Features
New book about sensational 1913 murder of young Winnipeg Jewish mother about to be released

By BERNIE BELLAN In November 2016 we received a very interesting email from someone by the name of Wayne Hoffman. As it turned out, Wayne was the executive editor of Tablet magazine, an online Jewish magazine, from which we’ve run stories from time to time.
But the reason for Wayne’s email was quite fascinating. As he wrote back then, “My great-grandmother Sarah Feinstein was murdered in her sleep in 1913 in the North End of Winnipeg. It was a huge event at the time, staying on the front page of the daily papers for weeks. The funeral drew some three thousand people, and the investigation dragged on for weeks before ending without resolution. It was one of the most brutal crimes the city had seen, drawing a record reward from the city and provincial governments, to no avail.
“I’m attaching the front page of the Tribune from August 1, 1913, the day of the murder, to give you an idea of how big the story was. There were dozens more stories following up.
“I’ve been researching the story of Sarah Feinstein (sometimes spelled Fainstein) – my mother’s mother’s mother – for a few years. Allan Levine met with me in 2013 on a visit to Winnipeg, as did Ava Block-Super. I also went to visit her grave in Transcona…”
In March 2017 Wayne followed up that initial email with another one, this time asking for help in finding relatives who might be in Winnipeg. Here’s what he wrote then:
“I don’t know if I have distant relatives still living in Winnipeg – I think I probably do, even though most of the more immediate family moved away in the 1950s. But there may still be people connected to the family, and my murdered great-grandmother in particular, who still live there…
“I’d love to find people who are related to Harry Fainstein, Louis Fainstein, Morris Fainstein, Isadore Fainstein, Harry Dorfman, Louis Gelmon, or Joe Gelmon; those were my great-grandfather David Fainstein’s brothers and brothers-in-law back in the 1910s. I can figure out if there’s a connection if someone isn’t sure. Mostly, I’m hoping to get more information about the family – not just the murder of my great-grandmother, but how the whole family lived before and after that. Any information would be much appreciated (and might, just might, help solve a hundred year old murder!)”
As it was, Wayne did connect with three long-lost relatives upon his visit to Winnipeg in the fall of 2017 (when I also had the chance to meet with him in my own home):
“Beth Goldenberg, Linda Katz, and Lisa Fainstein — all my second cousins, once removed.” (By coincidence, when Wayne mentioned that after he was going to leave my house, he was going to be going to Beth Goldenberg’s house for lunch, I told him he didn’t have far to go. “Beth lives right behind us,” I said.
Then, in February 2019, Wayne sent me a story that also appeared in “Tablet” magazine, titled “My Great-Grandfather, the Jewish Cowboy”.
Here’s the introduction to that story:
“While I was doing research for a book about my great-grandmother’s murder, I discovered stories I’d never heard about my great-grandfather–stories of gambling, wild horses, organized crime, and a forgotten slice of Jewish life on the Canadian prairies.”
Now, with all that as preamble, I’m delighted to report that Wayne Hoffman did finish his research into his great-grandmother’s murder in 2013, and he has turned that story into a fascinating book titled “The End of Her”, which is just about to be released.
The title, “The End of Her”, however, has a double meaning for, at the same time that Wayne was beginning his long investigation into his great-grandmother’s still unsolved murder, he was also dealing with his own mother’s worsening dementia.
Since the story of Sarah Feinstein’s murder and his own mother’s quite apparent slipping into dementia were approximately 100 years apart, Wayne decided that it would be appropriate to combine the two stories into one.
What follows, therefore, in “The End of Her” is both a murder mystery and an agonizingly personal account of Wayne’s watching his once brilliant and vivacious mother deteriorate into a shell of her former self. The stories are intertwined and, while I’m sure Winnipeg readers will have a particular interest in reading the very detailed accounts of the murder and the follow-up reporting in Winnipeg newspapers at the time, the description of Wayne’s watching his mother’s deterioration is moving to the point where it is impossible not to feel so totally saddened at the tragedy that has befallen the two women in his family who are the central characters in the book.
