Features
Fascinating Tanzania!
By MARTIN ZEILIG Our small motorized mangrove and mahogany canvas covered boat bounced along the choppy turquoise waters of the Indian Ocean as the captain and owner, Ahmed, manoeuvred the outboard engine towards Changuu Island, a small island about six kilometres northwest of Stone Town, Unguja Zanzibar.
As we sped along, a number of cargo ships and a Chinese fishing trawler were moored off shore, while long thin hulled dhows with billowing sails skimmed speedily on that sun searing day through the world’s third largest ocean.
I was at the tail end of my second trip to Tanzania in just over a year. The first trip was an eight day safari adventure in Northern Tanzania in June 2018. It was, as I wrote in a major two part article for the Lifestyles supplement of The Jewish Post & News afterwards, the fulfillment of a lifelong dream to go on safari in some of the big game parks, including the fabled Serengeti National Park, of East Africa.
This second trip in October 2019 was unplanned and unexpected. I was invited by a Canadian based representative of the Tanzanian government to attend the Swahili International Tourism Expo (S!TE), a three day event (October 18-20) held at the modern Julius Nyerere International Conference Center in Milimani City a region of Dar es Salaam, Tanzania. Dar es Salaam, which is situated on the Indian Ocean, is the largest city, former capital and commercial centre of Tanzania. The yearly event attracted 426 exhibitors, including safari tour operators from throughout Tanzania and other parts of Africa, and almost 1000 visitors over the three days. It also featured speakers, including representatives of the government of the United Republic of Tanzania.
I jumped at the opportunity. Why not? It also included a selection of four day side trips, or Familiarization Trips, afterwards to other parts of Tanzania. I chose to visit the historic town of Iringa and Ruaha National Park— the largest national park located in the middle of Tanzania and covering an area of about 13,000 square kilometres about 130 kilometres from Iringa. I also spent two days in Zanzibar upon returning from Ruaha.
Here are some other memorable moments:
The Expo centers around inbound and outbound travel business to and inside Africa. Tourism companies from 60 countries —Finland, Denmark, Lithuania, Ukraine, Malaysia, South Korea, Canada, India, among others — participated in the event.
“Protection and Sustainable tourism, and in addition tropical tourism and going inside East Africa, (is the goal of S!TE),” the Tanzanian Minister of Tourism, said during the opening address. “The tourism industry is here to help the economy of our country. Tanzania is a safari country in Africa. We are proud that Swahili was born in Tanzania. We encourage our foreign guests to see why we say, ‘Unforgettable Tanzania.’”
(at left): Being entertained by the Dar es Salaam based, Tot Jazz Band, one of the biggest jazz bands in Tanzania, at the opening entertainment event at SITE. They perform a fusion of Swahili jazz and more recognized numbers.Strolling along the shore of the Indian Ocean by my hotel, located on the outskirts of Dar, in the evening with the twinkling lights of yachts and merchant ships moored in the distance was a peaceful way to unwind after being at the hectic SITE all day. The surf’s fresh and salty smell combined with the exotic locale was intoxicatingVisiting the National Museum & House of Culture: It takes you on a journey through Tanzania’s colorful past. The museum displays important fossils of some of the earliest human ancestors unearthed during the Leakey digs at Olduvai Gorge. You can also learn about Tanzania’s tribal heritage and the impact of the slave trade and colonial periods. Other highlights of the museum include ethnographic displays on traditional crafts, customs, ornaments, and musical instruments, as well as a small collection of vintage cars, including the Rolls Royce used by former president, Julius Nyerere.
Iringa: Iringa is a city in Tanzania with a population of 1,211,900 (as of 2020), according to Wikipedia. The name is derived from the word lilinga, meaning .
Iringa is the administrative capital of Iringa Region. Iringa Municipal Council is the administrative designation of the Municipality of Iringa. “Iringa has been one of the coldest regions in Tanzania due to its geographical location but that has attracted a lot of tourists from colder regions abroad especially Western Europe,” notes online information. Iringa also hosts one of Africa’s largest national parks, the Ruaha National Park.
