Features
Allan Levine combines his ability as a historian with his talent as a novelist in his latest book
By BERNIE BELLAN
Winnipeg’s own Allan Levine has established himself as an award-winning author of non-fiction history – with probably the book best-known to Winnipeg audiences being Coming of Age: A History of the Jewish People of Manitoba, which was published in 2009.
In addition to his well-received works of history, Levine has occasionally delved into the mystery oeuvre, most often with his Sam Klein mystery novels, the most recent of which was The Bootlegger’s Confession.
The Sam Klein novels are set in Winnipeg in the first half of the 20th century – an era for which Levine apparently has a great deal of affection. With an endless series of colourful rogues populating those books, Levine has certainly demonstrated an ability to bring alive a period with which most of us now can only imagine through the accounts of others.
Now, with his latest book, Details are Unprintable: Wayne Lonergan and the Sensational Café Society Murder, Levine enters into a different sort of writing that combines his demonstrated ability to research his subject matter with a novelist’s fine ear for authentic dialogue.
Although the particular subject of this book – that being the sensational murder of a young, wealthy New York heiress by the name of Patricia Burton, presumably at the hands of her estranged husband, Wayne Longeran, may have commanded the headlines of newspapers throughout the United States and Canada (and Europe too, on occasion), by now the story has faded from memory.
As Levine notes, “The story of the murder of Patricia Burton Longeran and Wayne Longeran’s alibi, confession, and conviction is two tales in one. The first tells of the tragic death of a young mother…” the second aspect of the story relates to doubts cast on the Longeran’s guilt “mainly because the trial took place in an era before DNA was utilized in legal proceedings”.
And, although there have been other accounts of the murder and its aftermath published previously (to which Levine refers with full acknowledgment of those other works), the painstaking manner in which Levine pieces together the chronology of what likely happened in 1943 brings alive a story that for the vast majority of readers is likely totally unfamiliar.
There is a Jewish aspect to the story in that Patricia Burton was Jewish, but coming from a highly assimilated family that more than anything wanted to be accepted as one of New York’s upper echelon families, her Jewishness was totally irrelevant to her.
She was also an unmitigated spoiled brat and Levine offers up a vivid description of what her life of carousing and partying was like until her murder when she was only 22.
Now, if the story of the murder of a rich heiress at the hands of her estranged husband seems to have been lifted straight from some Hollywood movie, Levine informs us that this particular story itself actually inspired more than one movie.
The book is written in chronological form, with an often dizzying array of characters introduced throughout. Levine describes the origins of the Burton family fortune, beginning with a successful brewer by the name of Max Bernheimer. As the family became more assimilated – similar to many other German Jews at the time, the name was changed to the more Waspish sounding “Burton”.
Patricia’s father, William O. Burton, plays an important role in the book even though he died three years before Patricia’s murder, as it turns out that William was a homosexual – and that led to his meeting and having a relationship with William Longeran.
Longeran himself was quite the fascinating character – and a Canadian to boot! Levine explains how Longeran was very much a rogue, beginning from almost his earliest days when he plunged into a life of petty crime. He was also quite good looking and very much the ladies’ man – even though if not totally homosexual he was at lthe very least, bisexual,
Longeran’s homosexuality becomes a principal aspect of what eventually follows, as when he is eventually charged with Patricia’s murder, the New York City tabloids have a field day focusing on his “perverted” lifestyle. Levine quotes liberally from newspaper accounts of the day that use the most purple prose to denigrate Longeran in ways that would be largely unthinkable today. But Levine is able to set the scene so vividly the reader is able to imagine full well what it must have been like reading daily newspaper accounts, first of the murder of Patricia Burton, followed by the arrest of William Longeran in Toronto (where he had returned following her murder), culminating in his trial.
Levine points out that there was something else going on in the world at the time – a minor story known as World War II, but for the tabloids – and even other more self-respecting newspapers of the day, the Patricia Burton murder and subsequent arrest and trial of Wayne Longeran took centre stage for much of the time that other far more pressing events were certainly deserving to be in the spotlight.
While Patricia’s murder was not really that much of a mystery, given the overwhelming evidence that led directly to Longeran, what did become a pivotal part of what followed was his confession.
As mentioned, Levine has a fine ear for recreating imagined dialogue and, given that there were no tape recordings at the time, he does his best to lay out what likely happened when Longeran gave his confession to New York police. That confession proved to be the damning nail in the coffin for Longeran. Yet, by today’s standards of jurisprudence, there is a very good chance his actual arrest in Toronto by Toronto police and his confession to New York police would both be ruled as having occurred in violation of his legal rights.
