Features
Former Winnipegger Dr. Meir Kryger takes an impressive turn to fiction with “The Man Who Couldn’t Stay Awake”
By BERNIE BELLAN In the mid-1980s a young Dr. Meir Kryger was beginning to establish his reputation as one of the pre-eminent experts in the area of sleep disorders. Having moved to Winnipeg to take up a position at St. Boniface Hospital (where he was to establish Canada’s first sleep lab devoted entirely to researching sleep disorders and was the first doctor to describe a case of sleep apnea in Canada) Kryger also somehow found the time to begin working on a novel – which, for various reasons, he just couldn’t complete.
Eventually though, in 2020 Kryger did publish that novel which, appropriately enough (given his career’s major primary focus) was titled “The Man Who Couldn’t Stay Awake”. As Kryger wrote to me in a recent email, “While I was still in Winnipeg, I wrote a novel that I never did anything thing with because my medical career had priority. When COVID hit, I published it on Amazon.”
Now, you might expect that after taking more than 35 years to complete his first novel, Kryger was not exactly sitting on an incipient blockbuster that people would really enjoy – but you would be wrong.
If anything, “The Man Who Couldn’t Stay Awake” is a first-rate mystery that moves at a whirlwind pace and which, if it had been promoted by a major publishing house rather than being self published would probably have received considerable renown by now.
I couldn’t help but think that in the past eight months we’ve published reviews of two other novels by Canadian Jewish doctors (“Prairie Sonata, by Sandra Shefrin Rubin, and “Lost Immunity”, by Daniel Kalla), along with a book of poetry (“Tablet Fragments”, by Tamar Rubin). All of these books have gone on to receive widespread critical acclaim and, in some cases, have either won awards or been nominated for them.
That doctors can also be talented writers should come as no surprise. What I wonder though is how a practicing physician can find the time to write for pleasure, given how busy most of them are – and how polished the end products have turned out to be. (As a writer of non-fiction in these pages – although some readers may say that what I actually produce would best be described as fiction, I can attest to how one has to force oneself to sit down and write – on top of freeing oneself from all distractions: no easy task.)
But, as Meir Kryger explained in an email to me, Covid afforded him the opportunity to finish something that he had set aside many years before – and after he had already authored many other books of non-fiction, all to do with the subject of sleep.
I asked him how long he actually spent writing “The Man Who Couldn’t Stay Awake”? He answered: “I did many drafts of the book, some handwritten (which I still have). Hundreds of hours.”
So, what’s “The Man Who Couldn’t Stay Awake” all about? It tells the story of a doctor (naturally) by the name of Sam Moroz, who finds himself enmeshed in a plot involving oil drilling in the Arctic. The book opens up with Moroz falling from the sky on to the Arctic ice – certainly a riveting beginning to what unfolds as a complex mystery involving various subplots, including an elaborate investment scheme, life among the Inuit, marital betrayal, a trip to Las Vegas, followed by a rafting trip on the Colorado River, Swiss bankers, French gastronomy…need I go on?
The plot moves back and forth in time – a device that we’ve come to expect in good mystery novels, as we gradually begin to understand just how it is that Moroz ended up falling from the sky in that opening scene. Through the course of the novel Moroz befriends an Inuit hunter by the name of Pauloosie.
I asked Kryger though, whether in his final draft, he had thought of changing his references to “Indians” in the novel? Although the term would certainly have been acceptable in the 1980s, I’m not so sure that he would escape criticism in our contemporary age of liberal “cancel culture” .
Here is how he responded: “The word “Indian” appears about 35 times in the book. That was the term in common usage in the 1980s. Even government agencies used that word. The book was reviewed by an aboriginal professor at U of M who had no problems with the book. Most of the readers have been Americans: The term “American Indian” is widely used in the US.”
(That’s all well and good, Meir, but in an age when using the wrong term can lead to being pilloried by certain groups, I just don’t know how that would go over with the agents of political correctness.)
I also wondered though whether Kryger had ever thought of updating some other references in the novel to make it more accessible to younger readers. After all, reading about characters using payphones does seem somewhat anachronistic. So, I asked him whether he had thought about revising the book to make it more contemporary?
His answer was: “I did think of updating it, but the events and context are early 80s. I suppose I could have modeled Kian (the novel’s primary villain) as an internet tycoon (rather than an oil baron, which is how he is depicted). Maybe for the sequel?” (By the way, I did suggest to Kryger that he should bring back Sam Moroz in another novel, which is why he referred to writing a sequel – apparently an idea he’s contemplating).
