Features
Rabbi Matthew Leibl explaining the Jewish origins of popular xmas songs
By BERNIE BELLAN This article first appeared in the Dec. 23, 2019 issue of The Jewish Post & News. Since being posted to our website almost two years ago, it’s become one of our most widely read articles – and the Youtube video of Rabbi Matthew singing xmas songs written by Jewish composers has been viewed hundreds of times.If you want to watch the video, you can see it at https://www.youtube.com/watch?v=bWyZ1djqxaI
Here’s my story from Dec/2019: It’s hard to believe, but it was only two years ago that Rabbi Matthew Leibl entertained a packed room of mostly seniors in the Adult Lounge of the Asper Campus with a medley of famous xmas songs – all written by Jewish composers.
Rabbi Matthew Leibl is not your usual rabbi – but he sure can command a room.
With all his considerable talents – as a clever and always witty speaker, as a terrific keyboardist and pleasant singer, and with a range of interests from that go anywhere from Jewish scholarship to sports, Rabbi Matthew can both entertain – and educate, often simultaneously.
It came as no surprise, therefore, that on Tuesday, December 10, 2019, the adult lounge of the Asper Campus was packed – entirely with older adults mind you, who were there to hear Rabbi Matthew give a presentation that was titled “Oy to the World: The Jewish Contribution to Christmas”. (The name of the event itself was a pretty good clue that this was not going to be your typical “drash”.)
It turns out that Rabbi Matthew did do his research for what was to follow. He unveiled a seamless narrative, mixing well-known Christmas songs with stories about their composers, combining everything into a narrative that demonstrated how so many Jews have influenced our modern attitudes to Christmas.
Of course, nothing that Rabbi Matthew does is predictable, so when he greeted the audience with the first few lines of “It’s beginning to look a lot like Christmas”, I would dare say that most of us there were expecting him to reveal that well-known song was written by a Jew.
Aha – gotcha! It was written by Meredith Wilson – most famous undoubtedly for having written “The Music Man” – or, as Rabbi Matthew announced to the audience: “not a Jew”.
The tone was set, therefore, for what would turn out to be an evening of surprises, in which Rabbi Matthew would sing a well-known Christmas song, and then follow the song with what was almost always an unexpected story, either about how the song was written, or about how it came to be universally popular (often when the composer himself thought it would be a flop).
But first, Rabbi Matthew told another funny story about how, as a child, he misinterpreted the name of a well-known Christmas carol: “Hark, the Herald Angels Sing”. To his mind, Rabbi Matthew said, he thought it was a song about his “Zaida Harold” (the late Harold Pollock) – “Hark, the ‘Harold” Angels Sing”.
At that point, Rabbi Matthew launched into playing – and singing, words to a song that just didn’t seem familiar. Here’s what he sang:
The sun is shining, the grass is green
The orange and palm trees sway
There’s never been such a day
In Beverly Hills, L.A
But it’s December the twenty-fourth
And I am longing to be up North
Can you guess that those are the words in the introduction to “I’m Dreaming of a White Christmas”? As Rabbi Matthew explained it, however, we never actually hear the introduction to the song on any of its many recordings – and the image that introduction evokes is hardly one of a “white Christmas”. In fact, time and time again, as we were to learn, songs that have come to conjure up images of snow-lined streets, fireplaces blazing, and other such stereotypical Christmas images, were actually composed in Los Angeles – often during heat waves when various composers were all trying to cool themselves off by imagining cold winter scenes!
In any event, “White Christmas” was composed by Irving Berlin – born Israel Isidore Beilin in 1888 in Russia. A prodigy at an early age, Berlin’s first big hit was “Alexander’s Ragtime Band”. Berlin is considered one of the greatest American songwriters of all time. With so many hits to his name, it’s hard to realize they were all written by the same person. For instance, Berlin also wrote “God Bless America” (in 1938), which was a way for him to show his appreciation for the country that had taken in his family.
“White Christmas”, as Rabbi Matthew told the audience, was originally written in 1940 for the movie, “Holiday Inn”, which wasn’t released until 1942. (The introduction was scrapped when it was sung in the movie.)
The song, however, sung by Bing Crosby, was first played on the radio on Christmas day, 1941. It became an immediate sensation – and the Bing Crosby version went on to sell over 50 million copies, making it the best-selling Christmas single of all time. (Altogether, various different recordings of the song have sold over 100 million copies.)
Not only is “White Christmas” a song that tugged at the heartstrings at a time when America had just been plunged into what would become the second most costly war (in terms of lives lost) after the American Civil War, as Rabbi Matthew explained, it also set two other precedents: It was the first commercial success for a Christmas song and it was the first-ever secular Christmas song.
The song also set the pattern for future composers to follow, in terms of its beat which, as Rabbi Matthew noted, was “A,A,B,A”. “The time repeats, but the words change,” Rabbi Matthew explained.