We also visited the Isimila Stone Age site, which lies about 20 km (12 mi) to the southwest. It contains archeological artifacts, particularly stone tools, from human habitation about 70,000 years ago. Homo Erectus lived here 300,000 years ago.
Excavation work was done by paleontologists from the University of Chicago, 1957-58; University of Illinois, 1968-70, and South Korea in 2003. Scrapers, slingshots, knives from stones, and different weapons were found and can still be seen in large open sided enclosures.
Iringa Region is home to the Hehe people.
“After their stunning defeat at Lugalo by the Hehe on August 17, 1871, led by Chief Mkwawa, the Germans built a military station at ‘Neu Iringa’ to avenge the death of their commander Emil Von Zelewski and to teach the Hehe respect for German authority,” says information in the Iringa Boma – Regional Museum and Cultural Centre. “The fortress and headquarters of Chief Mkwawa was in the nearby village of Kalenga, Alt Iringa.” It was only in July 1898, after being trapped, that Mkwawa shot himself. The Germans removed Mkwawa’s head and sent it to Germany.
Mkwawa still has “the status of a national hero in Tanzania,” even after over 120 years. A movie should be made about this man.
Ruaha NP: Ruaha is in a northern and southern transition zone. 
Ruaha National Park is the largest national park in Tanzania. It covers an area of about 13,000 square kilometres.
It is located in the middle of Tanzania about 130 kilometres from Iringa. The park, which is located in the Great Rift Valley (East African Rift), is part of a more extensive ecosystem, which includes Rungwa Game Reserve, Usangu Game Reserve, and several other protected areas.
The name of the park is derived from the Great Ruaha River, which flows along its South-Eastern margin and is the focus for game-viewing.
The park can be reached by car via Iringa and there is an airstrip at Msembe, park headquarters.
I was part of a group that included three Dutch journalists. Our safari driver/expert guide, Serafino, was the owner of the Center for Research and Action, Limited (CRA)– a new company that started in 2019– in Irigina.
During our two days exploring Ruaha we encountered lions– including a male and female that mated several times as we clicked away on our cameras or cell phones– resting under a baobab tree and along a dry river bed; a beautiful male leopard nestled in the shade of an acacia tree a few hundred metres away from the lions; elephants, Cape buffalo, zebra, giraffes, elands and more. Ruaha is believed to have the highest concentration of elephants of any National Park in East Africa.
And it’s home to over 10 percent of Africa’s entire lion population, which is estimated to be only about 20,000 animals whereas about a century ago there were more than 200,000 lions in Africa, according to the World Atlas online. The International Union Conservation of Nature, though, has estimated that there might be as many 30,000 wild lions left on the continent. “From 1993 to 2014, the planet lost 43 percent of its population of African lions, conservationists estimate,” says National Geographic magazine (October 2019).
The park is home to the Ruaha Carnivore Project, which was established in 2009 by Dr. Amy Dickman, as a Kaplan Senior Research Fellow under Oxford University’s Wildlife Conservation Research Unit, says the RCP website.
“Ruaha’s Carnivore Project’s work in protecting lions and livestock, and helping local tribes, is clearly a win-win situation,” Sue Wats, an award-winning writer who specializes in African travel and conservation, wrote in an online article, How the Ruaha Carnivore Project is saving Tanzania’s Lions (SafariBookings).
It is also a place where magnificent mammals like Kudu, Sable and Roan antelopes can easily be spotted in Miombo woodland. The park is also a habitat for endangered wild dogs, although we didn’t see any. Other animals in the park include cheetah, giraffes, zebras, impala, bat eared foxes and Jackals.
