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Heather Perlov of “Heather’s Pretty Parties” one of 14 finalists for Manitoba Woman Entrepreneur of the Year Award

Heather Perlov

By BERNIE BELLAN Ten years ago Heather Perlov (who was Heather Oliphant at the time) was asked by a friend who knew how much Heather loved to wear costumes whether she could come to a children’s party dressed as a princess and entertain the children there.

Heather had always had a love for dressing up in costumes ever since she herself was a little girl, so the idea of attending a children’s party dressed as a princess was something she took to quite naturally.
“My mom had always designed different costumes for me growing up, so I had lots of costumes,” Heather explains.

That initial party proved so successful that it wasn’t long before Heather found herself being asked to attend more and more parties.
“I had so many different costumes – clown, princess, fairy, and so on…One weekend I played nine different characters,” Heather says.
And, while Heather did consider going full time into theatre – having spent some time in Kayla Gordon’s Winnipeg Studio Theatre, it wasn’t long before she realized that the idea of turning what was at first just a fun idea into a full time career took fruition.
“As much as I loved theatre, I didn’t think it would turn into a career,” Heather notes
“I started hiring others who had backgrounds in theatre to start going to parties in costume. They would do face painting, put on glitter tattoos, sing songs, read stories…” and soon, “Heather’s Pretty Parties” took off – with at one time over 40 different performers ready to attend children’s parties all over the city.
“Before Covid we would do as many as 25-30 parties a weekend,” she adds.

In time her business grew into a $200,000 a year business, Heather says, although that volume of business decreased somewhat as a result of Covid.
When asked what age groups she caters to primarily, Heather answers that “it’s generally kids age three-eight”, although she does say that at times they do parties for older kids as well.

As a result of the success of her business, Heather was one of 150 different women nominated for the title of “Woman Entrepreneur of the Year” in 2021. The idea of celebrating female entrepreneurs is something that has been promoted by the Women Business Owners of Manitoba for over 20 years.
Heather ended up being one of 14 finalists for the award and, although she didn’t win, she is proud of making the final group.
Aside from her career providing entertainment for children’s parties, Heather herself is now a mother. Married to Daniel Perlov, whom she met when she was a server at the Olive Garden, Heather and Daniel are parents to two children: six-year-old Oliver (who attends Gray Academy), and two and a half year old Eden.
Heather also says that she was very involved in Scottish culture as a youngster, performing as a dancer for years at the Scottish Pavilion in Folklorama. While she certainly values Scottish culture, Heather says she is also very much involved in Jewish culture through such activities as PJ Library.
“We’ve got a great balance of cultures going on,” she notes.

As far as how word of Heather’s Pretty Parties spread throughout Winnipeg goes, it’s been both word of mouth and social media that have contributed to the success of her business, Heather says.
Unfortunately, as much as Heather herself would have liked to be actively involved in entertaining at children’s parties this year, she says she tore her Achilles Tendon this past summer, so her role has been limited to attending to the business side of things.
With a vibrant website and an active presence on both Facebook and Instagram, despite the dampening effect that Covid has had on so many activities, Heather says she has been gradually building back her business to the point where she is quite busy again. And the fact that she is able to provide employment for anywhere from 20-25 young performers, almost all of whom have a theatre background, means that Heather’s Pretty Parties is able to combine providing some good part-time income for many young people with a vocation that they love.

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Toronto home sales up in February from last year as consumers eye rate cuts: TRREB

The Toronto real estate market saw a big increase in home sales this February. The increase was compared to the same period last year. The data comes from the Toronto Regional Real Estate Board (TRREB). This trend suggests an increasing optimism among consumers, potentially spurred by anticipations of rate cuts. The dynamics of the Toronto real estate market are indicative of a shift in consumer behavior and underlying market trends, reflecting broader economic signals and policy implications.

