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‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism
(JTA) — The announcement this week that Katerina McCrimmon would star as Fanny Brice in the national tour of “Funny Girl,” the Broadway musical about a trailblazing Jewish comedian, has ignited criticism from some Jewish actors who say the role should be played only by someone who identifies as Jewish.
The casting, announced on Tuesday, is a breakout role for McCrimmon, who previously appeared briefly on Broadway in Tennessee Williams’ “The Rose Tattoo” but has mostly done smaller productions.
But it has disappointed some Jewish performers and their allies in the theater community who knew that the production had advertised itself as “specifically seeking actors of Jewish heritage.”
Jennifer Apple, one of the first actors to discuss the decision on social media, told the Jewish Telegraphic Agency that because Jewishness was central to Brice, a pioneering early 20th-century vaudevillian, it should be for anyone playing her as well.
“Fanny Brice was a real human being,” said Apple, who also auditioned for the role of Brice and appeared in the national tour of “The Band’s Visit,” about an Egyptian police band’s accidental stay in an Israeli town. “She was a Jewish icon. She was a heroine. She in and of herself paved the way for performers like myself to be able to have a career. If it wasn’t for her, and her chutzpah, many of us Jewish women specifically wouldn’t be able to be performers. So it’s integral to this role, specifically.”
Someone can have Jewish heritage without embracing a Jewish identity — just ask the actor Lea Michele, who replaced Jewish actor Beanie Feldstein as Brice in the recent Broadway revival of “Funny Girl.” Michele’s father is a Sephardic Jew, but she was raised as a Catholic and said she does not identify as Jewish. (For six seasons on the hit television show “Glee,” Michele played a Jewish character, Rachel Berry, who was set on one day portraying Fanny Brice.)
But none of the coverage of McCrimmon’s casting in arts outlets has suggested any personal connection to the Brice character’s Jewish identity, and in the show’s materials, she identifies as “a proud Cuban-American from Miami.” She did not respond to a request for comment.
“I have no doubt that Katerina is freaking terrific and … that she is more than capable of leading a nat’l tour,” Samantha Massell, an actor who appeared in the revival of “Fiddler on the Roof” on Broadway, posted on Instagram after the casting announcement. “But if you consider yourself an advocate for representation in casting and you’re AOK with this (or celebrating it), you need to check yourself.”
The casting adds to an ongoing debate over identity and performance. Some argue that actors should be able to play any role, regardless of their background. But the idea that at least some roles should be reserved for actors whose identities overlap with their characters’ has gained steam in recent years — opening the door for criticism when people who are not Jewish are cast as Jewish characters. (Helen Mirren, who is not Jewish but is playing the Israeli stateswoman Golda Meir in the upcoming film “Golda,” is among those who say they “adhere to both camps.”)
Some have criticized the casting of non-Jewish actors in Jewish roles as “Jewface.” The Jewish comedian Sarah Silverman, for example, lambasted the casting of Kathryn Hahn as Joan Rivers in a biopic that was ultimately scrapped; another frequent subject of criticism has been Rachel Brosnahan as the fictional Jewish comedian Midge Maisel on “The Marvelous Mrs. Maisel.”
The real-life Brice got her start in the 1910s headlining Florenz Ziegfeld’s revue, the “Ziegfeld Follies.” The 1964 musical and subsequent film “Funny Girl,” both starring Barbra Streisand, chronicle Brice’s rise to fame while she grapples with her own identity as a Jewish woman — including the shape of her nose, the cadence of her voice and the pacing of her humor.
“If there is something in the piece that when portrayed by somebody of a different identity could potentially be viewed as perpetuating a stereotype or veer into the land of cultural appropriation, you’ve made the wrong casting decision,” said Ari Axelrod, an actor and producer who organized a Broadway gathering in response to a neo-Nazi protest outside the first preview of “Parade,” the show about a 1915 antisemitic lynching, in which the main character is played by the Jewish actor Ben Platt.