Having begun with what is undoubtedly the most successful Christmas song of all time, Rabbi Matthew then took a step back in time to play another song that wasn’t really a Christmas song in the sense that it doesn’t mention the name “Christmas” at all, but nonetheless has come to be associated with the Christmas season: “Walking in a Winter Wonderland”, music by Felix Bernard, and written in 1934.
“The words to the song are terrible,” Rabbi Matthew suggested. He gave as an example these lines:
“He’ll say ‘are you married?’, we’ll say ‘no, man’‘
But you can do the job when you’re in town’ “
Moving back to the 1940s again – which turned out to be a most productive decade when it came to composing great Christmas songs, Rabbi Matthew sang “I’ll be home for Christmas”, released in 1943, music by Walter Kent (a.k.a. Walter Kaufman). The song was also first recorded by Bing Crosby.
As with “White Christmas”, this song captured the mood of America, with its famous final line “I’ll be home, if only in my dreams.” At the time, while America was fully at war with Japan in the Pacific, hundreds of thousands of American soldiers were also in England preparing for what would turn out to be D-day the next year.
As it was, there was also quite a bit of controversy attached to “I’ll be home for Christmas”, as another composer, by the name of “Buck Ram” (whose name I can’t help but think would be great for a male porn star), claimed he had met Walter Kent and lyricist Kim Gannon at a bar, where he had given them a copy of the song. His name was eventually added to the record label as a co-writer and he received royalties.
The next song on Rabbi Leibl’s list was “Chestnuts Roasting on an Open Fire” (or as it is actually titled, “The Christmas Song”), music by Mel Tormé (whose name was really Tormé!). As I noted at the beginning of this article, this was one of those songs written in L.A. during a torrid summer heat wave.
Rabbi Leibl quoted Mel Tormé as having said this about his song: “It was not one of my favourites, but it was my annuity!” The song is also noteworthy for being the first song ever to drop the name “Santa Claus” into it. (Boy, you have to wonder what Christmas would be like if so many Jews hadn’t fashioned its modern-day image.)
Keeping with the theme of heat waves, the next song was also written in the same 1945 heat wave that engulfed Los Angeles: “Let it Snow”, lyrics by Sammy Cahn, music by Jule Styne.
Here are some comments made by Rabbi Leibl about the song: They (the composers) were trying to think cool thoughts…there’s no mention of Christmas…the song appears at the end of “Die Hard” – one of the two greatest Christmas movies ever made (the other being “Home Alone”). You can kind of get a sense of the era in which Rabbi Leibl grew up by his loving references to the 1980s.
As with every other song he played during the evening, the next one was accompanied by a very amusing anecdote.
The song was “City Sidewalks, Silver Bells” – written in 1951 by Jay Livingston (born Jay Levison) (music) and Ray Evans (lyrics) – both Jewish. The duo also went on to write “Que Sera Sera” – which is probably the first song I myself ever remember from a movie.
“Silver Bells” was originally called “Tinkle Bells”, Rabbi Matthew explained, but when Jay Livingston went home to his wife and told her that he and Evans had composed a song called “Tinkle Bells”, her reactions was: “Are you crazy? Do you know what ‘tinkle’ means?” (Actually, a reference to Wikipedia expands upon Rabbi Matthew’s story. Apparently, Jay Livingston didn’t know what his wife was talking about: “Of course, Jay and Ray had never heard it used in that way. ‘Tinkle’ (for ‘pee’) is a woman’s term. As Jay said in the act that they used to do, ‘When I was a boy, I said “Pee-pee”. Come to think of it, I STILL say “Pee-pee’”, only more frequently’.”
In any event, the song title was changed to “Silver Bells” – and although it was first sung by William Frawley (who went on to play Fred Mertz in “I Love Lucy”), it was made famous when it was recorded by Bing Crosby in 1950.
Forward to 1962 – and the Cuban Missile Crisis. (Where’s this going, you’re probably wondering?) Rabbi Leibl told a story about someone named Gloria Shayne who, when she was growing up, happened to live next door to a family by the name of Kennedy (as Gerry Posner would say, “as in John Fitzgerald Kennedy’ ”).
Gloria Shayne and her then-husband, Noël Regney, wrote the song, “Do You Hear What I Hear?” as a plea for peace. Something else that set this song apart from every other song Rabbi Leibl sang that evening, as he noted, was that it was the only one that mentioned the name “Christ”.
Many of you reading this might remember the “Andy Williams Show”, which was popular in the 1960s. But, did you know that the song “It’s the most Wonderful Time of the Year” was written for that show? It was written in 1963 by Sydney Pola (born Sidney Edward Pollacsek) and George Wyle (born Bernard Weissman, also famous for composing the theme song to “Gilligan’s Island”, a very important show for Rabbi Leibl’s parents’ generation). By the way, although I was taking copious notes during this very important lecture, I have had to resort to Googling a good portion of the information you’re reading here. I can’t imagine how much work Rabbi Matthew put into putting together his song list. He really should do his show again; I’m sure it would attract an even bigger audience next year.
