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Martin Scorsese’s ‘Casino’ is 25 years old. Here’s a primer on its Jewish protagonist and Hollywood’s other Jewish gangsters.

Frank Rosenthal/Robert De Niro
The character of Sam Rothstein
in the movie “Casino”
was based on Rosenthal

By STEPHEN SILVER
(JTA) — “Casino,” Martin Scorsese’s examination of the mob’s control of Las Vegas in the 1960s and 70s, debuted in theaters on Nov. 22, 1995 — 25 years ago.

It may be a tick below “Goodfellas,” which came out just five years earlier, in terms of its reputation in the eyes of film historians. But the three-hour epic remains one of Scorsese’s most ambitious and gorgeously realized films. It also may be the best crime film with a Jewish protagonist at its center.
That was Sam “Ace” Rothstein, the character played in the film by Scorsese mainstay Robert De Niro. Rothstein is depicted as a Jewish associate of the Chicago Outfit, an expert bookmaker and sports handicapper who is sent to Vegas to run the Tangiers, one of the largest casinos on the Strip. The character is based on Frank Rosenthal, a real Jewish gambling expert from Chicago who had ties to the Chicago Outfit and eventually headed to Vegas to run casinos for them.
While the film is somewhat fictionalized, Rosenthal really did pioneer the idea of sports books in casinos, really did survive an assassination attempt by car bomb and really did have his license denied by a state gaming commission, which was led in real life by Harry Reid, before he was a senator.
Rothstein, as depicted in the film, is sort of a gangster, and sort of not; he is with the mafia, but not of the mafia, because of his ethnic identity. Like Henry Hill, the protagonist of “Goodfellas,” Rothstein can’t ever be a “made guy” because he’s not fully Sicilian.
However, Ace sees his work running the casino as having a certain degree of above-board legitimacy and is constantly worried that his longtime friend Nicky (Joe Pesci), a fully “made” mobster, is ruining that reputation with his loose cannon antics.

In the film, the viewer never hears Rothstein himself address his Jewishness or what it means to him, and he appears to lead a largely secular life. The topic is mentioned, however, by Pesci’s character, in a somewhat pejorative way.
“I gotta make sure no one f***s around with the golden Jew,” Nicky says at one point. As their relationship begins to sour, he says things like “Jew motherf*****,” and threatens to “take a piece out of your Jew ass.”
“Casino” also featured a supporting cast full of famous Jewish comedians, including Don Rickles, Alan King and Kevin Pollak.
In the end, Rothstein is the perfect symbol of how Jews could find great success in mid-20th century America — even in the crime world — yet remain outsiders, through no fault of their own.

After Frank Rosenthal’s death in 2008, it was revealed that he had long been an FBI informant. In an interview prior to his death, Rosenthal was asked whether his heritage protected him while dealing with underworld figures.
“No, when you excel at anything — my expertise was sports and thoroughbred wagering — you rise to a very high level,” he said. “Some people were impressed and took special notice that I could beat the odds. To have recognition, in my judgment, opened certain doors for me. It put me in a semi-celebrity category.”
Another fact surrounding the Rothstein character is that he was portrayed by the non-Jewish De Niro — something that could have raised eyebrows today. Of course, this can go the other way, too: Actor James Caan has said in interviews that he’s had to turn down “Italian-American of the Year” awards multiple times because even though he played Sonny Corleone in “The Godfather,” he is in fact the son of German Jewish immigrants.
Rothstein is far from the only major Jewish character in the canon of American gangster movies. Here’s a quick recap of some of the others:

-The “Godfather” movies featured a pair of prominent Jewish gangsters, both allies-turned-antagonists of the Corleone Family: Moe Greene (Alex Rocco) in the first film, and Hyman Roth (Lee Strasberg) in the second. The two men were based, respectively, on real-life Jewish gangsters Benjamin “Bugsy” Siegel and Meyer Lansky. Roth, like Lansky, would even seek political asylum in Israel — “I wished to live there as a Jew in the twilight of my life.”
Hyman Roth, according to a deleted scene in “The Godfather Part II,” was originally named Hyman Suchowsky — but the character changed his name out of admiration for the real-life Jewish gangster Arnold Rothstein (not to be confused with the fictional Ace), later shortening it to Roth. “I’ve loved baseball ever since Arnold Rothstein fixed the World Series in 1919,” the character says in the film.