Focusing on the Winnipeg aspect of the story, however, as any good reporter would do, Wayne examined every last shred of reporting that he was able to find about a story that absolutely gripped Winnipeg in the summer of 2013. By quoting from the actual newspaper accounts of the day, Wayne is able to take the reader back to a time when newspapers competed with one another on a daily basis to try and get one more scoop – often resorting to all sorts of chicanery to achieve that goal. In fact, as Wayne shows, much of the reporting was horribly inaccurate, with a variety of explanations constantly being put forward for Sarah Feinstein’s ultimately inexplicable murder.
As someone for whom writing is his profession, thrusting himself into a search for clues as to why his great-grandmother might have been murdered offers Wayne the opportunity to demonstrate both his admirable investigative abilities along with a mastery of the English language – as one could see even in those brief excerpts of emails that Wayne sent to us over five years ago.
In the days to come you’re going to be reading and hearing a lot more about Wayne Hoffman and “The End of Her”, as the Free Press is also going to be reviewing his book, plus providing an excerpt from it.
On February 20 at 1 pm, noted historian Allan Levine will be talking to Wayne Hoffman about his new book in a program sponsored by the Jewish Heritage Centre of Western Canada. See the adjoining notice for information about that program.
Features
Omri Casspi’s Career: from Israel to the NBA
Whenever people discuss modern basketball, as it relates to Israel, Omri Casspi is one name that is generally mentioned, not because he amassed the highest NBA numbers, nor because he was one individual that dominated the game for a long period. It is because Omri was one individual that illustrated how a basketball player from a small town in Israel could make it to the most competitive basketball league in the world.
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Casspi’s story starts well outside the hallowed courts of the NBA. Casspi was born in Yavne, Israel, on June 22, 1988. Like so many tall kids, he gravitated towards basketball when he was young. Coaches first noticed size, then coordination and confidence. He did not play for fun. He competed. He trained. He listened.
As an adolescent, he enrolled in organized youth programs that required discipline. Practices concentrated on fundamentals: footwork, shooting form, defensive position. He learned to play in a team concept, instead of seeking attention. That mind-set stayed with him throughout his career.
His next team was signed when he was still young, and this team, Maccabi Tel Aviv, played at the highest level. The team played hard in Europe as well. Not only did this team compete hard, but they played in an environment where making a mistake had serious repercussions.
He concentrated on particular parts of his game:
- Improving Three-Point Accuracy
- Building strength to handle contact
- Understanding spacing in half court sets.
- Moving Without the Ball to Create Options
However, he did not explode onto the scene right away. His minutes were accumulated over time. Come the 2008-2009 season, he was averaging double figures in Israel and proving he could extend the floor. Scouts from the United States were taking note. With his height and shooting ability to spread the floor, the NBA was slowly going to take a different turn.
Draft Night and Adjustment to the NBA
Casspi decided to enter the NBA Draft in 2009. He was picked by the Sacramento Kings on the 23rd overall spot. With this selection, Casspi became the first Israeli-born player to be selected for the league. This was a historic selection, but Casspi knew symbolic value would not get him playing minutes.
The NBA is an unforgiving environment in that players must quickly adjust. The schedule is grueling. Travel involves crossing time zones. Teams take advantage of those who wait to react. Casspi began the training camp with the goal to prove himself through performance.
He earned rotation minutes as a rookie. Coaches were impressed by his willingness to shoot when he was open and his efforts on transition. For the 2009-2010 season, he averaged 10.3 points and 4.5 rebounds per game. He scored 30 points against the Golden State Warriors, and he won the Western Conference Rookie of the Month award in December 2009.
Those numbers are important but not in any way which defines him totally. He was a player the team could count on because he moved without the ball and therefore would not demand the ball. He defends within the structure. He also played hard even though the touches were limited.
A Career Marked by Movement
Professional basketball is a sport that rarely guarantees long-term stability for role players. Sacramento traded Casspi to the Cleveland Cavaliers in 2011. Casspi adjusted well in the new system and took on a reduced role. This is a test of the player’s mindset.
