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In new book, well-known psychologist argues that autism is grossly over-diagnosed

book cover
author Shoshana Levin Fox

Book review by TOBY KLEIN GEENWALD Dr. Shoshana Levin Fox has authored a book that will hold you spellbound. Section I is titled “Children.” These first eight chapters are the stories of Jack, Sasha, Annie and others (all the children’s names used are pseudonyms) – children who came into the Feuerstein Institute after having been diagnosed as autistic. They exited with new hope, not only for themselves, but for their parents, who were usually devastated by their children’s diagnoses and needed their own emotional propping up.

The central theme of this book is that autism is grossly over-diagnosed. Levin Fox is a psychologist and play therapist who has worked with children for more than 30 years. In addition to lecturing and giving workshops in North America, Israel and Europe, she worked for 25 years in the prestigious Feuerstein Institute of Jerusalem, founded by the late Sorbonne-educated Professor Reuven Feuerstein.

Dr. Levin Fox lived for nearly twenty years in Canada. She completed an M.A. at Simon Fraser University and a Doctorate in Counselling Psychology at the University of British Columbia and worked for many years as a counsellor in the Special Services to Children program of the Vancouver Association of Neighbourhood Houses. Levin Fox was awarded a SSHRC (Social Sciences and Humanities Research Council of Canada) post-doctoral fellowship, which enabled her to do research and practical work in the field of autism at the world-renowned Feuerstein Institute in Jerusalem. Coincidentally, for many years Hadassah WIZO Canada were the prime funders of the Feuerstein Institute’s programs related to autism.

I warmly recommend the book, not just for the moving stories of the children who were salvaged from what proved to be inaccurate assessments, and not only for the intriguing descriptions of the practices of the world-renowned Feuerstein Institute, which Dr. Levin Fox combined with the wonders of the DIRFloortime method. This book should be read for its critical message to parents who have received an autism diagnosis for their son or daughter: Believe in your child. Talk to your child. Keep looking till you find her the best and most appropriate help and hope. Don’t let the “experts” get you down, because a true expert will find the formula to lift you – and your child – up.

Most importantly, do not assume that an expert who gave you an assessment of autism, that may feel like an emotional-cognitive death sentence, is right, and even if the assessment is accurate, and the child is truly autistic, that does not mean there is no hope.
This book is not only for parents of children with autistic symptoms; there is a message here for all parents: Even when there is a diagnosis of less daunting conditions — such as learning disabilities, ADHD, or other emotional, cognitive or developmental challenges — keep shopping till you find the professional who will light the way through the tunnel.

The idea of plasticity of the brain, writes Levin Fox, entered mainstream medicine several generations after Prof. Feuerstein had intuited and created materials and methods based on that reality. “There were no sacred cows for the Professor,” she writes, and decries the fact that “the diagnosis of autism is used as a sacrosanct truism…I have found that the term ‘autism,’ as it appears commonly in the field, in actuality is being used to describe children who suffer from a vast range of communication difficulties, from extreme shyness to psychotic conditions and just about everything in between.”

It is not clear to her how research studies can be reliable, writes Levin Fox, “with the current diagnostic criteria of autism so elastic and with the use of the term so liberal.”
The children whose stories are recounted in this book all made significant, even dramatic, progress. Levin Fox writes that, “Not every child began to speak fluently, to learn at a normative level and to play happily with friends…However, it can be safely and honestly stated that, inspired and mentored by the Professor, my colleagues and I made a huge difference in the lives of hundreds of children originally thought to be autistic.” She sees them, as a team, as having saved many lives.

Feuerstein sought to find the child’s latent strengths, and what he called “islets of normalcy.” She explains how “islets of normalcy” are identified and worked with. They include, among other elements, eye contact, human relationships, symbolic play, curiosity, humor and more. “The notion of islets of normalcy helps both parent and practitioner recognize the non-symptomatic behavior [of autism symptoms], the sparks of life and the glimmers of normative functioning within a child’s autistiform presentation.”

