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From Rick Rubin to Doja Cat, Jews have helped shape the first 50 years of hip-hop
(JTA) — Like many parents, Mickey and Linda Rubin indulged their only child Ricky’s various hobbies — magic, photography, music — while he was growing up in the 1970s on Long Island. Ultimately, they hoped he would set his artistic interests aside and choose the sensible career of an attorney.
Ricky famously stuck with music.
In 1983, when he was a junior at New York University, he borrowed $5,000 from his parents to record a song by a local rapper, T La Rock, and release it on his new label, Def Jam. The song, “It’s Yours,” was a hit and caught the attention of a businessman, Russell Simmons. The two would join forces and turn Def Jam into a hit factory. As a producer, Rick Rubin would go on to work with some of the most celebrated rappers of all time, including LL Cool J, Run-DMC, and Public Enemy.
“When I started Def Jam,” Rubin told the New York Times Magazine in 2007, “I was the only white guy in the hip-hop world.”
He certainly was not, but he was one of the only white Jews making rap records until Michael “Mike D” Diamond, Adam “MCA” Yauch, and Adam “Ad-Rock” Horovitz — better known as the Beastie Boys — burst onto the scene. Rubin produced and released the group’s 1986 debut album, “Licensed to Ill,” which became the first rap album to reach No. 1 on the Billboard 200 chart.
“If you want to talk about a singular Jewish contribution to hip-hop, it’d be Rick,” said Dan Charnas, a journalist and arts professor at Rubin’s alma mater, in an interview. “Instead of hip-hop being rapping over disco instrumentals, he conceived of it as sonic collage art.”
Fifty years ago, on Aug. 11, 1973, hip-hop was born (or so the origin story goes) when Jamaican Americans Cindy Campbell and her brother, a DJ who went by Kool Herc, hosted a back-to-school dance party in the recreation room of their Bronx apartment building. In its early years, rap was dismissed as street music by most music industry gatekeepers. It would take six years after that Bronx party for a rap record to get airplay on pop radio (Sugarhill Gang’s “Rapper’s Delight”).
Fast forward to 2023, and hip-hop is ubiquitous — not just on Spotify and TikTok, but across pop culture, from television to fashion.
Over the last five decades, many Jewish rappers from different backgrounds and nationalities have left their mark on hip-hop culture, from Drake to Doja Cat to Mac Miller to Nissim Black, to name just a few. In the early 2000s, religiously-observant artists such as Y-Love and Matisyahu carved out a niche for rap infused with Jewish wisdom and spirituality. Today, there are a number of rappers who make Judaism a prominent part of their stage personas, from Kosha Dillz to Lil Dicky to BLP Kosher; the latter dropped an album on Aug. 4 titled “Bars Mitzvah.” There is also a vibrant, multilingual hip-hop scene in Israel.
RELATED: The 10 most influential Jewish rappers of the past 50 years
But the biggest contributions that Jews have made collectively to hip-hop may have been on the business side, as managers and record label executives.
“White people have played more of a role on the business side than as artists because hip-hop is, for the most part, a Black art form,” explained Charnas, who worked in A&R (which involves seeking out new artists to sign) at Rubin’s American Recordings label in the early 1990s.
In his 2010 book “The Big Payback: The History of the Business of Hip-Hop,” Charnas shares the stories of the record label executives who commercialized hip-hop, including several Jewish ones: Roy and Jules Rifkind, owners of the label that released one of the first rap records in 1979, “King Tim III (Personality Jock)” by Fatback Band; Aaron Fuchs, founder of Tuff City Records, the first rap label to secure a major-label distribution deal; Tom Silverman, founder of Tommy Boy Records, whose roster of musicians included Queen Latifah, Coolio, De La Soul, and Naughty By Nature; Jerry Heller, co-founder of Ruthless Records with rapper Eazy-E; and Julie Greenwald, Def Jam’s head of marketing in the ’90s (who now runs the Atlantic Music Group).
Fuchs, who launched Tuff City in 1981, said by phone that he began working with hip-hop artists such as The Cold Crush Brothers at least a year before Rubin started Def Jam.
“I left my career as a writer and decided to run a record company on the belief that this Black music, like every other Black music in history, would be worth codifying,” he said. He later mentored Rubin and even produced some songs himself using the pseudonym Oliver Shalom, a play on the Hebrew honorific for the dead, “alav ha-shalom” (“peace be upon him”).
At 75, Fuchs still runs Tuff City and plans to release a four-part vinyl compilation of classic rap songs to which he owns the rights later this year. He described hip-hop as “a very, very, very important American expression.”
