, for the time. It wasn’t just a marginal group, even though it was a lot less numerous than some of the other currents.”
During our entire conversation, the discussion was confined to Jewish anarchists. I wondered, however, whether Maria had come across any references to non-Jewish anarchists during that period in the early 20th century?
“It’s not something I have found a lot of mention about,” Maria answered. “I know there was quite a lot of cooperation in the United States between Jewish and Italian anarchists – and with Spanish anarchists toward the 1930s, and with German groups” as well, “but in Canada it’s truly hard to say (whether there was much involvement by non-Jews in the anarchist movement). “I have not been able to find any mention of that.”
Local News
Shalom Residences Foundation to host third annual donor appreciation evening
By MYRON LOVE On Tuesday, June 16, Shalom Residences Foundation Inc (SRFI) will be hosting its third annual Donor Appreciation evening. Donors and other Shalom Residences supporters can look forward to chilling to the music of local singer/songwriter David Grenon (aka Soul Bear), who will be performing songs by Billy Joel, Elton John and other well-known artists.
For readers who are not yet familiar with Shalom Residences, the organization was originally created to care for intellectually challenged Jewish young adults. The vision was to provide them with a Jewish environment – strictly kosher group homes where all the Jewish holidays are observed and celebrated.
One of Shalom Residences’ objectives has always been to develop a community in which individuals with intellectual disabilities are fully included, self-actualized, and valued in all aspects of life.
The concept has been a remarkable success.
Shalom Residences was founded in 1980 by six far-sighted couples, including Thelma and Ernie Bronstein, Dolly and Zivey Chudnow, Min and Joe Fromkin, Roberta and Larry Hurtig, Elaine and Bobby Paul,
and Sybil and Frank Steele. The original Shalom Home was a converted house on Cathedral Avenue.
“Thelma Bronstein’s determination and dynamism contributed to making it happen,” says Elaine Paul, currently Shalom Residences’ treasurer (and for the past 20 years, the organization’s leading fundraiser).
I remember the home’s official opening. This was shortly after I started writing for the Jewish Post. Rabbi Charles Grysman affixed the mezzuzah to the door frame.
Today, the organization operates six group homes housing 19 residents as well as 12 residents in supported independent living arrangements.
While the operations today are largely funded by the provincial government – which means that the residences have to be open to accepting non-Jewish clients as well (just over half of the residents are Jewish) – the Shalom Residences Foundation funding supplements the government contribution – providing financial support for increasing staffing levels when needed, as well as extraordinary expenditures and contingencies. The Foundation has also provided the down payment for the purchase of new housing when necessary. .
The necessity of fundraising was evident right from the beginning. Elaine Paul recalls that the first Manitoba Marathon – in which all the founding parents were involved – provided the funding for the mortgage at 175 Cathedral Ave.
“We worked with Helen Steinkopf and John Robertson to develop the marathon,” Paul remembers. ”For several years, Hy Kravetsky and I worked handing out water to the runners.”
Paul relates that it was Zivey Chudnow who was instrumental in starting up Shalom Residences’ annual fundraising. “Three of Zivey’s friends,:Norman Tatleman, Sam Ostrove, and Gary Levinson, asked how they could help,” she recalls. “Their idea was to have a fundraising dinner. We combined the dinner with a lottery. We sold 60 tickets at $1,000 a piece and paid out $15,000 to the winning ticket and lesser amounts to other lucky winners.”
The organization also held annual well attended fundraising teas.
Paul reports that, for years, Chudnow was Shalom Residences’ best fundraiser – with honourable mention to Avrum Katz, Frank Steele, and the late Joe Elfenbaum. Paul took over the role 10 years ago – again with honourable mention to SRFI board members, Dr. Allen Kraut, Peter Leipsic, Donna Chudnow, Jon Feldman, and Mickey Rosenberg.
In addition, the goal was, and remains empowering adults with intellectual disabilities to live meaningful, dignified lives in community-based homes in Winnipeg, enriched by Jewish values.
Charles Tax, the SRFI’s long time president, notes that in 2017, the organization created an endowment fund with the Jewish Foundation of Manitoba. “At the time, we transferred more than half of our assets to the JFM,” he says. “We continue to make contributions to our fund.”
He notes that the annual dinners came to an end with the 20230 Covid lockdowns. The donor appreciation evenings were started in 2023.
