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‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism
(JTA) — The announcement this week that Katerina McCrimmon would star as Fanny Brice in the national tour of “Funny Girl,” the Broadway musical about a trailblazing Jewish comedian, has ignited criticism from some Jewish actors who say the role should be played only by someone who identifies as Jewish.
The casting, announced on Tuesday, is a breakout role for McCrimmon, who previously appeared briefly on Broadway in Tennessee Williams’ “The Rose Tattoo” but has mostly done smaller productions.
But it has disappointed some Jewish performers and their allies in the theater community who knew that the production had advertised itself as “specifically seeking actors of Jewish heritage.”
Jennifer Apple, one of the first actors to discuss the decision on social media, told the Jewish Telegraphic Agency that because Jewishness was central to Brice, a pioneering early 20th-century vaudevillian, it should be for anyone playing her as well.
“Fanny Brice was a real human being,” said Apple, who also auditioned for the role of Brice and appeared in the national tour of “The Band’s Visit,” about an Egyptian police band’s accidental stay in an Israeli town. “She was a Jewish icon. She was a heroine. She in and of herself paved the way for performers like myself to be able to have a career. If it wasn’t for her, and her chutzpah, many of us Jewish women specifically wouldn’t be able to be performers. So it’s integral to this role, specifically.”
Someone can have Jewish heritage without embracing a Jewish identity — just ask the actor Lea Michele, who replaced Jewish actor Beanie Feldstein as Brice in the recent Broadway revival of “Funny Girl.” Michele’s father is a Sephardic Jew, but she was raised as a Catholic and said she does not identify as Jewish. (For six seasons on the hit television show “Glee,” Michele played a Jewish character, Rachel Berry, who was set on one day portraying Fanny Brice.)
But none of the coverage of McCrimmon’s casting in arts outlets has suggested any personal connection to the Brice character’s Jewish identity, and in the show’s materials, she identifies as “a proud Cuban-American from Miami.” She did not respond to a request for comment.
“I have no doubt that Katerina is freaking terrific and … that she is more than capable of leading a nat’l tour,” Samantha Massell, an actor who appeared in the revival of “Fiddler on the Roof” on Broadway, posted on Instagram after the casting announcement. “But if you consider yourself an advocate for representation in casting and you’re AOK with this (or celebrating it), you need to check yourself.”
The casting adds to an ongoing debate over identity and performance. Some argue that actors should be able to play any role, regardless of their background. But the idea that at least some roles should be reserved for actors whose identities overlap with their characters’ has gained steam in recent years — opening the door for criticism when people who are not Jewish are cast as Jewish characters. (Helen Mirren, who is not Jewish but is playing the Israeli stateswoman Golda Meir in the upcoming film “Golda,” is among those who say they “adhere to both camps.”)
Some have criticized the casting of non-Jewish actors in Jewish roles as “Jewface.” The Jewish comedian Sarah Silverman, for example, lambasted the casting of Kathryn Hahn as Joan Rivers in a biopic that was ultimately scrapped; another frequent subject of criticism has been Rachel Brosnahan as the fictional Jewish comedian Midge Maisel on “The Marvelous Mrs. Maisel.”
The real-life Brice got her start in the 1910s headlining Florenz Ziegfeld’s revue, the “Ziegfeld Follies.” The 1964 musical and subsequent film “Funny Girl,” both starring Barbra Streisand, chronicle Brice’s rise to fame while she grapples with her own identity as a Jewish woman — including the shape of her nose, the cadence of her voice and the pacing of her humor.
“If there is something in the piece that when portrayed by somebody of a different identity could potentially be viewed as perpetuating a stereotype or veer into the land of cultural appropriation, you’ve made the wrong casting decision,” said Ari Axelrod, an actor and producer who organized a Broadway gathering in response to a neo-Nazi protest outside the first preview of “Parade,” the show about a 1915 antisemitic lynching, in which the main character is played by the Jewish actor Ben Platt.
Critics of the casting choice say specific lyrics and visual gags just don’t work as well when they are performed by people who do not have specific Jewish lived experiences because they are or can be offensive.
The song, “If a Girl isn’t Pretty,” for example, contains the lyric, “Is a nose with deviation such a crime against the nation?” referring to Brice’s own body image issues, which she partially resolved with one of the earliest rhinoplasties in the United States.
And in the song “Rat-Tat-Tat-Tat,” Brice’s character plays the Jewish caricature “Private Schwartz from Rockaway,” who wears a harness outfitted with two suggestively placed bagels and sings in an exaggerated Eastern European accent about how his “bagels gave a spin, oy, oy.”