“I knew it would last, but I didn’t know that it would revolutionize music the world over,” he said.
In response to a direct message on Twitter, Chuck D of the influential group Public Enemy shared the names of the Jews he believes have made the biggest impact in hip-hop, in addition to Rubin: the Beastie Boys; MC Serch of interracial rap group 3rd Bass; Lyor Cohen, the son of Israeli immigrants who started as Run-DMC’s road manager and went on to run Def Jam after Rubin’s departure; and Bill Adler, Def Jam’s onetime director of publicity who helped Public Enemy weather an antisemitism controversy in 1989.
Def Jam Records publicist Bill Adler introduces Rapper Chuck D, left, of Public Enemy, as the latter prepares to fire bandmate Professor Griff for making antisemitic remarks, June 21, 1989. (Al Pereira/Getty Images/Michael Ochs Archives)
“What was interesting,” Chuck D wrote in a direct message, “was that everyone didn’t necessarily get along.” He described the 1980s rap scene as a “melting pot of personality, ego, pioneering, money, race, and everything else.”
Beyond the boardroom, Jews have also played a significant role in hip-hop as talent managers. Among the best-known are Heller (N.W.A.), Paul Rosenberg (Eminem, as well as Jewish rappers Action Bronson and The Alchemist), Leila Steinberg (Tupac Shakur, Earl Sweatshirt), and Todd Moscowitz (Gucci Mane).
Managers both inside and outside of hip-hop have long been vilified for profiting off of their artists’ creativity and labor, or worse. Some believe Heller stole from the members of N.W.A., but there is no evidence to support the claim. Steinberg’s story is different: She accepted very little money while working as Shakur’s first manager in Northern California because she did not want to be perceived as a white person taking undue credit for a Black person’s achievements.
“Back then, I really wanted to participate [in hip-hop] as an activist and couldn’t make sense of this being about money and business,” she said in an interview with the Jewish Telegraphic Agency earlier this year. “I’ve reshaped a lot of my thinking — if you’re not making money, you can’t make change in the world.”
In the realm of hip-hop media, two Israeli cousins — Menahem Golan and Yoram Globus — were responsible for producing the classic breakdance-themed musicals “Breakin’” and “Breakin’ 2: Electric Boogaloo” in 1984. Keith Naftaly was the program manager who turned Bay Area radio station KMEL into the best place to hear new rap music in the late ’80s (he is now the head of A&R at RCA). Peter Rosenberg’s voice can be heard every morning on one of the biggest rap stations in the country, New York’s Hot 97.
Many of the culture’s most enthusiastic chroniclers, it turns out, are members of the tribe: Jonathan Shecter and Dave Mays, who co-founded the groundbreaking hip-hop magazine The Source — the most popular music magazine in the United States in the late ’90s — as undergraduates at Harvard; DJ Vlad (born Vladimir Lyubovny), whose YouTube channel features interviews with numerous rappers and has 5.5 million subscribers; Nardwuar (John Ruskin), a Canadian journalist whose unpredictable interviews with rappers receive millions of views on YouTube; and ItsTheReal (Eric and Jeff Rosenthal), who recently released a deeply-researched podcast about the heyday of rap blogs. And then there’s Charnas himself, who is 55 and was one of the first writers at The Source and a founding father of hip-hop journalism. (The album that made him fall in love with hip-hop: Public Enemy’s “It Takes a Nation of Millions to Hold Us Back.”)
Charnas connects Jewish involvement in so many different aspects of hip-hop culture to the historical alliance between Jews and Black people.
“I think we were around because of our place in the American totem pole, and because of our cultural affinities,” he said. “We had geographical proximity to each other, so that has a lot to do with it. Obviously, Blacks and Jews were aligned politically.”
He added there has never been a “Jewish cabal” running the show — a charge that a small number of big-name rappers, including most recently Ye, formerly known as Kanye West — have made. In 2008, Jay-Z and Russell Simmons recorded a PSA about antisemitism geared toward hip-hop artists and fans that was produced by Rabbi Marc Schneier’s Foundation for Ethnic Understanding. Since then, Ice Cube, Nick Cannon, Jay Electronica, and, yes, even Jay-Z have all found themselves at the center of antisemitism controversies. (On a track on his 2017 album “4:44,” Jay-Z asked rhetorically, “You ever wonder why Jewish people own all the property in America?” He defended the lyric as an obvious exaggeration.)