The park also harbours a number of reptiles and amphibians such as crocodiles, poisonous and non-poisonous snakes, monitor lizards, agama lizards and frogs. We also spotted hippos relaxing in the Great Ruaha River. Ruaha is famous for being “Tanzania’s bird paradise” because more than 570 species of birds have been identified inside its boundaries, and some of them are known to be migrants from within and outside Africa, says information in a the park’s headquarters.
At one point on our bouncy dusty ride in the Land Rover, Serafino stopped at the side of the narrow dirt road. He got out of the vehicle and grabbed a handful of still steaming elephant dung, and told us all about its different uses by villagers. He then broke it open to reveal insects that were using the manure as a food source and to lay their eggs.
“When I stop for animals and trees and dung, it’s best for guests to listen carefully,” Serafino said afterwards. “It’s better to share with my guests.”
“It was gross, but interesting,” said fellow traveller Noel Vanbemmel, editor of the Travel section in the Dutch newspaper De Volkakrant, the biggest serious newspaper in Holland. “I’ve been on many safaris in sixteen different African countries, but this was the first time I’ve seen this demonstrated. He was doing his best.”
I booked my two day tour to Zanzibar at the SITE with Hassan Luzuba Majid, the owner of Hazaim Holiday and Safaris. His company is based in Zanzibar City (or Zanzibar Town or Stone Town, often simply referred to as Zanzibar)–the capital and largest city of Zanzibar, in Tanzania. It is located on the west coast of Unguja, the main island of the Zanzibar Archipelago, roughly due north of Dar es Salaam across the Zanzibar Channel.
My boat trip was onboard a super fast twin turbine powered ferry boat operated by Azam Marine Boats in Dar. The trip took a little over two hours.
I stayed at the not too pricey exotically named Golden Tulip Boutique Hotel. The rooms are spacious and the service is first rate.
Its open rooftop restaurant has a stunning view of the harbour.
Among the places I visited were the Jozani Forest, the largest area of indigenous forest on Zanzibar Island. Situated south of Chwaka Bay on low-lying land, the area is prone to flooding, which nurtures a lush swamp like environment of moisture-loving trees and ferns. Josanzi is the home of rare Red Colobus Monkey, which is only endemic to Zanzibar. We also spotted some grey and black monkeys.
The nearby Jambo Spice Plantation, about 12 acres in size, is owned by three families. This is a demonstration farm where you can see all different varieties of spices grown in Zanzibar. This farm is only for demonstration system.
Changuu Island saw use as a prison for rebellious slaves in the 1860s and also functioned as a coral mine, say the historical markers.
The British First Minister of Zanzibar, Lloyd Mathews, purchased the island in 1893 and constructed a prison complex there. But, it never held prisoners. Instead it became a quarantine station for yellow fever cases. The station was only occupied for around half of the year and the rest of the time it was a popular holiday destination. Visitors are able to explore the old prison and even stop for refreshments at an outdoor restaurant.
Spending time, along with other tourists, amongst the 200 giant Aldabra tortoises on Changuu Island was a wondrous experience. In 1919 the British governor of Seychelles sent a gift of four Aldabra giant tortoises to Changuu from the island of Aldabra, say information signs. These tortoises bred quickly and by 1955 they numbered around 200 animals. The Zanzibar government, with assistance from the World Society for the Protection of Animals- Now known as World Animal Protection– built a large compound for the protection of the animals and by 2000 numbers had recovered to 17 adults, 50 juveniles and 90 hatchlings.
Their ages are painted in blue on their shells.
“The oldest right now is 195 years old,” said my outstanding guide in Zanzibar, Nemes Raphael. “The youngest brother is 161 years old, but bigger in size.”
Old Stone Town is a UNESCO World Heritage Site. It’s narrow, meandering streets mean that pedestrians vie with motorized vehicles for the right of way.