Home sales rose in February. This happened amid a complex mix of economic factors. These included the current interest rates, government housing policies, and global economic trends. The expectation of rate cuts is key. Lower rates cut borrowing costs, making mortgages cheaper for buyers. This prospect can increase demand in real estate. It will drive up sales and might impact prices.

Sales rose. This was due to the growing confidence of consumers. They are confident in the market and the broader economy. After uncertain times, like the pandemic, signs of recovery and stability can encourage buyers. Moreover, the rise in listings reported by TRREB. It suggests that sellers are also responding to these market conditions. They are providing more options for buyers. This is contributing to the market’s overall activity.

However, the dynamics of the Toronto real estate market are not without challenges. Housing affordability and supply problems are still key policy topics. More sales might make these issues worse. This might happen if demand outpaces the supply of homes. That would cause price hikes. The hikes could strain many buyers’ ability to afford homes.

In response to these challenges, many groups are exploring solutions. These include policymakers, developers, and community organizations. They want to increase housing supply and affordability. The strategies include changes in zoning laws. They also include incentives for affordable housing construction. And they include initiatives to help first-time homebuyers. These are the approaches being considered to address these pressing issues.

The TRREB report also shows the importance of staying informed about market trends. Economic indicators can affect the real estate market. Potential buyers and sellers can use these trends to make informed choices. Resources like Avalon offer valuable insights and information that can assist consumers in navigating the complexities of the real estate market.

As the Toronto real estate market continues to evolve, it will be important to monitor these trends and their implications for housing affordability, market stability, and economic growth. The increase in home sales in February is a positive sign, but addressing the broader challenges facing the market will require concerted efforts from all stakeholders involved.

The urbanization and immigration patterns in Toronto’s population continue to put pressure on the real estate market. The city’s appeal as a center for work, education, and cultural diversity supports a consistent demand for housing. The need for a planned approach to housing construction that emphasizes not only quantity but also quality and diversity of housing options to suit the needs of a diverse population is highlighted by this demographic pressure.

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Famous Jewish Horse Jockeys Throughout History

Photo by Milena de Narvaez Ayllon:

When you think of horse racing, what comes to mind? The thunderous applause of the crowd, the heart-pounding thrill of the race, or perhaps the elegant hats and mint juleps of the Kentucky Derby?

Still, if I tell you to picture famous Jewish horse jockeys, does your mind draw a blank? Maybe there are some names among the contenders in the 2024 Kentucky Derby betting?

Well, prepare to be enlightened, entertained, and possibly a bit surprised as we dive into the fascinating world of Jewish horse jockeys throughout history.

Jewish Participation in Horse Racing

Contrary to what stereotypes might suggest – no, not all Jewish professionals are doctors, lawyers, or tech moguls – a number of Jewish athletes have made significant marks in the world of horse racing.

This might come as a shock to some, given the historical and cultural barriers that have often sidelined Jewish participation in various sports. But just like breaking into Hollywood or winning Nobel Prizes, Jewish jockeys have defied odds, gravity, and sometimes, even logic.

The Jewish influence in horse racing is actually quite big. If we look back on some of the most successful horse racing stories, we can see traces of Jewish people involved in the process. Just take American Pharoah for example. The horse that won the Triple Crown (first time since 1978) and the Breeders Cup in the same year.

The owner of American Pharoah was Ahmed Zayat; an Orthodox Jew from Egypt has become one of the most powerful figures in horse racing.

The Beginnings of Jewish Presence in Horse Racing

Let us start with the early days by going back to the late nineteenth and early twentieth centuries, when horse racing was one of the only activities with considerable popularity.

Jewish jockeys, like as Tod Sloan, began to emerge from the crowd. Sloan was more than simply a jockey; he was a celebrity, renowned for his “monkey crouch” riding style, which transformed horse racing. But why is Sloan not a household name like other sports legends?

Perhaps it is due to the specialized character of horse racing or to the overshadowing of successes in other industries. Whatever the cause, Sloan and his contemporaries paved the way for what was to follow.

Jewish Influence on the Kentucky Derby

The Kentucky Derby is one of the biggest sporting events in the world that dates back 150 years.

