Local News
Lifelong Yiddish advocate Oscar Antel celebrates 99th birthday
By MYRON LOVE Growing up in Winnipeg, Oscar Antel recalls, Yiddish was the every day language of our community. And, while there are few Yiddish speakers left here now, Antel, who recently celebrated his 99th birthday, has devoted much of his life to honouring the memory of his forebears in working to preserve our ancestral language (for those of us whose origins are in eastern Europe) as a living language.
However, although relatively still hale and hearty though he is – he concedes that he is looking into getting a hearing aid – he has in recent years turned over the reins of leadership in the work of promoting Yiddish to a younger generation including, among others, Lawrie Cherniack, Sharon Love and Rochelle Zucker.
Antel was born in the town of Dombrovitz in Poland in an area which is now part of Ukraine. His father Leible, came to Winnipeg in 1929 while the then six-year-old Oscar, his mother, Vittle, and sister, Shirley, followed the next year.
“I spent a year in Cheder in Poland before we came to Canada,” he recalls. “My father reasoned that once we came to Canada, I would never see the inside of a cheder.”
The family settled in the heavily Jewish old north end. Leible Antel first worked a s a pedlar, selling fruits and vegetables before going to work as a foreman at Raber Glove.
The Antels naturally enrolled their children in the Yiddish language I.L. Peretz Folk School – at the time the largest Jewish school in the community – where Oscar made lifelong friends. After finishing Peretz School, he continued his schooling at Aberdeen and Isaac Newton Schools.
In 1944, Antel enlisted in the Air Force and was shipped overseas. He was stationed in southern England, where he served as an aircraft mechanic with a mobile unit.
“We lived in tents and changed locations every evening,” he recalls. “By day, the German air force would take photos of our positions and the German bombers would come at night. “
He came home again in 1945 to his wife Bella, whom he had married just before going overseas.
Following the war, he pursued a career in accounting. “I wanted to be a chartered accountant,” he says, “but the army recommended that I take a bookkeeping course. (The Canadian military paid for veterans to enrol in post-graduate programs after the war.) I worked as a public accountant for ten years. In the mid-1950s, with Bella’s support, and having three children at home, I did go back to school and became a CA.”
His speciality, he notes, was analyzing financial statements and providing clients with financial advice.
It was in his early 30s that Oscar Antel began to assume his avocation supporting Yiddish language education and culture. He succeeded Alter Cherniack, one of the founders of the Peretz School, as chairman of the Board of Education and then president of the school.
“Over the years, I served in all of the school’s different committees at one time or another,” Antel says.
After the school was merged with the Talmud Torah under the aegis of the Winnipeg Board of Jewish Education – the two school were later combined at the Talmud Torah location on Matheson, the still-active Peretz School board, which had retained ownership of its last school building, sold the facility (in 1994) and used the funds to create the I.L. Peretz Folk School Endowment Trust (which is administered by the Jewish Foundation of Manitoba). Antel remained an active trustee of the fund until about ten years ago.
“Over the years, we have used the interest generated by our fund to promote a range of Yiddish activities,” Antel reports. “In the early days, we helped support Noach Witman’s long-running Jewish Radio Hour (which-although Witman has long since left the scene – can still be heard weekly on Sundays from 1:30-2:30 on CKJF 92.7 FM) and still receives support from the fund.”
The fund has also funded the popular Mameloshen program (A Festival of Yiddish Entertainment and Culture) from its founding in 2008 up until 2018, along with a Yiddish Teaching Fellowship, which facilitates the teaching of Yiddish at the University of Manitoba.
In addition to his leadership in Yiddish circles, Antel has served our community in leadership roles as: a member of the largely Jewish General Monash branch (he was vice-president at one time) of the Royal Canadian Legion; Chairman of Community Relations and then as Chairman of the Western Division of Canadian Jewish Congress; and as a member of the National Executive of Congress. He was the last Chairman of the Western Division and subsequently one of the founders of the Winnipeg Jewish Community Council (the precursor to the Jewish Federation of Winnipeg) and served on the Board and committees of the Jewish Community Council for many years.
Antel and Bella Antel (who passed away eight years ago)were among the first residents of the Shaftesbury Park Retirement Residence when it first opened He continued his Yiddish cultural activities after moving into the Shaftesbury – reading Yiddish stories after Friday evening services led for the first few years by Rabbi Shmuley Altein.
Antel gave up driving just three years ago. He says he is in relatively good health.
“I find that I am dozing off more often,” he says.