I also took a tour of the former slave market site. On June 6, 1873 the slave trade was officially abolished in East Africa. The slave trade continued underground, though, until 1909. It’s a sobering and claustrophobic experience to spend even a short time in the dank dungeons from the 16thcentury where slaves were squashed together under inhumane conditions before being taken to market for sale. The slaves from West Africa were sent to America. Those from East Africa were sent to Arab countries.
In 1869, Bishop Edward Steere from England settled in Zanzibar. Along with some British missionaries, Bishop Steere purchased the site of the slave market and began building the Anglican Christ Church there.
“He didn’t like the selling of slaves,” my guide at the site, Freddy, said. “He decided to go to the slave market. After purchasing slaves, he would teach them the bible and convert them to Christianity and then set them free. This is history. It’s very terrible. Sometimes I feel pain. My ancestors were among those who were set free from slavery by Bishop Steere.”
Having just seen the movie Bohemian Rhapsody, I visited Freddie Mercury House, which is now the Tembo House Hotel, on Kenyatta Road in Old Stone Town. Mercury, the former lead singer of Queen, was born in Zanzibar in 1946 where his name was Farrokh Bulsara. His father worked for the British colonial service and the family lived in various locations in Stone Town before immigrating to England.
Meanwhile, Forodhan Park is a busy seafood night market with n open sea front garden where people wait for friends or colleagues who are either arriving or leaving on the ferry.
I crammed so much into my two day visit to Zanzibar.
Tanzania is unforgettable.
Features
So, what’s the deal with the honey scene in ‘Marty Supreme?’
By Olivia Haynie December 29, 2025 This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.
There are a lot of jarring scenes in Marty Supreme, Josh Safdie’s movie about a young Jew in the 1950s willing to do anything to secure his spot in table tennis history. There’s the one where Marty (Timothée Chalamet) gets spanked with a ping-pong paddle; there’s the one where a gas station explodes. And the one where Marty, naked in a bathtub, falls through the floor of a cheap motel. But the one that everybody online seems to be talking about is a flashback of an Auschwitz story told by Marty’s friend and fellow ping-ponger Béla Kletzki (Géza Röhrig, best known for his role as a Sonderkommando in Son of Saul).
Kletzki tells the unsympathetic ink tycoon Milton Rockwell (Kevin O’Leary) about how the Nazis, impressed by his table tennis skills, spared his life and recruited him to disarm bombs. One day, while grappling with a bomb in the woods, Kletzki stumbled across a honeycomb. He smeared the honey across his body and returned to the camp, where he let his fellow prisoners lick it off his body. The scene is a sensory nightmare, primarily shot in close-ups of wet tongues licking sticky honey off Kletzki’s hairy body. For some, it was also … funny?
Many have reported that the scene has been triggering a lot of laughter in their theaters. My audience in Wilmington, North Carolina, certainly had a good chuckle — with the exception of my mother, who instantly started sobbing. I sat in stunned silence, unsure at first what to make of the sharp turn the film had suddenly taken. One post on X that got nearly 6,000 likes admonished Safdie for his “insane Holocaust joke.” Many users replied that the scene was in no way meant to be funny, with one even calling it “the most sincere scene in the whole movie.”
For me, the scene shows the sheer desperation of those in the concentration camps, as well as the self-sacrifice that was essential to survival. And yet many have interpreted it as merely shock humor.
Laughter could be understood as an inevitable reaction to discomfort and shock at a scene that feels so out of place in what has, up to that point, been a pretty comedic film. The story is sandwiched between Marty’s humorous attempts to embarrass Rockwell and seduce his wife. Viewers may have mistaken the scene as a joke since the film’s opening credits sequence of sperm swimming through fallopian tubes gives the impression you will be watching a comedy interspersed with some tense ping-pong playing.
The reaction could also be part of what some in the movie theater industry are calling the “laugh epidemic.” In The New York Times, Marie Solis explored the inappropriate laughter in movie theaters that seems to be increasingly common. The rise of meme culture and the dissolution of clear genres (Marty Supreme could be categorized as somewhere between drama and comedy), she writes, have primed audiences to laugh at moments that may not have been meant to be funny.