Critics of the casting choice say specific lyrics and visual gags just don’t work as well when they are performed by people who do not have specific Jewish lived experiences because they are or can be offensive.
The song, “If a Girl isn’t Pretty,” for example, contains the lyric, “Is a nose with deviation such a crime against the nation?” referring to Brice’s own body image issues, which she partially resolved with one of the earliest rhinoplasties in the United States.
And in the song “Rat-Tat-Tat-Tat,” Brice’s character plays the Jewish caricature “Private Schwartz from Rockaway,” who wears a harness outfitted with two suggestively placed bagels and sings in an exaggerated Eastern European accent about how his “bagels gave a spin, oy, oy.”
“The content of this show is specifically about how she was not considered a pretty Jewish woman, that she had to change her name and change her looks to ‘fit in,’ that she had to assimilate because of her Jewish identity,” Apple said. “To have somebody not be Jewish and do that could perpetuate stereotypes.”
Axelrod and Apple both pointed to the casting of actor Bradley Cooper as American Jewish composer Leonard Bernstein in the upcoming Netflix film “Maestro” as another example of a “Jewface” gaffe. (Early stills of Cooper wearing a prosthetic nose for the role reignited the debate; Silverman is set to appear in the film.)
The casting decision for the tour follows a 15-month Broadway run for “Funny Girl.” Beginning in April 2022, Feldstein starred as Fanny Brice in the revival, bringing a childhood dream of hers to life. (Feldstein’s 3rd birthday party was “Funny Girl”-themed.)
Beanie Feldstein, center, stars as Fanny Brice in the Broadway revival of “Funny Girl.” (Matthew Murphy)
“I truly believe that any Jewish woman who wants to be funny and perform and sing owes something to Fanny Brice,” she told the New York Jewish Week last year.
But after three months, the production announced that Michele would replace Feldstein — after a one-month performance by Jewish actor Julie Benko.
Under the laws of the Equal Employment Opportunity Commission, it is illegal for a workplace to discriminate against an applicant or employee’s race, religion, sex or gender identity, national origin, age or disability. But the law allows employers to select for aspects of personal appearance if they are essential for fulfilling the requirements of the job — a leniency that opens the door to casting Black actors as Black characters, for example.
There are legal ways to stack the deck in favor of filling roles with actors of certain backgrounds, such as by encouraging people who hold specific identities to audition, or by encouraging others to choose not to.
Massell revealed in an Instagram story Thursday that when the casting directors of the musical “Double Helix,” which tells the story of the discovery of the structure of DNA, were auditioning for the other two Jewish roles (Massell plays the lead role of Rosalind Franklin), they asked people who do not identify as Jewish to “please pass” on auditioning.
“This feels like such a great actionable step for all of these types of roles that are specifically tied to an ethnic identity,” she said.
Those who are challenging the Brice casting on the national tour say there is room for actors to play characters unlike themselves. Apple — who said she has twice been one of just two Jews cast in professional productions of “Fiddler” — says it’s a “slippery slope” to argue that actors must only play their own identity.
“I don’t like that. I don’t subscribe to that. That’s not why I’m an actor,” she said. “It really just comes down to the integrity of the role and the story. And this one is literally about her Jewish identity. She was a Jewish icon.”
Who made the decision to depart from the character breakdown suggestion is not clear. Sonia Friedman Productions and NETworks Presentations, which are producing the tour that is set to launch in Providence, Rhode Island, this fall, did not respond to requests for comment..
“I do know that for this to have happened, a lot of people had to say yes,” said Axelrod.
He said that even though he disagrees with the casting decision, he believes it could have positive dividends for storytelling about Jews.
“Katerina has an incredible opportunity to use this moment to educate herself and empathize with Fanny’s story, but also the story of Jews today,” he said. “If we can’t change the casting decision — and I don’t necessarily think we should, it’s not up to me — we can leverage the moment as an opportunity for empathy and education.”
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The post ‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism appeared first on Jewish Telegraphic Agency.