Next, we were told we’re going to hear songs by “the greatest Christmas composer of all time!” But, what about all the songs we just heard? Who could top some of those songwriters?
It turned out that it was Johnny Marks. Here’s an excerpt from Wikipedia: John David Marks (November 10, 1909 – September 3, 1985) was an American songwriter. Although he was Jewish, he specialized in Christmas songs and wrote many holiday standards, including “Rudolph, the Red-Nosed Reindeer” (a hit for Gene Autry and others), “Rockin’ Around the Christmas Tree” (a hit for Brenda Lee), “A Holly Jolly Christmas” (recorded by the Quinto Sisters and later by Burl Ives)” and even more.
While Rabbi Leibl told one story after another about each of the above songs, he really outdid himself when he told the story how “Rudolph the Red-Nosed Reindeer” came into being. The story goes that Marx’s sister was married to a guy by the name of Robert Ray.
Ray was working for the department store Montgomery Ward, working as a low-level copywriter. Although Rabbi Leibl described what happened in great detail, it’s such a beautiful story that I thought I’d quote extensively from the Wikipedia article describing how the song came into being:
Sometime in the 1930s, May moved to Chicago and took a job as a low-paid in-house advertising copywriter for Montgomery Ward. In early 1939, May’s boss at Montgomery Ward asked him to write a “cheery” Christmas book for shoppers and suggested that an animal be the star of the book. Montgomery Ward had been buying and giving away coloring books for Christmas every year and it was decided that creating their own book would save money and be a nice good-will gesture.
May’s wife, Evelyn, had contracted cancer in 1937 and was quite ill as he started on the book in early 1939. May “drew on memories of his own painfully shy childhood when creating his Rudolph stories.” He decided on making a reindeer the central character of the book because his then four-year-old daughter, Barbara, loved the deer in the Chicago zoo. He ran verses and chapters of the Rudolph poem by Barbara to make sure they entertained children. The final version of the poem was first read to Barbara and his wife’s parents…
In 1948, May’s brother-in-law, Johnny Marks, wrote (words and music) an adaptation of Rudolph. Though the song was turned down by such popular vocalists as Bing Crosby and Dinah Shore, it was recorded by the singing cowboy Gene Autry. “Rudolph the Red-Nosed Reindeer” was released in 1949 and became a phenomenal success, selling more records than any other Christmas song, with the exception of “White Christmas”.
And with that, the entire audience joined in the singing of “Rudolph the Red-Nosed Reindeer.” All that was needed to cap off the evening was for everyone to adjourn to The Shanghai (which, alas, is no longer) – and which, Rabbi Leibl recalled, was where his family always used to go for Christmas.
Features
What would you do if you found out – at age 34 – that your mother was artificially inseminated, you’re half Ashkenazi Jewish, and you have at least six other siblings?
By BERNIE BELLAN Artificial insemination has been around for a very long time. “The first documented application of artificial insemination in humans was done in London in the 1770s by John Hunter,” says an article from The National Library of Medicine. Sperm banks were first developed in the 1950s.
In the 1970s the University of Manitoba Medical School began an artificial insemination program under the direction of Dr. Jeremy Kredentser.
According to an article in the November 3, 1985 Winnipeg Free Press, “about 100 to 120 couples a year” were being seen in that program, said Dr. Kredentser at the time.
The article went on to explain that “Donor sperm is collected from carefully screened donors such as doctors, medical students and others associated with the U of M.”
Under the rules of that program donors were allowed to submit a maximum of 25 sperm donations – which meant any children who were born as a result of artificial insemination from the program could have quite a few half brothers or sisters.
That program actually was the forerunner of what is now the Heartland Fertility Clinic, where Dr. Kredentser practised and was a director for many years.
But, just as is the case with many individuals who have found out later in life that they were adopted, many individuals who have been fathered by anonymous sperm donors want to know about their actual biological ancestry.
In the past few years, as a result of increasingly sophisticated DNA testing, many of those individuals have been able to discover, not only a great deal of information about their ancestry, but very specific information about relatives about whom they would likely never have known.
Such was the case with one young Winnipeg man, who will be referred to in this article simply as T, not because he insisted on anonymity, but because we wanted to take steps to protect the identities of his siblings and, more importantly, his biological father, whose identity was discovered by T through a process of sleuthing. To this point, T notes, despite his fairly recent attempt to reach out to his biological father, he has not received a response.