-Hollywood has offered plenty of other depictions of all three of those real-life gangsters. Bugsy Siegel was played by Warren Beatty in the 1991 biopic “Bugsy,” which Beatty also directed.
-Michael Lerner played Arnold Rothstein in “Eight Men Out,” John Sayles’ 1988 movie about the fixing of that same 1919 World Series.
-None other than Joe Pesci played another Lansky stand-in named “Mayakofsky” in the 1983 film “Eureka,” while Dustin Hoffman was Lansky in the 2005 drama “The Lost City,” a film that covered the gangster’s adventures in Cuba. Richard Dreyfuss played Lansky in a 1999 HBO movie “Lansky,” which was written by Jewish playwright David Mamet.
-Harvey Keitel, who is Jewish and is another veteran of Scorsese gangster pictures, is set to play an aging version of Lansky in an upcoming biopic, also called “Lansky.” That film is being directed by Eytan Rockaway, whose father Robert wrote a book in 1993 called “But He Was Good to His Mother: The Lives and Crimes of Jewish Gangsters.”
-On the HBO TV series “Boardwalk Empire,” which Scorsese executive produced, Michael Stuhlbarg (famous for his role in the Coen brothers’ “A Serious Man”) played Rothstein and Michael Zegen, later of “The Marvelous Mrs. Maisel,” portrayed Siegel. In the short-lived cable series “Mob City,” Edward Burns was Siegel and Patrick Fischler was Lansky. In the lightly regarded 1991 film “Mobsters,” Richard Grieco played Siegel, Patrick Dempsey played Lansky and F. Murray Abraham portrayed Rothstein.
-There have been many fictional Jewish gangsters as well. For example, in 1990’s “Miller’s Crossing,” written and directed by the Coen brothers, John Turturro played bookie Bernie Bernbaum, about whom it is said “he’s got a mixed reputation, but for a sheeny, he’s got a lot of good qualities.” “Sheeny” is an anti-Jewish slur from the 19th century.
-In the 2006 crime drama “Lucky Number Slevin,” Ben Kingsley played a crime boss who was also a rabbi, and was called simply “The Rabbi.” The current season of the FX TV adaptation of the Coen brothers’ film “Fargo” features a character known as “Rabbi Milligan,” played by Ben Whishaw, who was traded among different ethnic crime families. One of those is the Jewish outfit known as the Moskowitz Syndicate.
-And on “The Sopranos,” there was Herman “Hesh” Rabkin (Jerry Adler), a veteran Jewish gangster and longtime associate of the Soprano family. In one episode, Christopher Moltisanti warns that an upcoming sit-down involving Hesh is likely to be a tough negotiation, because “I’ve heard his opinions on giving back pieces of Israel.” Adler also guest-starred on an episode of “The West Wing” as the father of Richard Schiff’s character Toby Ziegler, who was estranged from him due to his long-ago involvement with the Jewish organized crime group Murder, Inc.

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Gary Bettman and his job at the NHL

Gary Bettman has been the commissioner of the National Hockey League (NHL) since 1993, a tenure that now spans over three decades. In that time, he has overseen numerous transformations in the league, from expansion to new markets to labor disputes and even a global pandemic.

Bettman’s reign has not been without controversy, yet he remains a pivotal figure in the league’s history, shaping the modern NHL in ways that fans and players alike continue to feel.
The Businessman and the Visionary
When Gary Bettman became the NHL’s first commissioner, his mission was clear: grow the sport. At the time, the league struggled with player disputes, low TV ratings, and a limited presence in the U.S. Bettman wasn’t a typical hire for the role. He wasn’t a former player or hockey executive but a lawyer with experience in the NBA and a strong reputation for his business skills.