The audience’s inability to process the honey scene as sincere may also be a sign of a society that has become more disconnected from the traumas of the past. It would not be the first time that people, unable to comprehend the horrors of the Holocaust, have instead derided the tales of abuse as pure fiction. But Kletzki’s story is based on the real experiences of Alojzy Ehrlich, a ping-pong player imprisoned at Auschwitz. The scene is not supposed to be humorous trauma porn — Safdie has called it a “beautiful story” about the “camaraderie” found within the camps. It also serves as an important reminder of all that Marty is fighting for.
The events of the film take place only seven years after the Holocaust, and the macabre honey imagery encapsulates the dehumanization the Jews experienced. Marty is motivated not just by a desire to prove himself as an athlete and rise above what his uncle and mother expect of him, but above what the world expects of him as a Jew. His drive to reclaim Jewish pride is further underscored when he brings back a piece of an Egyptian pyramid to his mother, telling her, “We built this.”
Without understanding this background, the honey scene will come off as out of place and ridiculous. And the lengths Marty is willing to go to to make something of himself cannot be fully appreciated. The film’s description on the review-app Letterboxd says Marty Supreme is about one man who “goes to hell and back in pursuit of greatness.” But behind Marty is the story of a whole people who have gone through hell; they too are trying to find their way back.
Olivia Haynie is an editorial fellow at the Forward.
This story was originally published on the Forward.
Features
Paghahambing ng One-on-One Matches at Multiplayer Challenges sa Pusoy in English
Ang Pusoy, na kilala din bilang Chinese Poker, ay patuloy na sumisikat sa buong mundo, kumukuha ng interes ng mga manlalaro mula sa iba’t ibang bansa. Ang mga online platforms ay nagpapadali sa pag-access nito. Ang online version nito ay lubos na nagpasigla ng interes sa mga baguhan at casual players, na nagdulot ng diskusyon kung alin ang mas madali: ang paglalaro ng Pusoy one-on-one o sa multiplayer settings.
Habang nailipat sa digital platforms ang Pusoy, napakahalaga na maunawaan ang mga format nito upang mapahusay ang karanasan sa laro. Malaking epekto ang bilang ng mga kalaban pagdating sa istilo ng laro, antas ng kahirapan, at ang ganap na gameplay dynamics. Ang mga platforms tulad ng GameZone ay nagbibigay ng angkop na espasyo para sa mga manlalaro na masubukan ang parehong one-on-one at multiplayer Pusoy, na akma para sa iba’t ibang klase ng players depende sa kanilang kasanayan at kagustuhan.
Mga Bentahe ng One-on-One Pusoy
Simpleng Gameplay
Sa one-on-one Pusoy in English, dalawa lang ang naglalaban—isang manlalaro at isang kalaban. Dahil dito, mas madali ang bawat laban. Ang pokus ng mga manlalaro ay nakatuon lamang sa kanilang sariling 13 cards at sa mga galaw ng kalaban, kaya’t nababawasan ang pagiging komplikado.
Para sa mga baguhan, ideal ang one-on-one matches upang:
- Sanayin ang tamang pagsasaayos ng cards.
- Matutunan ang tamang ranggo ng bawat kamay.
- Magsanay na maiwasan ang mag-foul sa laro.
Ang simpleng gameplay ay nagbibigay ng matibay na pundasyon para sa mas kumplikadong karanasan sa multiplayer matches.
Mga Estratehiya mula sa Pagmamasid
Sa one-on-one matches, mas madaling maunawaan ang istilo ng kalaban dahil limitado lamang ang galaw na kailangan sundan. Maaari mong obserbahan ang mga sumusunod na patterns:
- Konserbatibong pagkakaayos o agresibong strategy.
- Madalas na pagkakamali o overconfidence.