There was five-year-old Jack, whose parents came to the Institute and Levin Fox discovered in him an engaging child with a rich imagination. His parents told her that, as he had verbal communication problems, they had taken him to be tested and had been told he was autistic.
Levin Fox emphasizes that helping the parents to understand their children’s challenges, and not to be fearful and depressed about them, is part of the battle.
At the Institute Jack thrived, and left the early diagnosis of autism far behind. The details of the process are in a fascinating ten-page chapter.

She writes about a little girl, Annie, who clearly had developmental difficulties, but, “Each of a child’s tangible, visible symptoms is a world in itself. Like the shoots of a green plant, symptoms have intricate roots.”
Levin Fox gave the parents tools to work with their daughter and continued to follow her progress. When she met her again at the age of six, she wrote, “The sweet, charming, warm, open and communicative child…bore no trace of the detached, imploded, silent, starving two-and-a-half-year-old of years ago.”

Then there was Davie, who had “a longer journey,” and teenaged Joe, who did not make progress to the same extent as some of the other children, but who years later was a happy, functioning adult living in a group setting with other mildly impaired adults. And Mikey, who began to improve significantly when his parents began to talk to him. He still had a long way to go, but Levin Fox writes, “I learned never to give up on a parent.”

There was Max, who had oral dyspraxia, and his lack of speech had been “misunderstood as an autistic avoidance of speech…his story…dramatically illustrates the tragedy of this kind of misdiagnosis.” She cautions that children’s hearing should always be tested; sometimes the non-responsive child is discovered to be simply hearing-impaired.

In Part II, “Theoretical Groundings,” Levin Fox gives the intense and thorough theoretical background to the success stories, which are plentiful. Six more case studies are interwoven in the text to help bring the theory alive.
This section also describes the fascinating roots of Feuerstein’s methods. He began by working with orphan children who had been traumatized after WWII, decided there were flaws in the standard diagnostic tests, and rather than focusing on performance, he focused on the child’s ability to develop learning processes.
“Current studies on brain plasticity…scientifically substantiates what [Feuerstein] proposed two generations ago – that brain cells are modifiable and respond to the stimuli of the environment.” She writes that for Feuerstein it was an “I told you so” moment.
“He understood that human beings can change…when the environment anticipates and promotes such change.” The children mentioned earlier “markedly diminished their autistic-like symptoms…We believed that the potential was there. We sought it. And when we could not see it, we worked hard to elicit it, and even to create new facts on the ground.” The staff saw themselves as warmly interactive mediators.

One of my favorite stories appears in Chapter 15, “A Paradigm Shift,” where Levin Fox describes in great detail the captivating case history of Ben, whom she first met when he was five-years-old. The end of the chapter, with the sub-heading, “Ben’s Epilogue,” describes a chance meeting between Levin Fox and Ben’s parents, many years later, at the luggage carousel in the arrival area of the airport. “Dr. Shoshana!” they called out, and his mother pulled out her cellphone. “The happy faces of Ben and his wife, holding their newborn son, smiled back at me,” writes Levin Fox. “For Ben, the paradigm-shift had indeed been life-saving.”

I found other words to describe the journeys and the miracles of the children portrayed in this book: life-affirming.
And hope.
“An Autism Casebook for Parents and Practitioners: The Child Behind the Symptoms” is published by Routledge, Taylor & Francis and available on Amazon. Read more about Dr. Shoshana Levin Fox’s work at: https://shoshanalevinfox.com/

Toby Klein Greenwald is an award-winning journalist, educational theater director, teacher and the editor-in-chief of WholeFamily.com.

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Features

MEDIA BRAT/ The Artsy Sportswriter’s Daughter Deconstructs Life With John Robertson in New Memoir

We received an interesting email from a brand new book publishing company called Meat Draw Books. Ordinarily, we wouldn’t include a blurb for a book that wasn’t about a Jewish subject but the press release was so intriguing – and humourous, that we’ve decided to print it here ver batim:

Hello at The Jewish Post & News.

