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In the case of “The Ninth Terrorist”, how closely does art imitate life?
By BERNIE BELLAN A while back I was sent a link by reader Morley Bernstein to a very interesting story that happened to be on the CBC website. The story was about longtime hockey guru Sherry Bassin, who has spent a good part of his life managing hockey teams at various levels.
This particular story had to do with an episode in Bassin’s life that happened in 1983, when he was the assistant coach and general manager of Canada’s national junior team.
When I read the story my first thought was to try to obtain reprint rights from the CBC itself. But, to my chagrin, the CBC wanted way more than I was prepared to pay to reprint that story, so I decided not to do pursue that avenue.
Then, I began reading “The Ninth Terrorist”. If you read my accompanying review on the opposite page you’ll see that a good part of that book also has to do with a hockey tournament in Russia and, as was the case with Sherry Bassin, about a Canadian Jew wanting to help Russian Jews through subterfuge.
Here, in a nutshell, is what Sherry Bassin did back in 1983. What follows is based upon that original CBC story, written by someone by the name of Gary Waleik. My story also includes references to a phone conversation I had with Sherry, with whom I was able to get in touch from his Oshawa home.
What transpired in 1983 was Canada’s national junior team’s going to Leningrad to play in the World Junior Championship that year. About a month before the tournament was to begin, Sherry told me, he had the idea that he could do something useful for the Jewish community of Leningrad.
He decided to purchase a great many tallisim (prayer shawls) and sidurim (prayer books), all at his own expense, and smuggle them into Russia.
I asked Sherry what motivated him to do that – especially considering that he was taking a great risk that, if discovered, he could be arrested?
He said to me that his father had come to Canada from Ukraine. When his father was only seven, Sherry told me, he was sitting on a watertower with some friends in his hometown one day, when a pogrom broke out. To his father’s horror, he watched as Ukrainians and Jews fought a bloody battle, leaving many Jews dead. Seeing that left an indelible mark on Bassin senior – but it was also something that carried over into Sherry’s identity as a Jew.
Although hockey was his passion as a youth, Sherry realized that he would never make it to the pros, so he decided to seek an education instead. According to Gary Waleik’s story, “Bassin earned a Juris Doctorate, a Masters in hospital administration and a Ph.D in pharmacy. He spent decades as a college professor, pharmacist, junior hockey coach and team general manager. He also worked as a television color commentator and served as assistant general manager of the NHL’s Quebec Nordiques.”
Then, as already noted, in 1983, Bassin took upon himself the mitzvah of transporting sidurim and tallisim to what was then still the Soviet Union.
He hid the religious articles among the hockey bags of the players on the team – with their consent. But, as Waelik describes in his article, “In December 1982, with the beginning of the tournament just days away, the Canadian team boarded a train in Helsinki bound for Leningrad. When it reached the Russian border Bassin recalls, ‘The soldiers came on the train. One was a commissioned officer, and two of his assistants. And they’re holding rifles. One guy’s pointing it at me.’ ”
The soldiers confiscated the bags, much to Bassin’s chagrin. He knew he would have to get to them before any Soviet official did, so Bassin had to act quickly. According to Waelik’s article, Bassin was asked to produce a lineup of the Canadian team for one of the tournament organizers. Thinking quickly, Bassin said the lineup was in one of the bags that was confiscated.
However, during my phone conversation with Bassin, he had a slightly different version of what happened. He told me that he was able to get in touch with the deputy mayor of Leningrad and, at 2:30 in the morning, arrangements were made to get the hockey bags back to the team’s hotel. No one had opened them.
So, the next morning, Bassin, along with a box full of tallisim and sidurim, took a cab to the Leningrad synagogue. (There was only one synagogue, Bassin explained).
“The cab driver told me there was no way he was going to drive all the way to the synagogue (no doubt thinking the KGB had it under surveillance), so he dropped me off a block from the synagogue.”
He shlepped that heavy box to the front door of the synagogue and went inside. The 40 or so men who were there suspected he was a KGB agent, until he reassured them he wasn’t.
At that point the men began “rejoicing like you wouldn’t believe,” Bassin said. “They were dancing and singing, hugging me, and they wanted to give me an aliyah.”
The rest of Waelik’s story deals with the hockey tournament (in which Canada finished third, despite having such future stars of the NHL on the team as Mario Lemieux, Steve Yzerman, and Dave Andreychuk).