We had been made aware of T’s story by a mutual acquaintance. When I heard though that T had discovered he was “49% Ashkenazi Jewish” I thought that his story of discovery might make for a fascinating read – if he was willing to share it.
Not only was T extremely forthcoming in telling me his story, he was eager to have it written about. HIs hope is that his biological father might also become aware of this story and come to the realization that T’s motivation in attempting to make contact with him – as it often is with children who have discovered they have been adopted, is not at all malicious; it is a mixture of curiosity, also a desire to learn whether there are any genetic traits about which they should become aware.
A’s story begins in December 2021. What began largely as a lark turned into something quite unexpected. T explains that he and his wife wanted to take DNA tests – not for any particular reason, simply out of curiosity.
T and his wife decided to register on a site called “23andMe,” where all you have to do is send in a DNA sample (from your saliva) for testing. If someone else who has also registered on the site – and has allowed their identity to be known to individuals who turn out to be related, you will receive a notification that you have matches. (The other very popular site that offers a similar service is Ancestry.com.)
In most cases, as T noted, the results will turn up a slew of distant cousins – possibly some closer cousins, but not much more than that.
However, the story took a very unexpected twist – even before T and his wife got their results back. It was late 2021and T’s mother was over to T’s and his soon-to-be wife’s house. T says he told his mother about the DNA test that he and his wife had taken and explained to her – in a joking way he thought, that “we were gonna make sure we’re not related.”
But, his mother’s reaction took him by surprise, he says. She “showed that she was a little bit agitated.”
T says he wondered whether he was “like, oh God, adopted?”
He continues: “…and then she told me, she divulged that information, she said she was going to tell me sooner than later, but on account of this, you know, the advent of all these DNA kits and stuff, she realized that the writing was on the wall, but you know, when they did it, and …the origins of this, um, fertility company, which was in the mid 80s.” (By “fertility company,” T is referring to the program that had been run at the University of Manitoba Medical School.)
I said to T: “Because in anticipation of what you’re gonna find out, she’s gonna have to break the news after all these years (that she had been artificially inseminated) . Okay. so then how much longer did you have to wait for the results?”
I asked T why his mother had been artificially inseminated? It turns our that her husband – the man T had always believed was his biological father, had had a vasectomy prior to T’s mother marrying him – and T’s mother desperately wanted to have a child.
T explains that the results came back quite quickly – only a month later.
As T describes it, “I’m dying to find out. We’ve rolled the dice here. So we’re waiting to hear what’s going to happen. I don’t know. I had no idea about the Ashkenazi Jewish thing. Back then, I had no idea about any siblings.”
Something else should be explained at this point. T’s mother was married fairly late in life – to a man who had been previously married, and who had two sons from his previous marriage – who are 20 years older than T. As T says, “I was pretty excited because I’ve always wanted, you know, a brother or sister, but my own age.” And here was his chance to discover that he did have another sibling, maybe more than one – much closer to his own age.
The results of A’s DNA test came back from 23andMe with the revelation that T was 49% Ashkenazi Jewish. Further, as T says, “only one sibling is showing, and then like a million cousins. Like, second, second, third, distant cousins at that point.” (It should be explained that not only do 23andMe and Ancestry.com provide names of relatives whose genetic profiles match – at least somewhat, they provide pictures as well.)
But, as T says, the results showed “nobody who looks like me, no names I recognize. And a lot of the distant cousins are presumably on the paternal side. So it’s like a lot of Jewish names in New York.”
Yet, there was a sibling – a half sister (whose name will not be revealed), but who didn’t live in Winnipeg any more. Still, T reached out to her and the half sister revealed to T that she had known since she was 15 that she was the product of artificial insemination, but nothing more than that.
Another year rolls by – it’s now 2022 and suddenly T and his half sister are informed by 23andMe that they have another half brother – who lives in Winnipeg, and who’s a year younger than T.
T and his new half brother connect. As T says, “he’s like 10 minutes away from me…but the weirdest part about this is like, I can’t find any connection with him in Winnipeg, which is weird because we’re lifelong Winnipeggers and it takes, you know how it is, it takes no time at all to find a Winnipeg connection, right?”
But A’s new half brother also tells T and the half sister that he had only recently tried 23andMe because he had been on Ancestry.com – but it hadn’t yielded any close matches. However, in 2023, after the new half brother is introduced to T and the other half sister, the new half brother receives a notification from Ancestry.com that they’ve reviewed his DNA results again – and this time they’ve found three new half sisters – all of whom live in Winnipeg!
It turns out that each of those half sisters had been aware they were the products of artificial insemination. There turns out to be one more half brother – who doesn’t live in Winnipeg – bringing the total of known siblings to seven. As T notes, however, there could be as many as 18 more siblings!
Okay, so now we know T has six siblings, and they’re all 49% Ashkenazi Jewish. How does that lead to T’s discovering who the sperm donor was?