“The content of this show is specifically about how she was not considered a pretty Jewish woman, that she had to change her name and change her looks to ‘fit in,’ that she had to assimilate because of her Jewish identity,” Apple said. “To have somebody not be Jewish and do that could perpetuate stereotypes.”
Axelrod and Apple both pointed to the casting of actor Bradley Cooper as American Jewish composer Leonard Bernstein in the upcoming Netflix film “Maestro” as another example of a “Jewface” gaffe. (Early stills of Cooper wearing a prosthetic nose for the role reignited the debate; Silverman is set to appear in the film.)
The casting decision for the tour follows a 15-month Broadway run for “Funny Girl.” Beginning in April 2022, Feldstein starred as Fanny Brice in the revival, bringing a childhood dream of hers to life. (Feldstein’s 3rd birthday party was “Funny Girl”-themed.)
Beanie Feldstein, center, stars as Fanny Brice in the Broadway revival of “Funny Girl.” (Matthew Murphy)
“I truly believe that any Jewish woman who wants to be funny and perform and sing owes something to Fanny Brice,” she told the New York Jewish Week last year.
But after three months, the production announced that Michele would replace Feldstein — after a one-month performance by Jewish actor Julie Benko.
Under the laws of the Equal Employment Opportunity Commission, it is illegal for a workplace to discriminate against an applicant or employee’s race, religion, sex or gender identity, national origin, age or disability. But the law allows employers to select for aspects of personal appearance if they are essential for fulfilling the requirements of the job — a leniency that opens the door to casting Black actors as Black characters, for example.
There are legal ways to stack the deck in favor of filling roles with actors of certain backgrounds, such as by encouraging people who hold specific identities to audition, or by encouraging others to choose not to.
Massell revealed in an Instagram story Thursday that when the casting directors of the musical “Double Helix,” which tells the story of the discovery of the structure of DNA, were auditioning for the other two Jewish roles (Massell plays the lead role of Rosalind Franklin), they asked people who do not identify as Jewish to “please pass” on auditioning.
“This feels like such a great actionable step for all of these types of roles that are specifically tied to an ethnic identity,” she said.
Those who are challenging the Brice casting on the national tour say there is room for actors to play characters unlike themselves. Apple — who said she has twice been one of just two Jews cast in professional productions of “Fiddler” — says it’s a “slippery slope” to argue that actors must only play their own identity.
“I don’t like that. I don’t subscribe to that. That’s not why I’m an actor,” she said. “It really just comes down to the integrity of the role and the story. And this one is literally about her Jewish identity. She was a Jewish icon.”
Who made the decision to depart from the character breakdown suggestion is not clear. Sonia Friedman Productions and NETworks Presentations, which are producing the tour that is set to launch in Providence, Rhode Island, this fall, did not respond to requests for comment..
“I do know that for this to have happened, a lot of people had to say yes,” said Axelrod.
He said that even though he disagrees with the casting decision, he believes it could have positive dividends for storytelling about Jews.
“Katerina has an incredible opportunity to use this moment to educate herself and empathize with Fanny’s story, but also the story of Jews today,” he said. “If we can’t change the casting decision — and I don’t necessarily think we should, it’s not up to me — we can leverage the moment as an opportunity for empathy and education.”
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The post ‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism appeared first on Jewish Telegraphic Agency.
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‘We Are Being Held Hostage’: Lebanese TV Host Says Hezbollah Taking Lebanon Toward War, ‘Certain Death’
Lebanon’s Hezbollah leader Sayyed Hassan Nasrallah addresses his supporters through a screen during a rally commemorating the annual Hezbollah Martyrs’ Day, in Beirut’s southern suburbs. Photo: Reuters/Aziz Taher
A Lebanese TV host said last week that Hezbollah has essentially taken Lebanon hostage, comparing what the Iran-backed terrorist organization has done to the country to the hijackers who carried out the 9/11 attacks in the US.
Dima Sadek, who hosts a show in Lebanon on MTV, expressed her fear and outrage over what Hezbollah is doing to Lebanon and the path of near-certain war it is taking, according to a report and translation from the Middle East Media Research Institute (MEMRI).
Hezbollah, which wields significant political influence across Lebanon, boasts significant military capabilities much greater than those of other terrorist organizations in the region such as Hamas. The Lebanese Islamist group has long declared it seeks to destroy Israel.
“We are in danger of a hellish, existential war,” Sadek said on June 24 regarding the threats Hezbollah has made to countries such as Cyprus, which is in the European Union. “We are being held hostage. We have been hijacked by a group that has no clue of what is going on in this planet.”