“One of our goals is to acquire one or two more houses in the south end,” Tax adds.
Readers who may be interested in attending the donor appreciation evening or otherwise supporting SRFI can contact the office at 204 582-7064 or via email (admin@shalomresidences.com).
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Local News
Debbie Maslowsky playing lead role in upcoming Dry Cold Productions musical
By MYRON LOVE For the past 40 years Debbie Maslowsky has been entertaining Winnipeg audiences – both Jewish and non-Jewish, with her acting and singing. Arguably Winnipeg’s queen of musical theatre is returning to the stage on May 13 in a lead role in Dry Cold Productions’ upcoming “Kimberly Akimbo”.
Maslowsky is enthusiastic about the Tony-winning production, which debuted on Broadway in November 2022. “It’s a gem of a musical,” she says of the production crafted by the musical team of composer Jeanine Tesori and lyricist David Lindsay-Abaire.
The subject itself is not – on the surface – uplifting. As Maslowsky describes it, “Kimberly Akimbo” is the story of a teenager suffering from a very rare condition – progeria – also known as the aging disease. The genetic condition causes children to age at an accelerated rate causing them to die of old age while still in their teens. For those readers who may recall Rabbi Harold Kushner’s book, “Why Bad Things Happen to Good People” – written years ago, Kushner was responding to the death of his own son from progeria.
In the hands of Tesori and Lindsay-Abaire though, Maslowsky notes, the show is about mindfulness and living day by day. In the production, Maslowsky explains, “Kimberly is trying to live as normal a life as she can despite her illness. Her life is further complicated by a dysfunctional family. Her parents are dealing with their own issues. Then there is the madcap aunt who develops a complicated and hilarious plan to make money for a family road trip, raise funds for choir costumes – with some left over for herself.
“The play is very funny,” Maslowsky comments, “but also poignant. Kimberly knows that she most likely won’t live much beyond 16. Therefore, she wants to live every day to the fullest. She wants to live every day in the now. At the same time, she doesn’t want to hide from reality. She doesn’t want special treatment. She also doesn’t want people – such as her parents – trying to pretend that everything will be okay.”
Maslowsky last appeared on stage in Winnipeg Jewish Theatre’s one-woman production of “A Pickle” in the spring of 2023. That was the true story of a Jewish pickle maker living in Minnesota who had to fight to get her pickles included in the state fair pickle competition, which tried to disqualify her because her pickles were made the Jewish way through a brining process that the non-Jewish judges refused to accept.
In the interim, Maslowsky has been focusing on her longstanding business as a trade show, conference and event manage,r as well as picking up some singing gigs. She reports that she began winding down her business last fall.
She speaks highly of her younger cast mates. “They are an amazing group of young people,” she says. “For some of them, this is their first show. I myself am still learning new things after all these years.”
Maslowsky will next be appearing in the joint Winnipeg Jewish Theatre-Rainbow Stage production of “Fiddler on the Roof” in September. “I played one of the daughters years ago in an earlier Fiddler production,” she recalls. “I feel like I am coming full circle.”
Dry Cold Productions was founded by Donna Fletcher and Reid Harrison (now retired) more than 25 years ago. The company stages a yearly musical theatre production – sometimes edgy – which has played on Broadway and is new to Winnipeg audiences.
The Dry Cold website cautions that “Kimberly Akimbo” contains “strong language (with frequent profanity), mature humour, and references to sexual activity”.
“Kimberly Akimbo” is scheduled to run May 13–17, 2026 at the Prairie Theatre Exchange. Tickets can be purchased by contacting Dry Cold productions online.
Local News
The second Bar Mitzvah: Better than the first
By GERRY POSNER As we pass down the corridor of life, there are certainly times we can identify as moments we will never forget. I had such a moment on April 11 at my second Bar Mitzvah, at the Shaarey Zedek Synagogue, shared with Dr. Ted Lyons, or E. A. as I called him over the years. We were celebrating this life cycle event at the very same synagogue as the first one, that is – the Shaarey Zede. For me, it was some 70 years ago or 25,557 days – from April 21, 1956 to April 11, 2026. The notion of returning to the original place of Bar Mitzvah 1.0 was too powerful a force, causing me to abandon my plan to do this in Toronto where my wife, Sherna and I have lived for the last 13 plus years.
