Features
A life snuffed short: 49 years ago a brilliant young med student by the name of Aron Katz drowned in the Whiteshell in the course of saving his own younger sister herself from drowning
By BERNIE BELLAN On July 21 I received an interesting email from someone by the name of Reid Linney that immediately aroused my interest.
Here is what Reid wrote: “Hi, I’m a member of St. John’s High School’s Class of 1969. We celebrated the 50th anniversary of our graduation in 2019 and embarked upon a fundraising effort for an annual scholarship. The scholarship honors our classmate, Aron Katz.
“In 1973 he gave his life while saving his sister from drowning.
“Aron was in med school at the time.
“Our class, and members of Aron’s family, raised enough money to fund an annual scholarship of $2,500.
“It’s awarded to a graduating student who shows academic promise and exhibits both personal courage and empathy for others.
“On Tuesday, August 16, at 9:00 am we’ll be meeting at the school to install a memorial plaque on the Alumni Wall.
“If you have any interest in joining us, please feel free to do so…
“Cheers,
“Reid Linney”
Reid’s email intrigued me. I admit though that I had never heard of Aron Katz, although he would have been only two years older than me at the time of his death. I responded to Reid:
“Hi Reid,
“This is a very poignant story. It reminds me of another story – also about a St. John’s student who died tragically around the same time (in 1971). Her name was Rebbie Victor. (She was shot by accident by another student in a prank gone terribly wrong because no one realized they were playing with a loaded gun.)
“I wrote about her in 2020 and that story really resonated with readers…
“Regards,
“Bernie Bellan
“Publisher,
“The Jewish Post & News”
Attached to Reid’s email was the text of the plaque that will be dedicated on August 16:
ARON KATZ
1951-1973
Graduating Class of 1969
Aron was an exceptional young man of great intellect and even greater courage, who in the summer of 1973 was about to begin his third year of Medicine at the University of Manitoba. He gave his life while saving his younger sister from drowning during a camping trip in the Whiteshell and was posthumously honoured for his heroism with Canada’s second highest award for bravery—The Star of Courage.
Incredibly bright, unselfish, kind and humble, Aron was the second youngest of seven children who grew up under very modest circumstances in an old wooden clapboard house on Alfred Avenue. He had an exceptional thirst for knowledge and was a valued member of St. John’s High School’s “Reach for the Top” team, a televised, academic quiz show in which the best and brightest from Winnipeg high schools competed. Aron made friends easily, loved sports and was a huge Jimi Hendrix fan. He dreamt of being a doctor one day in order to help others and had just completed the first half of his medical degree.
At their fiftieth anniversary reunion, Aron’s fellow graduating classmates from 1969 (Room 333 – The Theatre Room) decided to honour him in perpetuity with an annual scholarship in his name, recognizing a graduating student each year who best demonstrates academic promise and exhibits empathy for others; in particular, one who has shown extreme courage when faced with a significant challenge in their life. Donations were made by twenty-six members of that class, together with Aron’s five surviving siblings
Aron Katz left this world much too soon. May his memory and legacy last forever. God bless him.
The above photo from the 1969 St. John’s yearbook shows Aron Katz (seated, second from left), with the other members of the school’s Reach for the Top team, along with their two coaches.
The caption in the yearbook only gave first names and, while I recognized two of Aron’s teammates: Lenny Leven (seated to Aron’s left) and Ricky Kraut, along with Bernie Melman (standing, right), who went on to become vice-principal of Joseph Wolinsky Collegiate, I wasn’t sure who the “Harvey” in the photo was. After running an OCR program on the St. John’s yearbook, I discovered that Harvey was Harvey Koffman – who was the only Grade 10 student on the team.
I was also pretty sure that the “Mr. Carr” in the photo must have been Alex Carr, brother of Jim and Robert, but it was only after I confirmed that with Fern (Zamick) Carr, Alex’s wife, that I could write with assurance that it was indeed Alex Carr.
Interestingly, after I emailed Fern Carr, asking her about the photo, she responded with her own story about herself having been on the Gordon Bell provincial champion Reach for the Top team.
Here is what Fern wrote:
“Al taught at St. John’s from 1967 – 1999, and besides being Aron’s coach, was his chemistry teacher. I showed him the photo and it really brought back memories – thanks.
