Features
In the case of “The Ninth Terrorist”, how closely does art imitate life?
By BERNIE BELLAN A while back I was sent a link by reader Morley Bernstein to a very interesting story that happened to be on the CBC website. The story was about longtime hockey guru Sherry Bassin, who has spent a good part of his life managing hockey teams at various levels.
This particular story had to do with an episode in Bassin’s life that happened in 1983, when he was the assistant coach and general manager of Canada’s national junior team.
When I read the story my first thought was to try to obtain reprint rights from the CBC itself. But, to my chagrin, the CBC wanted way more than I was prepared to pay to reprint that story, so I decided not to do pursue that avenue.
Then, I began reading “The Ninth Terrorist”. If you read my accompanying review on the opposite page you’ll see that a good part of that book also has to do with a hockey tournament in Russia and, as was the case with Sherry Bassin, about a Canadian Jew wanting to help Russian Jews through subterfuge.
Here, in a nutshell, is what Sherry Bassin did back in 1983. What follows is based upon that original CBC story, written by someone by the name of Gary Waleik. My story also includes references to a phone conversation I had with Sherry, with whom I was able to get in touch from his Oshawa home.
What transpired in 1983 was Canada’s national junior team’s going to Leningrad to play in the World Junior Championship that year. About a month before the tournament was to begin, Sherry told me, he had the idea that he could do something useful for the Jewish community of Leningrad.
He decided to purchase a great many tallisim (prayer shawls) and sidurim (prayer books), all at his own expense, and smuggle them into Russia.
I asked Sherry what motivated him to do that – especially considering that he was taking a great risk that, if discovered, he could be arrested?
He said to me that his father had come to Canada from Ukraine. When his father was only seven, Sherry told me, he was sitting on a watertower with some friends in his hometown one day, when a pogrom broke out. To his father’s horror, he watched as Ukrainians and Jews fought a bloody battle, leaving many Jews dead. Seeing that left an indelible mark on Bassin senior – but it was also something that carried over into Sherry’s identity as a Jew.
Although hockey was his passion as a youth, Sherry realized that he would never make it to the pros, so he decided to seek an education instead. According to Gary Waleik’s story, “Bassin earned a Juris Doctorate, a Masters in hospital administration and a Ph.D in pharmacy. He spent decades as a college professor, pharmacist, junior hockey coach and team general manager. He also worked as a television color commentator and served as assistant general manager of the NHL’s Quebec Nordiques.”
Then, as already noted, in 1983, Bassin took upon himself the mitzvah of transporting sidurim and tallisim to what was then still the Soviet Union.
He hid the religious articles among the hockey bags of the players on the team – with their consent. But, as Waelik describes in his article, “In December 1982, with the beginning of the tournament just days away, the Canadian team boarded a train in Helsinki bound for Leningrad. When it reached the Russian border Bassin recalls, ‘The soldiers came on the train. One was a commissioned officer, and two of his assistants. And they’re holding rifles. One guy’s pointing it at me.’ ”
The soldiers confiscated the bags, much to Bassin’s chagrin. He knew he would have to get to them before any Soviet official did, so Bassin had to act quickly. According to Waelik’s article, Bassin was asked to produce a lineup of the Canadian team for one of the tournament organizers. Thinking quickly, Bassin said the lineup was in one of the bags that was confiscated.
However, during my phone conversation with Bassin, he had a slightly different version of what happened. He told me that he was able to get in touch with the deputy mayor of Leningrad and, at 2:30 in the morning, arrangements were made to get the hockey bags back to the team’s hotel. No one had opened them.
So, the next morning, Bassin, along with a box full of tallisim and sidurim, took a cab to the Leningrad synagogue. (There was only one synagogue, Bassin explained).
“The cab driver told me there was no way he was going to drive all the way to the synagogue (no doubt thinking the KGB had it under surveillance), so he dropped me off a block from the synagogue.”
He shlepped that heavy box to the front door of the synagogue and went inside. The 40 or so men who were there suspected he was a KGB agent, until he reassured them he wasn’t.
At that point the men began “rejoicing like you wouldn’t believe,” Bassin said. “They were dancing and singing, hugging me, and they wanted to give me an aliyah.”