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Why the Shtisel Prequel ‘Kugel’ Is Sweet and Savory
A screenshot from “Kugel.” Photo: Courtesy of Abot Hameiri/Menuetto Film.
Many fans of the show Shtisel wanted that show to continue, but I jumped for joy when I heard that a prequel called Kugel was being made. Available on the streamer Izzy, the show is clearly part of the Shtisel universe but is a little different.
There is still romance, and there is still a lot of heart, a respect for religion, and a wild sense of humor. But before we get to the actors, let’s look at the characters.
The two main characters brought over from Shtisel are Nuchem and his daughter Libbi.
For Nuchem (Sasson Gabai) we learn what made him so cheap, what makes him bitter, where he gets his humor from, and how he came up with his catchphrase “cursed-evil doers.” For Libbi (Hadas Yaron), we see there is more to her than her desire to get married.
One of the most crucial storylines is that Libbi is a writer — and she is persistent. Her short stories garner a following, which may explain why she later appreciates that Kive is an artist in Shtisel.
The main new character is Yiddes (Mili Avital), who becomes involved with Nuchem.
It is no surprise that Gabai, Yaron, and Avital have all won Ophir Awards, which is Israel’s equivalent to the Oscars. The acting is stellar and one benefit of having fewer characters is that we can zero in on the lives of a few people. It was a good choice to put Nuchem and Libbi in another country: Belgium.
Gabai is tremendous and we don’t see him smoke in the first three episodes or hear his famous catchphrase. Nuchem is a flawed character; he does some bad things, but he also does good things. There are a few curveballs you won’t see coming. Overall, the show teaches us that we can find love in the places we least expect — even on a tram. Many fans will miss Michael Aloni not being on the show, but Kugel is well baked and stands up on its own.
Creator and writer Yehonatan Indursky is still on point, and he is able to pull at your heartstrings. Yes, perhaps the notes sound familiar, but slightly different. Yaron is outstanding and we believe it when a prospective husband is blown away by her kind soul. From seeing the first three episodes, it is clear that it was a mistake of Netflix to take Shtisel off the air and not do another season or this prequel — but it is Izzy’s gain.
Just like a burnt piece of kugel, all three characters feel burned in some way, but who will come out of it in the best position? Gabai and Yaron each have a great moment of acting simply by facial expression. For Gabai, it’s when he realizes a trick won’t work, and for Yaron, it’s when she feels insulted by an author who suggests that she take one of her workshops. And Avital has a fine scene where we think she might have an emotional explosion, but is restrained and it makes for a more interesting watch.
While unmarried men and women are forbidden to touch, there is a scene where a date rubs his fingers over her name on a siddur so it is as if he is connecting to her. Seeing Nuchem riding his bike is absolutely hilarious. This is a show that electrifies your kishkes, with the type of acting that is clever, nuanced, and unforgettable. If you are in love, you’ll find much to relate to on the show. If you’re not in love, it will likely make you want to go out on dates — and as long as you’re not cheap, you can take someone out for more than a piece of kugel.
The author is a writer based in New York.
The post Why the Shtisel Prequel ‘Kugel’ Is Sweet and Savory first appeared on Algemeiner.com.
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Retribution in Syria: What It Means for Israel and the Region
Syria’s newly appointed president for a transitional phase Ahmed al-Sharaa meets Saudi Crown Prince, Mohammed Bin Salam, in Riyadh, Saudi Arabia, Feb. 2, 2025. Photo: Bandar Algaloud Saudi Royal Royal Court/Handout via REUTERS
The carnage in Syria is terrifying, horrifying, and gruesome — particularly if you are a member of a Syrian minority group — Christians, Druze, Kurds. Or Alawite.
Did no one think there would be retribution after the ouster of the brutal Alawite Assad regime?
