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Former Winnipegger Chuck Lazer looks back on satisfying career in television production
By MYRON LOVE It was French filmmaker Francois Truffaut’s 1973 film, “Day for Night”, that inspired former Winnipegger Chuck Lazer to pursue a career in show business.
“The movie was about a film producer making a movie,” the older brother of current Jewish Federation of Winnipeg President Joel Lazer recalls. “After watching that film, I determined that was what I wanted to do.”
Over a career in television production spanning 40 years, Chuck Lazer has written scripts for two dozen Canadian series – the best known of which may be “Danger Bay”, “Max Glick”, “North of 60”, “Avonlea”, “When Calls the Heart”. As well he has served as producer for a number of series including “Flash Forward”, “Thrill of a Lifetime”, “The Odyssey”, “BeastMaster”, “The Lost World” “Nothing Too good for a Cowboy” –which was based on a made-for-television movie he also produced – and, most recently, “When Calls the Heart”.
Among the actors he has had the pleasure of working with are Yannick Bisson (star of the long-running “Murdoch Mysteries”, (Winnipeg-born) Ted Atherton, Sarah Chalke (whose subsequent credits include starring roles in “Scrubs” and “Roseanne”, also Ryan Reynolds and Ryan Gosling, both of whom went on to major movie careers in the United States.
“Because of limited budgets for Canadian productions, we get many younger actors at the beginning of their careers before they became household names,” he notes.
“Working on a television production, the hours are insane,” Lazer observes. “You put in 20-hours days. But it’s more like play than work. And you are collaborating with a lot of wonderfully talented people who share your passion for telling stories. It doesn’t get any better than that.”
Writing for television however is not where Chuck Lazer saw his life’s journey going when the Peretz School and West Kildonan Collegiate graduate left Winnipeg after high school in 1962 to attend Princeton University.
“Being accepted to Princeton was an opportunity that I couldn’t pass up,” he recalls.
Once he began studying Mathematics and Physics at Princeton, he quickly realized that Science was not for him. He switched to Sociology, eventually earning a Ph.D. in the field from the University of Michigan, following which he taught for some years at the University of Victoria.
While he enjoyed teaching Sociology, he notes, he aspired to a much larger audience. After viewing “Day For Night”, he and his wife at the time moved to Toronto where he began his first job in television production in “craft services”, the department in film, television and video production which provides cast and crew with snacks, drinks and other assistance.
“It was a way for me to get my foot in the door, spend time with actors and directors and observe them at work,” he explains.
From there, he went to work for a long-running CTV series called “Thrill of a Lifetime” in which regular Canadians were given a chance to live out their fantasiesl. He served as co-producer and occasional writer for the series.
After that, he recalls, the pickings were slim for many years.
“I kept busy writing,” he says.
It was finally in 1990 that his career as producer and writer took off – including writing for the CBC series “Max Glick” and serving as executive story editor for several episodes. “Max Glick” was based on a novel by Morley Torgov about a barmitzvah-aged boy living in a community in northwestern Ontario. After that came “Danger Bay”, “Avonlea”, “The Odyssey” and the TV movie “Nothing Too good for a Cowboy”. His most recent production, “When Calls the Heart”, was broadcast in 2017.
Lazer says that he decided to become a producer because he wanted more control over his stories. Twenty-five years ago, he formed a partnership with David Barlow who, In the mid-1990s, acquired the rights to “Nothing Too Good for a Cowboy” based on the memoirs of long-ago Western rancher Rich Hobson. The partners turned the book first into a movie – which debuted as a TV movie in 1998 – and followed up with a TV series for CBC, which ran for 26 episodes.
Asked what is involved in being a producer, Lazer responds that it is relatively straightforward. “Everything,” he responds. “David and I were in charge of all the creative aspects – developing the story, hiring staff, casting the roles, making sure production was running smoothly. We partnered with producers and studios on the financial side.”
In 2003, he notes, his achievements in the television industry were recognized with the presentation of the Margaret Colliers Award – a lifetime achievement award presented by the Academy of Canadian Cinema and Television to a Canadian writer for an outstanding body of work in film or television.
(His collaborator, David Barlow, was presented with the award a couple of years earlier.)
Since his one-year stint as “When Calls the Heart” supervising producer came to an end in 2017, Lazer says that “his phone has stopped ringing” when it comes to filmmaking. Ten years ago, he and his wife, Dacia Moss, moved back to Victoria – where they met – and he took up playing the bass. He also spends his time playing golf.
While he says that he is still available if something in filmmaking comes up, he is, in the meantime, enjoying semi-retirement.
Features
Mobile Casino Trends in 2026: Usage Statistics – What Casino Online Westace Says
Mobile technologies simplify everyday life. They are used for payments, regular conversations, photos, and even gambling. Sites like casino online Westace leverage modern trends and do everything possible to maximize engagement. Adapting familiar gambling games to smartphones makes them more convenient. Visitors can launch slot machines or other entertainment with just a few taps on the screen. Quick rounds let you instantly see the results and choose a different game type. Interactivity is the main approach to development in 2026.