Something else about “The Man Who Couldn’t Stay Awake” that might especially appeal to Winnipeg readers is that some of the action does take place in this city, although the descriptions of some of the seedier parts of Winnipeg are not exactly flattering. Kryger does delve into some interesting historical references though when he writes about the way Inuit suffering from tuberculosis and other maladies were administered to by well meaning White doctors. In his description of Pauloosie’s father’s treatment for TB, he reminded me of a story we published in our paper by Susan Turner about how her uncle, Dr. Earl Hershfield, became the leading expert on the treatment of that disease among the Inuit. (You can read that story on our website at http://jewishpostandnews.ca/8-features/608-dr-earl-hershfield-and-inuit-bobbie-suluk-connecting-over-time.)
In my email correspondence with Kryger, I suggested to him that he has the makings of another Dan Brown (author of “The Da Vinci Code”) in the way he provides the reader with so much interesting information as the action moves quickly from one locale to another while the hero attempts to solve a complicated mystery.
Kryger said though that he was inspired more by Charles Dickens’ “Pickwick Papers”. (I’m sorry to say that I haven’t read that one, but now my curiosity is piqued.)
The painful truth for a writer, however, no matter how good they may be, is that it’s very rare for a book to gain any sort of acclaim unless it’s picked up by a major publisher. Kryger says that he doesn’t have a literary agent, but if Amazon reviews are any indication, readers of “The Man Who Couldn’t Stay Awake” are overwhelmingly positive in their responses to this book.
Comments on Amazon (which is where the book can be purchased) range from “a real page turner” to “a well written travelogue”. And, although there aren’t a huge number of ratings, it does score an impressive 4.9 out of 5 in customer reviews.
For Winnipeggers who knew Meir Kryger when he, his wife, Barbara, daughter Shelley, and sons Michael and Steven, lived here until he took up a new position in 2011 at Yale University, I thought it might be interesting to catch up with where they’ve all ended up, so I asked Kryger to give a summary of where they all are these days.
Here’s what he wrote: “Shelley is a math teacher in NYC. Michael, my middle son is a doctor in charge of a spinal cord unit in Pennsylvania. Steven, my youngest son works in the financial industry. Barbara was a consultant in HR (career development) for APTN (Aboriginal Peoples Television Network) until about 4 years ago.
“We are all vaccinated and well.”
“The Man Who Couldn’t Stay Awake” is available on paperback or in Kindle format from Amazon.
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon
Japanese Straightening is a hair straightening process invented in Japan that has swept America.
Features
History of the Winnipeg Beach Synagogue: 1950-2025
By BERNIE BELLAN The history of the Winnipeg Beach Synagogue is a fascinating one. We have had several articles over the years about the synagogue in The Jewish Post & News.
In June 2010 I wrote an article for The Jewish Post & News upon the 60th anniversary of the synagogue’s opening. Here are the opening paragraphs from that article:
“Sixty years ago a group of Winnipeg Beach vacationers decided that what their vacation area lacked was a synagogue. As it happened, a log cabin one-room schoolhouse in the Beausejour area happened to be available.
“In due course, the log cabin was relocated to the corner of Hazel and Grove in Winnipeg Beach, where it stayed for 48 years.”
In December 1994 my late brother, Matt, wrote a story about the spraying of antisemitic grafitti on the synagogue which, at that time, was still situated at its original location on the corner of Hazel and Grove in the town of Winnipeg Beach:
“Two 16-year-olds spraypainted slogans like ‘Die Jews,’ ‘I’ll kill you Jews,’ and other grafitti in big letters on the beach synagogue.
“Jim Mosher, a news reporter for the Interlake Spectator in Gimli, said last Halloween’s vandalism against the synagogue wasn’t the first. In the late 1980s, he claimed, it was spraypainted with swastikas.
“Jack Markson, a longtime member of the Winnipeg Beach Synagogue, last week also said he could remember finding anti-Semitic grafitti spraypainted on the synagogue ‘a few years ago,’ and at least twice in the 1970s, when the cottage season was over.”
My 2010 article continued: “In 1998 the Town of Winnipeg Beach informed the members of the synagogue that the building would have to be hooked up to the town’s sewer and water system. Rather than incur the cost of $3-4,000, which was thought to be ‘prohibitive,’ according to longtime beach synagogue attendee Laurie Mainster, synagogue goers looked elsewhere for a solution.
“As a result, the board of Camp Massad was approached and asked whether the synagogue might be relocated there, with the understanding that the synagogue would be made available to the camp at any time other than what were then Friday evening and Saturday morning services.