I’m D. Grant Black, publisher of Meat Draw Books. I thought you might be interested in a new book, Media Brat: a Gen-X memoir, by sportswriter-broadcaster John Robertson’s daughter, Patricia, about her time following her father’s crazy career and antics around North America. It just released on April 8.

John, who founded the Manitoba Marathon, was a B’nai B’rith Man of the Year in the mid-1970s during his time as host for an English open-line radio show at CFCF Montréal, owned by Charles Bronfman. I would appreciate if you could spread the word in the Winnipeg Jewish community about Patricia Dawn Robertson’s very funny new book, Media Brat. Robertson has written freelance dispatches for the Winnipeg Free Press’ Op/Ed pages for over 20 years (View from the West & Perspectives).

SOME BACKGROUND:
Patricia Dawn Robertson, Canada’s cheekiest satirist, just released her much-anticipated memoir, Media Brat, about growing up on the sidelines of old school media with her father. Sportswriter John Robertson worked at the Winnipeg Free Press from 1956 to the early 1960s, as a broadcaster/host of 24Hours at CBC TV Winnipeg (1977–1982) and he founded the Manitoba Marathon in 1979.

John Robertson also worked at the Toronto Sun (1982-1985) covering the Blue Jays during the Golden Era of the Toronto Sun where he boosted the Toronto weekend circulation to 300,000 in the 1980s with his controversial sport column. Sun readers flipped to the Sunshine Girl then to Robertson’s column.

Media Brat: a Gen-X memoir (April 8) is a hilarious outlier’s account of an artsy girl’s reluctant pilgrimage in the turbulent wake of John Robertson, her manic sportswriter-broadcaster father. The author, as a child and young woman, hated spectator sports but loved her sportswriter father. John Robertson rubbed shoulders with baseball great Rusty Staub (Robertson’s book “Rusty Staub of the Expos”), Blue Jays player Kelly Gruber, CFL QB Ron Lancaster, NHLers Bobby Hull & Willie Lindstrom, politicians Robert Bourassa & René Lévesque and Canadian comedy legend, John Candy.

Robertson’s epic book-length tantrum is set in the stands and parking lots of major league North American sport plus the author’s experiences in Winnipeg, Montréal and Toronto from the early 1960s to the early 1990s. Media Brat explores living in the fish bowl of a media family and coming-of-age in the educational institutions, workplaces and dating ghettos of major North American cities, from the 1970s to the early 1990s. Robertson’s smart reader can always count on her funny no-bullshit truth. Media Brat is Robertson’s first instalment of no-bullshit memoir in book form — in a mere 254 pages. (Robertson is busy at work on Media Brat Goes West, the second instalment of three memoirs, for a spring 2026 release.)

Media Brat’s WINNIPEG chapters (1963, 1977–1982) include:
It Was Snowing on the Day You Were Born (born in the Gateway to the West); The Velvet Hammer (mother-daughter power struggle); The Dutch Uncle (visiting auditor fails to put the brakes on John Robertson’s spending); Frozen Turkeys, Corduroy Knickers & Tia Maria in the Snow Tires (Family Christmas 1977); Klinic With a ‘K’ (autonomy and the pill); The Curse of Lono (Father-Daughter Hawaiian Marathon); Great With Beer (camping trip at Riding Mountain gone awry); Meet Me at The Monty (summer job at Winnipeg Parks & Rec); The Cook, the Marxist, the Candidate & his Daughter (Robbie runs in the provincial election); John Takes a Mulligan (stroking out); and Binge Ate Her Way to a Size 16 (Patricia tips the scales before moving to Toronto and her dad’s new sports columnist gig at the Toronto Sun).

I’ve attached a book release pdf with links to the Meat Draw Books website. (Purchase at MeatDrawBooks.com) This is the first book for my new Canadian imprint, which will publish non-fiction books in small batches, direct-to-reader and without any Canada Council or provincial arts funding.