Usage Statistics in 2026
Online casinos are using mobile development technologies to adapt gambling games to smartphones and tablets. Now, almost every user has the opportunity to launch games to test their features in a convenient format. Sites like casino online Westace are not far behind and adapt to various screen layouts. The latest industry news also indicates significant developments:
More than 75% of players use online casino services via mobile devices. Statistics show significant steady growth compared to the figure of 65% in 2023.
It is predicted that revenue from mobile casinos in 2026 will exceed the mark of $ 60 billion. The figure is two-thirds of the market. Thus, positive trends can be identified among gambling software developers.
The younger demographic aged 18 to 35 years old is the most active user of mobile devices. They have twice the level of involvement compared to other categories.
80% of new casino accounts were registered through mobile apps or mobile-optimized websites. This indicates their convenience and widespread use.
Mobile development is a priority for online casinos. Operators work closely with developers to adapt all games to the relevant requirements.
Features of Mobile Casino Growth
Mobile versions of sites like casino online Westace are dominating in 2026 for a reason. Players can enjoy games with real dealers even from small screens. At the same time, the broadcast quality remains at a high level without delays.
All games are designed for touch use. Players can easily use portrait mode and adaptive layouts to launch a comfortable gameplay format. Biometric login and two-factor authentication are essential tools that protect transactions and accounts from unauthorized access.
Mobile gaming encourages more frequent play in small sessions. For example, a player can play one or two games of baccarat, and then later return to play slot machines. All progress is saved on any device. Yes, a player can start playing on a smartphone, save the results, and return via a browser on a computer.
All Interesting Facts to Know
Recently, sites like casino online Westace have been paying more attention to mobility. For example, seasonal slots are launched first through mobile versions, and then move to desktop. Regulators have also introduced mandatory responsible elements for smartphone users for greater control. Mobile players spend 20% more time playing with real dealers. This emphasizes the close attention to interactive formats and communication.
Ultimately, mobile casino versions occupy their own niche in the industry. Most players use smartphones to play on the go and enjoy fast games. Developers adapt to these requirements and improve services, adding relevant options to games.
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Important Keno Rules: Explained by Casino Online Glorion
Keno is a lottery game that originated in China 2,000 years ago. At that time, it was called baige piao, which translates to “white pigeon ticket” in English. Keno rules on sites like Glorion Casino are similar to those of games like lotto. The game involves choosing numbers in the hopes that they will match randomly selected values. In this article, we will discuss the important rules of online keno.
Understanding Keno Rules at Online Casinos
Keno is a game of chance in which players select 1 to 10 numbers from a table of 1 to 80, similar to bingo. After this, the numbers are drawn. The player’s payout depends on how many figures they match.
In classic keno, the drawing is done using a ball machine. The same equipment is used in bingo and lotteries. The host randomly draws 20 numbered balls. Players win if at least one of their chosen numbers matches the dealer’s draw. The more matching numbers, the larger the payout.
Online keno is played using a random number generator (RNG). Keno payouts on sites like Casino Online Glorionare similar to those in the classic game. The differences are due to the drawing procedure and the properties of different versions.
After users select their 20 numbers, the gambling software publishes its 20 figures, which determine the winner. Payout amounts vary across platforms, so users should check them before playing.
Basic Keno Stages in Online Casinos
Users planning to play keno at sites like Casino Online Glorion should be familiar with the gameplay process. Typically, it includes the following stages.
- Select a keno card. The ticket displays numbers from 1 to 80.
- Choose your numbers. In different versions, users select 10, 15, or 20 numbers before each draw. Each number is called a ‘keno spot.’ You can set the same numbers for multiple draws.
- Check the payout table. In the online version of the game, the table appears after selecting the numbers. It displays information about the payout amount if you guess correctly. The more numbers you match, the larger the payout.
- Calculate your bet. Determine how much you want to bet on each draw. Remember that the bet size affects the final payout.
- Start the game. All the drawn numbers will appear somewhere on the screen. Users can also view the “cold” and “hot” keno numbers. Hot numbers have been drawn recently, while cold ones haven’t won for a long time.
- Match the numbers. Experienced players use the term “catching a spot” when their chosen number is drawn. The number of spots you catch affects your payout.
Keno at websites like Casino Online Glorion offers engaging gameplay. Players can get generous prizes. They should learn the rules, odds, and prize structures to make rational decisions and boost their chances of winning. Chase the thrill, but play it smart.