“You know, I was on the RFTT team (as a student from Gordon Bell) while Al was the St. John’s coach. We probably unknowingly were at the same tournaments together. Another coincidence is that Al’s Baba Leibe lived directly across the street from my baba and zaida on St. Anthony. We both visited our respective grandparents every Sunday, again though, before we knew each other.”
Reid Linney had also attached a brief clipping from the Canadian Press about Aron’s death:
“PINAWA, Man. (CP) – Aron Katz, 19 (Ed. note: he was actually 21), of Winnipeg, saved his 14-year-old sister Marian (Ed. note: her name was Miriam) from drowning Tuesday in Big Whiteshell Lake but lost his own life. RCMP said when the girl ran into trouble swimming, the youth pushed her to several other swimmers, then drowned.”
Once I finished reading Reid’s email, along with a couple of the attachments he sent, I set out about trying to learn as much as I could about Aron Katz. I’ve noted before that nothing resonates more with readers than learning of a young life – full of promise – snuffed out suddenly and totally unexpectedly.
Subsequently, I was able to find Aron’s obituary on newspaperarchive.com:
ARON KATZ
“On July 10, 1973 accidentally in Whiteshell Provincial Park, Aron Katz, aged 21 years, dearly beloved son of Mr. and Mrs. I. Katz of 497 Alfred Ave, and precious brother of Shirley, Dr. Saul, Matylda, Ann, Ronia (Mrs. Larry Epstein) and Miriam. Services were held July 11 at the Chesed Shel Emes and interment in the Hebrew Sick Benefit Cemetery. Aron was a third year student at the University of Manitoba Medical School. In lieu of flowers, contributions to a memorial fund may be sent to the University of Manitoba Medical School.”
I was also told that two of Aron Katz’s good friends were David Manusow and Gerald (Yosel) Minuk – both of whom had been schoolmates of Aron’s at St. John’s, also colleagues of his in medical school.
David Manusow told me that he had written a tribute to Aron on the occasion of the 50th anniversary of his St. John’s graduating class’s reunion. David sent me the text of his tribute:
Aron Katz
(1951 – 1973)
Written and delivered by David Manusow on Saturday, August 17, 2019
“This is dedicated to the memory of our dear classmate and friend, Aron Katz, who died accidentally in the Whiteshell on July 10, 1973 while saving his younger sister from drowning.
“It would be remiss of me to try to improve upon the eloquent tribute to Aron written by his sister Shirley that Danny (Bronstein) just read, but I would like to elaborate on some points, as well as share some personal reminiscences.
“Aron was the second youngest of 7 children, all academic stars, who grew up under very modest circumstances in an old, white 2-1/2 storey wooden clapboard house on Alfred Ave. (Many years later, I still recall Aron complaining that the sound of mice scurrying about in its walls interfered with his studying!)
“As you his classmates know, Aron was extremely intelligent, unselfish, kind and humble. He had a thirst for knowledge and acquitted himself well as a member of the Grade 12 ‘Reach for the Top’ team. He was also a huge fan of Jimi Hendrix and Cream.
“While we were friendly in high school, we didn’t really become close until university. We shared the same aspirations and took most of our pre-Med courses together. I can remember studying Organic Chemistry through the night with him out at the Fort Garry Campus, as well as a frigid winter evening in Kildonan Park triangulating stars for our Astronomy course. Because I didn’t have a car, Aron would pick me up in his family’s huge black 1955 Buick Roadmaster to write our exams.
“After we were both accepted into Medicine in the fall of 1971, we became even closer. We sat beside each other in lectures, and took all of our labs and spares together. We also car-pooled together that first year (along with Yosel (Minuk) and Morley Shatsky). At the end of that year, Aron bought a brand new Datsun 510 4-door sedan (navy on white) for the then-princely sum of $2,300.00. He was immensely proud of that car and loved driving it.
“With the demise of that car pool after first-year, Aron and I decided to ‘go it alone.’ “Always considerate and never one to complain, Aron travelled at least 2 miles out of his way in the opposite direction each day to take me to and from school. I have fond memories of spending the occasional Friday afternoon at the Balmoral Hotel bar with Aron, reviewing our ‘surface anatomy.’