And that proves to another fascinating aspect of this book, as Levine describes the many appeals filed on behalf of Longeran through the years while he served out his prison sentence. The standards of what constituted acceptable behaviour by police evolved over time and what happened to Longeran played a part in the evolution of those standards, as Levine explains.
At times the book does slow down its original fast pace when Levine begins to describe the very lengthy research he conducted in the New York District Attorney’s office when he read firsthand all the files relating to the Burton murder case.
Although Levine writes that he is almost totally certain that Wayne Longeran did indeed murder Patricia Burton, the circus atmosphere surrounding his trial and the overt homosexual bashing in the papers of the day undoubtedly played a large role in what eventually happened to Longeran. Readers may well be aware how recent it is that gay rights have been recognized within Western societies, but reading firsthand how vitriolic – and commonplace within media, the attitudes were toward homosexuals not that long ago helps to bring a real perspective to how far we have come.
By focusing on this one particular story, rather than doing an exhaustive study how the ostracizing of homosexuals was not only considered acceptable within larger society, it was demanded by the majority of the public, Levine not only treats readers to a terrific story, he offers a salutary lesson in how intolerant society was for so long.
In addition to being available at McNally Robinson, Details are Unprintable: Wayne Lonergan and the Sensational Café Society Murder is available at Indigo Chapters, Amazon (both Canada and the US), and Barnes and Noble in the US.
Features
Musings from Dizengoff Street – by Bruce Brown
(August 8, 2026)
Outside Basimta Café in Central Jerusalem. Love the red shirt against a tiny sea of black. Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat. For the last six weeks Israeli headlines shouted about the cafe chaos. With the ultra-religious blocking entrances and storming the café. While shouting ‘Shabbos! Shabbos!’ Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas. So the wife and I thought we would check it out. And. Yes. Buy something to support the business. Uproar. Not. Blocked entrances. Not. Storming the café. Not. Albeit there were police barriers separating the devout protesters from the coffee drinkers. The protesters being just a few dozen black clad, pious Jews. Mostly teenagers. And yes. Shouting ‘Shabbos! Shabbos!’ Certainly underwhelming in its reported mayhem. Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed. If you do, you’re misinformed.” But I did enjoy my iced matcha.
(August 6, 2026)
Here we go again. Another round of forever negotiations. As someone who negotiates for a living. The way things are going in the straits. If I had to recommend a book on the subject to a new hire. Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well. I would choose the latter.
(August 3)
Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head. For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party. No less a political earthquake in my little shtetl. Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections. Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold. In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system. To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies. Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019.
(August 1)
Although both sides say they are open to diplomacy. Neither really trusts the other. And American military action, or its threat, continues. I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison. Possibly this weekend. Yikes! Prompting me, at 2:30 AM, to dash around the house stocking my safe room. Bottled water. Canned food. Medicines. Documents. The beat goes on….
If it’s crazy here. It’s insane in Italy. With a recent online ‘Jew Hunt’ in the Milan area. Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels. The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected. Although they deny involvement?! This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy. I’ll stick with stocking the saferoom.
Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York. But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic. Maybe Mandami should be arrested! Or at least impeached. For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.
Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS
Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.
As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?
Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?
Seemed like an appropriate way to end this musing.
Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s some information about Bruce – and awards he’s received for his writing:
Bruce Brown. Canadian born. Now living in Israel (for a long time). Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night. He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025. And wrote the 1998 satire, “An Israeli is….” Bruce’s musings are political, social, economic and personal. With lots of biting, contrarian, sardonic and irreverent insight.
Features
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Features
Israel pavilion ambassadors – then and now
By BERNIE BELLAN Given that Folklorama is on again and the Israel pavilion – Shalom Square, is in full swing, I thought it timely to resurrect an article I first posted to this website in August 2023.
But before reading that article, I wanted you to see who this year’s ambassadors are for Shalom Square:
It was back in 2023, however, that I set out to answer a question that I had asked our readers to help answer: Where was the very first Israel pavilion located? Some readers had thought it was the Golden Age Club, which used to be located on Pritchard and Salter. But others weren’t so sure. Here then is what I wrote back in August 2023 – when, with the help of a librarian at the Winnipeg Public Library, I was able to solve the riddle of where the first Israel pavilion was located:
It was earlier in August 2023 that I had raised a number of questions about the history of the Israel pavilion at Folklorama.
Among those questions were: Where was the first Israel pavilion located and when did the Israel pavilion actually become a permanent fixture in the YMHA on Hargrave (before moving to its current home in the Asper Campus)?
