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New documentary about David Matas chronicles his long career as a tireless advocate for human rights
By BERNIE BELLAN David Matas has achieved world-wide recognition for his life-long work advocating on behalf of repressed minorities throughout the world. Yet, as the same time as he is probably one of the most famous – and successful individuals working in the area of human rights, his unassuming and low key style would often belie the success he has achieved.
Now, in a new documentary film, titled “The Justice Hunter,” written and produced by Israeli-born Winnipegger Yolanda Papini-Pollock (who, many readers may also know is the founder and driving force behind the advocacy group, Winnipeg Friends of Israel), viewers are given the opportunity to see Matas’s life chronicled in a very interesting – and often revealing manner.
Papini-Pollock has produced other films centering around the subject of human rights, including “Never Again: A Broken Promise,” which drew upon the experiences of survivors of four different genocides (the Holocaust, Rwandan, Indigenous and Yazidi genocides); “Get Over It: A Path to Healing,” about the health crisis facing Canada’s Indigenous communities; and ‘Painful Truth: The Falun Gong Genocide,” which tells the story of the Chinese government’s horrible record of persecution – and often, execution of practitioners of Falun Gong. Stemming from Papini-Pollock’s documentary about the persecution of practitioners of Falun Gong, she developed a particular interest in telling David Mata’s story in some detail, since no one has done more to fight antisemitism and to bring to light China’s abysmal record of persecution of the Falun Gong than David Matas.
“The Justice Hunter,” however, conveys Papini-Pollock’s growth as a documentary movie-maker. Whereas “A Broken Promise” relied primarily upon interviews with four different subjects, “The Justice Hunter” uses a much faster-paced style of movie-making. Interspersing short snippets of interviews with such individuals whose lives have become interconnected with David Matas over the years, such as lawyer and former Canadian Minister of External Affairs Irwin Cotler, the film also features the voice of David Matas himself offering observations about various aspects of his career. As well, the film also includes footage showing in some detail how the Chinese government have been complicit in the persecution of the Falun Gong, along with an interesting segment explaining how Israelis had become prime recipients of organs harvested from executed Falun Gong members until that practice was exposed by Matas and he late David Kilgour, former Member of Parliament, in a book titled “Bloody Harvest,” which was published in 2005.
The film is narrated by Leah Ross, a former lawyer and student of Matas’s herself – now a music educator with the Winnipeg School Division. Ross offers her own observations about Matas’s career and how inspiring he has been to law students such as herself. In one touching scene, a group of friends gather to celebrate Matas’s 80th birthday. As the attendees at the party sing “Happy birthday,” Matas recalls the famous opening line of Charles Dickens’ “A Tale of Two Cities”: “It was the best of times, it was the worst of times,” which, he suggests, is a fitting description of his career fighting for human rights around the world.
One especially interesting insight that Matas offers at one point is how he has been able to remain somewhat detached from all the many legal battles in which he has been immersed. He notes, for instance, that while he was subject to occasional antisemitism growing up in north end Winnipeg, his family did not experience the Holocaust, and thus, he did not carry any personal baggage when he began to invest time into dealing with others who had been undergoing persecution.
In addition to focusing on Matas’s long battle of behalf of Falun Gong practitioners, in which he worked together with David Kilgour, to expose the horrible Chinese government practice of executing Falon Gong prisoners so that their organs could be harvested, the film also depicts other battles Matas has waged, on behalf of Wiegers in China (who are Muslim), and Tamils (in Sri Lanka).
Late in the film, we meet Hannah Taylor, another young Winnipeg lawyer, who has also been inspired to work with Matas, helping him to research and prepare briefs for various international bodies around the world. (Although the film doesn’t mention it, Taylor herself achieved quite some renown when, as a very young girl here, she started something called “The Ladybug Foundation,” to help Winnipeggers experiencing homelessness.)
But perhaps as well known as Matas’ work on behalf of repressed minorities in all areas of the globe has been Matas’s efforts to combat antisemitism. As legal counsel for B’nai Brith Canada, Matas’s work investigating Nazi war criminals in Canada is also explored in the film. Snippets of interviews with Michael Mostyn, Chief Executive Officer of B’nai Brith Canada, and Alan Yusim, former Midwest Regional Representative for B’nai Brith Canada, reveal just how extraordinary Matas’s contribution to fighting antisemitism in Canada has been for many years now.
I asked Yolanda Papini-Pollock what led her to want to make a film about David Matas’s career?
She answered: “The idea for this film came from Professor Emeritus Maria Cheung, with whom I previously collaborated on Painful Truth: The Falun Gong Genocide. In that project, we interviewed David Matas about his groundbreaking research into the forced organ harvesting of Falun Gong practitioners in China. The Falun Gong community deeply appreciated David’s tireless efforts to expose these atrocities and wanted to create a tribute to honour him. Professor Cheung along with JadeRose Film and TV productions approached me with the idea, and I was delighted to take it on, as I greatly value David’s work in human rights and his contributions to not only the Jewish but also to communities across Canada and around the world.”
Papini-Pollock says it took her about a year to make the film.
I asked her though, where it might be seen?
She says “B’nai Brith Canada is planning a screening on December 17 in Winnipeg to honor David Matas’ contributions as their senior legal counsel. They also intend to host a screening in Ottawa in February.” The film can also be viewed at https://www.ntdfilms.com/the-justice-hunter/
(I would think “The Justice Hunter” would fit well into the program schedule of a network such as Vision TV, which I’ve contacted to suggest it ought to consider airing the film).
In addition to the film, “The Justice Hunter,” Papini-Pollock has also produced a picture book by the same name, intended for grade school children. She explains that “The idea for the book came to me during the production of the film. As I learned more about David, I felt it was important to share his story with young children as well. David expressed a desire for the film to inspire others to take up human rights work, and I realized that introducing his story to children could be impactful. The challenge, however, was to present his work in an age-appropriate way—something that could inspire without overwhelming or frightening young readers. Crafting a story that balanced these elements was both a struggle and a rewarding experience.”
Papini-Pollock adds that “The book is now available for purchase on various digital platforms, including Amazon, Indigo, and Barnes & Noble, in both soft cover and digital formats. Christine Melnick from Sharing the Magic of Literacy has shown interest in distributing it to schools and remote communities.”
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