She pointed out that “[Russian President Vladimir] Putin, who was the only one who managed to save your axis in the Syrian war, cannot overcome Europe, so how come you are threatening Europe with such confidence?”
Regarding the fear and helplessness she and some other Lebanese feel over the direction Hezbollah is taking, she asked, “Do you know who we resemble? The passengers on the 9/11 airplanes. We are like airplane passengers who do not see what is happening around them. We are being led by one person, and we have no idea where we are heading.”
She added, “The only thing that we know for sure is that this person is taking us to a catastrophe and certain death.”
#ICYMI: Lebanese TV Host Dima Sadek: There Is Nothing Left of This Country Besides Hizbullah and Its Weapons; They Are Holding Us Hostage; We Are Like the Passengers on a Hijacked Plane on 9/11 Heading Towards Certain Death #Lebanon #Hizbullah @DimaSadek pic.twitter.com/v7WDtIQqEV
— MEMRI (@MEMRIReports) June 30, 2024
Hezbollah terrorists have been firing drones, rockets, and missiles at northern Israel daily from southern Lebanon since Hamas’ Oct. 7 massacre, leading Israeli forces to strike back. Tensions have been escalating between both sides, fueling concerns that the conflict in Gaza — the Palestinian enclave ruled by Hamas to Israel’s south — could escalate into a regional conflict.
More than 80,000 Israelis have evacuated Israel’s north and been unable to return to their homes. The majority of those spent the past nine months residing in hotels in safer areas of the country.
Meanwhile, Hezbollah has also stepped up its threats against the rest of the world, including Cyprus.
Last month, Hezbollah leader Hassan Nasrallah made a speech in which he said an “all-out war” with Israel was “getting very close.” He added that if Cyprus, a European Union member, were to help Israel in some way during that war, then “Cyprus will be part of this war too.”
Israeli officials have said that, while they seek a diplomatic resolution to the current situation along the border with Lebanon, they are prepared to escalate military action against Hezbollah to push the terrorist group back in order to allow displaced Israelis to return to their homes.
Hezbollah, like Hamas, has been accused of using civilians as “human shields” when fighting Israel.
The post ‘We Are Being Held Hostage’: Lebanese TV Host Says Hezbollah Taking Lebanon Toward War, ‘Certain Death’ first appeared on Algemeiner.com.
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Hezbollah Launches Big Attack on Israel, Sonic Booms Rattle Beirut
Rockets launched from Lebanon to Israel over the border are intercepted, amid the ongoing cross-border hostilities between Hezbollah and Israeli forces, in Israel, near the border with Lebanon, July 3, 2024. Photo: REUTERS/Ayal Margolin
Lebanon’s Hezbollah launched a big rocket and drone attack at Israel on Thursday and threatened to hit new targets in retaliation for the killing of a top commander, in the latest surge of violence in the steadily worsening conflict across the border.
Sparked by the Gaza war, the conflict between the Iran-backed terrorist organization Hezbollah and Israel has been gradually intensifying for months, raising fears of a full-scale war, which both sides have indicated they want to avoid and diplomats are working to prevent.
As the latest violence played out in areas at or near the frontier — in keeping with the pattern of the last nine months — the sound of sonic booms rattled nerves for the second successive day in Beirut and other parts of Lebanon.
Israeli jets broke the sound barrier over several areas of the country, Lebanon’s National News Agency reported.
Hezbollah said it launched more than 200 rockets and a swarm of drones at 10 Israeli military sites in retaliation for Israel‘s killing of Hezbollah commander Mohammed Nasser in the south on Wednesday. Nasser is one of the most senior Hezbollah commanders to be killed by Israel during the conflict.
The Israeli military said around “200 projectiles and over 20 suspicious aerial targets were identified crossing from Lebanon into Israeli territory,” a number of which were intercepted by Israeli air defenses and fighter jets.
Israel‘s ambulance service said no casualties were reported. The Israeli military said some of the drones and interceptor shrapnel set off fires.
The Israeli air force “struck Hezbollah military structures” in the areas of Ramyeh and Houla,” it said, referring to two villages in south Lebanon.
Senior Hezbollah official Hashem Safieddine, speaking at an event in Beirut commemorating Nasser, indicated his group would widen its targeting.
“The series of responses continues in succession, and this series will continue to target new sites that the enemy did not imagine would be hit,” Safieddine said.
DIPLOMATIC PUSH
The United States has been leading diplomatic efforts to deescalate the fighting. Hezbollah has said it will not cease fire as long as Israel continues its offensive in the Gaza Strip.
The hostilities have inflicted a heavy toll on both sides of the frontier, forcing tens of thousands of people to flee their homes.
