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Ian Schnoor: He’s created a “marquee” name no matter how you spell it

Ian Schnoor

By GERRY POSNER This is a story worth reading (not that all of my articles are not worth reading). From the depths of the Maples and Garden City has emerged a young man now running what looks to be a very significant business in Toronto and, in fact, well beyond the limits of the city and province.

Have you ever heard of a company called the Marquee Group? Ian Schnoor created the company paying homage to the street where he grew up (in The Maples): Marquis Crescent. There is one major difference besides the spelling. A crescent is shaped in a circular form with no direction except in a spiral. That no doubt is the shape of Marquis Crescent to this day. On the other hand, the Marquee of Ian Schnoor is like a canopy – extending almost without limit. You could say that Schnoor’s business had taken on the form of the name of the company- upwards and onwards.

Schnoor, the son of the late Jack Schnoor and mother Judy Schnoor, is a graduate of Joseph Wolinsky Collegiate. Ian attributes a chunk of his success to his time there, in particular to the influence his former classmate, the late Adam Anhang, had on him.
Adam helped to generate Ian’s interest in finance and indeed, later in teaching. It started simply enough. Following high school and a year of Arts, Ian ended up in the predecessor to the Asper School of Business (School of Commerce) at the University of Manitoba.
After graduation, Ian sent out over 100 letters seeking employment in Toronto. He got back five letters of interest and out of that emerged a job as an investment banker at BMO. He was there for over four years, then headed to CITI Bank. 9/11 and the collapse of the markets ended his work at that bank, but it triggered a major move for Schnoor.
In 2002 he started up the Marquee brand and it is fair to say he has never looked back. The business he established was based on what he perceived as a gap in the marketplace for financial training. The best term to apply to the business is “financial modelling”.. What this means in part at least is the way of adapting what is taught in the business schools to the real world.
Schnoor puts it this way:” I kept thinking it would all end eventually (referring to the fallout from 9/11), until I realized I was bridging the gap between what people were learning in business schools and the hands-on technical skills companies were seeking in new hires.”
It was not long before Schnoor had lined up an array of business schools that wanted him badly. Schnoor says that all the bright lights from Ivey, Queen’s, U of T’s Schulich Schoolk, McGill, Laurier are all clients of his (oddly, the one school missing from his catalogue is the University of Manitoba’s Asper School of Business, whose predecessor is the very place from where Schnoor graduated years ago).
Aside from this group, other key components of the Marquee portfolio are all of the major Canadian banks, as well as some global banks in Canada.
What Marquee provides is a level of training previously unknown to any of the clients served by Schnoor and his team. That team has grown in size to over 25 people, some part time and others full time. Schnoor took it upon himself to train all of his hires the way to teach. What the group does and does well is to use spreadsheets, then forecast what lies ahead for his clients based on various assumptions, all of which can be changed easily. This is a skill and, of course, what makers it so helpful is when you have a guy like Ian Schnoor leading the way. He is first and foremost a teacher and he loves to do that. As Ian puts it, “When I teach, I learn”. He is so well thought of he was recently awarded the “Professor of the Year” award for the course he teaches in the Master of Finance Programme at Queen’s University.

In retrospect, Joseph Wolinsky Collegiate was a great start for Ian with the rigours of the double programme (Hebrew and English). Adam Anhang was an inspiration, but clearly what Schnoor had going for him more than anything was sheer determination to succeed and that he has done in spades. Happily, his father Jack who died in 2011, was alive to see his son’s career take off. And now, Schnoor, married and father to three daughters, 18, 15 and 13 – all students in the Jewish School programme in Toronto, is still very busy building his already very demanding business.
His formula for building that business is to be sure his course content is comprehensive and to be sure his associates have mastered the content and the method of teaching. Ian is confident that this format of business model will only expand as the skills taught are crucial for any business anywhere in the world. So, from Marquis to Marquee, the one thing that has never changed is Ian Schnoor.

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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One

The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.

You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.

The RTP Trap

Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.

The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.

Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?

Hit Frequency: The Number That Shapes Session Feel

Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.

A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.

Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.

The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.

Volatility: The Risk Label Players Need More Often

Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.

Here is where RTP becomes less useful on its own:

  • A 96% low-volatility slot may give modest returns and longer play from the same balance.
  • A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
  • A progressive jackpot game may look exciting, but it often places more value on rare top prizes.

The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.

Why the Same RTP Can Feel So Different

Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.

Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.

A Better Way to Read a Slot Page

Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.

Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.

A sensible pre-play check looks like this:

  • RTP: What is the average long-term return?
  • Volatility: How rough can the session become?
  • Hit frequency: How often will the game show any wins?
  • Paytable: Where does most value sit?

To Conclude

Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.

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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts

Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.

Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.

Why Many Players Are Returning to Basic Gameplay

Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.

These are a few potential reasons explain why simpler slots became popular again in 2026:

  • Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
  • Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
  • Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
  • Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
  • Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.

Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.

Features That Make Simpler Slots Appealing

Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.

However, these aren’t the only factors that attract gamblers. So, check out this list:

  • Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
  • Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
  • Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
  • Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
  • Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
  • Smaller menus. Important information appears immediately without complicated tabs or hidden sections.

Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.

Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.

Conclusion

Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.

Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.

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