At this point I have to be very careful not to get too specific, out of concern that identities that should remain anonymous are not divulged.
It turns out though that someone else had been on Ancestry.com – but later it emerges that the reason this person would have been on Ancestry.com was that she was a Holocaust survivor, likely looking for long lost relatives who had been separated by World War II.
This woman had reached out to one of T’s half sisters and asks her whether she is a cousin. The half sister responds: “No, I’m your granddaughter.”
Apparently, according to T, finding that out likely “spooked” the Holocaust survivor, and she “ghosted” T’s half sister. T says her “profile disappeared and has not been heard from since.”
(By way of explanation, when Ancestry.com reports a match, it indicates the level of closeness between two individuals. e.g., a parent or a child will be identified as a parent or child; a grandparent, grandchild or sibling will be identified as “immediate family. T’s half sister discovered that she had a paternal grandmother. She didn’t know that this woman was a Holocaust survivor immediately.)
T’s half brother – who had been on both Ancestry.com and 23andMe, did inform T of their paternal grandmother’s name – in 2023. It turns out that the other three half sisters, along with A’s half brother – all of whom had been on Ancestry.com, and who had found each other on Ancestry.com, had also done some digging on their own.
One of the half sisters was told about a book titled “Stories of Winnipeg Holocaust Survivors,” which was compiled by Belle Jarniewski, currently Executive Director of the Jewish Heritage Centre of Western Canada. (At the time Belle was known as Belle Milo, which is the name given on the cover of the book.)
There is a chapter in the book devoted to the story of the Holocaust survivor who had reached out to the half sister. In that chapter the names of the woman’s children are given. It didn’t take too long for that half sister to deduce which of the women’s children would have been the sperm donor. She shared that information with her two other half sisters in Winnipeg – but none of them made any attempt to contact their biological father.
(By the way, once T revealed his paternal grandmother’s name to me I did find some references to her in the Jewish Post archives that are accessible on jewishpostandnews.ca. One of those references included the names of her children. It turns out that I knew one of those children from chlldhood.)
Once T was informed by his half brother in Winnipeg of their paternal grandmother’s name, but without having learned that the three Winnipeg half sisters actually knew who their biological father was, he began his own search online for information about the Holocaust survivor who was their paternal grandmother.
He didn’t turn anything up until he, too, discovered the same book, “Stories of Winnipeg Holocaust Survivors, ” that had been key to one of his half sisters discovering who their biological father was.
As T says, “I found the book online, read it, and I found the (children’s) names. And then I looked up her (son’s name). And after a half an hour I found, like, the timeline for (son’s name).” and the timeline for this particular individual and what he would have been doing in 1985, which is when T’s mother was artificially inseminated, fit perfectly.
T says that once “I figured out who the guy was, I found a picture, and I’m like, okay, this man looks like me, this is the guy, and then once I started connecting with the other sisters, they all confirmed that, in fact, was the guy.”
But, before attempting to reach out to their biological father, T wanted to make sure that each of the other siblings was on board with what he was attempting to do. As he says, “At this point, before I reached out to the donor, I wanted to make sure that I had consent from everybody else.”
A received everyone’s permission and T proceeded to write a hand-written letter to their biological father, which he sent in March 2024. As A says, “I get the guy’s address. And I decide that I, like, I really want to reach out I’m just dying of curiosity. Nobody else has (reached out) yet. I don’t understand why. And I’m like, okay. So I write him a handwritten letter that basically just introduced like who I am and that we understand that we might have a connection to him We’re grateful for him.
“And if he has any interest in contacting us, here’s how we can be contacted But otherwise, we’re not going to bug you. The ball’s in your court. We have no interest in ransacking your life because at the end of the day, we’re all grateful for, you know, what you’ve done for us, and we all have great lives, and thank you, that kind of thing.” To this point T says he has not received any response.
Something I wondered about – and what I’m sure you’re also wondering about, is the revelation that the genetic make-up that T and each of his siblings is carrying is 49% Ashkenazi Jewish. I wondered whether finding that out has made any difference in the lives of T and his siblings?
In fact, the answer – if T and his siblings are truthful, is that it hasn’t made any difference at all. T says he “grew up in the United Church,” but doesn’t consider himself religious. Perhaps somewhat ironically, T says that “half of my friends are Ashkenazi Jewish guys.” In fact, he’s very familiar with Jewish culture and has been to the Shaarey Zedek Synagogue many times. (I should note that the person who put me on to this story is Jewish and has known T for years.)
There are many other twists to T’s story – about how closely connected he is to so many aspects of Jewish life, but again – for the sake of confidentiality I won’t reveal them here. Suffice to say that T could very easily immerse himself into the Jewish community here without missing a beat – if that’s what he chose to do.