He focused on taking the NHL into new markets, especially in the southern U.S. Cities like Nashville, Dallas, and Phoenix soon welcomed NHL teams. Many doubted whether hockey could succeed in these warmer areas, but Bettman stuck to his plan. Now, teams like the Dallas Stars and Tampa Bay Lightning have become successful, with both winning the Stanley Cup.

He also modernized the league’s business practices. Bettman secured important TV deals with networks like NBC, which increased the sport’s exposure in the U.S. Recently, he landed a new deal with Turner Sports, a smart move in today’s fast-changing media world.

Bettman has also pushed for a stronger online presence, using streaming and social media to keep up with how fans now consume sports.
Labor Disputes and Lockouts
While Bettman succeeded in expanding the NHL’s business side, his time in charge has also seen major conflicts with players. Under his leadership, the NHL has gone through three lockouts—in 1994-95, 2004-05, and 2012-13. The 2004-05 lockout was particularly damaging, as it wiped out the entire season, making the NHL the first major North American sports league to cancel a full season because of labor issues.

The core of these disputes was Bettman’s push to introduce a salary cap, which many players initially resisted. Team owners, however, supported the move, believing it would help small-market teams survive financially. After the 2004-05 lockout, Bettman succeeded in bringing in the salary cap.

While the decision was controversial at the time, many now see it as a turning point that helped make the NHL more competitive. Smaller teams, like the Carolina Hurricanes and Vegas Golden Knights, can now compete with big-market teams such as the Toronto Maple Leafs and New York Rangers.

Despite the long-term benefits, these labor disputes stained Bettman’s legacy. Many fans and players remain frustrated by the lost seasons, and Bettman is often seen as a tough negotiator who prioritizes long-term stability over immediate harmony.
Expanding the NHL’s Global Footprint
In recent years, Gary Bettman has focused on expanding hockey’s global footprint. The NHL now hosts regular-season games in Europe and China, part of an ongoing effort to tap into international markets and grow the sport beyond North America.

Beyond international games, Bettman has also embraced the digital age to further engage fans worldwide. Through online streaming platforms and social media, the NHL reaches fans who might not have easy access to traditional broadcasts.

In addition, NHL betting has added excitement for fans. Popular platforms like Fanatics Sportsbook, with promotions such as the Fanatics Sportsbook promo, have allowed fans to engage with the game on a deeper level. Betting has helped the league reach a broader, more global audience by making games more interactive and exciting for those watching

Despite these innovations, Bettman’s global efforts haven’t always been met with enthusiasm. The NHL’s decision to skip the 2018 Winter Olympics upset many players and fans, especially in hockey-dominant nations like Canada and Russia. Bettman and the league’s owners opted out due to concerns about player injuries and the disruption to the NHL season schedule.
Growth in Revenue and Franchise Values
One of Bettman’s most significant achievements has been the exponential growth in NHL revenue and franchise values. When he took over in 1993, the league’s total revenue was around $400 million. Fast forward to recent years, and that number has ballooned to over $5 billion annually due to lucrative television deals, expansion fees from new franchises, and increased corporate sponsorship.

Under Bettman’s watch, the league has added multiple franchises, including the Vegas Golden Knights and the Seattle Kraken. The introduction of Vegas in 2017 was particularly groundbreaking. Many doubted whether a professional sports team, let alone a hockey franchise, could thrive in Las Vegas. Still, the Golden Knights quickly dispelled those doubts, making a historic run to the Stanley Cup Final in their inaugural season.
Final Words
As Bettman enters the twilight of his tenure, the NHL’s future seems secure, yet challenges remain. The league must navigate the evolving sports media landscape, where streaming services and social media increasingly dominate. The potential for further expansion within North America or abroad remains a tantalizing possibility. Bettman’s ability to balance tradition and innovation will be key to the NHL’s continued growth.

