Local News
Rady JCC to restart cultural programming after long hiatus
By BERNIE BELLAN
Of all the Jewish organizations that have been hit hardest by the lockdown under which we have all been living to one extent or another since March 2020, none was more adversely affected than the Rady JCC.
While fitness programs continued to be offered, although on a much reduced scale and under careful monitoring provisions, all cultural programming was eliminated from the Rady JCC’s schedule quite early on.
Then, when the provincial government ordered increased lockdown measures for fitness facilities, first under Code Orange, then even more stringently under Code Red – when all fitness facilities were ordered to close completely, the Rady JCC found itself having to pare its staff to the bone, with the exception of its child care operations, which the provincial government ordered to remain open – even under Code Red.
However, other JCCs across North America had responded to the pandemic in a variety of ways, including a host of different online programs, so we were somewhat puzzled by the Rady JCC’s not offering any programs at all, beyond some online fitness programs.
Recently, the Rady JCC announced though that it will be returning with an enhanced series of online cultural program beginning this month, including a brand new Music ‘n Mavens series, a jazz series, some sort of collaboration with the Gwen Secter Centre on a speakers series, and an international Jewish film festival.
Although dates have not been established yet for all programs, according to Rob Berkowits, executive director of the Rady JCC, details are about to be announced imminently (perhaps even by the time you read this).
We spoke with Rob about some of the challenges with which he’s had to deal – especially financial ones. He noted that the Asper Foundation has now played a crucial role in helping to restart cultural programming – something that until quite recently, Rob said, he wasn’t sure could be offered at all for the foreseeable future.
“We operate like a business,” Rob explained. When pressure started to be put on the Rady JCC to begin offering some sort of online programming, “it wasn’t as simple as simply setting up a camera” and begin filming various cultural events.
The financing had to be in place first, he noted. And, while other JCCs, such as Vancouver’s, have continued to offer a wide range of online programming, throughout the pandemic, “Vancouver kept charging members” without any freeze on memberships – unlike Winnipeg, where all memberships have been frozen since the end of August,” Rob explained. (Members at the Rady JCC have been asked instead to consider donating their membership fees to the Rady JCC, for which they would receive charitable tax receipts and Rob did note that many members have done exactly that.)
While the Rady JCC did find that, as a result of the pandemic, it had $700,000 less in revenue by the end of September than it had budgeted, Rob did acknowledge that financial assistance from the federal government in the form of a $700,000 grant did manage to offset that financial hole. In fact, the year end financial report of the Rady JCC did show a surplus of $40,000 in revenues over expenditures, but it was clear that some major cutbacks were needed in order to be avoid going severely into debt – with no prospect of digging out of that hole.
As a result, in the fall there were major layoffs across the board, including every staff member except for childcare staff, and only four other staff: Rob himself, Zach Minuk, Director of Development, Partnerships & Communications, and two members of the finance department, Barry Miller and Victoria Morton.
One of the major challenges the Rady JCC has had to deal with has simply been being able to continue paying its monthly rent to the Asper Campus. As one can well imagine, just keeping the Rady JCC open incurs major operating costs.
And, while the Rady JCC has received financial assistance from the Jewish Foundation (in the form of $92,000 in emergency allocations, which were part of the three-phased rollout of emergency funding the Foundation has provided to a huge number of local Jewish organizations), the loss of revenue from such sources as the annual sports dinner has had a huge negative impact, in addition to the loss of membership revenue.
Rob, though, did acknowledge help that’s been given by individuals within the community, saying “We have been receiving some very kind donations”.
In his email to members announcing the new cultural programs that are about to begin starting with Music ‘n Mavens (Tuesdays and Thursday) this month, Rob wrote:
“Finally, to our members, our partners, and our community: please know your ongoing love, outpouring of support, and constant generosity allows us to continue to push forward and work tirelessly, ensuring that when we can reopen our doors, we will be ready to welcome you home.”
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