As for his siblings – well, that’s a different story. T says that finding out they had Jewish genes seemed more like a matter of curiosity to them than anything particularly important to their sense of identity. One should bear in mind that many of the individuals who go on to sites like Ancestry.com or 23andMe find out very surprising things about their ancestry, but it hardly changes their own concept of who they are.
T, though, looks upon the revelation that he’s half Jewish with a certain sense of bemusement, but also an explanation for some aspects of his own identity. As he says, “I think it makes me more interesting, and honestly, when I look in the mirror, and what I’m seeing is like, my physiology is turning into a frumpy old Jewish man. My dad (or at least the man T thought was his dad and who raised him) is, like, 6’2. My brothers are 6’1; they’re tall.”
T says though that he has “freckles and a skinny Adam’s apple. And I’m, like: ‘Why do I look like any of these (Jewish) guys (who are his friends)? So, anyway, it just, it clicks, it makes a lot more sense for me. It really helps, it helps me kind of make a little… a piece of the whole situation.”
But there are other aspects to T’s past that are more troublesome. He’s had some issues that might have been inherited – as does one of his brothers. T says that “I’d love to just talk to this guy for an hour. See what he’s like, you know, see if he’s musical,” for instance.
I say to T: “I’m not interested in outing him. You know, if he wants to remain anonymous, let him remain anonymous, but maybe he’ll have second thoughts about it. If someone happens to contact him and says, ‘Hey, uh, we read this story or we heard about a story – and it might be you they’re talking about in the story’.” After all, there must have a fair number of men who donated their sperm in that University of Manitoba Medical School program back in the 1970s and 80s. Wouldn’t some of them be curious to learn what the results were from their donations?
Of course, there have been stories about children of women who were artificially inseminated who have gone after the sperm donors. As T concedes, “I kind of assume his reticence kind of lies in that very kind of thing. There’s a whole bunch of Netflix specials that have come out, and there’s some movies over the last ten years, and I’ve watched all of them.”
Still, despite the assurances that men like T’s biological father who donated their sperm may have received that their identities would remain anonymous, advances in genetic testing have shown that those assurances have been made moot. If it were up to me I’d want to own up to my having provided the sperm that ended up helping to produce a child. Otherwise, now that T’s father has received the information that his identity is known to at least seven of the children that he was responsible for fathering, he’s going to have to live with the possibility that one of those children may show up on his doorstep one day.
One final note about this story: T tells me that he and his six known siblings are all on good terms and communicate with one another. In fact, they all had a get-together this past summer where many of them met each other for the first time. I’d have liked to refer to is a reunion – but that would be a misnomer. How about calling it a “kum zeets,” which is the Israeli term for a get together?
Features
Filmmaker Shira Newman brings wealth of experiences to role of Rady JCC Coordinator of Arts & Older Adult Programming
By MYRON LOVE As with many people I have interviewed over the years, Shira Newman’s life journey towards her present stage as Rady JCC Coordinator of Arts & Older Adult Programming has encompassed a range of different areas, including: fine arts, filmmaking and teaching stints, working at the Society of Manitobans with Disabilities, and the Women’s Health Clinic and, most recently before coming to the Rady JCC, the Prairie Fusion Arts and Entertainment Centre (as program co-ordinator) in Portage La Prairie.
The daughter of Joan and the late Paul Newman began her life in River Heights. After graduation from Grant Park, she enrolled in Fine Arts at the University of Manitoba. In addition to painting and drawing, she took a course in film – and found that she really enjoyed it.
“I learned a lot about the art that goes into filmmaking,” she recalls. “We watched foreign films and independent films. I fell in love with the ideas of creating this three-dimensiomal world on the screen.”
After earning her first degree at the University of Manitoba, Newman worked for a few years at the aforementioned Women’s Health Clinic and the Society for Manitobans with Disabilities before returning – in her mid-20s – to university, this time Concordia in Montreal – to study filmmaking full time.
After completing the two year program Newman returned to Winnipeg and became involved with the Winnipeg Film Group and the Winnipeg film community.
Over the next few years, she taught filmmaking in Winnipeg School Division No. 1, and also began to get work in our city’s booming film production industry, working in set design and costuming..
Her big break came when she was asked by local filmmaker Sean Garrity to serve as script supervisor on one of his movies.
(According to Wikipedia, a script supervisor oversees the continuity of the motion picture, including dialogue and action during a scene. The script supervisor may also be called upon to ensure wardrobe, props, set dressing, hair, and makeup are consistent from scene to scene. The script supervisor keeps detailed notes on each take of the scene being filmed. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scenes together in the order specified in the shooting script. They are also responsible for keeping track of the film production unit’s daily progress.)
“I knew Sean’s films and was excited that he asked to me to work with him,” Newman recalls.
That job led to many other assignments as a script supervisor over the next ten years. “I worked on a lot of Hallmark Movies being shot here as well as some Lifetime features,” she says.