And, if you want to read an excerpt from the book, you can download it here:

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Features

Experience Nonstop Tongits Action on GameZone

In the ever-evolving world of online gaming, one classic Filipino card game has found a new lease on life. Tongits, a beloved pastime in the Philippines, has made a spectacular transition to the digital realm, and GameZone is leading the charge. This comprehensive guide will explore why Tongits on GameZone is the go-to destination for card game enthusiasts in 2025, offering an unparalleled blend of tradition, innovation, and nonstop action.

The Timeless Appeal of Tongits

Before we dive into the GameZone experience, let’s revisit what makes Tongits so special. This rummy-style card game, typically played by three players, has been a staple of Filipino social gatherings for generations. Its appeal lies in its perfect balance of luck, skill, and strategy, making it accessible to beginners while offering depth for seasoned players.

In Tongits, players aim to be the first to discard all their cards by forming valid sets and runs, or to have the lowest points when the game ends. This simple premise belies a game of intense concentration, clever tactics, and social interaction. It’s this combination that has allowed Tongits to stand the test of time and now thrive in the digital age.

GameZone: Revolutionizing Tongits for the Digital Era

GameZone has taken the essence of Tongits and enhanced it for today’s online gaming landscape. Here’s why it’s become the premier platform for Tongits enthusiasts:

1. Diverse Game Modes

GameZone understands that players have different preferences and time constraints. That’s why they offer multiple Tongits variants:

  • Tongits Classic: The traditional game that purists love, featuring all the rules and strategies that have made Tongits a favorite for decades.
  • Tongits Plus: An enhanced version with slight rule modifications to add extra excitement.
  • Tongits Joker: Introduces joker cards to the mix, adding an element of unpredictability and new strategic possibilities.
  • Tongits Quick: A fast-paced version with fewer cards, perfect for quick games on the go.

This variety ensures that whether you’re a traditionalist or looking for a new challenge, GameZone has a Tongits experience for you.

2. 24/7 Accessibility and Global Player Base

One of the biggest advantages of playing Tongits on GameZone is the ability to find a game at any time of day or night. With a global player base, you’re never more than a few clicks away from jumping into a match. The platform’s robust servers ensure smooth gameplay, whether you’re on a desktop computer or mobile device.

3. Fair Play and Security Measures

In the world of online gaming, trust is paramount. GameZone has gone to great lengths to ensure a fair and secure gaming environment:

  • Licensed by PAGCOR (Philippine Amusement and Gaming Corporation)
  • Advanced encryption to protect user data and transactions
  • Sophisticated algorithms to prevent cheating and ensure random card distribution

These measures mean you can focus on enjoying the game, knowing that every match is fair and your personal information is safe.

4. Competitive Tournaments and Rewards

For those with a competitive streak, GameZone offers a thrilling tournament scene:

  • Regular tournaments with cash prizes and trophies
  • The annual GTCC (GameZone Tongits Championship Cup), a prestigious event drawing top players from around the world
  • Daily and weekly challenges with in-game rewards
  • Leaderboards to track your progress and compare skills with other players

These competitive elements add an extra layer of excitement to the Tongits experience, giving players goals to strive for beyond individual matches.

5. Vibrant Community Features

GameZone isn’t just a platform for playing cards; it’s a social hub for Tongits enthusiasts. The platform includes:

  • In-game chat features for friendly banter during matches
  • Forums for discussing strategies, sharing tips, and organizing games
  • Regular community events and challenges
  • A friend system to connect with fellow players

These social features recreate the camaraderie of playing Tongits in person, fostering a sense of community among players from diverse backgrounds.

Mastering Tongits on GameZone: Strategy Tips

Whether you’re new to Tongits or looking to refine your skills, these tips will help you excel on GameZone:

1. Perfect Your Timing for Knocking

Knowing when to “knock” (end the game early) is crucial. It’s a delicate balance between minimizing your points and not giving opponents the chance to go out. Pay attention to the flow of the game and the cards being discarded to make informed decisions.

