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Jody Schloss: ParaOlympian again

Jody Schloss aboard her
horse, Lieutenant Lubin

By GERRY POSNER There are not a lot of Jewish equestrians in Canada, female or male, at least not at a competitive level. Some have estimated there might be under ten. Now, if you add in the element of para-equestrian, it is likely there is but one Jewish female who has reached the status of Paralympian. She is Jody Schloss, formerly of Edmonton and now of Toronto. Her story is one of drive, determination and desire.

Jody, whose parents are Barry Schloss and Gail Schloss, was born and grew up in Edmonton, Alberta and had the good fortune to be exposed to the world of horseback riding at age eight when she was able to take lessons on a weekly basis. At 13, after she moved with her mother to Toronto following her parents’ divorce, she bought her first horse and engaged in some dressage, cross country, and jumping routines. Thus began the love of horses. That love was a significant factor in a truly remarkable story.

During her days at the University of British Columbia, Jody continued to ride – sometimes four times a week. It was after graduation in 1996 when she was returing from a holiday in Central America that Jody was in California with a friend. Owing to exceptionally high winds, the car Jody was in flipped and catapulted down the highway. Her friend was instantly killed and Jody was seriously injured. After three weeks in ICU in San Bernadino, California, she was flown to Toronto and lay in a coma for four months. She also suffered from post-traumatic amnesia for six months.
Jody was sent to a rehabilitation hospital in Erie, Pennsylvania for over two and a half years. The question was: What would and could Jody do? When Jody said what she wanted most to do was ride a horse, the medical team laughed at her. After all, she could not even sit up on her own. But after returning to Toronto, she progressed to a point where she went to the Community Association for Riders With Disabilities ( CARD), a therapeutic riding facility, to ride once a week, with a hydraulic lift to get her up on the horse and with two side walkers to prevent her from falling off.

Jody had a long road to recovery, although she will never recover completely and uses a wheelchair. In addition, she suffered a severe head injury, mainly in the brain stem. The end result is that she has what is known as Ataxia and Ataxic Dysarthria, causing major difficulties speaking and in coordination. Yet, in spite of these handicaps, she was able, with the assistance of her parents and with her own determination, to continue with her involvement with horse riding.
In 2010, she participated in her first ever international show in Kentucky. She later went to Florida to train in the winter and, at that time, she brought her “wonderful horse”, Inspector Rebus, which gave her career an added impetus.

Her next stop was Ottawa, in order to work with an experienced coach. In Ottawa, Jody then did something out of the box by taking up residence in a retirement home as the facility allowed her to have a free wheelchair accessible room and to keep her cats there when she spent the winter in Florida. Suddenly, Jody had an influx of grandparents looking out for her every step and jump. They must have helped more than a little as in June 2012, Jody was selected to the Canadian Par-alympic Equestrian team on her horse, Inspector Rebus. And that was not all that the seniors at the retirement home did for Jody. They were instrumental in the establishment of the Jody Schloss Trust at an Ottawa Hospital to help, in a monetary way, individuals who suffer speech problems, as Jody does, to purchase speech assistance devices.

Jody says competing in the London games in 2012 was a huge thrill for her and she was happy with her results, but not satisfied, and her drive kept her on the path to the 2016 Paralympican games in Brazil. She had the great joy to be a torchbearer for the opening of the Pan American Games in Toronto in 2015, and even was in a play about her life chronicling her struggles to reach the level of international competition from her previous situation where she could not even sit up after the accident.

That Jody has achieved so much speaks volumes about her desire to recover. She says, “What helped me was my strong will… not letting anyone tell me what I could not do. This helped with everything. It makes me more determined to prove everyone wrong. At the beginning, I wanted to prove to them that my life would be wonderful no matter what they did to try to destroy it.”

But, life can and does play some cruel twists – as Jody well knows. After all her training and preparation, she was in fact qualified to represent Canada in the 2016 Paralympic games in Rio de Janeiro in Equestrian Dressage. But unfortunately, her horse, Inspector Rebus, developed Cushing’s Disease, and the medication needed to treat this problem was banned in competition. The result was that Jody could not go to the 2016 games after all that preparation. Although Jody was ready, her horse was not. In the equestrian world, it takes two to tango or in this case, two to trot. Still, given that for most Jews, the relationship to a horse is to bet on one in a race, or possibly own one or perhaps ride one recreationally, Jody Schloss added another and most significant dimension to the Jewish connection to horses.

Now, with all of that said, most people would abandon their Olympic dream, but not Jody Schloss. Five years later – including another delay of a year because of the pandemic, there she was, prepared to compete. The picture on this page shows Jody, age 48, on her new horse, Lieutenant Lobin, and that is the way she looked as she competed recenty in Tokyo at the Paralympic Games. To get there, Jody spent the last five years creating a strong bond with her new horse at the stables at Millgrove, Ontario, about an hour away from Toronto where Jody resides.