“Jewish people have found important places and purchases in the business, but no more so than any other white folks,” Charnas said.
Y-Love, the trailblazing Black and Jewish rapper who is known for rhyming in Hebrew and Aramaic — and who, at age 45, calls himself “the OG of Jewish hip-hop,” meaning “the original gangster,” or the elder statesman — said the rappers who have been accused of antisemitism are not saying anything original. They are simply parroting ideas circulating in American society at large, he argued.
“There needs to be a moratorium on the phrase ‘Black antisemitism,” he said. “It’s the same antisemitism.” The best response to the hate, he said, is for Black Jewish rappers with huge fan bases such as Drake and Doja Cat to stand up and say publicly: “When you talk about Jews, you’re talking about me.”
One of the positive legacies of hip-hop, he noted, is that it has allowed Black Jewish rappers like himself to get on stages and screens and show the world just how diverse Jews are. “I think that through embracing hip-hop, the Jewish community added a lot to its own continuity,” he said.
Where is hip-hop headed in the next 50 years?
“As the barrier to entry to putting music out there gets lower, we are going to see more and more people putting tracks out that speak to them, and more managers that are willing to help them do it,” Y-Love said, adding, “Maybe one day we’ll see a Jewish hip-hop category at the Grammys.”
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The post From Rick Rubin to Doja Cat, Jews have helped shape the first 50 years of hip-hop appeared first on Jewish Telegraphic Agency.
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Iran Accused of Targeting Jews at Home and Abroad as 14 Nations Condemn Assassination Plots
People walk near a mural of Iran’s Supreme Leader, Ayatollah Ali Khamenei, amid the Iran-Israel conflict, in Tehran, Iran, June 23, 2025. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Britain, the United States, France, and 11 other allies issued a joint statement on Thursday condemning a rise in Iranian assassination and kidnapping plots in the West, as a new report warned Tehran has been intensifying efforts to target Jewish communities abroad.
On Tuesday, the US Commission on International Religious Freedom (USCIRF) released a report detailing Iran’s systematic violations of religious freedom, both domestically and through operations targeting individuals abroad.
Within Iran, despite officially recognizing Judaism, the Islamist government also “publicly demonizes Jews as enemies of Islam, denies and distorts the history of the Holocaust, [and] surveils Jewish houses of worship,” the report said.
By promoting such antisemitic views and permitting assaults on Jewish sacred sites throughout the country, “authorities have nurtured a hostile environment in which Iranian Jews feel increasingly threatened.”
According to the report, Iran is also “directly engaging criminal networks abroad to carry out attacks against Jewish targets and make Jews in Europe unsafe,” especially in the aftermath of the recent 12-day war with Israel.
The study revealed that the Iranian regime continues to promote and incite antisemitism abroad — through criminal networks, social media, and online platforms — and has actively recruited gangs across Europe “to carry out attacks on Israeli embassies and Jewish sites, including houses of worship, memorial centers, restaurants, and community centers.”
On Thursday, Western allies condemned a surge in assassination, kidnapping, and harassment plots by Iranian intelligence services targeting individuals across Western countries, urging Iranian authorities to immediately halt these illegal activities.
“We are united in our opposition to the attempts of Iranian intelligence services to kill, kidnap, and harass people in Europe and North America in clear violation of our sovereignty,” the joint statement read.
The new report and joint statement came as Iran continued to defy international demands regarding its nuclear program, facing mounting pressure and new US economic sanctions aimed at compelling a return to nuclear talks.
In an interview with the Financial Times, Iranian Foreign Minister Abbas Araghchi warned that “the road to negotiation is narrow” in the wake of the recent conflict with Israel and the United States.
Araghchi also insisted that Washington must agree to compensate Iran for the losses suffered during last month’s conflict if it hopes to bring Tehran back to the negotiating table.
“They should explain why they attacked us in the middle of … negotiations, and they have to ensure that they are not going to repeat that [during future talks],” the top Iranian diplomat said. “And they have to compensate [Iran for] the damage that they have done.”
However, Araghchi also reaffirmed that a deal would be off the table as long as US President Donald Trump continued to demand that Iran commit to zero uranium enrichment.
“We can negotiate, they can present their argument, and we will present our own argument,” Araghchi said. “But with zero enrichment, we don’t have a thing.”
On Wednesday, the United States announced a new round of economic sanctions targeting Iran and entities tied to its oil trade, as part of continued pressure on the Islamic Republic “until Tehran agrees to a deal that promotes regional peace and stability, and abandons all aspirations for nuclear weapons.”