It was quite the weekend. We started just before Erev Shabbat with photos of our two families on the bimah. Ted had his whole family there, including his daughter Mara, her husband Sheldon, and their two daughters, as well as his son Sami, his wife Rose, and their three kids, all of whom live In Calgary, not to forget his sister Ellen and her husband Howard Goldstein, from Toronto. Our three kids: Ari, Rami and Amira, all of whom live in Toronto, along with two of my grandchildren, as well as my brother Michael from Toronto were also present.
After the Shabbat service, we stayed on in the building for our Shabbat dinner. There were 23 of us, including Michael’s partner, Ruth Grubert, (formerly Mozersky), also a former Winnipegger, as well as Rabbi Mass,his son Ranan, Rabbi Carnie Rose and his wife Pauline. It was a warm group and the dinner was gobbled up and appreciated by all of us. We were all surprised when independently, the respective grandchildren of the Bar Mitzvah “bochers” presented both of us with a kind of tribute – funny and sincere in their affection for their Zaidas.
Then came the big day. It lived up to and even exceeded my expectations. It was a sell-out crowd. I was overwhelmed just at that fact. The only thing missing from the building was the electronic ark. The respective families all participated with aliyahs and indeed Torah readings by Sami Lyons and the 83-year-old Bar Mitzvah boy Ted Lyons. Now, “leyning” from the Torah was not something Ted had done at the first go-round 70 years ago. (In fact, almost all of us were deficient in that area).
One particular moment during the service was especially meaningful for Sherna and me. In the first part of the service, there is a prayer called “Mi Chamocha.” My son Ari had written music for that prayer several years ago and now he was at Shaarey Zedek, where he had his Bar Mitzvah long ago. This time though the clergy had arranged to use his music and to sing his melody. (It had been used many times previously, but without Ari. ) Not only that, he was invited to play his composition at the service as Cantor Leslie Emery sang it. Those few moments – as we watched and listened, at this – my second Bar Mitzvah, at a place where my parents had been members for years and whose names are on the memorial plaque in the chapel, well, that was powerful, to put it mildly.
Ted and his family had various honours as did my family. I was given the Haftorah to chant. Now, I have few talents, but I can chant a Haftroah (not the most marketable skill), so that was not that much of an obstacle for me. In fact, I rather enjoyed doing this part of the service. Rabbi Rose had also given me permission to deliver a D’var Torah on the portion of the week, “Shemini”, and to discuss the meaning of this, my second Bar Mitzvah. Once I had the mic and the stage, I was ready to go in spite of my wife’s protestations that it was too long. And, in fact, as I rolled along into my Haftorah, after about 10 minutes, my parter in the double Bar, Ted, came up from behind me where he was sitting, and nudged me gently, or to put it more accurately, gave me the hook, announcing that it was time to wrap up. It was kind of comical, in fact. I got a large charge from that sudden intervention. To top it off, as I had been speaking, I noticed a congregant on my left near the front who had apparently passed out. It was alarming to me at first, but the medics came and were able to revive this person. I was told later that other first words out of the mouth were “Has he finally finished?”
We concluded the day with a rather large kiddish luncheon highlighted at least for me by traditional party sandwiches, which were a staple of the kiddishes of my youth. I met with so many people of my past, which was a treat and a half for me. I was so into the moment that It was hard to get me out of the building.
As I reflect on the day and the service, I recognized that for all of us, we have times in our lives, whether it be an hour, a day or a week, that we will never forget. This day was for me one such moment. It is etched in my memory to be relived through the Youtube video now in my possession. The gift that keeps on giving, I say.
My first Bar Mitzvah was good, for sure. This one was far better. I knew what I was doing.
Post script (After Gerry had sent us his story, he sent us something else that he said should have been included in the story): True, Ted and I had the Bar Mitzvah no 2. But we only had it because there was one person who did the real work and yet received no credit. She made all the arrangements with the synagogue for both the Friday night Shabbat dinner and the kiddish lunch after the service. She dealt with various people in the synagogue and basically took charge of our simcha. I speak, of course, of Harriet Lyons. That I failed to mention her was due to my excess focus on the eating of the party sandwiches and not enough on the reason we had them in the first place. Harriet teaches the weaving of tallits, but she stands tall in the arranging of Bar Mitzvahs.