The rest of Waelik’s story deals with the hockey tournament (in which Canada finished third, despite having such future stars of the NHL on the team as Mario Lemieux, Steve Yzerman, and Dave Andreychuk).
But, in my conversation with Bassin, he recalled one more colourful anecdote. The KGB kept a constant watch on Bassin and the rest of the team, he told me. One day he wanted to take a cab from the team’s hotel and, although there were loads of cabs outside, none of them would give him a ride.
The reason, he explained, was that there was a big car parked nearby, in which a KGB agent was sitting – and who was not trying to hide his presence. When the KGB agent saw that none of the cab drivers would pick Bassin up, he himself drove over to Bassin and asked him where he was going? Bassin told him.
“Hop in,” he said to Bassin. “I’ll give you a ride.”
During the course of the ride, Bassin asked the agent where he had learned to speak English.
“I went to university in Washington,” he answered. The agent went on to explain that different agents would get sent to different countries to further their educations and learn the languages of those countries.
While Bassin could certainly have taken pride in revealing what he had done to help Soviet Jews back in 1983, he kept what happened to himself for years afterward (although his wife had been aware of his plan, he told me, and had offered her full support. He also only told his father what he had done after he returned from Russia.)
“I didn’t want to get anyone in trouble,” he said to me – in case Russian authorities would have heard about his escapade and exacted some form of punishment upon the Jews of Leningrad who had met Bassin.
While “The Ninth Terrorist” tells a different story, the parallels between fiction and reality in that hockey tournaments in Russia provided perfect cover for subterfuge in both the book and, in Sherry Bassin’s case – in reality, that ended up helping Jews in that country, and which certainly makes for interesting reading.
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon
Japanese Straightening is a hair straightening process invented in Japan that has swept America.
Features
History of the Winnipeg Beach Synagogue: 1950-2025
By BERNIE BELLAN The history of the Winnipeg Beach Synagogue is a fascinating one. We have had several articles over the years about the synagogue in The Jewish Post & News.
In June 2010 I wrote an article for The Jewish Post & News upon the 60th anniversary of the synagogue’s opening. Here are the opening paragraphs from that article:
“Sixty years ago a group of Winnipeg Beach vacationers decided that what their vacation area lacked was a synagogue. As it happened, a log cabin one-room schoolhouse in the Beausejour area happened to be available.
“In due course, the log cabin was relocated to the corner of Hazel and Grove in Winnipeg Beach, where it stayed for 48 years.”
In December 1994 my late brother, Matt, wrote a story about the spraying of antisemitic grafitti on the synagogue which, at that time, was still situated at its original location on the corner of Hazel and Grove in the town of Winnipeg Beach:
“Two 16-year-olds spraypainted slogans like ‘Die Jews,’ ‘I’ll kill you Jews,’ and other grafitti in big letters on the beach synagogue.
“Jim Mosher, a news reporter for the Interlake Spectator in Gimli, said last Halloween’s vandalism against the synagogue wasn’t the first. In the late 1980s, he claimed, it was spraypainted with swastikas.
“Jack Markson, a longtime member of the Winnipeg Beach Synagogue, last week also said he could remember finding anti-Semitic grafitti spraypainted on the synagogue ‘a few years ago,’ and at least twice in the 1970s, when the cottage season was over.”
My 2010 article continued: “In 1998 the Town of Winnipeg Beach informed the members of the synagogue that the building would have to be hooked up to the town’s sewer and water system. Rather than incur the cost of $3-4,000, which was thought to be ‘prohibitive,’ according to longtime beach synagogue attendee Laurie Mainster, synagogue goers looked elsewhere for a solution.
“As a result, the board of Camp Massad was approached and asked whether the synagogue might be relocated there, with the understanding that the synagogue would be made available to the camp at any time other than what were then Friday evening and Saturday morning services.
“Over the years the ‘beach synagogue’ had come to be a very popular meeting place for summertime residents of Winnipeg Beach and Gimli. In fact, for years minyans were held twice daily, in addition to regular Saturday morning services. Of course, in those years Winnipeg Beach was also home to a kosher butcher shop.