One thing is certain: love or hate him, Gary Bettman’s impact on the NHL is undeniable. He has transformed a league that once struggled for relevance into a global enterprise that continues to evolve under his steady if sometimes polarizing, leadership.

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Filmmaker Shira Newman brings wealth of experiences to role of Rady JCC Coordinator of Arts & Older Adult Programming

By MYRON LOVE As with many people I have interviewed over the years, Shira Newman’s life journey towards her present stage as Rady JCC Coordinator of Arts & Older Adult Programming has encompassed a range of different areas, including: fine arts, filmmaking and teaching stints, working at the Society of Manitobans with Disabilities, and the Women’s Health Clinic and, most recently before coming to the Rady JCC, the Prairie Fusion Arts and Entertainment Centre (as program co-ordinator) in Portage La Prairie.
The daughter of Joan and the late Paul Newman began her life in River Heights.  After graduation from Grant Park, she enrolled in Fine Arts at the University of Manitoba.  In addition to painting and drawing, she took a course in film – and found that she really enjoyed it.
“I learned a lot about the art that goes into filmmaking,” she recalls.  “We watched foreign films and independent films. I fell in love with the ideas of creating this three-dimensiomal world on the screen.”
After earning her first degree at the University of Manitoba, Newman worked for a few years at the aforementioned Women’s Health Clinic and the Society for Manitobans with Disabilities before returning – in her mid-20s – to university, this time Concordia in Montreal – to study filmmaking full time. 
After completing the two year program Newman returned to Winnipeg and became involved with the Winnipeg Film Group and the Winnipeg film community.
Over the next few years, she taught filmmaking in Winnipeg School Division No. 1, and also began to get work  in our city’s booming film production industry, working in set design and costuming..
Her big break came when she was asked by local filmmaker Sean Garrity to serve as script supervisor on one of his movies.
(According to Wikipedia,  a script supervisor oversees the continuity of the motion picture, including dialogue and action during a scene. The script supervisor may also be called upon to ensure wardrobe, props, set dressing, hair, and makeup are consistent from scene to scene. The script supervisor keeps detailed notes on each take of the scene being filmed. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scenes together in the order specified in the shooting script. They are also responsible for keeping track of the film production unit’s daily progress.)
“I knew Sean’s films and was excited that he asked to me to work with him,” Newman recalls.
That job led to many other assignments as a script supervisor over the next ten years. “I worked on a lot of Hallmark Movies being shot here as well as some Lifetime features,” she says.
The last movie shot in Winnipeg that Newman worked on was in 2018. It was called “Escaping the Madhouse: the Nellie Bly Story”.
It was about that time that Newman felt that she needed a change in direction.  “Making a movie is a world in itself,” she observes, “but the work isn’t steady.  I decided that I needed something more stable.”
Thus, she responded to an ad for a coordinator at the Prairie Fusion Centre in Portage. The Centre, she notes, has a gallery, a store and classes. She was responsible for educational programming.
Newman stayed at the Prairie Fusion Centre for a year – commuting every day from Winnipeg.  Then she saw the Rady JCC ad calling for a Coordinator for Arts and Older Adult Programming.
“It was a perfect fit for me,” she says.
Newman is now in her fourth year at the Rady JCC.  One of the first programs she introduced was a new social club for seniors – replacing the former Stay Young Club which had been disbanded some years before due to flagging attendance.
Club programs are Mondays at 11:00. “We have guest speakers and musical programs and we celebrate all the holidays,” Newman notes.
Last year, Newman introduced a new Yiddish Festival – picking up where the former Mamaloshen left off.  “While studying filmmaking, I developed an appreciation  for the 1930s Yiddish cinema,” she reports.  “In recent years, there has been a revival of interest in Yiddish culture, music and literature.”