“Over the years the ‘beach synagogue’ had come to be a very popular meeting place for summertime residents of Winnipeg Beach and Gimli. In fact, for years minyans were held twice daily, in addition to regular Saturday morning services. Of course, in those years Winnipeg Beach was also home to a kosher butcher shop.
“While the little synagogue, which measured only 18 x 24 feet, has gone through several transformations, including the move to Camp Massad, and the opening up to egalitarian services in 2007 (The move to egalitarian services was as much a practical necessity as it was a nod to the equality of women – the only Kohen present at the time was a woman!), it has always remained cramped at the best of times.
“In recent years the synagogue has seen the addition of a window airconditioner (although to benefit from it, you really have to be sitting just a few feet away), as well as a fridge that allows synagogue attendees to enjoy a regular Saturday morning Kiddush meal following the service.
“According to Laurie Mainster, the Saturday morning service has continued to be popular, even though many of the attendees now drive in from Winnipeg, as they have sold the cottages they once maintained.
“On the other hand, one of the side benefits to being located on Camp Massad’s grounds has been an infusion of young blood from among the camp counsellors.
“Since there is no longer a rabbi available to conduct services (Rabbi Weizman did lead services for years while he had a cottage at the beach), those in attendance now take turns leading the services themselves.
“Anyone may attend services and, while there are no dues collected, donations are welcome. (Donations should be made to the Jewish Foundation of Manitoba, with donors asked to specify that their donations are to be directed to the beach synagogue.)
“Mainster also says that the beach synagogue is now undergoing an expansion, which will be its first in 60 years. An entirely new space measuring 16 x 18 feet is being added – one that will allow for a real Kiddush area. (Until now, a table has been set up in the back of the synagogue and synagogue goers would help themselves to the buffet that is set up each Saturday during the summer. While pleasant enough, it will certainly be more comfortable to have an actual area set aside for the Saturday afternoon after service lunch.)
“As for dress, longtime attendee Abe Borzykowski (in an article written by Sharon Chisvin for the Free Press in 2007) remarked that ‘I don’t think there are many synagogues where people can attend in shorts, T-shirts and sandals and not feel out of place.’ “
As mentioned in that 2010 article, the beach synagogue at that time was about to undergo an extensive remodelling. Here is an article from a January 2011 issue that describes that remodelling process. The article was written by Bernie Sucharov, who has been a longtime member of the beach synagogue:
“The Hebrew Congregation of Winnipeg Beach made a major change to the synagogue this past summer. With the help of many volunteers, Joel Margolese being the project manager, the synagogue was expanded and an addition was built to handle the overflow crowds, as well as to add more space for the kiddush following services.
“The volunteers spent many Sundays during the summer months building the addition. Bad weather caused many delays, but finally the addition was completed one week before the official summer opening.
“The volunteers were: Joel Margolese, Gordon Steindel, Sheldon Koslovsky, Viktor Lewin, Harvey Zabenskie, Nestor Wowryk, Kevin Wowryk, Victor Spigelman, Jerry Pritchard, and David Bloomfield.
“On Sunday, June 25, 2010 a special ceremony was held to affix a mezzuzah to the front entrance door. Gordon Steindel had the honour of affixing the mezzuzah, which was donated by Sid Bercovich and Clarice Silver.
“Refreshments and food for the day were prepared by Phyllis Spigelman, also known as our catering manager. Throughout the summer, Phyllis, Lenore Kagan and other friends prepared the food for our kiddush.
“A sound system was donated by Arch and Brenda Honigman in memory of their father, Sam Honigman z”l. “The system was installed by Joel Margolese and Stevan Sucharov. This will allow the overflow crowd to hear the service in the new addition.
“There were also generous donations of 50 chumashim and an air conditioner. The chumashim were donated by Gwen, Sheldon and Mark Koslovsky. The air conditioner in the new addition was donated by Joel and Linda Margolese.
“The official opening of the synagogue for the summer took place on July 3, 2010. We had an overflow crowd of 70+ people.”
Since that 2010 major addition to the synagogue, it has also added a wheelchair ramp (although I’ve been unable to ascertain exactly when the ramp was built). Also, the synagogue also has its own outdoor privy now. (Attendees used to have to use facilities in Camp Massad.)
And, as already noted in article previously posted to this site (and which you can read at Beach Synagogue about to celebrate 75th anniversary), in recognition of that occasion, on August 2nd members of the synagogue will be holding a 75th anniversary celebration.
As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”
By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.