As for negotiations with Europe, Araghchi said during the interview that Tehran would walk away from the talks if European powers continued on their current course, accusing them of failing to honor their obligations under the 2015 nuclear agreement.
“With the Europeans, there is no reason right now to negotiate because they cannot lift sanctions, they cannot do anything,” the Iranian diplomat said. “If they do snapback, that means that this is the end of the road for them.”
Under the terms of the UN Security Council resolution enshrining the 2015 accord — which imposed temporary restrictions on Iran’s nuclear program in exchange for large-scale sanctions relief —international sanctions could be reimposed on Iran, restoring all previous UN economic penalties including those targeting Iran’s oil, banking, and defense sectors, through a “snapback” mechanism that would take about 30 days. France, Britain, and Germany have warned they would reinstate UN sanctions on Tehran if no new agreement is reached by the end of August.
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ADL Files Civil Rights Complaint Against Baltimore City Public Schools, Alleging Rampant Antisemitism
Baltimore City Hall is seen in Baltimore, Maryland, US, May 10, 2019. Photo: Stephanie Keith via Reuters Connect
The Anti-Defamation League (ADL) has filed a Title VI civil rights complaint against Baltimore City Public Schools (BCPS), alleging that officials refused to respond to allegations of antisemitism in a manner consistent with US federal law.
“All schools have a fundamental obligation to maintain a learning environment that protect students from discrimination,” ADL vice president of litigation James Pasch said in a statement announcing the action. “On this essential measure of keeping its Jewish students safe from harassment and intimidation, Baltimore City Public Schools have failed.”
Jewish students allegedly experienced relentless bullying in BCPS, where students pantomimed Nazi salutes, treated campuses as a canvas for Nazi-inspired and antisemitic graffiti, and sent text messages threatening that the Palestinian terrorist group Hamas will be summoned to kill Jewish students the bullies do not like. Teachers behaved even worse than students, the complaint said. At Bard High School, an English teacher performed the Nazi salute three times and later admitted to administrative officials that he did so intentionally to harm “the sole Jewish student” enrolled in his class. Following the incident, he suggested that the student unregister for his class because the Israeli-Palestinian conflict would be discussed in it.
In every case, according to the complaint, BCPS officials “slow-walked” investigations, deflecting parents’ inquiries into their status with bureaucratic spin even as they denied Jewish students justice. Moreover, the ADL continued, BCPS was first notified of an antisemitism problem on its campuses over a year before Hamas’s Oct. 7, 2023, massacre across southern Israel stoked anti-Jewish hatred. The ADL alleged that the school system’s refusing to take action constituted a textbook example of a violation of Title VI of the Civil Rights Act of 1964, which forbids public schools receiving federal funding to treat students unfairly on the basis of race, ethnicity, or shared ancestry.
“Parents of Jewish students in Baltimore have pleaded repeatedly with BCPPS to take decisive action to stop the harassment of and discrimination against their Jewish children. Their pleas have been ignored,” the complaint said. “Jewish students and parents have filed more than a dozen reports with BCPS. In each case, the schools have labeled these weighty allegations as ‘inconclusive’ and appear to have taken action against the perpetrators.”
The ADL is calling on the school system to take imminent, remedial steps to address antisemitism, including adopting the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, requiring BCPS officials to undergo trainings on the history of antisemitism and how to fight it, and additions to school curricula which educate students about the history of anti-Jewish bigotry and its harms.
Antisemitism in K-12 schools is receiving increased attention, notably in California, after years of falling under the radar.
In April, a civil rights complaint filed by StandWithUs and the Bay Area Jewish Coalition alleged that the Santa Clara Unified School District (SCUSD) in California allows Jewish students to be subjected to unconscionable levels of antisemitic bullying in and outside of the classroom.
The 27-page complaint, filed with the US Department of Education’s Office for Civil Rights (OCR), described a slew of incidents that allegedly fostered a hostile environment for Jewish students after Hamas’s Oct. 7 atrocities set off a wave of anti-Jewish hatred across the US. SCUSD students, the compaint said, graffitied antisemitic hate speech in the bathrooms, vandalized Jewish-themed posters displayed in schools, and distributed stickers which said, “F—k Zionism.” All the while, district officials enabled the behavior by refusing to investigate it and blaming victims who came forward to report their experiences, according to the complaint.
