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Allan Levine combines his ability as a historian with his talent as a novelist in his latest book
By BERNIE BELLAN
Winnipeg’s own Allan Levine has established himself as an award-winning author of non-fiction history – with probably the book best-known to Winnipeg audiences being Coming of Age: A History of the Jewish People of Manitoba, which was published in 2009.
In addition to his well-received works of history, Levine has occasionally delved into the mystery oeuvre, most often with his Sam Klein mystery novels, the most recent of which was The Bootlegger’s Confession.
The Sam Klein novels are set in Winnipeg in the first half of the 20th century – an era for which Levine apparently has a great deal of affection. With an endless series of colourful rogues populating those books, Levine has certainly demonstrated an ability to bring alive a period with which most of us now can only imagine through the accounts of others.
Now, with his latest book, Details are Unprintable: Wayne Lonergan and the Sensational Café Society Murder, Levine enters into a different sort of writing that combines his demonstrated ability to research his subject matter with a novelist’s fine ear for authentic dialogue.
Although the particular subject of this book – that being the sensational murder of a young, wealthy New York heiress by the name of Patricia Burton, presumably at the hands of her estranged husband, Wayne Longeran, may have commanded the headlines of newspapers throughout the United States and Canada (and Europe too, on occasion), by now the story has faded from memory.
As Levine notes, “The story of the murder of Patricia Burton Longeran and Wayne Longeran’s alibi, confession, and conviction is two tales in one. The first tells of the tragic death of a young mother…” the second aspect of the story relates to doubts cast on the Longeran’s guilt “mainly because the trial took place in an era before DNA was utilized in legal proceedings”.
And, although there have been other accounts of the murder and its aftermath published previously (to which Levine refers with full acknowledgment of those other works), the painstaking manner in which Levine pieces together the chronology of what likely happened in 1943 brings alive a story that for the vast majority of readers is likely totally unfamiliar.
There is a Jewish aspect to the story in that Patricia Burton was Jewish, but coming from a highly assimilated family that more than anything wanted to be accepted as one of New York’s upper echelon families, her Jewishness was totally irrelevant to her.
She was also an unmitigated spoiled brat and Levine offers up a vivid description of what her life of carousing and partying was like until her murder when she was only 22.
Now, if the story of the murder of a rich heiress at the hands of her estranged husband seems to have been lifted straight from some Hollywood movie, Levine informs us that this particular story itself actually inspired more than one movie.
The book is written in chronological form, with an often dizzying array of characters introduced throughout. Levine describes the origins of the Burton family fortune, beginning with a successful brewer by the name of Max Bernheimer. As the family became more assimilated – similar to many other German Jews at the time, the name was changed to the more Waspish sounding “Burton”.
Patricia’s father, William O. Burton, plays an important role in the book even though he died three years before Patricia’s murder, as it turns out that William was a homosexual – and that led to his meeting and having a relationship with William Longeran.
Longeran himself was quite the fascinating character – and a Canadian to boot! Levine explains how Longeran was very much a rogue, beginning from almost his earliest days when he plunged into a life of petty crime. He was also quite good looking and very much the ladies’ man – even though if not totally homosexual he was at lthe very least, bisexual,
Longeran’s homosexuality becomes a principal aspect of what eventually follows, as when he is eventually charged with Patricia’s murder, the New York City tabloids have a field day focusing on his “perverted” lifestyle. Levine quotes liberally from newspaper accounts of the day that use the most purple prose to denigrate Longeran in ways that would be largely unthinkable today. But Levine is able to set the scene so vividly the reader is able to imagine full well what it must have been like reading daily newspaper accounts, first of the murder of Patricia Burton, followed by the arrest of William Longeran in Toronto (where he had returned following her murder), culminating in his trial.
Levine points out that there was something else going on in the world at the time – a minor story known as World War II, but for the tabloids – and even other more self-respecting newspapers of the day, the Patricia Burton murder and subsequent arrest and trial of Wayne Longeran took centre stage for much of the time that other far more pressing events were certainly deserving to be in the spotlight.
While Patricia’s murder was not really that much of a mystery, given the overwhelming evidence that led directly to Longeran, what did become a pivotal part of what followed was his confession.
As mentioned, Levine has a fine ear for recreating imagined dialogue and, given that there were no tape recordings at the time, he does his best to lay out what likely happened when Longeran gave his confession to New York police. That confession proved to be the damning nail in the coffin for Longeran. Yet, by today’s standards of jurisprudence, there is a very good chance his actual arrest in Toronto by Toronto police and his confession to New York police would both be ruled as having occurred in violation of his legal rights.
And that proves to another fascinating aspect of this book, as Levine describes the many appeals filed on behalf of Longeran through the years while he served out his prison sentence. The standards of what constituted acceptable behaviour by police evolved over time and what happened to Longeran played a part in the evolution of those standards, as Levine explains.
At times the book does slow down its original fast pace when Levine begins to describe the very lengthy research he conducted in the New York District Attorney’s office when he read firsthand all the files relating to the Burton murder case.
Although Levine writes that he is almost totally certain that Wayne Longeran did indeed murder Patricia Burton, the circus atmosphere surrounding his trial and the overt homosexual bashing in the papers of the day undoubtedly played a large role in what eventually happened to Longeran. Readers may well be aware how recent it is that gay rights have been recognized within Western societies, but reading firsthand how vitriolic – and commonplace within media, the attitudes were toward homosexuals not that long ago helps to bring a real perspective to how far we have come.
By focusing on this one particular story, rather than doing an exhaustive study how the ostracizing of homosexuals was not only considered acceptable within larger society, it was demanded by the majority of the public, Levine not only treats readers to a terrific story, he offers a salutary lesson in how intolerant society was for so long.
In addition to being available at McNally Robinson, Details are Unprintable: Wayne Lonergan and the Sensational Café Society Murder is available at Indigo Chapters, Amazon (both Canada and the US), and Barnes and Noble in the US.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