“I can also recall when Aron and I, and his longtime sweetheart Lorraine Shapiro, celebrated after the Xmas ‘Comprehensive’ in 2nd year by going to the old downtown Met to see the movie, ‘The Stewardesses’ (in 3D, no less!). Unbeknownst to us, and much to our collective embarrassment, it turned out to be an X-rated pornographic movie that was subsequently banned. Incidentally, at least a third of our 2nd year Med School class happened to be there as well that evening, celebrating!
“Aron was an extremely good student, and at the age of 21, had just completed his 2nd year in the U of M’s Faculty of Medicine. He had spent his first and was just starting his second summer in the Medical Microbiology Dept. working on the Australia antigen/Hepatitis B virus. He enjoyed medicine and was looking forward to beginning his 3rd year in September, 1973.
“Always an avid camper, in early July Aron took his little sister Miriam camping at Big Whiteshell Lake and well, now you know all the rest. I received a call that evening from Morley Shatsky (who lived across from Aron) informing me that Aron had drowned. The next day, Aron’s only brother Saul contacted me, requesting that I be a pallbearer. It was the saddest, most emotional funeral I have ever attended.
“And thus it all ended. I would now ask that you all rise for a minute of silence to remember our dear friend and classmate, Aron Katz, a young man of great intellect and even greater courage, who left this world much too soon.
“May his memory and legacy last forever.
“Thank you.”
I also heard from Gerald (Yosel) Minuk, who told me that he had only a few things to add to what I had already gathered:
“Thanks for the opportunity to contribute to your story on Aron Katz (z”L) but I’m going to disappoint you. I’m afraid that over the past 50 years since his passing, only three of my memories remain.
“The first was as his classmate at St John’s high school where I remember being amazed (and somewhat envious) of the wide breadth and depth of his knowledge. That impression, which was shared by his classmates and the entire school, was supported by the fact that the success of the school’s ‘Reach for the Top’ team largely rested on Aron’s shoulders.
“The second memory was as a member of his university carpool where Aron would often recount with much pride the various accomplishments of his family (but never himself). “Aron was particularly proud of his older brother who I believe was in medical school at the time and went on to become a highly regarded emergency physician out east.
“Finally, as mutual members of the medical school’s Class of 75, I recall how sad it was to learn of Aron’s passing. Not only for his family but also for the discipline of Medicine itself. Aron was one of those fortunate individuals who had been gifted with both exceptional knowledge and compassion, attributes that are essential to becoming an exceptional physician.
“In closing, I might also point out the serendipity as to how Dr Eadie’s account of a drowning came to Reid’s attention. Shortly after my wife and I had purchased our cottage at Big Whiteshell lake in the early 1990’s, an elderly lady was going door to door selling an anniversary book of the lake that contained stories submitted by lake cottagers. I purchased a copy and it sat on our bookshelf for several years until my wife decided to thumb through it. On reading Dr Eadie’s submission, she asked if the story could be about my friend the medical student who had drowned while saving his sister that I had once told her about. My initial reaction was that it couldn’t be as I was under the impression that Aron had drowned at Winnipeg Beach or perhaps Gimli but on reading the story, I realized it might be Aron. So when Reid decided to pay tribute to Aron by establishing the Aron Katz Memorial Scholarship at St. John’s High School, I sent Dr. Edie’s story to Reid.” (Ed. note: Subsequent to publishing this story in the August 3 issue of The Jewish Post & News, Reid Linney was able to get in touch with Dr. Eadie’s daughter, Sheelagh. Sheelagh said that, while the story of Aron Katz’s drowning was eerily similar to the drowning about which her father wrote, it is almost certain that Dr. Eadie wrote about a drowning that occurred in 1975, not 1973.)
Features
Is Netflix’s new show the most Jewish cartoon ever?
Nearly every episode in ‘Long Story Short,’ from the creator of ‘BoJack Horseman,’ revolves around a very Jewish moment
By Mira Fox, PJ Grisar, Olivia Haynie and Nora Berman August 22, 2025
This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
The following contains light spoilers for the Netflix show Long Story Short.
The Schwooper family, the central figures in the new animated Netflix series Long Story Short, are diverse and unique — religious and atheist, gay and straight, farmers and businesswomen. Simultaneously, they are basically like every Jewish family you’ve ever met.