For the first “Put a Yid in it Festival of new Yiddish Culture,” Newman brought in younger performers in the persons of ”Beyond the Pale”, a Toronto-based klezmer band that also performs Romanian and Balkan music – and, from Montreal, Josh Dolgin, aka Socalled – a rap artist and record producer who combines hip hop, klezmer and folk music.
“We had the concert at the West End Cultural Centre.” Newman reports. “We had a great crowd with people of all ages, including kids.”
For this second upcoming Yidfdish festival at the beginning of February, Newman is organizing three concerts featuring klezmer group “Schmaltz and Pepper” from Toronto;  “Forshpil”, a Yiddish and klezmer band from Latvia; and live music to accompany a 1991 movie called “The Man Without a World” – a recreation of a 1920s silent movie set in a  Polish shtetl.
This year’s festival will also include three movies and two speakers.  Among the movies is “The Jester”.  Co-directed by Joseph Green and Jan Nowina-Przybylski – who also made “Yiddle with His Fiddle” in 1936, “The Jester” is a musical drama involving a love triangle featuring a wandering jester, a charismatic vaudeville performer, and Esther, the shoemaker’s daughter, torn between her family’s desire for a prominent match and her own dreams.
“Yiddishland”,  by Australian Director Ros Horin,  focuses on the art and practices of a diverse group of innovative international artists who create new works about the important issues of our time in the Yiddish language, why they create in Yiddish, what it means to them personally and professionally, and what obstacles they must overcome to revive what was once considered a dying language..
“Mamele” is described as “a timeless masterpiece, brought to life by Molly Picon, the legendary Pixie Queen of the Yiddish Musical.  Picon shines as a devoted daughter who keeps her family together after the loss of their mother. Caught between endless responsibilities and her own dreams, her world changes when she discovers a charming violinist across the courtyard. Set in the vibrant backdrop of Lodz, this enchanting musical comedy-drama immerses audiences in the rich diversity of interwar Jewish life in Poland – featuring everything from pious communities to nightclubs, gangsters and spirited ‘nogoodnicks’’.”
The speaking presentation will nclude a talk by the University of Manitoba Yiddish teacher Professor Itay Zutra “exploring the resilience and survival of Yiddish art, from S. Ansky’s The Dybbuk to the demons of I.B. Singer, through the trauma of the Holocaust and beyond.”
There will also be a panel discussion highlighting the pivotal experience of the Jewish community in the 1919 Winnipeg General Strike, with a focus on Yiddish-speaking organizations and newspapers.
Back in late October, Newman organized our community’s first JFest – a celebration of Jewish Culture and the Arts – which highlighted the works of seven local Jewish artists.  She reports that the art exhibit was well attended.
She also mentions ongoing Rady JCC programs such as the long-running “Music and Mavens” and the annual Jewish Film Festival.
Returning to the subject of filmmaking, Newman has been a film programmer for the Gimli International Film Festival for the last four years. (The first years, she says, she served as the shorts programmer and the last three as the documentary film programmer.)
She adds that her first short film, “The Blessing,” which she made when she returned to Winnipeg from Montreal, was shown at various festivals, including the Toronto International Jewish Film Festival.It was also shown here in Winnipeg at the Winnipeg Jewish International Film Festival where it won the award here for “best short film by an  emerging or established local filmmaker.”
In her spare time, Newman reports, she has embarked on a new project.   “I am working on a documentary about Monarch butterflies and the community of people who are dedicated to preserving them. These are regular people who have become citizen scientists.  I am working with a  friend whose zaida was a biology teacher and instilled in his family a love of nature and conservation.  I have met people who have gone to Mexico to see for themselves where the butterflies spend their winters.”
Newman is anticipating that the new documentary will be completed within a year.