But, in my conversation with Bassin, he recalled one more colourful anecdote. The KGB kept a constant watch on Bassin and the rest of the team, he told me. One day he wanted to take a cab from the team’s hotel and, although there were loads of cabs outside, none of them would give him a ride.
The reason, he explained, was that there was a big car parked nearby, in which a KGB agent was sitting – and who was not trying to hide his presence. When the KGB agent saw that none of the cab drivers would pick Bassin up, he himself drove over to Bassin and asked him where he was going? Bassin told him.
“Hop in,” he said to Bassin. “I’ll give you a ride.”
During the course of the ride, Bassin asked the agent where he had learned to speak English.
“I went to university in Washington,” he answered. The agent went on to explain that different agents would get sent to different countries to further their educations and learn the languages of those countries.
While Bassin could certainly have taken pride in revealing what he had done to help Soviet Jews back in 1983, he kept what happened to himself for years afterward (although his wife had been aware of his plan, he told me, and had offered her full support. He also only told his father what he had done after he returned from Russia.)
“I didn’t want to get anyone in trouble,” he said to me – in case Russian authorities would have heard about his escapade and exacted some form of punishment upon the Jews of Leningrad who had met Bassin.
While “The Ninth Terrorist” tells a different story, the parallels between fiction and reality in that hockey tournaments in Russia provided perfect cover for subterfuge in both the book and, in Sherry Bassin’s case – in reality, that ended up helping Jews in that country, and which certainly makes for interesting reading.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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The Popularity of Simpler Slot Games in 2026: Review From Casino Online CrazyTower Experts
Online casinos now fill their libraries with numerous video slots that have dozens of functions, long bonus rounds, complex mechanics, and so on. Interestingly, despite this huge range of modern options, many Canadian visitors at sites like Casino Online CrazyTower here https://crazytower.com/ca/ no longer want complicated gameplay that requires constant attention and long explanations.
Simpler slots now attract a wider audience because they save time and create faster sessions. So, let’s figure out why this change happened and reasons for the popularity of simpler machines.
Why Many Players Are Returning to Basic Gameplay
Modern websites like Casino Online CrazyTower pushed complex video slots for years, but many people now prefer classic formats again. Simple gameplay has fewer interruptions and is simpler in terms of budgeting, which is important when you gamble for fun.
These are a few potential reasons explain why simpler slots became popular again in 2026:
- Faster rounds. Symbols appear quickly, and rounds continue without long animations or extended bonus sequences.
- Easier controls. Most classic slots have simple menus and familiar layouts that don’t confuse new visitors.
- Smaller feature lists. Simple slots usually have standard wilds, scatters, and multipliers instead of dozens of random mechanics.
- Better session flow. People spend more time on gameplay instead of reading explanations about symbols and special functions.
- Lower visual pressure. Simpler slots use calmer designs and shorter effects that don’t overload attention.
Classic gameplay also suits mobile devices better because shorter rounds work well on smaller screens. Plus, many visitors now prefer games that start instantly and explain their mechanics within seconds.
Features That Make Simpler Slots Appealing
Simple machines at Casino Online CrazyTower and similar websites continue to attract attention because they have a high gameplay speed. Many classic titles also replicate older casino machines that people already know from physical casinos.
However, these aren’t the only factors that attract gamblers. So, check out this list:
- Short bonus rounds. Free spins and multipliers finish quickly instead of interrupting gameplay for several minutes.
- Common and standard paylines. Traditional layouts help people understand payouts without long explanations.
- Faster loading times. Simpler graphics reduce waiting time on phones, tablets, and older computers.
- Stable gameplay pace. Long cutscenes and constant pop-up notifications don’t interrupt the session.
- Traditional themes. Fruit symbols, bars, sevens, and classic casino designs still attract large audiences.
- Smaller menus. Important information appears immediately without complicated tabs or hidden sections.
Modern video slots often contain too many mechanics in a single game. Developers now combine expanding reels, random modifiers, mission systems, tournaments, and multiple bonus levels in one title. Many visitors lose interest because gameplay turns repetitive and overloaded with constant interruptions.
Compare this to a session when you get results immediately and aren’t interrupted. These still have free spins and even mini risk games, but not as loaded as innovative titles.
Conclusion
Simple slots usually create better replay value because people understand the mechanics immediately. Common and standard gameplay doesn’t cause frustration and allows faster decisions during casino sessions.
Many classic slots also function better during short breaks because rounds finish quickly without long bonus interruptions. That’s why simpler slots became popular again at many casinos, including Casino Online CrazyTower and such.