When Hay’at Tahrir al-Sham (HTS) commandeered Damascus in December, no one seemed very upset. After all, Bashar al-Assad had been responsible for more than 500,000 deaths during the Syrian civil war — including from starvation and chemical attack — plus creating 6 million refugees inside the country and another 5 million outside and wrecking the country from top to bottom.
But HTS has been sitting in Damascus — and Assad had tens of thousands of soldiers in historic Alawite territory around Latakia, where fighting recently broke out.
Some of those ousted soldiers appear to have attacked government forces, and they are paying for it. So are the other minority groups that Assad allowed to live in relative peace for a while with Iranian protection because they, like he, feared the majority, Sunnis.
And, as always, civilians are the victims, because once the forces of retribution are unleashed, they are hard to control — particularly as HTS is not the only armed terror group in the country.
HTS is Sunni, ISIS-adjacent, Al Qaeda-adjacent, and armed by and aligned with Recip Tayyip Erdogan’s increasingly Islamist Turkey.
HTS evolved from Jabhat al-Nusrah, or “Nusrah Front,” Al-Qaeda’s former branch in Syria, which was designated a terror organization by the US in 2012, None of that appeared terribly important in the West.
HTS leader Ahmed al-Sharaa (aka Abu Mohammed al-Jolani) is an international jihadist. He broke with Ayman al-Zawahiri — the leader of Al-Qaeda — in 2016, and HTS received its own terror designation from the US in 2018. He has no loyalty, moving from an alliance with Al-Qaeda in Iraq to the Islamic State in Iraq, to Abu Bakr al-Baghdadi in Syria, to Al-Qaeda in Syria, to his own brand.
Al-Sharaa talked a fairly moderate game, but his alliance with Turkey should have been a tip-off. Turkey has been waging an ugly war against Kurds in the north of Syria — bombing towns and cities, and at one point cutting off water to a million people.
The history should have made you think that al-Sharaa was not going to be a peaceful neighbor to anyone. Anywhere.
Israel wasn’t taking chances.
Immediately, the IDF struck Syrian chemical weapons depots and “research facilities.” It struck the ports of Al-Bayda and Latakia, taking out dozens of sea-to-sea missiles with ranges of 80–190 km, each with significant explosive payloads. The Israeli Air Force targeted anti-aircraft batteries, airfields, and dozens of weapons production sites, neutralizing Scud missiles, cruise missiles, surface-to-sea, surface-to-air and surface-to-surface missiles, plus UAVs, fighter jets, attack helicopters, radars, tanks, hangars, and more. And the IDF conducted strikes on 130 ground assets in Syria, including weapons depots, military structures, launchers, and firing positions.
The IDF estimated it had eliminated 80 percent of the Assad arsenal. Voices were raised in the UN, the EU, and in the Middle East over Israel’s declaration that it would continue to hold slivers of the Syrian Golan. Syria’s Druze and Kurdish communities, however, asked for Israel’s protection, and at least one southern village asked to be annexed to Israel.
Still in December, the Biden administration started a conversation with HTS leadership in Damascus. Turkey promoted its ties with HTS and with al-Sharaa. As recently as last week, parts of the Washington “policy wonk” community were promoting an “alliance” between Turkey and Israel, led by the US, to cement a “moderate” Syria and pave the way for reconstruction funds to flow.
Try again.
Now, with the death toll mounting — and gory and heartrending videos from Syria flooding the Internet — al-Sharaa declared it necessary to “preserve national unity and domestic peace; we can live together.”
And where is the US? President Donald Trump, in his first term, directly punished the Assad regime for a chemical attack, and CENTCOM has been active in striking ISIS positions in Syria in his second. There appears to be no decision on whether to withdraw the roughly 2,200 American troops remaining in northern Syria.
Secretary of State Marco Rubio, however, appears to be giving al-Sharaa a bit of wiggle room. “The United States condemns the radical Islamist terrorists, including foreign jihadis, that murdered people in western Syria in recent days … Syria’s interim authorities must hold the perpetrators of these massacres against Syria’s minority communities accountable.”