He eventually signed with the Houston Rockets, with whom he played primarily as a perimeter shooter. He was expected to make quick decisions. He played with a number of teams over the years wearing different uniforms:
- Sacramento Kings
- Cleveland Cavaliers
- Houston Rockets
- New Orleans Pelicans
- Minnesota Timberwolves
- Golden State Warriors
- Memphis Grizzlies
Each transition needed a dose of humility. He’d walk into new locker rooms where he’d need to rebuild trust. Some seasons, the playing time was consistent; others, his role was limited. Trades were out of his hands, but preparation wasn’t.
His career averages reflect that steady presence:
Casspi was primarily used as a small forward. In some formations, he was used as a power forward. His game was not based on isolation basketball; rather, he relied on his awareness.
He was good at scoring those types of shots, or catch-and-shoots. His opponents had to respect his shooting. When they did close out on him, he attacked the rim with long strides. He never lied to himself about his commitment to a scoring attempt.
His strengths stood out clearly:
- Shot selection outside
- Smart off-ball movement
- Team-oriented defense
- Strong Effort in Transition
He approached defense with discipline. He played the position and avoided taking unnecessary risks. Coaches appreciated that.
Experience with a Contender
In 2017, Casspi signed with the Golden State Warriors. The team competed with championship expectations and executed at high speed. Casspi took a limited but defined role. He focused on the need for efficiency.
He averaged 5.7 points per game in restricted minutes. An ankle injury interrupted his rhythm, and the Warriors waived him late in the regular season. Even then, he experienced preparation day-to-day at the very highest level of competition. Practices called for concentration and precise execution.
National Team Engagement
Through all NBA years, Casspi never abandoned Israel’s national team. International competition often placed more responsibility on his shoulders. He carried larger scoring loads and acted as a leader for younger teammates.
His presence in the NBA shifted perception inside Israel: Young players saw tangible proof that advancement to the league did not remain a distant idea. Scouts evaluated Israeli talent with greater interest.
Features
A Thousand Miracles: From Surviving the Holocaust to Judging Genocide
By MARTIN ZEILIG Theodor Meron’s A Thousand Miracles (Hurst & Company, London, 221 pg., $34.00 USD) is an uncommon memoir—one that links the terror of the Holocaust with the painstaking creation of the legal institutions meant to prevent future atrocities.
It is both intimate and historically expansive, tracing Meron’s path from a child in hiding to one of the most influential jurists in modern international law.
The early chapters recount Meron’s survival in Nazi occupied Poland through a series of improbable escapes and acts of kindness—the “miracles” of the title. Rendered with restraint rather than dramatization, these memories form the ethical foundation of his later work.
That moral clarity is evident decades later when, on the seventy-fifth anniversary of the liberation of Auschwitz, he addressed the UN General Assembly and reminded the world that “the German killing machine did not target Jews only but also the Roma, Poles, Russians and others,” while honoring “the Just—who risked their lives to save Jews.” It is a moment that encapsulates his lifelong insistence on historical accuracy and universal human dignity.
What sets this memoir apart is its second half, which follows Meron’s transformation into a central architect of international humanitarian law. Before entering academia full time, he served in Israel’s diplomatic corps, including a formative posting as ambassador to Canada in the early 1970s. Ottawa under Pierre Trudeau was, as he recalls, “an exciting, vibrant place,” and Meron’s responsibilities extended far beyond traditional diplomacy: representing Israel to the Canadian Jewish community, travelling frequently to Toronto, Montreal, and Vancouver, and even helping to promote sales of Israeli government bonds. His affection for Canada’s cultural life—Montreal’s theatre, Vancouver’s “stunning vistas”—is matched by his candor about the political pressures of the job.
One episode proved decisive.
He was instructed to urge Canadian Jewish leaders to pressure their government to move the embassy from Tel Aviv to Jerusalem—a request he found ethically questionable. His refusal provoked an attempt to recall him, a move that reached the Israeli cabinet. Only the intervention of Finance Minister Pinhas Sapir, who valued Meron’s work, prevented his dismissal. The incident, he writes, left “a fairly bitter taste” and intensified his desire for an academic life—an early sign of the independence that would define his legal career.
That independence is nowhere more evident than in one of the most contentious issues he faced as legal adviser to the Israeli Foreign Ministry: the legal status of Israeli settlements in the occupied West Bank. Meron recounts being asked to provide an opinion on the legality of establishing civilian settlements in territory captured in 1967.