- Labis na pagtuon sa isang grupo ng cards.
Dahil dito, nagkakaroon ng pagkakataon ang mga manlalaro na isaayos ang kanilang estratehiya upang mas epektibong maka-responde sa galaw ng kalaban, partikular kung maglalaro sa competitive platforms tulad ng GameZone.
Mas Mababang Pressure
Dahil one-on-one lamang ang laban, mababawasan ang mental at emotional stress. Walang ibang kalaban na makaka-distract, na nagbibigay ng pagkakataon para sa mga baguhan na matuto nang walang matinding parusa sa kanilang mga pagkakamali. Nagiging stepping stone ito patungo sa mas dynamic na multiplayer matches.
Ang Hamon ng Multiplayer Pusoy
Mas Komplikado at Mas Malalim na Gameplay
Sa Multiplayer Pusoy, madaragdagan ang bilang ng kalaban, kaya mas nagiging komplikado ang laro. Kailangan kalkulahin ng bawat manlalaro ang galaw ng maraming tao at ang pagkakaayos nila ng cards.
Ang ilang hamon ng multiplayer ay:
- Pagbabalanse ng lakas ng cards sa tatlong grupo.
- Pag-iwas sa labis na peligro habang nagiging kompetitibo.
- Pagtatagumpayan ang lahat ng kalaban nang sabay-sabay.
Ang ganitong klase ng gameplay ay nangangailangan ng maingat na pagpaplano, prediksyon, at strategic na pasensiya.
Mas Malakas na Mental Pressure
Mas mataas ang psychological demand sa multiplayer, dahil mabilis ang galawan at mas mahirap manatiling kalmado sa gitna ng mas maraming kalaban. Kabilang dito ang:
- Bilisan ang pagdedesisyon kahit under pressure.
- Paano mananatiling focused sa gitna ng mga distractions.
- Pagkakaroon ng emosyonal na kontrol matapos ang sunod-sunod na talo.
Mas exciting ito para sa mga manlalarong gusto ng matinding hamon at pagmamalasakit sa estratehiya.
GameZone: Ang Bagong Tahanan ng Modern Pusoy
Ang GameZone online ay isang kahanga-hangang platform para sa mga naglalaro ng Pusoy in English. Nagbibigay ito ng opsyon para sa parehong one-on-one at multiplayer matches, akma para sa kahit anong antas ng kasanayan.
Mga feature ng GameZone:
- Madaling English interface para sa user-friendly na gameplay.
- Real-player matches imbes na kalaban ay bots.
- Mga tool para sa responsible play, tulad ng time reminder at spending limits.
Pagtatagal ng Pamanang Pusoy
Ang Pusoy card game in English ay nagpalawak ng abot nito sa mas maraming players mula sa iba’t ibang bahagi ng mundo habang pinapanatili ang tradisyunal nitong charm. Sa pamamagitan ng mga modernong platform tulad ng GameZone, mananatiling buhay at progresibo ang Pusoy, nakakabighani pa rin sa lahat ng antas ng manlalaro—mula sa casual enjoyment hanggang sa competitive challenges.
Mula sa maingat na pag-aayos ng mga cards hanggang sa pag-master ng estratehiya, ang Pusoy ay isang laro na nananatiling relevant habang ipinapakita ang masalimuot nitong gameplay dynamics na puno ng kultura at inobasyon.
Features
Rob Reiner asked the big questions. His death leaves us searching for answers.
Can men and women just be friends? Can you be in the revenge business too long? Why don’t you just make 10 louder and have that be the top number on your amp?
All are questions Rob Reiner sought to answer. In the wake of his and his wife’s unexpected deaths, which are being investigated as homicides, it’s hard not to reel with questions of our own: How could someone so beloved come to such a senseless end? How can we account for such a staggering loss to the culture when it came so prematurely? How can we juggle that grief and our horror over the violent murder of Jews at an Australian beach, gathered to celebrate the first night of Hanukkah, and still light candles of our own?