As part of my search for answers to those questions I turned to David Cohen, who had long been the coordinator of the Israel pavilion when it was located on Hargrave, but who didn’t step into that role until 1975.
David thought that the Israel pavilion hadn’t moved to Hargrave until 1974, but he wasn’t sure where the first Israel pavilion had been located.
I tried to find information using the Winnipeg Public Library online digital archive. In case you didn’t know, anyone with a library card can access the library’s online archive. You can also have access to newspaperarchive.com through the library’s digital archive. Newspaperarchive.com is an invaluable reference tool for journalists especially – or anyone wanting to access old newspaper archives, for that matter, but ordinarily you would need a subscription to newspaperarchive.com in order to use it. For some reason, however, the search function in the Winnipeg Public Library’s digital search engine didn’t produce results when I entered the word “Folklorama.”
As a result I called the Winnipeg Public Library for assistance and received great help from someone by the name of Louis-Phillipe. After taking my information, Louis-Phillipe phoned me to say that he had found out that the library had compiled a file of press clippings related to Folklorama going back to the very first year, 1970.
Further, Louis-Phillipe said, he had found a list of the 22 pavilions in that first year of Folklorama, along with where they were located. It turns out that the Israel pavilion was actually located in two different venues that first year: the Rosh Pina and the Shaarey Zedek.
The next day I also heard from reader Phyllis Dana, who confirmed that the Israel Pavilion had been in both synagogues. Phyllis also remembered that the only food served that first year was honey cake.
But the pièce de resistance came when I heard from reader Marilyn Breitman (née Stitz), who now lives in Calgary, when she phoned me on Monday, August 21 (which is when she received the August 16 issue of the paper with my story about Folklorama).
Marilyn told me that, not only did she remember that the first Israel pavilion alternated between the Rosh Pina and the Shaarey Zedek, she had actually been the female representative of the Israel pavilion that first year. Her title, Marilyn said, was simply “Jewish.”
But, as you might also recall, the entire confusion over where the first Israel pavilion was located began with an email I had received from Roz Greenfeld, who had written to correct my mistake when I had written in the August 2 issue that the Israel pavilion had been located in the YMHA from the very beginning.
Roz pointed out that, in 1971, the second year of Folklorama, the Israel pavilion was located in “Council House” or, as it was better known, “The Golden Age Club,” on Pritchard and Salter. How did she remember that? Roz was the female representative of the pavilion that year. Her title, as I found out was “Miss Judea,” she said.
So, if the Israel pavilion was located at both the Rosh Pina and Shaarey Zedek in that first year of Folkorama, and in the Golden Age Club that second year, where was it after that?
It was left to Jewish Heritage Centre of Western Canada archivist Andrew Morrison to come up with the answer to that question. Andrew informed me that the Israel pavilion did indeed move to the YMHA in 1972 and remained there for the next 25 years, until it moved to the Asper Campus in 1997.
There was a further footnote to the story, which is when I decided to try my luck with the Winnipeg Public Library’s online archive one more time. This time, rather than searching for “Folklorama,” I tried searching for old copies of both the Free Press and the Tribune from August 1970. I did manage to get results for the Tribune and when I entered a specific search within the Tribune I found a picture of all the famale representatives of pavilions – in bathing suits.
It turned out – and this was corroborated by both Marilyn Breitman and Roz Greenfeld, the female representatives had to parade in unison – in bathing suits, as part of Folklorama festivities. Each year, as well, a queen of Folklorama was chosen. Neither Marilyn nor Roz was made queen, both of them told me, although Roz was voted “Miss Congeniality.”
In addition to finding out about the early days of the Israel pavilion, I also learned that the Chai dancers were not regular performers at the Israel pavilion in those early years – as they eventually did become. Chai performers would dance only one night in those first years, with other entertainment the other nights.
I did enlist Andrew Morrison’s help once again and did find that Chai performed only one evening during the first few years of Folklorama – from 1970 to 1976. In 1977 Chai began performing every night of Folklorama, but there were other performers on hand as well, including Jerry Maslowsky and Rabbi Yosel Rosenzweig. In 1978 the Chai Folk Ensemble was the featured entertainment every evening; however, a notice that appeared in our paper did say that whistler Harvey Pollock would “be on hand” to entertain – whatever that meant.
While some may wonder of what earth shaking importance all this is, I ask: Isn’t it fun to look back in time – for just a little while, instead of worrying about more immediate problems, such as global warming, inflation, terrorist attacks in Israel, and whether Donald Trump will be president while he’s in jail?