Most visitors are astonished to learn that the Jewish community has had a substantial impact on the event’s history and culture.

From horse owners to riders to industry executives, Jews have left their imprint on horse racing.

One of the most well-known is the Wertheimer family, who owned the famous horse Exterminator, who won the race in 1918. The Wertheimers were well-known for their successful thoroughbred breeding and racing enterprise, which they had run for many years.

But we also have the Phipps family and the Zayat family, who also left a big mark on the Kentucky Derby.

Most Popular Jewish Jockeys Over the Years

But Jewish people are not only owners of horses. In fact, we can see many Jewish jockeys that actually made a rather successful horse racing career.

William Harmatz

William Harmatz (February 9, 1931–January 27, 2011) was an American Thoroughbred horse racing jockey who won the 1959 Preakness Stakes riding Royal Orbit.

Harmatz, a Jewish jockey, received the George Woolf Memorial Jockey Award in 1960 for demonstrating high standards of personal and professional behavior on and off the racecourse. He was elected into the International Jewish Sports Hall of Fame in 1999.

Isaac Murphy

Here we have one of the most successful Jockeys, at least when it comes to win rate.

Isaac Murphy won with more than a third of his rides each year. According to his own assessment, Murphy won 44% of his races. Only 34.5% can be validated in era-specific chart books, although it’s possible that some of his races were not included. Murphy set a level that no other jockey has surpassed.

He won three Kentucky Derbys, five Latonia Derbys, and four of the first five runnings of the American Derby, which was formerly the richest 3-year-old event in America.

Murphy was recognized not just for his horseback riding abilities, but also for his honesty and commitment. He once refused to allow champion Falsetto to lose the 1879 Kenner Stakes, despite bribes from gamblers.

Walter Blum

Speaking of successful jockeys, we cannot miss Walter Blum, a Hall of Famer who had an incredible career in horse racing spanning across almost two decades. When he retired in 1975, only four jockeys actually managed to have more wins than Blum.

Despite being blind in his right eye since the age of two, when he fell from a toy horse, in 1953 he began a career as a jockey, riding his first winner on July 29 at Saratoga Race Course. Blum spent the majority of his 22-year career riding on East Coast tracks from New England to Florida, and he is one of only four riders to have won six races on a single program at Monmouth Park.

However, in the 1960s, he rode seasonally at California races, winning the 1966 Santa Anita Derby, and he also dominated Chicago’s summer racing circuit, particularly at Arlington Park.

Honorable Mentions

We’ve covered some of the most successful Jewish jockeys, but they are not the only ones in the sport. Over the year’s we’ve seen many other Jewish jockeys that might not have the same success, but definitely left a mark on the sport.

Sol Levitch competed in the Kentucky Derby six times between 1929 and 1940, placing in the top three twice. David Erb rode in the Kentucky Derby three times in the 1920s, with his best finish of third place in 1927. Herb Fisher rode in the Kentucky Derby twice during the 1940s, finishing seventh in 1941 and ninth in 1947.

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The real story behind Sammy Davis Jr.’s conversion to Judaism

Sammy Davis Jr. (1972 photo - source: Wikipedia)

Jewish comedians made racist jokes about him. Some Black audiences booed him. But his faith was genuine

By Beth Harpaz February 23, 2023

(This story was originally published in the Forward. Click here to get the Forward’s free email newsletters delivered to your inbox.)

Sammy Davis Jr. was a short and skinny Black man with one eye. His wife was white, his mother was Puerto Rican and he was a convert to Judaism. In the crass and racist world of mid-20th century comedy, he was a walking punchline, even in his own routines.

“When I move into a neighborhood, I wipe it out,” was his standard self-deprecating gag. The line received knowing laughs in the 1950s and ’60s when many towns forbade property sales to Blacks and Jews, and whites often fled when Black families moved into their neighborhoods.