The last movie shot in Winnipeg that Newman worked on was in 2018. It was called “Escaping the Madhouse: the Nellie Bly Story”.
It was about that time that Newman felt that she needed a change in direction. “Making a movie is a world in itself,” she observes, “but the work isn’t steady. I decided that I needed something more stable.”
Thus, she responded to an ad for a coordinator at the Prairie Fusion Centre in Portage. The Centre, she notes, has a gallery, a store and classes. She was responsible for educational programming.
Newman stayed at the Prairie Fusion Centre for a year – commuting every day from Winnipeg. Then she saw the Rady JCC ad calling for a Coordinator for Arts and Older Adult Programming.
“It was a perfect fit for me,” she says.
Newman is now in her fourth year at the Rady JCC. One of the first programs she introduced was a new social club for seniors – replacing the former Stay Young Club which had been disbanded some years before due to flagging attendance.
Club programs are Mondays at 11:00. “We have guest speakers and musical programs and we celebrate all the holidays,” Newman notes.
Last year, Newman introduced a new Yiddish Festival – picking up where the former Mamaloshen left off. “While studying filmmaking, I developed an appreciation for the 1930s Yiddish cinema,” she reports. “In recent years, there has been a revival of interest in Yiddish culture, music and literature.”
For the first “Put a Yid in it Festival of new Yiddish Culture,” Newman brought in younger performers in the persons of ”Beyond the Pale”, a Toronto-based klezmer band that also performs Romanian and Balkan music – and, from Montreal, Josh Dolgin, aka Socalled – a rap artist and record producer who combines hip hop, klezmer and folk music.
“We had the concert at the West End Cultural Centre.” Newman reports. “We had a great crowd with people of all ages, including kids.”
For this second upcoming Yidfdish festival at the beginning of February, Newman is organizing three concerts featuring klezmer group “Schmaltz and Pepper” from Toronto; “Forshpil”, a Yiddish and klezmer band from Latvia; and live music to accompany a 1991 movie called “The Man Without a World” – a recreation of a 1920s silent movie set in a Polish shtetl.
This year’s festival will also include three movies and two speakers. Among the movies is “The Jester”. Co-directed by Joseph Green and Jan Nowina-Przybylski – who also made “Yiddle with His Fiddle” in 1936, “The Jester” is a musical drama involving a love triangle featuring a wandering jester, a charismatic vaudeville performer, and Esther, the shoemaker’s daughter, torn between her family’s desire for a prominent match and her own dreams.
“Yiddishland”, by Australian Director Ros Horin, focuses on the art and practices of a diverse group of innovative international artists who create new works about the important issues of our time in the Yiddish language, why they create in Yiddish, what it means to them personally and professionally, and what obstacles they must overcome to revive what was once considered a dying language..
“Mamele” is described as “a timeless masterpiece, brought to life by Molly Picon, the legendary Pixie Queen of the Yiddish Musical. Picon shines as a devoted daughter who keeps her family together after the loss of their mother. Caught between endless responsibilities and her own dreams, her world changes when she discovers a charming violinist across the courtyard. Set in the vibrant backdrop of Lodz, this enchanting musical comedy-drama immerses audiences in the rich diversity of interwar Jewish life in Poland – featuring everything from pious communities to nightclubs, gangsters and spirited ‘nogoodnicks’’.”
The speaking presentation will nclude a talk by the University of Manitoba Yiddish teacher Professor Itay Zutra “exploring the resilience and survival of Yiddish art, from S. Ansky’s The Dybbuk to the demons of I.B. Singer, through the trauma of the Holocaust and beyond.”
There will also be a panel discussion highlighting the pivotal experience of the Jewish community in the 1919 Winnipeg General Strike, with a focus on Yiddish-speaking organizations and newspapers.
Back in late October, Newman organized our community’s first JFest – a celebration of Jewish Culture and the Arts – which highlighted the works of seven local Jewish artists. She reports that the art exhibit was well attended.
She also mentions ongoing Rady JCC programs such as the long-running “Music and Mavens” and the annual Jewish Film Festival.
Returning to the subject of filmmaking, Newman has been a film programmer for the Gimli International Film Festival for the last four years. (The first years, she says, she served as the shorts programmer and the last three as the documentary film programmer.)
She adds that her first short film, “The Blessing,” which she made when she returned to Winnipeg from Montreal, was shown at various festivals, including the Toronto International Jewish Film Festival.It was also shown here in Winnipeg at the Winnipeg Jewish International Film Festival where it won the award here for “best short film by an emerging or established local filmmaker.”
In her spare time, Newman reports, she has embarked on a new project. “I am working on a documentary about Monarch butterflies and the community of people who are dedicated to preserving them. These are regular people who have become citizen scientists. I am working with a friend whose zaida was a biology teacher and instilled in his family a love of nature and conservation. I have met people who have gone to Mexico to see for themselves where the butterflies spend their winters.”