Naomi (Lisa Edelstein), the family’s domineering matriarch, is constantly nagging her kids to do better — her youngest son Yoshi (Max Greenfield) should be more professional; Shira (Abbi Jacobson), the middle child, should wear more dresses; her oldest, Avi (Ben Feldman) should be more observant. Her kids are constantly rolling their eyes and responding with sarcastic jabs. You’ve certainly seen this family. Maybe you’ve lived it.
The show, from animated hit BoJack Horseman’s creator Raphael Bob-Waksberg, isn’t linear; it jumps across the decades to show us snapshots of the young Schwoopers circa day school as well as their own parenting during the COVID pandemic and its aftermath. (Season 1 ends in 2022.)
Though the Schwoopers face crises that could befall any family — like Yoshi signing up for a multi-level marketing scheme involving spring-loaded mattresses — many of the show’s plotlines grapple deeply with Jewish identity.
Avi wonders if being Jewish simply means staying insular, eating fish that looks like a brain and being constantly afraid; Yoshi has a bar mitzvah crisis, struggling with what the rite means if you don’t believe in God; Shira is desperate to get her kids into day school, and is convinced it is only through making her mother’s knishes that she can win the administration’s approval.
The show takes a thoughtful, specific approach to Jewishness. But it also feels no pressure to explain itself, leaving plenty of Jewish moments that might not land, or even make sense, if they don’t reflect your experience.
Which left the Forward’s culture team with a lot to chew on. Who is Long Story Short for, and what is it saying? Read on for our discussion.
Jewish representation and Jewish clichés
Mira: I really liked that this show was not heavy-handed with its depictions of actual Jewish practice and identity. And I loved that we had a lot of really realistic different depictions. We have the oldest brother, Avi, who has sort of rejected Judaism, and resents it; he married a non-Jew and isn’t raising his daughter Jewish. Then there’s Shira, the middle child, who is gay — but even though her family looks different, she has pretty much stayed true to the Conservative Judaism she was raised with, and is sending her kids to Jewish day school. And then there’s Yoshi, the youngest, who ends up forging a totally different Judaism from his family, after a winding and experimental journey. I know lots of Yoshis and Avis and at least a few Shiras.
That being said, some characters’ sort of Jewy affect did rankle me a little. My mom and particularly my maternal grandmother absolutely do fit the show’s depiction of an overbearing Jewish mom. But as accurate as that feels to me, it also feels a little overdone; haven’t we told the jokes about the nagging Jewish mother enough times? It felt like a little bit of a cop-out because it’s such a trope. It’s an easy way to make a show feel really Jewish, but not an interesting one.
Nora: At first, I felt like the show was building up to be a deeper revelation about who Naomi was. There’s a really moving moment in an episode that flashes back to when she was a kid, and she cuts herself with a brooch to get her chaotic family’s attention. I thought, OK, we’re finally getting into it, this will be the episode where we learn who Naomi is. But it didn’t get explored.
Similarly, with Avi, I wanted to know what the roots of his Jewish disaffection were. He just comes off as a grump that Shira makes fun of for being a self-hating Jew. There were moments where I thought we’d get a deeper character study, and it didn’t fulfill that promise.
PJ: I think part of what it’s trying to do, with this fractured storytelling, is reflect the flow of when you’re with family and you’re remembering things. The conversation is discursive, it goes back and forth in time. We don’t talk about these things in a linear way.
The show feels like a blank check for Raphael Bob-Waksberg to make whatever he wanted after this huge success with BoJack Horseman, which was a weird and funky show, basically about Scott Baio as a horse (and a Democrat). What is interesting about Long Story Short was that it is living in this real place of specificity and isn’t afraid to do that.
Based on my conversation with Bob-Waksberg, he didn’t want to be boxed in. So it’s a Jewish show that’s not about antisemitism. And it doesn’t want to touch Israel because it’s just not interested in that. These people have rich Jewish lives and through these three siblings we have this dialectic with different ways to engage with being Jewish. I found it refreshing.
On the show’s approach to diversity
PJ: I want to talk more about the Nicole Byer character, Shira’s wife, Kendra. When we first meet her, it is clear she’s Jewish. And I think we were all hoping that it wouldn’t be explained, because why would we have to; Black Jews exist. But then it’s revealed that she’s a convert, and we have this moment with her in the Vidui prayer on Yom Kippur. And the story we’re given about how she ends up finding Judaism feels a little contrived.