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Rabbi (to be) Lara Rodin

By GERRY POSNER In May 2025, the Jewish Theological seminary will welcome a new rabbi into the fold. A recent graduate of the seminary, she is a young woman from Western Canada with roots in both Winnipeg and Calgary. Her name is Lara Rodin.
Lara will be the new assistant rabbi at the Beth Tzedec Synagogue in Toronto (not to be confused with the Beth Tzedec Synagogue in Calgary, where her family still lives and where they remain members to this day). Her formal induction into the rabbinate will happen later this year, in May, in New York City.
Rabbi Rodin is a fresh, warm, and engaging young woman who already has made a difference in the lives of many families.
The jump from being Lara Rodin, daughter of Greg and Andria (Paul) Rodin, raised in a secular home, to a woman about to become a rabbi, was hardly preordained. Lara was born in Winnipeg, but she moved with her family at a young age to Calgary where she was a student at the Calgary Jewish Academy. Her connection to Judaism, though, was tenuous. Still, with her growing involvement in BBYO, also at Camps B’nai Brith at Pine Lake, Alberta and Hatikvah in BC, the seeds were already starting to grow and sprout. As well, Lara, had a strong Jewish influence from her maternal grandparents, Leonard and Elaine Paul, of blessed memory, both of whom were strongly centred in the Jewish world, particularly at the Bnay Abraham Synagogue in Winnipeg.

Lara was fortunate to attend McGill University in Montreal, where she obtained an Arts degree. Although her father Greg, a lawyer, had pushed her to study law, she was more interested in courses in philosophy and theology. She soon concluded that she need not focus so much on other religions, but work on the one she was born into.
That decision was the impetus for her to improve her Jewish learning. She even taught a class at the Shaar Hashomayim Synagogue in Montreal. That experience led to her seriously consider a career in teaching.
To proceed on a path to becoming g a teacher and also to further her Jewish education, Lara applied for and was accepted into the Pardes Institute of Jewish Studies in Jerusalem. It was there that not only did she complete her Masters in Jewish Education, Lara came to realize that, while she wanted to teach, she wanted to do it within a Jewish framework. It was the intense learning at Pardes that stimulated Lara’s passion to begin the trail to the rabbinate.

Once you learn more about Lara’s family history, however, you can see how her becoming a rabbi wasn’t all that surprising. When Lara was born, she came along with a twin brother, Isaac. When her father came into the birthing room to see his newborn children for the first time, he said that he sensed that one of the twins was destined to become a rabbi, but it was Isaac, not Lara. Even as the twins grew up, Greg’s sense of a rabbinical calling for his son persisted. When Lara declared her intention to pursue a career in the rabbinate, Greg was ecstatic, stating he had it right all along – he just missed the correct gender. He likely deserves a pass on this one as back at that time, female rabbis from Western Canada were largely unknown and even to this day, a rarity.

Thus, it came to pass that Lara Rodin entered the Jewish Theological Seminary School in New York. She had to cope with the consequences of Covid and so part of her programme had Lara stuck in the basement of her parents’ home in Calgary. In 2021, while still a student, Lara was privileged to become a Tanenbaum Fellow.
Subsequently she developed a more formal association with the Beth Tzedec Synagogue in Toronto, where she has been for the past three years. In 2023- 2024, Lara became a Resnick Fellow. Both the Resnick and Tanenbaum Fellowships were highly valuable to Lara as she proceeded in her Jewish education.

Along the way, even as far back as her attending Camp Ramah, Lara met a boy there who became her husband: Jonah Levitt. They were recently married at Beth Tzedec on August 18, 2024 – another really good reason to send your children to Jewish camps!

Aside from her responsibilities at Beth Tzedec to date, Lara has been working as a Rabbi in Residence at the Robbins Hebrew Academy in Toronto. There she is putting her skills as a teacher to good use. On top of that, she is the go-to person for conversions within the Conservative movement among several synagogues in the Toronto area. In that way Lara Rodin has made contact with many young couples, all inspired to become Jewish and, in many cases, more Jewish. This is a part of her job that she says she finds particularly challenging, yet satisfying.

Of course, if you really want to check out the newest addition to Beth Tzedec, the place to be is at synagogue, where she can be found most of the time. Her smile, her genuine warmth, and her depth of thought will be obvious immediately. Or, if you like to hike or cycle, when not in the synagogue or classroom, you are likely to find Lara participating in those activities.

As the Beth Tzedec synagogue celebrates its 70th anniversary in 2025, so too it now celebrates the addition to the synagogue of Rabbi Lara Rodin. A blessing for all of us.

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