2. Master Card Counting

Keep track of discarded cards to deduce what your opponents might be holding. This information is invaluable for making strategic decisions about which cards to keep or discard.

3. Build Flexible Sets

Aim for sets and runs that can be easily modified. For example, if you have 5-6-7, look for 4 or 8 to extend your options. This flexibility increases your chances of going out quickly.

4. Manage Your High Cards

High-value cards (K, Q, J) can be a liability if an opponent knocks. If these cards don’t fit into your strategy, consider discarding them early to minimize potential point loss.

5. Adapt to Different Game Modes

Each GameZone variant requires slightly different strategies. In Tongits Joker, for instance, save your jokers for critical moments rather than using them early. In Tongits Quick, be more aggressive in forming sets due to the reduced card count.

6. Practice Regularly

Like any skill, proficiency in Tongits comes with practice. Take advantage of GameZone’s 24/7 availability to play regularly and experiment with different strategies.

Conclusion: Join the Tongits Revolution

Tongits on GameZone represents the perfect fusion of traditional card gaming and modern technology. With its diverse game modes, fair play guarantees, exciting tournaments, and vibrant community, it offers an unparalleled gaming experience for Tongits lovers of all levels.

Whether you’re looking to relive childhood memories, challenge yourself against top players, or simply enjoy a fun card game with friends, GameZone’s Tongits platform has something for everyone. The nonstop action, combined with the strategic depth of Tongits, creates an addictive and rewarding experience that keeps players coming back for more.

So why wait? Join the millions of players already enjoying Tongits on GameZone. Download the app or visit the website today, and immerse yourself in the world of nonstop Tongits action. Who knows? You might just become the next Tongits champion!

Remember, in the world of online Tongits, every hand is an opportunity, every match a new adventure. See you at the virtual card table!

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Features

Ottawa police detective Akiva Geller and the case of the famed purloined Yousef Karsh photograph

Akiva Gelller with the famed photograph of Winston Churchill taken by Yousef Karsh