Olivia: That’s something I thought a lot about. Black Jews are still treated as an anomaly, as something that needs explaining. When they meet at the grocery store while shopping for Rosh Hashanah dinner, the show seems to make fun of Shira for being so presumptuous when she tells Kendra that it’s nice she got invited to a Rosh Hashanah dinner. Kendra asks, “Why are you assuming, how do you know I’m not hosting?”
But then in the next episode, it sort of seems like she was right to assume that. We find out that Kendra became interested in Judaism as a way to explain a sudden absence from work without getting in trouble. It was very Black Cindy from Orange is the New Black — she’s converting to get something out of it. They turn it into a genuine moment, but why did she need to be swindling her way out of something?
I also think the show oversimplified how accepting Naomi would be of a Black daughter-in-law. She can’t stand Avi’s “shiksa” girlfriend, but Kendra is perfect? From what I know about interracial relationships, I wouldn’t say that is likely.
Mira: I think the smoothing of how diversity is received in general was interesting. Not just with Kendra’s conversion moment, but also with her and Shira being queer. It’s not really touched on if that would be an issue for them at all in the synagogue or day school or with any of the family, and I think it almost certainly would be, at some point.
The audience for the show
Mira: I wonder what the sell for this show is. I know that I am overwhelmed every time I open a streaming app by the sheer volume of new shows I’ve never heard of. And if there’s not some big monocultural show like Succession that everyone is watching, or nothing that I go in searching for, I have trouble choosing. While “cartoon about Jewish family” obviously will appeal to a certain set of Jewish families, who else is going to watch that? I’m sure some BoJack fans will watch, of course, but I wonder if they will stay.
Nora: What is Raphael Bob-Waksberg saying about Judaism? We think he got a blank check to make this show, and he does present this diversity of American Judaism. But I’m still curious about which parts he chooses to tease out more and which he doesn’t and why.
Olivia: It feels like the show is really for Jews. I really couldn’t imagine non-Jews watching this. I was thinking it will be a word-of-mouth show, like they read about it in the Forward or hear about it from their kids.
I think there’s things you just can’t understand if they’re not explained to you. Like when Naomi explains their observance level.
PJ: The way Naomi describes their practice is “progressive, Conservative, ritual over faith and blind practice. That’s literally the only way it makes sense.”
Olivia: That makes perfect sense to me because it’s like my grandparents. My grandmother would cook bacon, and they didn’t believe in God, but it was super important to them that their grandkids were raised Jewish in a synagogue. But when my mom stopped eating shellfish and pork, her parents never knew because they’d make fun of her — that’s too observant. Even though they were huge members of their congregation.
That said, I did think that some of the references that would have been inside jokes will make sense because of how much Jewish organizations have been in the news, like a bit about a bar mitzvah check that’s a donation to the ADL.
Mira: I agree that a lot of stuff is going to fly over some non-Jews’ heads, or even some Jews’ heads. But I also think that is what makes this show good, and not annoying or didactic. I’ve written so many reviews of Hallmark Hanukkah movies complaining about how they feel the need to put in these awkward, forced explanations. A character will say something like: “Hey, do you want to come spin the dreidel? It’s my favorite traditional Hanukkah game! Gee, I just love those chocolate gelt coins.”
If I don’t want a show to explain every little Jewish thing, I think it looks like Long Story Short. Maybe not everyone gets every joke. But that means it is going to be a richer text for Jews. Even in places where I maybe wanted more development, I didn’t need it. I know so many people who have, for example, converted or are in an interfaith relationship, so I have a depth of references that I extrapolate from to enhance or enrich my understanding of the characters.
What does the show say to Jews?
PJ: I think that it’s not meant to be prescriptive or say anything definitive. When I spoke to him, he said he had a lot of ideas and he didn’t feel the need to decide anything. He could just let the characters talk through things. Which I think is not a cop-out, actually, it’s a very Jewish approach.
Nora: It’s refreshing that it’s not about what it’s like to be a Jew after Oct. 7. It’s not that it doesn’t deal with deep themes, but it’s just a family of Jews existing, and we don’t need to explain anything about it. They deal with maybe internalized antisemitism, or grief, or wrestling with how they want to be Jewish in the world. But it’s not so angsty.
