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Shaarey Zedek about to embark on $14 million reconstruction of existing building

Artist’s rendering of proposed
seating in revamped sanctuary area

By BERNIE BELLAN Shaarey Zedek Congregation is about to embark on the first major renovation of its building since the 1970s.
We’ve reproduced renderings that were drawn up by representatives of Number TEN Architectural Group, which is the firm that has been engaged to develop plans for the soon-to-be totally renovated Shaarey Zedek building.

Where we are at now is that, after a long process of planning and consultation which began several years ago, Shaarey Zedek Congregation will now embark upon the next stage of the process, which will involve, in the first phase: asbestos remediation, repair/replacement of the roof, and HVAC replacement, followed by the renovation and modernization of the interior of the building.
In a message to congregation members, which was signed by President Gary Hyman and Executive Director Ran Ukashi, and which was a prelude to a Zoom session on Wednesday, Oct. 14, the following background information was given:
“Several years ago, Shaarey Zedek senior leadership began discussions regarding the undertaking of a capital campaign to address building-related issues including asbestos remediation, roof repair/replacement, and HVAC replacement. Given the nature of the work required, consideration was also given to renovating and modernizing the interior space as it had not seen much in the way of a refresh since its opening in 1949.
“In 2018, the leadership consulted with an architectural firm regarding the project and conducted a limited feasibility study to determine the appetite among the membership to support a capital campaign to cover the cost of the project. Number TEN Architectural Group was engaged to develop a preliminary design concept based on the feedback received from a small committee that was formed at the time. In the years that followed there would be matters and circumstances that delayed further action on the project, but the issues regarding the building did not disappear and the project remained at the forefront of the agenda.
“At its meeting on September 1 of this year, the Shaarey Zedek Board of Directors moved to proceed with the L’Dor Va Dor (From Generation to Generation) Capital Campaign to support the project and approved a budget of $14 million in this regard.”

proposed new dining area

At the meeting on Oct. 14, which was attended by some members of the congregation in person, while others joined in via Zoom, three members of Number TEN Architectural Group: Architects Dave Lalama and Brent Bellamy, along with interior designer Ivy Bricker, showed a number of artists’ renderings that gave various options for how the sanctuary and adjoining areas might look. They also showed drawings of the lower level, including a proposed coffee bar – something that elicited a number of critical reactions from congregation members.
Prior to the visual presentation by the representatives of Number TEN Architectural Group, Chair of L’Dor Va Dor committee Neil Duboff, outlined the guiding principles that lie behind the proposed reconstruction of the synagogue.
Included among those principles is the goal to “attract new opportunities and ventures for Shaarey Zedek”. While there was no specific mention of the loss of major life cycle events, including weddings and B’nai Mitzvahs, to other venues in recent years, the proposed renovations would certainly bring the Shaarey Zedek up to a much modern level when it comes to offering a venue for social occasions.
During the Number TEN presentation, the representatives of that firm made the following observations about major concerns that members have with the existing building:
• Lack of multifunctionality
• Lack of flexibility
• 85% of the space is used 15% of the time – the existing space can be used more efficiently
They then noted the following priorities:
• Creating a space that is appealing to the next generation (l’dor va dor) through the creation of a modern, comfortable, inviting interior refresh
• Providing opportunities for joint use between the event space and sanctuary
• Creating more flexibility and functionality by providing greater connection between spaces
• Creating a solarium space that takes advantage of the natural light and river access to create a welcoming opportunity space
• Improvements to the health and quality of the building through HAZMAT (Hazardous Material Abatement Program) and improvements to the mechanical, electrical, lighting and AV systems
• Integrating suspendibility into the design

proposed new downstairs lounge

During his remarks, architect Brent Bellamy referred to the longstanding place the Shaarey Zedek has had in the annals of Winnipeg architecture, saying that it is “a masterpiece of modernist architectural design”.
However, some of the most beautiful features of the sanctuary have long been hidden as a result of renovations to the building that were undertaken in the 1970s. Architect Dave Lalama explained that “some beautiful windows (in the sanctuary) are hidden by walls. We want to have them visible.”
The reason those windows became hidden, Lalama went on to note, is that the ventilation system that was installed on the roof was “so heavy – the ceiling had to be dropped” in order to be able to build up the roof to support the added weight.
Making use of existing sunlight is one of their key goals, the architects said, along with offering views of the river from inside the building.
As far as seating goes, there will be a number of options for congregation members to consider, including having armchair seats – as opposed to the current benches, also opening up the chapel area so that there is no barrier between the chapel and the main sanctuary. (During the question and answer session, however, more than a few participants voiced objections to removing the barrier between the chapel and the sanctuary, saying that the close-knit atmosphere in the chapel is what makes it so attractive.)
Following the presentation by Number TEN, two representatives of Akman Construction, Jared Akman and Marshall Weinstein, spoke about the remediation and renovation of the building which Akman will undertake. The remediation process is about to begin sometime in the spring of 2022, Akman said. (Akman Construction has been involved in the planning process for four years, according to Weinstein, who is the project manager.)
Weinstein explained that the renovation in the 1970s “covered up asbestos”. As a result, he said, “the whole ceiling has to come out”.
During the remediation process, “everyone will have to come out of the building,” Weinstein added.
The components of the remediation process will include:
• Removal of the interior ceiling and replacement of the entire roof
• Removal of tiles
• Replacement of mechanical systems. As Marshall Weinstein explained, “All piping has asbestos that will have to be removed.”
Following the remediation process, which Weinstein said will last from six to seven months, the renovation and construction process, which is expected to last another 20-22 months, will commence.
During the period of remediation and renovation the Shaarey Zedek is planning on making its temporary home in the Masonic Lounge, which is situated at Confusion Corner, Neil Duboff said.

 

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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May

Sara Kreindler

By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”

Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”

All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”

Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man

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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa

The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:

“Dear Members and Friends,

“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel  where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.

“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”

Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018. 

In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:

The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.

Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York. 

He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.

Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.

He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.

In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.

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