His conclusion was unequivocal: such settlements violated the Fourth Geneva Convention as well as the private property rights of the Arab inhabitants. The government chose a different path, and a wave of settlements followed, complicating prospects for a political solution. Years later, traveling through the West Bank, he was deeply troubled by the sight of Jewish settlers obstructing Palestinian farmers, making it difficult—and at times dangerous—for them to reach their olive groves, even uprooting trees that take decades to grow.
“How could they impose on Arab inhabitants a myriad of restrictions that did not apply to the Jewish settlers?” he asks. “How could Jews, who had suffered extreme persecution through the centuries, show so little compassion for the Arab inhabitants?”
Although he knew his opinion was not the one the government wanted, he believed firmly that legal advisers must “call the law as they see it.” To the government’s credit, he notes, there were no repercussions for his unpopular stance. The opinion, grounded in human rights and humanitarian law, has since become one of his most cited and influential.
Meron’s academic trajectory, detailed in the memoir, is remarkable in its breadth.
His year at the Max Planck Institute in Heidelberg (1984–85) produced Human Rights Law–Making in the United Nations, which won the American Society of International Law’s annual best book prize. He held visiting positions at Harvard Law School, Berkeley, and twice at All Souls College, Oxford.
He was elected to the Council on Foreign Relations in 1992 and, in 1997, to the prestigious Institute of International Law in Strasbourg. In 2003 he delivered the general course at the Hague Academy of International Law, and the following year received the International Bar Association’s Rule of Law Award. These milestones are presented not as selfpromotion but as steps in a lifelong effort to strengthen the legal protections he once lacked as a child.
His reflections on building the International Criminal Tribunal for the former Yugoslavia (ICTY)—balancing legal rigor with political constraints, and confronting crimes that echoed his own childhood trauma—are among the book’s most compelling passages. He writes with unusual candor about the emotional weight of judging atrocities that, in many ways, mirrored the violence he narrowly escaped as a boy.
Meron’s influence, however, extends far beyond the Balkans.
The memoir revisits his confidential 1967 legal opinion for the U.S. State Department, in which he concluded that Israeli settlements in the territories occupied after the Six Day War violated international humanitarian law—a view consistent with the opinion he delivered to the Israeli government itself. His distress at witnessing settlers obstruct Palestinian farmers and uproot olive trees underscores a recurring theme: the obligation of legal advisers to uphold the law even when politically inconvenient.
The book also highlights his role in shaping the International Criminal Court (ICC). Meron recalls being “happy and excited to be able to help in the construction of the first ever permanent international criminal court” at the 1998 Rome Conference.
His discussion of the ICC’s current work is characteristically balanced: while “most crimes appear to have been committed by the Russians” in Ukraine, he notes that “some crimes may have been committed by the Ukrainians as well,” underscoring the prosecutor’s obligation to investigate all sides.
He also points to the ICC’s arrest warrants for President Putin, for Hamas leaders for crimes committed on October 7, 2023, and for two Israeli cabinet members for crimes in Gaza—examples of the Court’s mandate to pursue accountability impartially, even when doing so is politically fraught.
Throughout, Meron acknowledges the limitations of international justice—the slow pace, the uneven enforcement, the geopolitical pressures—but insists on its necessity. For him, law is not a cureall but a fragile bulwark against the collapse of humanity he witnessed as a child. His reflections remind the reader that international law, however imperfect, remains one of the few tools available to restrain the powerful and protect the vulnerable.
The memoir is also a quiet love story.
Meron’s devotion to his late wife, Monique Jonquet Meron, adds warmth and grounding to a life spent confronting humanity’s darkest chapters. Their partnership provides a counterpoint to the grim subject matter of his professional work and reveals the personal resilience that sustained him.
Written with precision and modesty, A Thousand Miracles avoids selfaggrandizement even as it recounts a career that helped shape the modern architecture of international justice.
The result is a powerful testament to resilience and moral purpose—a reminder that survivors of atrocity can become builders of a more just world.
Martin Zeilig’s Interview with Judge Theodore Meron: Memory, Justice, and the Life He Never Expected
In an email interview with jewishpostandnews.ca , the 95 year-old jurist reflects on survival, legacy, and the moral demands of international law.