Mira: Because Abbi Jacobson from Broad City plays Shira, I was thinking a lot about Broad City while I watched, and where Long Story Short fits into the canon of Jewish media.
I felt like Broad City offered a new model of Judaism for our generation, where some of these old tropes about nagging Jewish mothers or Jewish American Princesses or Jewish guilt were present, but the characters didn’t feel weighed down by them. The show offered this very empowered version of Jewish femininity that wasn’t about competing against shiksas or being scolds. Abbi and Ilana got to be fun and irreverent in their Jewishness, like when they made a huge deal about fasting for Yom Kippur and then broke it with bacon, egg and cheese sandwiches and didn’t feel bad about it at all.
I think Long Story Short is very much about the younger generation trying to figure out their relationship with Judaism, but it doesn’t offer as clear of an idea of how they do so as Broad City did. But it’s clear that all the children feel some need to reinvent their Jewishness.
Olivia: Crazy Ex-Girlfriend is one of the shows that comes to mind for me, and the mother in that has so few redeeming qualities. There’s that whole song, “Remember How We Suffered,” that’s talking about how the only thing Jews do is talk about the Holocaust. There’s really no representation of Judaism outside of it being a chore. And Broad City was refreshing in that way — the mother in it was a stereotype, but she and her daughter have a great relationship.
I think Long Story Short was refreshing in the sense that Judaism isn’t only a burden, there’s a value and a richness to it.
PJ: I think this show is continuing in a longer tradition, maybe starting with Philip Roth and Portnoy’s Complaint, of Jews writing without their own institutional PR in mind. Not to make us look noble or good, but to present us as openly flawed. That continues on through the Coen brothers and A Serious Man, where it’s incredibly Jewish but not particularly flattering. Now we’re at this point where we don’t have to care so much about making a political statement or to dig so hard to critique our own community. It’s more tender, it’s coming from less of an angry place, but it still feels part of that tradition. We can approach with love but with an awareness that some stereotypes exist for a reason.
Like there’s this shyster-y lawyer character, the uncle, played by Danny Burstein. We go back and we see the family has a running joke about him. It is acknowledging that this uncle guy is a type of person who exists, but it’s also the type of person we make fun of — they’re a source of humor. We’re all in on the joke.
Nora: I kept thinking about the show Transparent; I think it is just sort of nice to see a family with a lot of tenderness going through these evolutions and challenges without having to justify it. It doesn’t shy away from stereotypes, but lovingly engages with them.
I also really appreciated the way it was talking about what it’s like to be marginalized as a Jew in America without it being didactic or political. I’m thinking of the episode where they go to school for a Christmas show, and the songs — one of them has the lyrics “Hanukkah, Ramadan, Kwanzaa too — we tolerate them all, but there’s nothing like Christmas!” That is exactly what it’s like to be a Jew in America at Christmas, where everyone is goading you to just participate because everyone loves Christmas. It’s just such a specific experience that I’d never seen represented.
Mira: Long Story Short might not give a lot of factual information about what it means to keep kosher or anything like that, but I think it does a good job at presenting Jews of all levels of observance as normal people who are also a relatable American family.
What do we want to see in the second season?
Mira: I’d love to see Shira’s coming out, and the first time she brought Kendra home, to know how her family came around to loving her wife so easily. I also want to see more of Yoshi’s Jewish journey, which is clearly winding; I feel like he definitely took a Buddhism pit stop at some point, maybe while he worked on the goat farm and smoked a lot of weed.
And I think I want to see the grandparents’ generation, and with it, more about how Naomi and Elliot — but particularly Naomi — grew up. I want to see a bit more of her tenderness; we get glimpses, but that’s it.
Nora: I want to see how Naomi and Elliot met. I also would love a bris episode for Shira’s kids, Walter and Benjamin — I think that would be hilarious. I also want to know what happened with Avi and his ex-wife’s marriage; I have the impression it has something to do with his relationship with Judaism.
Olivia: There’s a scene in the opening episode where Avi makes a joke in the car and it relieves some tension and he and Naomi make eye contact in the rearview mirror and smile. It shows they have this deep, sweet, special relationship that kind of falls apart by the time he’s an adult. I want to know more about him.