Amos Hochstein, a senior US official at the heart of the diplomacy, discussed French and American efforts to restore calm in meetings with French officials on Wednesday, a White House official said.
“France and the United States share the goal of resolving the current conflict across the Blue Line by diplomatic means, allowing Israeli and Lebanese civilians to return home with long-term assurances of safety and security,” the official said, referring to the demarcation line between the two neighbors.
Israeli Defense Minister Yoav Gallant said on Wednesday that Israeli forces were hitting Hezbollah “very hard every day” and will be ready to take any action necessary against the group, though the preference is to reach a negotiated arrangement.
Hezbollah also launched rockets at Israel on Wednesday in retaliation for Nasser’s killing.
Hezbollah began firing at Israeli targets along the border with Lebanon after its Palestinian terrorist ally Hams launched an attack on Israel on Oct. 7, declaring its support for the Palestinians.
Israeli attacks in Lebanon have killed more than 300 Hezbollah fighters and some 90 civilians, according to Reuters tallies. Israel says fire from Lebanon has killed 18 soldiers and 10 civilians.
The post Hezbollah Launches Big Attack on Israel, Sonic Booms Rattle Beirut first appeared on Algemeiner.com.
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Drexel University Professor Stole Signs From Synagogue, Police Say
Illustrative: People pass a cluster of signs outside a pro-Hamas encampment at Northwestern University in Evanston, Ill. on April 28, 2024. Photo: Max Herman via Reuters Connect
A Drexel University professor allegedly participated in a mass theft of items from a synagogue in a suburb outside Philadelphia, a local NBC affiliate reported on Tuesday.
Mariana Chilton, 56, a professor of health management and policy at Drexel, has been accused of stealing pro-Israel signs from the Main Line Reform Temple in Lower Merion Township, traveling there from her neighborhood of residency, Wynnewood, Pennsylvania. Chilton allegedly drove the getaway car while two other accomplices, Sarah Prickett and Sam Penn — who is from New York — trespassed the synagogue and absconded with the loot.
“We are just taking them because we feel like it is a representative of genocide,” Chilton told law enforcement after being caught in the act, the report stated. She then, after offering to “just put them back,” refused to identify herself and comply with other lawful orders.
Video evidence provided by a local resident placed Chilton and her accomplices at the scene of the crime, and a Main Line Reform Temple official identified the signs recovered from her car as the temple’s property. That was enough for law enforcement to charge her with several offenses, including conspiracy and theft. She is also charged with driving without a license and not registering her vehicle.
Drexel University has not responded to The Algemeiner‘s request for comment for this story.
Experts have told The Algemeiner in the past academic year that while the conduct of anti-Zionist students should be reported on, the role of faculty in fostering and engaging in antisemitic acts should be closely scrutinized. Last semester, anti-Zionist faculty attached themselves to anti-Israel, pro-Hamas demonstrations, sometimes breaking the law by preventing officers from dispersing unauthorized demonstrations and detaining lawbreakers.
At Northeastern University in Boston, professors formed a human barrier around a student encampment to stop its dismantling by officers, and at Columbia University, anti-Zionist faculty at the school, as well its affiliate Barnard College, staged a walkout in support of the demonstrations and demanded the abeyance of disciplinary sanctions against anti-Zionist students — dozens of whom cheered Hamas and threatened more massacres of Jews similar to Oct. 7 — who violated school rules.
Chilton’s case is unlike any other reported in the past year, however. While dozens of professors have been accused of abusing their Jewish students and encouraging their classmates to bully and shame them, none are alleged to have resorted to stealing from a Jewish house of worship to make their point.
Mass participation of faculty in pro-Hamas demonstrations marks an inflection point in American history, Asaf Romirowsky, an expert on the Middle East and executive director of Scholars for Peace in the Middle East, told The Algemeiner in April.
Since the 1960s, he explained, far-left “scholar activists” have gradually seized control of the higher education system, tailoring admissions processes and the curricula to foster ideological radicalism and conformity, which students then carry with them into careers in government, law, corporate America, and education. This system, he concluded, must be challenged.
“The cost of trading scholarship for political propagandizing has been a zeal and pride among faculty who esteem and cheer terrorism, a historical development which is quite telling and indicative of the evolution of the Marxist ideology which has been seeping into the academy since the 1960s,” Romirowsky said. “The message is very clear to all of us who are looking on from the outside at this, and institutions have to begin drawing a red line. The protests are not about free speech. They are about supporting terrorism, about calling for a genocide of Jews.”
Follow Dion J. Pierre @DionJPierre.
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