Newman is anticipating that the new documentary will be completed within a year.
Features
Rabbi (to be) Lara Rodin
By GERRY POSNER In May 2025, the Jewish Theological seminary will welcome a new rabbi into the fold. A recent graduate of the seminary, she is a young woman from Western Canada with roots in both Winnipeg and Calgary. Her name is Lara Rodin.
Lara will be the new assistant rabbi at the Beth Tzedec Synagogue in Toronto (not to be confused with the Beth Tzedec Synagogue in Calgary, where her family still lives and where they remain members to this day). Her formal induction into the rabbinate will happen later this year, in May, in New York City.
Rabbi Rodin is a fresh, warm, and engaging young woman who already has made a difference in the lives of many families.
The jump from being Lara Rodin, daughter of Greg and Andria (Paul) Rodin, raised in a secular home, to a woman about to become a rabbi, was hardly preordained. Lara was born in Winnipeg, but she moved with her family at a young age to Calgary where she was a student at the Calgary Jewish Academy. Her connection to Judaism, though, was tenuous. Still, with her growing involvement in BBYO, also at Camps B’nai Brith at Pine Lake, Alberta and Hatikvah in BC, the seeds were already starting to grow and sprout. As well, Lara, had a strong Jewish influence from her maternal grandparents, Leonard and Elaine Paul, of blessed memory, both of whom were strongly centred in the Jewish world, particularly at the Bnay Abraham Synagogue in Winnipeg.
Lara was fortunate to attend McGill University in Montreal, where she obtained an Arts degree. Although her father Greg, a lawyer, had pushed her to study law, she was more interested in courses in philosophy and theology. She soon concluded that she need not focus so much on other religions, but work on the one she was born into.
That decision was the impetus for her to improve her Jewish learning. She even taught a class at the Shaar Hashomayim Synagogue in Montreal. That experience led to her seriously consider a career in teaching.
To proceed on a path to becoming g a teacher and also to further her Jewish education, Lara applied for and was accepted into the Pardes Institute of Jewish Studies in Jerusalem. It was there that not only did she complete her Masters in Jewish Education, Lara came to realize that, while she wanted to teach, she wanted to do it within a Jewish framework. It was the intense learning at Pardes that stimulated Lara’s passion to begin the trail to the rabbinate.
Once you learn more about Lara’s family history, however, you can see how her becoming a rabbi wasn’t all that surprising. When Lara was born, she came along with a twin brother, Isaac. When her father came into the birthing room to see his newborn children for the first time, he said that he sensed that one of the twins was destined to become a rabbi, but it was Isaac, not Lara. Even as the twins grew up, Greg’s sense of a rabbinical calling for his son persisted. When Lara declared her intention to pursue a career in the rabbinate, Greg was ecstatic, stating he had it right all along – he just missed the correct gender. He likely deserves a pass on this one as back at that time, female rabbis from Western Canada were largely unknown and even to this day, a rarity.
Thus, it came to pass that Lara Rodin entered the Jewish Theological Seminary School in New York. She had to cope with the consequences of Covid and so part of her programme had Lara stuck in the basement of her parents’ home in Calgary. In 2021, while still a student, Lara was privileged to become a Tanenbaum Fellow.
Subsequently she developed a more formal association with the Beth Tzedec Synagogue in Toronto, where she has been for the past three years. In 2023- 2024, Lara became a Resnick Fellow. Both the Resnick and Tanenbaum Fellowships were highly valuable to Lara as she proceeded in her Jewish education.
Along the way, even as far back as her attending Camp Ramah, Lara met a boy there who became her husband: Jonah Levitt. They were recently married at Beth Tzedec on August 18, 2024 – another really good reason to send your children to Jewish camps!
Aside from her responsibilities at Beth Tzedec to date, Lara has been working as a Rabbi in Residence at the Robbins Hebrew Academy in Toronto. There she is putting her skills as a teacher to good use. On top of that, she is the go-to person for conversions within the Conservative movement among several synagogues in the Toronto area. In that way Lara Rodin has made contact with many young couples, all inspired to become Jewish and, in many cases, more Jewish. This is a part of her job that she says she finds particularly challenging, yet satisfying.
Of course, if you really want to check out the newest addition to Beth Tzedec, the place to be is at synagogue, where she can be found most of the time. Her smile, her genuine warmth, and her depth of thought will be obvious immediately. Or, if you like to hike or cycle, when not in the synagogue or classroom, you are likely to find Lara participating in those activities.
As the Beth Tzedec synagogue celebrates its 70th anniversary in 2025, so too it now celebrates the addition to the synagogue of Rabbi Lara Rodin. A blessing for all of us.
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