Jokes by his fellow entertainers were crude. In a live skit at the Sands in Las Vegas in 1963, Dean Martin physically lifted Davis up (he weighed a mere 120 pounds) and said, “I’d like to thank the NAACP for this wonderful trophy.” At a Friars Club roast, comedian Pat Buttram said that if Davis showed up in Buttram’s home state of Alabama, folks “wouldn’t know what to burn on the lawn.” 

Jewish comedians got their licks in, too. Milton Berle cross-dressed as Davis’ white wife, May Britt, and sang, to the tune of “My Yiddishe Mama,” “My Yiddish Mau-Mau,” a reference to an anti-British rebellion in Kenya. 

At another roast, Joey Bishop said he’d “never been so embarrassed” in his life as when he met Davis in synagogue. When the rabbi came in, Bishop said, “Sammy jumped up and hollered, ‘Here come the judge!’”

This cringeworthy line was delivered by Davis himself in a show at the Copa: “I don’t know whether to be shiftless and lazy, or smart and stingy.”

Some of these jokes implied that it was preposterous for a Black man to convert to Judaism. But for Sammy Davis Jr., being Jewish “was the most logical thing in the world,” historian Rebecca L. Davis told me. “Over and over again, he made this analogy between being Jewish and African American. He was very admiring of the Jewish millennia-long struggle against oppressors and overcoming all kinds of obstacles.” He saw himself as “an outsider and very marginalized, and he could see in the Jewish experience a similarity that really drew him in emotionally.” 

Davis, a history professor at the University of Delaware (and no relation to Sammy), has done extensive research on the entertainer’s conversion, his career and how he was perceived. Her article, “‘These Are a Swinging Bunch of People’: Sammy Davis, Jr., Religious Conversion, and the Color of Jewish Ethnicity,” appeared in the American Jewish History journal in 2016, and she included a chapter about him in her 2021 book, Public Confessions: The Religious Conversions That Changed American Politics. Her take is that Davis was not only one of the most successful entertainers of the 20th century despite the many racist barriers in his way, but that his Jewish faith was utterly genuine.

The fateful accident

Davis lost his eye when he crashed his car driving home to California from Las Vegas in November 1954. One of several stories about what sparked Davis’ path to conversion originates with the aftermath of the accident. He wrote in his 1965 autobiography, Yes I Can, that his friends Tony Curtis, who was Jewish, and Janet Leigh, who was not, arrived at the hospital and Leigh gave him a religious medal with St. Christopher on one side and a Star of David on the other. “Hold tight and pray and everything will be all right,” Leigh told him.

Davis later told Alex Haley in a Playboy interview that he gripped the object so tightly that the Star of David left a scar on his hand, “like a stigmata.” He took it as a sign that he should convert. 

Davis also felt that he owed his career to a Jewish man, Eddie Cantor, who ironically had been one of vaudeville’s best-known blackface performers; Cantor’s act earned him a spot with the Ziegfeld Follies. Decades later, Cantor gave Davis his first big break, a solo televised appearance on the Colgate Comedy Hour in 1952, and became a father figure to him. “He saw Cantor’s Jewishness as part of what made Cantor a good person,” said Rebecca Davis. 

In another version of how his car accident led to his conversion, Sammy Davis said that a mezuzah Cantor gave him had mistakenly been left behind in a hotel room the day of the crash. That story transformed the mezuzah “into a talisman,” Rebecca Davis observed, another signpost on the road to his conversion. 

Identifying as a Jew

In his memoir, Sammy Davis recalled Rabbi Max Nussbaum, of Temple Israel in Hollywood, telling him, “We cherish converts, but we neither seek nor rush them.” But he began to publicly identify as Jewish before formally converting. In 1959 he refused to film scenes for the movie Porgy and Bess on Yom Kippur, while Ebony ran a photo of him holding Everyman’s Talmud.

He also repeatedly compared the oppression of Jews to that of African Americans. In his 1989 book, Why Me?, he wrote that he was “attracted by the affinity between the Jew and the Negro. The Jews had been oppressed for three thousand years instead of three hundred but the rest was very much the same.” When he visited the Wailing Wall in 1969, he said Israel was his “religious home.”