Good idea, but al-Sharaa and HTS are themselves radical Islamists. It is unclear that he can or wants to kill his Sunni allies on behalf of the Alawites, who decimated Syria’s Sunni population.
Retribution is a nasty game.
Shoshana Bryen is Senior Director of The Jewish Policy Center and Editor of inFOCUS Quarterly magazine.
The post Retribution in Syria: What It Means for Israel and the Region first appeared on Algemeiner.com.
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How Reuters and Getty Images Platform a Gaza Photojournalist Kissed by Hamas’ Sinwar
Yahya Sinwar, head of the Palestinian terror group Hamas in Gaza, in Gaza City on April 14, 2023. Photo: Yousef Masoud / SOPA Images/Sipa USA via Reuters Connect
On October 7, 2023, Gazan photojournalist Hassan Eslaiah held a grenade in one hand and a camera in the other, documenting Hamas’ massacre inside Israel. His exposure by HonestReporting, which brought to light a cozy photo of Eslaiah and former Hamas leader Yahya Sinwar, led to the end of his employment at CNN and the Associated Press.
Yet more than a year later, his work was still being offered for sale by Reuters and stock photo agency Getty Images, along with other compromised photojournalists in Gaza. (Getty only removed his work last week after an initial version of this story was published on HonestReporting’s website — and it remains available on Reuters).
Hassan Eslaiah (r) with former Hamas leader Yahya Sinwar (l)
An HonestReporting investigation revealed that the two media companies have been distributing the tainted content in collaboration with state-run Turkish agency Anadolu — an arrangement that seems to enable their profit without liability. Both companies have a global reach, with Reuters as one of the world’s largest news agencies and US-based Getty Images as one of the world’s largest image licensing companies.
Their databases also present images by Anadolu freelancers Ashraf Amra and Mohammed Fayq Abu Mostafa, who Reuters officially distanced itself from after HonestReporting’s investigative team exposed Amra’s close relations with former Hamas leader Ismail Haniyeh, and his shared call with Abu Mostafa to invade Israel.
One of Abu Mostafa’s images, which is still for sale on the Reuters platform, has, according to Anadolu, been used as evidence in the genocide case against Israel at the International Court of Justice.
Unethical Content Distribution
Reuters partnered with Anadolu, which also collaborates with AFP and DPA to distribute its content, back in 2019. Reuters said that “these partnerships will help us create the most comprehensive collection of real-time, multimedia news content anywhere in the world.”
Anadolu’s partnership with Getty Images started in 2013, with Getty’s Senior Director of photography for Europe, the Middle East, and Africa saying at the time: “I am very excited at the prospect of seeing the Anadolu Agency represented by Getty Images around the world … I believe that the Anadolu Agency and Getty Images will benefit greatly from this partnership.”
Indeed, the partnership proved useful not only for the companies, but also for the compromised Gazan photojournalists who can no longer work directly for Western media.
Currently, Reuters offers for sale over 200 Anadolu photos by Hassan Eslaiah (spelled Hasan Eslayeh on their platforms). Most of the photos show Hamas’ hostage release ceremonies, including the barbaric handover of terrified Israeli hostage Arbel Yehud amid a mob of terrorists (which other Western media also picked up):
Eslaiah’s easy access and proximity to the action isn’t surprising. He enjoyed the same conditions on October 7, 2023 when he infiltrated with Hamas into Israel:
And here is footage of Eslaiah after he crossed into Israel and took photos of a burning Israeli tank. He then captured infiltrators entering Kibbutz Kfar Azza.
Note that he is not identifiable as a member of the press. But AP & CNN deemed it acceptable to use his services. pic.twitter.com/fA0VI2df2i
— HonestReporting (@HonestReporting) November 8, 2023
The fact that Eslaiah was fired from CNN and AP after we exposed him in November 2023 seems not to have affected his livelihood, with Reuters and Getty Images distributing his propagandist material under the cover of the partnership with Anadolu.