“I still get around. I get together regularly with my family in Winnipeg.”
Antel is the father of sons, Joel (in Winnipeg) and Jack (in Montreal). His daughter, Shelley, in Vancouver, passed away a few years ago. He says proudly that he has eight grandchildren and ten great-grandchildren.
For his birthday (on March 1) , his family arranged a Skype session. He is hopeful that for his 100th birthday, God willing, most of the family will be able to celebrate with him in person.
Local News
Bark Mitzvah at the Simkin Centre August 13, 2026
By BERNIE BELLAN On a beautiful summer day at the Simkin Centre residents and family members – along with staff, were treated to a delightful “dog day afternoon” when scores of dogs were brought to the front courtyard outside the centre to celebrate what was titled a “Bark Mitzvah.”
Now, no dogs were called up to the podium to read from the Torah – or even to bark out a blessing, although as I canvassed many owners of dogs that were there – inquiring as to whether their dogs had received any special training for the day, I was pleased to hear that many dogs came from good “Jewish homes” and were good “Jewish” dogs. (I would suppose, in the case of our own dog that would mean that she’s been spoiled rotten.)
Some owners though maintained that their dogs had been brought up quite disciplined – although to be honest none of the dogs that I saw seemed to be be rigorously paying attention to any commands. Most were of the Goldedoodle, Yorkie variety. There was one rescue dog in the midst. It seemed quite confused, surrounded as it was by all those lap dogs.
The entire event was presided over – with great humour, but also a certain amount of seriousness, by Rabbi Matthew Leibl, who explained to the very large audience why having a special day celebrating dogs was entirely consistent with Jewish tradition.
Following is part of the transcription of an interview I conducted with Rabbi Lebil following his remarks explaining why he thought holding a “Bark Mitzvah” would be a good event to have. (You can watch the entire video at the end of this story. But where there was a great deal of laughter coming from people who were listening to my interview YouTube inserted the word “laughter” – which should give you an idea how fun an interview it was.)
As Rabbi Leibl explained to me, “I’ll tell you a serious story. When I was training – and I trained with Rabbi Annabal Mass… our teacher, Rabbi Steven Glade, encouraged everyone to consider a blessing of the animals ceremony because he said it’s a monster event. Just look around. It brought out so many people. It’s one of those events you can tie in loosely to a Jewish event – which it is. I mean we did it on Rosh Chodesh Elul- the new year of the animals and this whole idea it’s very similar to Tu B’Shvat- reimagining something old from Mishna to do it like this – but look at the attendance. I mean everyone wants to bring their dog and at a personal care home they say that music, babies, and dogs are the three biggest things that get through to everyone.”
I had to ask about kashrut, however (as I’ve been told repeatedly that kashrut is an essential element of the Simkin Centre – no matter how few residents may care about kashrut. Look – if I’m sent to cover something as frivolous as a “Bark Mitzvah” you can hardly expect me to refrain from going after my pet bugaboo at the Simkin Centre – and how ridiculous it is to require that the centre remain kosher when most of the residents could care less about kashrut), so I said to Rabbi Leibl: “No milk bones here, I hope. I expect that this is a strictly kosher event.”
His response: “I’m not sure. I wasn’t put in charge of that, so I can’t say. But no one’s going to be serving them any of the food that we eat. I can tell [laughter] you that.”
I said: “I’m not sure how to read that. [laughter].”
I asked whether there were Jewish dogs mixed in with non-Jewish dogs? (Dog assimilation is a serious issue.)
Rabbi Leibl replied: It’s inter denominational. [laughter] . I guess I don’t think we check to see if the dogs were uh circumcised. “
I asked: “Are we… [laughter] Are we mixing Jewish and non-Jewish dogs?”
Rabbi Leibl: “I don’t know that dogs have a faith. I’m not sure. I think they do. I think they’re of all faiths. ”
I asked: “Okay. And you know where bark mitzvahs originated?”
Rabbi Leibl: I’m sure it’s probably something silly.
Me: “It was gay guys in New York.”
Rabbi Leibl: ” Really?”
Me: ” Yes. Because they didn’t have kids. They started having bark mitzvahs.”
Rabbi Leibl: “That was probably more of an individual dog thing. This is a communal thing. It’s just a catchy title for publicity, Bernie. It’s the blessing of the animals. That’s the real thing.”
Me: “I was told that some of these dogs are on medication – as are many of the residents.”
Rabbi Leibl: “That’s low hanging fruit, Bellan. Low hanging fruit.”
Here’s the complete video of my interview:
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