The reception from Black audiences

American Jews by and large loved him, and his reception in the Jewish press, including the Forward, was also positive, Rebecca Davis said. But it was more complicated for Black media. On the one hand, she said, he was “this exemplar of Black success, very wealthy, very famous, very successful” in an era of rampant racism.

On the other hand, there was “confusion and anger” about why — as a prominent Black activist who joined marches, raised money and was the United Negro College Fund’s largest donor — Sammy Davis so often connected the civil rights cause to Judaism. While there were a “disproportionate number of Jews who were passionate about civil rights and were willing to put their personal safety on the line to stand up for civil rights,” at the same time, Jews were part of a “broader American culture that saw African Americans as inferiors. That was the prevailing cultural norm among white people in the 1950s,” Rebecca Davis said. Other critics felt that he had converted to ingratiate himself with whites as a way to get ahead.

And when he “let himself be the joke” as part of the Rat Pack — a loose ensemble of performers that included Dean Martin, Frank Sinatra and Peter Lawford — that “really angered a lot of African Americans who saw him more as performing for white audiences than for Black audiences.”

He formally converted with Britt shortly before their wedding in 1960. She was as serious about it as he was, making sure, even after they were divorced, that their children went to Hebrew school and that their son was bar mitzvahed.

Disinvited from JFK’s inauguration

But their marriage also resulted in one of the most painful episodes of his life, when he was disinvited from John F. Kennedy’s presidential inauguration. The Democratic coalition that elected JFK included Southern white Democrats, and they did not want a Black man married to a white woman performing at the celebration. “They forced Davis out,” Rebecca Davis said. “He was so stung by that. Here he was on stage and on film with Dean Martin and Frank Sinatra and the biggest stars of the day, and they all got to go to the inauguration, but he didn’t.”

That rejection helps explain Davis’ subsequent embrace of Richard Nixon. “Nixon, who was politically very devious, figured he could use Sammy Davis as a token African American supporter by overdoing it and inviting him to sleep in the Lincoln bedroom,” Rebecca Davis said. That made him the first Black man to spend the night as a guest in the White House.

Some African Americans saw Davis’ alignment with Nixon and the Republicans as a betrayal. Harry Belafonte and Sidney Poitier stopped returning his phone calls, Rebecca Davis wrote, and a year or two after he performed at the 1972 Republican National Convention, he was booed at an event organized by Jesse Jackson.

He responded to the boos by saying, “I get it. I understand. But I need you to know, I always did it my way. It’s the only way I’ve got,” Rebecca Davis said. “Then he sang ‘I’ve Gotta Be Me,’ and they gave him a standing ovation.”

A steadfast Jew until the end

His third wife, Altovise, was a churchgoer, but Sammy Davis remained a steadfast Jew until the day he died. Everything he said about Judaism “was said with the utmost sincerity,” Rebecca Davis said. “He never once looked back and said, ‘Oh, that was just a phase I was going through.’ And he never talked about it in terms of his career. He only talked about it as something that spoke to him on a deep level.”

Davis died of throat cancer in 1990 at age 64. Sinatra, Berle, Liza Minnelli, Stevie Wonder, Dionne Warwick and many other celebrities were among thousands of mourners who backed up traffic for 8 miles en route to the funeral at Forest Lawn Memorial Park in LA. Rabbi Allen Freehling presided at the service, but the eulogy was given by Jesse Jackson. 

“To love Sammy was to love Black and white, Black and Jew,” he said, “and to embrace the human family.”

The service also included one last standing ovation for Davis, when they played a recording of – what else? – “I’ve Gotta Be Me.”

Beth Harpaz is a reporter for the Forward. She previously worked for The Associated Press, first covering breaking news and politics, then as AP Travel editor. Email: harpaz@forward.com.

This article was originally published on the Forward

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