“While the little synagogue, which measured only 18 x 24 feet, has gone through several transformations, including the move to Camp Massad, and the opening up to egalitarian services in 2007 (The move to egalitarian services was as much a practical necessity as it was a nod to the equality of women – the only Kohen present at the time was a woman!), it has always remained cramped at the best of times.
“In recent years the synagogue has seen the addition of a window airconditioner (although to benefit from it, you really have to be sitting just a few feet away), as well as a fridge that allows synagogue attendees to enjoy a regular Saturday morning Kiddush meal following the service.
“According to Laurie Mainster, the Saturday morning service has continued to be popular, even though many of the attendees now drive in from Winnipeg, as they have sold the cottages they once maintained.
“On the other hand, one of the side benefits to being located on Camp Massad’s grounds has been an infusion of young blood from among the camp counsellors.
“Since there is no longer a rabbi available to conduct services (Rabbi Weizman did lead services for years while he had a cottage at the beach), those in attendance now take turns leading the services themselves.
“Anyone may attend services and, while there are no dues collected, donations are welcome. (Donations should be made to the Jewish Foundation of Manitoba, with donors asked to specify that their donations are to be directed to the beach synagogue.)
“Mainster also says that the beach synagogue is now undergoing an expansion, which will be its first in 60 years. An entirely new space measuring 16 x 18 feet is being added – one that will allow for a real Kiddush area. (Until now, a table has been set up in the back of the synagogue and synagogue goers would help themselves to the buffet that is set up each Saturday during the summer. While pleasant enough, it will certainly be more comfortable to have an actual area set aside for the Saturday afternoon after service lunch.)
“As for dress, longtime attendee Abe Borzykowski (in an article written by Sharon Chisvin for the Free Press in 2007) remarked that ‘I don’t think there are many synagogues where people can attend in shorts, T-shirts and sandals and not feel out of place.’ “
As mentioned in that 2010 article, the beach synagogue at that time was about to undergo an extensive remodelling. Here is an article from a January 2011 issue that describes that remodelling process. The article was written by Bernie Sucharov, who has been a longtime member of the beach synagogue:
“The Hebrew Congregation of Winnipeg Beach made a major change to the synagogue this past summer. With the help of many volunteers, Joel Margolese being the project manager, the synagogue was expanded and an addition was built to handle the overflow crowds, as well as to add more space for the kiddush following services.
“The volunteers spent many Sundays during the summer months building the addition. Bad weather caused many delays, but finally the addition was completed one week before the official summer opening.
“The volunteers were: Joel Margolese, Gordon Steindel, Sheldon Koslovsky, Viktor Lewin, Harvey Zabenskie, Nestor Wowryk, Kevin Wowryk, Victor Spigelman, Jerry Pritchard, and David Bloomfield.
“On Sunday, June 25, 2010 a special ceremony was held to affix a mezzuzah to the front entrance door. Gordon Steindel had the honour of affixing the mezzuzah, which was donated by Sid Bercovich and Clarice Silver.
“Refreshments and food for the day were prepared by Phyllis Spigelman, also known as our catering manager. Throughout the summer, Phyllis, Lenore Kagan and other friends prepared the food for our kiddush.
“A sound system was donated by Arch and Brenda Honigman in memory of their father, Sam Honigman z”l. “The system was installed by Joel Margolese and Stevan Sucharov. This will allow the overflow crowd to hear the service in the new addition.
“There were also generous donations of 50 chumashim and an air conditioner. The chumashim were donated by Gwen, Sheldon and Mark Koslovsky. The air conditioner in the new addition was donated by Joel and Linda Margolese.
“The official opening of the synagogue for the summer took place on July 3, 2010. We had an overflow crowd of 70+ people.”
Since that 2010 major addition to the synagogue, it has also added a wheelchair ramp (although I’ve been unable to ascertain exactly when the ramp was built). Also, the synagogue also has its own outdoor privy now. (Attendees used to have to use facilities in Camp Massad.)
And, as already noted in article previously posted to this site (and which you can read at Beach Synagogue about to celebrate 75th anniversary), in recognition of that occasion, on August 2nd members of the synagogue will be holding a 75th anniversary celebration.
As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”
By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.