Few figures in modern international law have lived a life as improbable—or as influential—as Judge Theodore Meron. Holocaust survivor, scholar, adviser to governments, president of multiple UN war crimes tribunals, Oxford professor, and now a published poet at 95, Meron has spent decades shaping the global pursuit of justice. His new memoir, A Thousand Miracles, captures that extraordinary journey.
He discussed the emotional challenges of writing the book, the principles that guided his career, and the woman whose influence shaped his life.
Meron says the memoir began as an act of love and remembrance, a way to honor the person who anchored his life.
“The critical drive to write A Thousand Miracles was my desire to create a legacy for my wife, Monique, who played such a great role in my life.”
Her presence, he explains, was not only personal but moral—“a compass for living an honorable life… having law and justice as my lodestar, and never cutting corners.”
Reflecting on the past meant confronting memories he had long held at a distance. Writing forced him back into the emotional terrain of childhood loss and wartime survival.
“I found it difficult to write and to think of the loss of my Mother and Brother… my loss of childhood and school… my narrow escapes.”
He describes the “healing power of daydreaming in existential situations,” a coping mechanism that helped him endure the unimaginable. Even so, he approached the writing with restraint, striving “to be cool and unemotional,” despite the weight of the memories.
As he recounts his life, Meron’s story becomes one of continual reinvention—each chapter more improbable than the last.
“A person who did not go to school between the age of 9 and 15… who started an academic career at 48… became a UN war crimes judge at 71… and became a published poet at the age of 95. Are these not miracles?”
The title of his memoir feels almost understated.
His professional life has been driven by a single, urgent mission: preventing future atrocities and protecting the vulnerable.
“I tried to choose to work so that Holocausts and Genocides will not be repeated… that children would not lose their childhoods and education and autonomy.”
Yet he is cleareyed about the limits of the institutions he served. Courts, he says, can only do so much.
“The promise of never again is mainly a duty of States and the international community, not just courts.”
Much of Meron’s legacy lies in shaping the legal frameworks that define modern international criminal law. He helped transform the skeletal principles left by Nuremberg into robust doctrines capable of prosecuting genocide, crimes against humanity, and wartime sexual violence.
“Fleshing out principles… especially on genocide, crimes against humanity and especially rape.”
His work helped ensure that atrocities once dismissed as collateral damage are now recognized as prosecutable crimes.
Even with these advances, Meron remains realistic about the limits of legal institutions.
“Courts tried to do their best, but this is largely the duty of States and their leaders.”
Justice, he suggests, is not only a legal project but a political and moral one—requiring courage from governments, not just judges.
Despite witnessing humanity at its worst, Meron refuses to surrender to despair. His outlook is grounded in history, tempered by experience, and sustained by a stubborn belief in progress.
“Reforms in the law and in human rights have often followed atrocities.”
He acknowledges that progress is uneven—“not linear,” as he puts it—but insists that hope is essential.
“We have ups and downs and a better day will come. We should work for it. Despair will not help.”
Judge Theodore Meron’s life is a testament to resilience, intellect, and moral clarity.
A Thousand Miracles is not simply a memoir of survival—it is a record of a life spent shaping the world’s understanding of justice, guided always by memory, principle, and the belief that even in humanity’s darkest hours, a better future remains possible.
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Gamification in Online Casinos: What Do Casino Online DudeSpin Experts Say
Gamification is one of the trends in modern game development. The technology allows players to interact with in-game elements and complete various tasks to earn additional rewards. Sites like casino online DudeSpin are eager to explore new technologies. Canadian players are particularly drawn to gamification for the opportunity to test their skills and have fun. Various development approaches allow for the implementation of much of this functionality already at this stage of development.
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Canadian Perspective on Gamified Casino Experiences
Canadian casinos are using gamification techniques for a reason. They’re developing a legal and modern market that appeals to local audiences. Furthermore, operators like casino online DudeSpin operate in compliance with local laws, which fosters trust.
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Technology evolves alongside new opportunities, and operators strive to offer the best benefits to their most active players. This interaction makes gamification a viable solution for gamblers. Leaderboards, achievements, and adaptive features are particularly popular with Canadian users due to their personalization.