The act of asking may be a way forward, just as Rob Reiner first emerged from sitcom stardom by making inquiries.
In This is Spinal Tap, his first feature, he played the role of Marty DiBergi, the in-universe director of the documentary about the misbegotten 1982 U.S. concert tour of the eponymous metal band. He was, in a sense, culminating the work of his father, Carl Reiner, who launched a classic comedy record as the interviewer of Mel Brooks’ 2,000 Year Old Man. DiBergi as played by Reiner was a reverential interlocutor — one might say a fanboy — but he did take time to query Nigel Tufnell as to why his amp went to 11. And, quoting a bad review, he asked “What day did the Lord create Spinal Tap, and couldn’t he have rested on that day too?”
But Reiner had larger questions to mull over. And in this capacity — not just his iconic scene at Katz’s Deli in When Harry Met Sally or the goblin Yiddishkeit of Miracle Max in The Princess Bride — he was a fundamentally Jewish director.
Stand By Me is a poignant meditation on death through the eyes of childhood — it asks what we remember and how those early experiences shape us. The Princess Bride is a storybook consideration of love — it wonders at the price of seeking or avenging it at all costs. A Few Good Men is a trenchant, cynical-for-Aaron Sorkin, inquest of abuse in the military — how can it happen in an atmosphere of discipline.
In his public life, Reiner was an activist. He asked how he could end cigarette smoking. He asked why gay couples couldn’t marry like straight ones. He asked what Russia may have had on President Trump. This fall, with the FCC’s crackdown on Jimmy Kimmel, he asked if he would soon be censored. He led with the Jewish question of how the world might be repaired.
Guttingly, in perhaps his most personal project, 2015’s Being Charlie, co-written by his son Nick he wondered how a parent can help a child struggling with addiction. (Nick was questioned by the LAPD concerning his parents’ deaths and was placed under arrest.)
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None of the questions had pat answers. Taken together, there’s scarcely a part of life that Reiner’s filmography overlooked, including the best way to end it, in 2007’s The Bucket List.
Judging by the longevity of his parents, both of whom lived into their 90s, it’s entirely possible Reiner had much more to ask of the world. That we won’t get to see another film by him, or spot him on the news weighing in on the latest democratic aberration, is hard to swallow.
Yet there is some small comfort in the note Reiner went out on. In October, he unveiled Spinal Tap II: The Beginning of the End, a valedictory moment in a long and celebrated career.
Reiner once again returned to the role of DiBergi. I saw a special prescreening with a live Q&A after the film. It was the day Charlie Kirk was assassinated. I half-expected Reiner to break character and address political violence — his previous film, God & Country, was a documentary on Christian Nationalism.
But Reiner never showed up — only Marty DiBergi, sitting with Nigel Tuffnell (Christopher Guest), David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) at Grauman’s Chinese Theater in Los Angeles. The interview was broadcast to theaters across the country, with viewer-submitted questions like “What, in fact, did the glove from Smell the Glove smell like?” (Minty.) And “Who was the inspiration for ‘Big Bottom?’” (Della Reese.)
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- Carl Reiner On Judaism, Atheism And The ‘Monster’ In The White House
- Mandy Patinkin On His Favorite ‘Princess Bride’ Quote
DiBergi had one question for the audience: “How did you feel about the film?”
The applause was rapturous, but DiBergi still couldn’t get over Nigel Tuffnell’s Marshall amp, which now stretched beyond 11 and into infinity.
“How can that be?” he asked. “How can you go to infinity? How loud is that?”
There’s no limit, Tuffnell assured him. “Why should there be a limit?”
Reiner, an artist of boundless curiosity and humanity, was limitless. His remit was to reason why. He’ll be impossible to replace, but in asking difficult questions, we can honor him.
The post Rob Reiner asked the big questions. His death leaves us searching for answers. appeared first on The Forward.