I’d be curious to know more about Kendra’s family; we get a bit of them in that one episode on her conversion, but I’d love to see where her family is now after she has converted. I’d like to know more about ָָAvi’s teenage daughter and how she sees her family. And maybe more about their lives outside the family, like with friends — I have no idea what Shira does for work.
PJ: I imagine Shira is an academic who wrote her dissertation on Walter Benjamin, and that’s why her two kids are named Walter and Benjamin.
Mira Fox is a reporter at the Forward. Get in touch at fox@forward.com or on Twitter @miraefox.
PJ Grisar is a Forward culture reporter. He can be reached at grisar@forward.com and @pjgrisar on Twitter.
Olivia Haynie is an editorial fellow at the Forward.
Features
New biography of Carole King explores the musical genius of America’s most successful female singer-songwriter
Reviewed by BERNIE BELLAN
Carole King (born Carol Klein in 1941) is arguably the most successful female singer-songwriter of all time. With over 75 million record albums sold and with 118 songs that she either wrote or co-wrote, King’s prolific and fabulously successful career has been the subject of several books and numerous articles, including her own memoir, published in 2012, which was titled “Carole King: A Memoir.”
Now, in a soon-to-be-released book, titled “Carole King: She Made the Earth Move,” journalist Jane Eisner takes a fresh look at King’s life, including her two most recent marriages (which King tends to gloss over in her own memoir, according to Eisner) to two men who were abusive to King, both physically and mentally.
Eisner herself has had a very successful career, having worked at the Philadelphia Inquirer for 25 years in various positions, including as a reporter, editor, and executive. Later, she spent 10 years as editor of The Forward, a leading American Jewish newspaper (which has now transitioned to an online version only and can be read for free at forward.com.)
The book is the latest addition to a series of books produced by Yale University Press titled “Jewish Lives.” According to the Jewish Lives website, “Jewish Lives is a prizewinning series of biography designed to explore the many facets of Jewish identity.
“Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences.
“Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present.”
In Carole King’s case, however, King has given very few interviews over the years and Eisner was not able to speak to King directly. In explaining how she approached this book, Eisner writes: ” I’ve taken on the challenge to write an interpretive biography of a musical icon who is brilliant, accomplished, and complicated.
“This book was quite a journey. Though I’ve admired her music since Tapestry was released, I wanted to understand it from the inside out. To do that, I studied piano for two years, which enabled me to dissect her musicality and describe what musicians call the ‘Carole King chord.’
“Carole King was her own kind of trailblazer — she often led recording sessions in a studio full of men as she defied expectations of what a woman can and should do. I can relate. Often being the only woman in the room deeply shaped my outlook, too. It made me aware of the stories we weren’t telling and the perspectives that escaped our attention; it also made me try hard to pay it forward, and to help younger women achieve their own professional dreams.
“Ambition and anxiety, accomplishment and regret – all those conflicting emotions have laced through my personal and professional lives. That’s one reason I was drawn to write about Carole King. She faced that juggling act from the highest levels in her field. ‘My baby’s in one hand, I’ve a pen in the other,’ as she memorably wrote.”
I hadn’t realized that Eisner did not have a background in music until after I finished reading her biography of King. That makes what she has produced all the more admirable, as a great many parts of the book dissect the song writing experience in great detail. In fact, if you don’t know how to read music (which, I admit, I myself don’t), you will probably be at a loss trying to understand many parts of this book. Eisner aims to do her best to explain the genius that lay behind KIng’s best works – and how incredibly varied her style was.
Anyone who has seen the Broadway musical about King, titled “Beautiful: The Carole King Musical,” would have an appreciation for just how gifted King was. As Eisner explains, King’s musical talent was on clear display from a very early age. Her mother, Eugenia (née Cammer) discovered that young Carol (who added an “e” to her name when she left home when she only 17 to try to forge a career in songwriting, and changed her name from Klein to King) was very gifted musically already by the age three. Eugenia taught Carol piano herself, including music notation and proper note timing.