“SCUSD has allowed an egregiously hostile environment to fester for its Jewish and Israeli students in violation of its federal obligations and ethical responsibility to create a safe educational space for all students,” Jenna Statfeld Harris, senior counsel and K-12 specialist at StandWithUs Saidoff Legal, said in a statement at the time. “SCUSD leadership repeatedly disregards the rights of their Jewish and Israeli students. We implore the Office for Civil Rights to step in and uphold the right of these students to an inclusive education free from hostility toward their protected identity.”
In March, the Louis D. Brandeis Center for Human Rights Under Law filed a civil rights complaint which recounted the experience of a 12-year-old Jewish girl who was allegedly assaulted on the grounds of the Etiwanda School District in San Bernardino, California — being beaten with a stick, told to “shut your Jewish ass up,” and teased with jokes about Hitler. According to the court filings, one student admitted that the behavior was motivated by the victim’s being Jewish. Despite receiving several complaints about the treatment, a substantial amount of which occurred in the classroom, school officials allegedly declined to punish her tormentors.
“While an increasing number of schools recognize that their Jewish students are being targeted both for their religious beliefs and due to their ancestral connection to Israel, and are taking necessary steps to address both classic and contemporary forms of antisemitism, some shamefully continue to turn a blind eye,” Brandeis Center founder and chairman Kenneth Marcus said in a statement at the time of the filing.
Follow Dion J. Pierre @DionJPierre.
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France, Spain Locked in Diplomatic Dispute Over Removal of French Jewish Teenagers From Flight
A Vueling aircraft approaches landing at Josep Tarradellas Barcelona-El Prat Airport, as Vueling employees prepare for strike, in Barcelona, Spain, Nov. 2, 2022. Photo: REUTERS/Nacho Doce
The forced removal of French Jewish teenagers from a flight in Spain has triggered political outrage in France, after their group leader was handcuffed by Spanish police and a government minister insulted the teens as “Israeli brats.”
French ministers Aurore Bergé and Benjamin Haddad have sharply criticized Spanish Transport Minister Óscar Puente’s comments and denounced the Spanish government’s overall response to the incident.
Earlier this week, Puente referred to the group of teenagers as “Israeli brats” in a post on X, which he quickly deleted after it went viral and sparked widespread condemnation.
The French ministers issued a strong rebuke of the remarks for “equating French children who were Jewish with Israeli citizens, as if this in any way justified the treatment they were subjected to.”
“At a time when antisemitic acts have been on the rise across Europe since the terrorist attacks carried out by Hamas on Oct. 7, 2023, in Israel, we call on Vueling [the airline of the flight in question] and the Spanish authorities to fully investigate and clarify the events,” Bergé and Haddad said in a statement.
“We will never accept the normalization of antisemitism. We will always stand with our fellow citizens who suffer from antisemitic hatred, and we will never compromise,” the French officials continued.
Last week, a group of 50 French Jewish students was forcibly removed from a plane in Valencia — reportedly for singing in Hebrew — an incident that resulted in the arrest of their summer camp director, who has accused Spanish law enforcement officers of using excessive force against her.
According to her lawyer, she was left with bruises on her legs, arms, and body after being harshly handcuffed and placed in an arm lock.
“No action justified the disembarkation or the excessive and brutal use of force by the Civil Guard against the young woman, who has just been notified of 15 days of total incapacity to work,” Bergé and Haddad said in a statement.
The Spanish low-cost airline Vueling denied the allegations, insisting the incident was not related to religion but rather that the group was causing a disruption.
In a statement, the airline asserted that the group was removed because of its members’ “highly combative attitude that was putting the safety of the flight at risk.”
After meeting with the group’s counselor on Tuesday, Bergé and Haddad said she denied the official version of events, emphasizing that the crew was hostile from the beginning and that the group’s removal and the Civil Guard’s response were unjustified.
The children, aged 10 to 15, are members of the Kineret Club — a summer camp for Jewish families run by the Matana charitable association — which had just concluded their trip in the coastal resort town of Sant Carles de la Ràpita, between Valencia and Barcelona.
According to local reports, the children were singing in Hebrew while boarding the plane to return home, which prompted a hostile response from the crew.
Witnesses reported that the group stopped singing at the crew’s request and complied quietly with boarding instructions, yet airport police still intervened and ordered them to disembark.
Other passengers on the plane who witnessed the incident reported that staff made antisemitic remarks toward the group, including one employee who allegedly referred to Israel as a “terrorist state.”
Last week, amid an ongoing investigation into the incident, French authorities reached out to the CEO of Vueling and the Spanish ambassador to France to assess whether the group was subjected to religious discrimination.