This determination to succeed against huge obstacles is really a remarkable story. It is true her grandfather Al Schloss, who grew up in Winnipeg, had to overcome great odds as a youngster when, at age 12, his mother died, he was sent off to live with an aunt, and had to fend for himself at an early age. Maybe his spirit is a part of Jory’s unyielding will to overcome real handicaps. Her father, Barry Schloss of Edmonton, quotes Jody’s coach, Karis Van Essen, who stated unreservedly that Jody “is the most determined person she has ever met and she has made immense progress in her development, both in terms of her continued physical recovery from her accident and as a rider.”
By the time this article appears, the games will have ended. However Jody Schloss will have done in her dressage events, I say that she has won gold, silver and bronze.

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Features

Winnipeg Beach Synagogue about to celebrate 75th anniversary

By BERNIE BELLAN (July 13) In 1950 a group of cottage owners at Winnipeg Beach took it upon themselves to relocate a one-room schoolhouse that was in the Beausejour area to Winnipeg Beach where it became the beach synagogue at the corner of Hazel and Grove.
There it stayed until 1998 when it was moved to its current location at Camp Massad.
On August 2nd members of the synagogue will be holding a 75th anniversary celebration.


As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee (as seen in the photo here) is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending or for more information about the 75th anniversary celebration.
We will soon be publishing a story about the history of the beach synagogue, which is something I’ve been writing about for over 25 years.

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Features

Kinzey Posen: CBC Winnipeg’s former “go-to guy”

By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).

Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.

Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”

KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.

Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.

Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.

Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.

When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.

After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.

When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.

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Features

History of a Holocaust Survivor Turning Eighty

Henry Srebrnik

By HENRY SREBRNIK On July 19, I turn 80 years old. This is indeed a milestone, but for me, an even bigger one was just being born. My parents were Holocaust survivors, and I found out just a few months ago that, technically, so am I. My parents were from Czestochowa, Poland, where I was born in 1945. By 1943 most Jews in the city, including their own families, had been murdered by the Nazis, at Treblinka, and after the uprising in the Jewish ghetto, my parents, by now married, became slave labour in a major Nazi munitions plant, the HASAG-Pelcery concentration camp, in the city. 

The Russian army liberated Czestochowa January 16-17, 1945, and I was born July 19, six months later. You can do the math. My mother was emaciated and didn’t even know she was pregnant, but another month, and it would have been obvious, and she would have been killed. (I never asked how this happened but found out when listening to her testimony for the Shoah Foundation in 1995. The men and women were housed in different barracks, but one night the Germans were delousing one of the buildings and allowed married couples to sleep together in the other.)

Henry as an infant with his parents Esther & Edward in post-war Poland

In 1945 the 9th of Av fell on July 19, and the Jewish world had just gone through our worst period in history. I was born in a makeshift hospital at the Jasna Gora, the famed Pauline Catholic monastery in the city. The actual city hospital had been destroyed in the fighting. It is home to the Matka Boska Czestochowska, (“the mother of God”), a very beautiful and large icon of Mary and the baby Jesus. Other women giving birth were surprised and one said, “Ona jest Zydowka” (She’s a Jew). So, though I am a proud Polish Jew, this could only have helped! The doctor who delivered whispered to my mother that he was Jewish but added that he wanted it kept quiet because he wasn’t going to leave Poland. It also took awhile for a mohel to come to the city for me.

The next few years were spent in Pocking-Waldstadt, a DP camp in the American zone in Bavaria, Germany, and then on to Pier 21 in Halifax and Canada. We lived in Montreal, though at home we were to all intents and purposes in Czestochowa, Jewish Poland.

As I was packing up my books in May because we all had to vacate our offices for the summer due to repairs in our building, I came across a book that I had never read – I don’t even recall where I got it — by the Polish historian Lucjan Dobroszycki, Survivors of the Holocaust in Poland: A Portrait Based on Jewish Community Records 1944-1947 (Armonk, New York: M.E. Sharpe, 1994). Chapter 5 is comprised of “Lists of Jewish Children Who Survived,” in alphabetical order. I am listed on p. 146 (Heniek Srebrnik, 1945). I sent in a form to the Claims Conference in New York informing them. So, at age 80, I’ve become a Holocaust survivor! Compared to that start, the next decades have been easy street! As the Aussies say, “no worries! But the Jewish world has grown darker. Like many others, were I to write a memoir, I’d call it From Hitler to Hamas.

I grew up in Montreal, and have lived in Calgary and Charlottetown, as well as London, England, and four American cities. But I’ve only been to Winnipeg twice, in 1982 and, more dramatically, the weekend of Sept. 7-10, 2001. I presented a paper on “Birobidzhan on the Prairies: Two Decades of Pro-Soviet Jewish Movements in Winnipeg,” to a conference on “Jewish Radicalism in Winnipeg, 1905-1960,” organized by the Jewish Heritage Centre of Western Canada. I left the morning of Sept. 11. An hour into the flight to Toronto we were told all airplanes had to land at the nearest major airport. I spent the next three days in Sault Ste. Marie, Ont., with fellow passengers. We mostly watched the television reporting on the 9/11 catastrophe.

Though an academic, I have always written for newspapers, including Jewish ones, in Canada and the United States. Some, like the Jewish Free Press of Calgary, the Jewish Tribune of Toronto, and the previous version of the Canadian Jewish News, no longer exist, which is a shame. Fortunately, the Jewish Post still does.

Henry Srebrnik is a professor of political science at the University of Prince Edward Island.

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