In Eisner’s account of King’s childhood, her early years come across as very happy. The book’s introductory chapter delves into both Carole’s mother’s and father’s family histories, going all the way back to Europe in the 1800s. King’s father, Sidney, was a firefighter in Brooklyn, where the family lived but, along with several other Jewish firefighters, Sidney purchased land on a lake in Connecticut called Lake Waubeeka. Young Carol loved her summers spent in what were very rustic conditions – and Eisner suggests that early childhood experience played a pivotal role later in King’s life when, after having achieved fabulous success – beginning with the release of her seminal album, Tapestry, in 1971 – soon to be followed by a prodigious number of other albums, King threw it all away and went to live in the Idaho wilderness – with two different husbands in succession, as mentioned, who both treated her cruelly.
Since King has remained largely silent about what led her to take such a major shift in her life – when she was still only in her 30s, moving away from the vibrant music scene of Los Angeles, where King had produced her greatest work, only to virtually cut herself (and three of her four children) from the world, Eisner uses her reportorial skills to pore through previous accounts of King’s life (including, of course, King’s own memoir), along with first hand interviews of many of the individuals who played key roles in King’s life, to try to understand how King could have changed gears so dramatically.
Eisner also refers to King’s younger brother, Richard, who was intellectually disabled and shunted off to live in an institution when he was only three. Since King rarely referred to him, Eisner speculates that King was somewhat traumatized by that experience – and that it might have played a role in the trauma that surfaced later in her life when she entered into marriages to two different – and abusive men – along with the trauma she endured when she found out her first husband, Gerry Goffin, had been unfaithful to her.
Since this book is part of a series called “Jewish Lives,” Eisner spends a fair bit of time examining how much being Jewish meant to Carole King – when, in her early years, for instance, she met Gerry Goffin, who was her first husband and first songwriting partner – and whom she married in a typically Jewish ceremony. After she was finally able to put the disastrous marriages to her last two husbands behind her, King once again returned to her Jewish roots, albeit in a spiritual form, but not with any particular involvement in the Jewish community, per se.
As Eisner writes toward the end of her book, “Throughout her very long career, King has displayed an anguished and conflicted attitude toward the public celebrity expected of her as an iconic musician. The yearning for privacy and the consequent fear of exposure, gripped her early on. Even though she had performed as a child, and sought the spotlight as a teenager, she often recoiled from it as an adult, especially as a mother. She complained about being so far away from her family when she was touring – indeed, wrote the definite song about just that experience – and yet grew to relish live performance with the same zeal and affection as she did when recording in a closed studio.”
The Broadway musical about King ends with the dissolution of her marriage to Goffin. Anyone who would have seen that show and might have been curious about what happened next in King’s life would find the answers in “Carole King: She Made the Earth Move.” Eisner notes that King’s second husband, Charles Larkey, was also Jewish and, like Goffin, was introduced to King through music, as Larkey was an accomplished musician who collaborated with King on many of her albums. But Larkey was five years younger than King, and Eisner speculates that the age difference played a major factor in their growing apart.
As talented as King was, she was also very much a devoted mother who was determined to stay at home with her children – two born while she was with Goffin, and two with Larkey. Eisner describes King’s initial reticence about playing her music in public – and the gradual ease she felt playing in front of larger and larger crowds, culminating in a concert in Central Park in 1973 with over 100,000 people in attendance.
“Carole King: She Made the Earth Move” is not meant to be an exposé of any sort. It’s written in a very professional, reportorial style. Eisner’s years of newspaper experience shine through, as she tells a very compelling story of genius punctuated by frequent heartbreak. Of course, anyone who has listened to Tapestry or some other of King’s albums of that era would be well aware that she fully used music to express her emotion. But Eisner also analyzes some of King and Goffin’s early – and greatest songs, such as “Up on the Roof,” “Will You Love Me Tomorrow?” and “You Make Me Feel Like a Natural Woman, ” to show that King was a musical genius from the very beginning – and that she knew exactly how to elicit an emotional response to her most heartfelt songs.
“Carole King: She Made the Earth Move” is set to be released September 16, according to information available online, but you can pre-order the book from a number of different sources.
“Carole King: She Made the Earth Move”
By Jane Eisner
Yale University Press
Set to be released Sept. 16, 2025
Features
Attention snowbirds: Palm Springs condo for rent available immediately through April
Beautiful pool side 2 bedroom 2 bathroom condo with attached 2 car garage located in the beautiful Cathedral Canyon Country Club. 3500 usd per month.
For more information contact James at 204-955-2484