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Joe Kent Suggests Israel Behind Charlie Kirk Assassination, Controls US Foreign Policy in Tucker Carlson Interview
Joe Kent Suggests Israel Behind Charlie Kirk Assassination, Controls US Foreign Policy in Tucker Carlson Interview
After Joe Kent, director of the US National Counterterrorism Center, resigned in protest of President Donald Trump’s military campaign against Iran, he appeared on Tucker Carlson’s podcast on Wednesday.
While on the podcast, Kent, who resigned from his position on Tuesday, argued that Israel dragged the US into the war against the Iranian regime, suggested that Israel may have been involved in the murder of conservative activist Charlie Kirk, claimed that Iran posed no imminent threat to the United States, and said that Iran was not pursuing a nuclear weapon.
Themes of Israel controlling US policy and conspiracy theories about Kirk’s assassination have become commonplace on Carlson’s podcast in recent months.
“We don’t know what happened with Charlie Kirk. I’m not saying the Israelis did this — I’m saying there are a lot of unanswered questions there, and there’s enough data to say there’s a good chance that President Trump feels he is under threat,” Kent said.
“The last time I saw Charlie Kirk on this earth was in June, in the West Wing stairway,” Kent said on Carlson’s podcast. “And he said very loudly to me … ‘Joe, stop us from getting into a war with Iran.’ Very loudly. He was single-minded.”
“So, when one of President Trump’s closest advisers who was vocally advocating against a war with Iran is suddenly publicly assassinated, and we’re not allowed to ask questions about that — it’s a data point. A data point that we need to look into,” Kent said, suggesting that Israel may have something to do with the assassination.
There has been no evidence to support claims of Israeli involvement in Kirk’s assassination. Tyler Robinson, 22, has been charged for murdering Kirk and potentially faces the death penalty. He was romantically involved with his transgender roommate, and prosecutors have reportedly argued that Kirk’s anti-trans rhetoric was a key factor that allegedly led him to shoot the Turning Point USA founder.
Kent also argued that the US is not really in charge of its own foreign policy: “Who is in charge of our policy in the Middle East? Who is in charge of when we decide to go to war or not?” he asked.
Ther former counterterrorism chief argued that Israel forced Washington’s hand by saying it would attack Iran and that the US would be forced to be caught up in Iran’s inevitable retaliation.
“The Israelis felt emboldened that no matter what they did, no matter what situation they put us in, they could go ahead and take this action, and we would just have to react. That speaks to the relationship — but also it just shows there was a lobby pushing for us to go to war,” Kent said.
In addition to claiming Israel was driving US foreign policy, he also claimed Iran was not close to achieving, or even pursuing, a nuclear-weapons capability. “No, they weren’t [on the verge of getting a nuclear weapon] — not three weeks ago when this started, and not in June [2025] either,” Kent said, referring to last year’s 12-day war between Iran and Israel
“The Iranians have had a religious ruling — a fatwa — against actually developing a nuclear weapon since 2004. That’s been in place since 2004. That’s available in the public sphere. But we also had no intelligence to indicate that that fatwa was being disobeyed or was on the cusp of being lifted,” Kent added.
Experts on Iran have widely dismissed the Iranian regime’s so-called fatwa against having nuclear weapons, noting Tehran has repeatedly lied about and tried to hide aspects of its nuclear program.
The interview occurred one day after Kent resigned from his senior intelligence position, saying he could not support the war and arguing Tehran posed “no imminent threat” to the United States. But it was Kent’s broader assertion, that pressure from Israel and pro-Israel voices influenced the decision to go to war, that especially drew swift pushback from the White House and national security experts.
In his resignation, Kent also drew parallels to the Iraq War, suggesting that similar dynamics shaped both conflicts by arguing that Israel pushed the US into the war.
“Iran posed no imminent threat to our nation, and it is clear that we started this war due to pressure from Israel and its powerful American lobby,” Kent wrote in his resignation letter.
The Trump administration forcefully disputed Kent’s claims, maintaining that the decision to strike Iran was based on credible intelligence about threats to US forces and interests in the region. Trump dismissed Kent as “weak on security,” defending the operation as necessary to deter Iranian aggression and protect American personnel and allies.
“When I read the statement, I realized that it’s a good thing that he’s out, because he said that Iran was not a threat,” Trump said. “Iran was a threat.”
Kent himself previously described Iran as a major threat that needed to be addressed.
In a September 2024 post on X, for example, he wrote that “Iran has been after Trump since January of 2020 after he ordered the targeted killing of the terrorist Qasem Soleimani. This isn’t a new threat.”
White House press secretary Karoline Leavitt lambasted Kent’s resignation letter as inaccurate.
“The absurd allegation that President Trump made this decision based on the influence of others, even foreign countries, is both insulting and laughable. President Trump has been remarkably consistent and has said for DECADES that Iran can NEVER possess a nuclear weapon,” she posted on social media.
Kent previously faced scrutiny during his US congressional runs in Washington state over links to far-right, antisemitic, and white nationalist figures, including Nick Fuentes.