By MYRON LOVE It had all the elements of a novel, heist movie or televison episode – a brazen art thief and forger, an iconic work of art, secret storage lockers, DNA and an international trail of crumbs to follow ..and Ottawa police service detective (also a former Winnipegger) Akiva Geller was right in the middle of the action.
The case revolved around the theft from the Fairmont Chateau Laurier Hotel of an iconic photograph of Winston Churchill, taken in 1941, \by the world famous photographer Yousef Karsh. Karsh and his wife, Estrellita, lived at the classy hotel for 18 years. Toward the end of his life, the photographer donated that print – “The Roaring Lion”  – along with several others to the hotel.  The print, valued at $20,000, was hung in the hotel’s reading room. It was reported stolen – and replaced with a forgery – in the summer of 2022.
 Geller joined the Ottawa police force in 2012 following a 14-year career in the Canadian military.
He recalls that he initially considered becoming a pharmacist. He was inspired to change his plans by the yeoman work of the Canadian soldiers who helped stem the tide during the great flood here in 1997. 
“That kind of community service resonated with me,’ he says.  “I appreciated the hands-on aspect of it all.”
He enlisted the next year.
While serving in the military largely in  a series of administrative and teaching capacities, Geller began taking classes at Algonquin College in security management that led to his taking a criminology program – and degree – at Carleton University.
He left the military in 2012 to join the Ottawa police force.  He began his policing career as a patrol officer. He was promoted to the investigative branch in 2020.    
Now, unlike what we may see on television, being a police detective is not a case of investigating the murder of the week.  Geller notes that much of his time is spent looking into suspicious deaths – including overdoses. A high profile case such as the Karsh photo heist comes along once in a lifetime for most police detectives.
This articular story begins, according to Geller, somewhere between late December 2021, and mid-January 2023, when an individual who has since been identified as Jeffrey Wood,walked into the hotel, removed the framed portrait print from the wall, and replaced it with a copy on which Wood had forged Karsh’s signature. At the time, the hotel was largely shut down due to the Covid lockdowns; thus few people were around.
The switch wasn’t discovered, Geller reports,  until the following August, when hotel engineer Bruno Lair noticed that the framed print was a little off kilter. When he went to straighten it, he saw that the portrait was hung by a wire – with holes in the wall where screws had held the portrait in place.
“Wood was identified as the seller after we obtained the response to a ‘Mutual Legal Assistance Request’ sent o the United Kingdom,” Geller recalls.  “In the response, Sotheby’s London gave us his information, including scanned copies of his passport and IDs.”
The Hotel GM and staff contacted the Yousuf Karsh estate and spoke to the director, Jerry Fielder, who, it was assumed, could verify whether the fraudulent portrait signature was forged, Geller continues.  He was sent a picture of the signature and fake portrait, confirmed it was forged and that the portrait was a fake.   The hotel reported the theft of the authentic Roaring Lion to Ottawa Police, at which time
Geller began his investigation.  Geller goes on to say: “In searching for the authentic portrait I sourced two photos of the authentic portrait on the wall before it was stolen, one from Trip Advisor and the other from Twitter.  Both had the portrait signature clearly visible so I could compare them to other signatures I found.
“I came across the Sotheby’s London Auction from May 2022 in which a portrait with a very similar size and signature was sold,” Geller says.  “I compared the signature to the ones I sourced from online and determined they were the same. I asked Library and Archives Canada to assist in examining the fake print and also in comparing the signatures.  While signature analysis is not in their expertise, they were able to advise that it was highly probable that they were the same.  With this I was able to complete a Mutual Legal Assistance Request to the United Kingdom for assistance in obtaining the details of the Sotheby’s Auction. London Metropolitan Police assisted in obtaining the information on the auction and sent it back to me here in Canada.  This took almost a year to obtain because of the levels of approvals, editing and paperwork involved.” 
Sotheby’s London’s documents identified the seller of the Roaring Lion portrait as well as details about him, communications they had with him and photographs of the portrait before it was obtained by Sotheby’s.  Wood was identified as the seller. 
“I wrote numerous production orders to all of Wood’s known bank accounts, phone numbers, and credit cards,” Geller recalls.  “Once I received the return from his phone company I had to go line by line through his phone bills.  There I found a phone call to a storage unit here in Ottawa.” 
I wrote a search warrant for the storage locker and a production order for the information on the locker and owner.  I executed the search warrant and, in the locker, we found a second fake Churchill print,” he reports. “We also found a toothbrush which we believed would have Wood’s DNA on it.  We sent the toothbrush directly to the Centre for Forensic Sciences in Ontario.  They compared the DNA from the toothbrush to DNA obtained from inside the fake portrait which was put up in the real one’s place.” 
 
The next piece of the puzzle was to reclaim the portrait to return it to the Chateau Laurier.  The drawback here that the buyer of the portrait was an Italian lawyer – one Nicola Castinelli.  In Italy, Geller notes, if you buy stolen items in good faith – in other words, if you didn’t know the item was stolen – you have a legal claim to the property, which would mean that you would have to be taken to court to have you relinquish it. 
Geller reports that the Italian carabinieri in Rome sent officers to visit the buyer in Genoa and persuaded him to return the portrait in return for what he paid.
Wood was arrested last April.  At his hearing on March 14, he pleaded guilty.
Geller reports that, although the maximum sentence is 14 years in prison, the prosecution is requesting of the court a two year sentence while his lawyer is asking for a suspended sentence.
As for the portrait, it was reframed and remounted at the chateau Laurier in the former reading room, which has been converted into a lounge.  He adds that the hotel now has a lot more security in place.
“It was a nice reinstallation ceremony,” Geller says. 
Mrs. Karsh (who is in her 90s) even wrote a letter to the hotel expressing her appreciation about the portrait being “back home”, he adds.   

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