And until last week, Getty Images had no qualms about charging $175-499 dollars for each photo, presumably also including a cut for Anadolu and Eslaiah himself.
Reuters keeps the pricing confidential, but adds a disclaimer distancing itself from the content. The disclaimer seems like a cop-out because on its collaborations page, where Anadolu is listed, Reuters praises its partners’ “compelling content.”
In other words — Reuters and Getty Images make a profit, while abdicating responsibility for spreading the manipulative photos of a Hamas sympathizer, whose pockets are presumably also lined.
Platform for Manipulation
The same business model also seems to work for Gazan photojournalists Ashraf Amra and Mohammed Fayq Abu Mostafa. Reuters officially cut ties with them after we exposed in January 2024 that Amra was honored by former Hamas leader Ismail Haniyeh and hosted an Instagram Live with Abu Mostafa in which they called on Gazans to infiltrate into Israel on October 7.
Here’s Amra getting a kiss from Haniyeh in 2023 and receiving an honor from the unlamented Hamas leader in 2012. pic.twitter.com/VdWXN6wB32
— HonestReporting (@HonestReporting) February 23, 2025
But as Anadolu contributors, Amra and Abu Mostafa are both featured on the Reuters platform — Amra with over 5,000 photos and Abu Mostafa with over 300. On Getty, Amra is less prominent but over 150 photos of Abu Mostafa are offered for sale, including video clips.
These photos don’t just sit in the databases. Reuters and Getty are among the world’s largest digital distribution platforms used by thousands of media clients worldwide.
Recently, Getty clients like The Times of London and the Daily Express were happy to buy Amra’s Anadolu photo showing the moment when Israeli hostage Omer Shem Tov “kissed” the head of his Hamas captor:
CNN did the same with Amra’s Anadolu photos of Israeli hostages Eli Sharabi and Or Levy via Getty Images.
And last year, Anadolu weaponized one of Abu Mostafa’s photos — still on sale in the Getty Images and Reuters platforms — as evidence at the ICJ case accusing Israel of committing a genocide against Palestinians in Gaza.
According to Anadolu, the photo “shows the mass burial of the Fatayer family members in a designated area in Gaza due to the lack of available space in some cemeteries.”
Fayq’s photo in Getty Images database
Fayq’s Photo in Anadolu website
Fayq’s Photo in Reuters Database
Sadly, the court didn’t know the photo was taken by a “journalist” who was thrilled by the massacre of Jews and called on Gazans to infiltrate the border, to enjoy the abduction of “settler” women.
But more Reuters and Getty’s own responses, it may be time for US Attorney General Pam Bondi to take an interest. In December 2023, following HonestReporting’s exposure of photojournalists who infiltrated Israel on October 7, 14 state attorneys general wrote a letter to The New York Times, AP, CNN, and Reuters calling them out for using hires with ties to Hamas and reminding them that providing material support to terrorists and terror organizations is a crime.
The letter even specifically mentions the case of Hasan Eslaiah and ends by calling on the media outlets to “ensure that you are taking all necessary steps to prevent your organizations from contracting with members of terror organizations. We urge you in the strongest terms to take care that your hiring practices conform to the laws forbidding material support for terror organizations.”
Despite whatever action may be taken, these propagandists have found a deceitful way to continue spreading their lies to the international media.
And the international media can, for at least the time being, enjoy the “goods” without getting their hands dirty.
UPDATE
Within a few hours of publication of this article on HonestReporting’s website, Getty Images, to their credit, removed all content that was flagged by HonestReporting, including a Ramzi Adel video that called Jews “dogs,” and content from Hassan Eslaiah, Ashraf Amra, and Mohammed Fayq Abu Mostafa.
The same cannot be said for Reuters, however, which gave us the following statement referring to the Connect platform it operates: “Reuters Connect is a commercial marketplace with content from more than 100 news organizations, allowing media customers the option to select the content that is most relevant to their news cycle. This content is clearly labeled and is not endorsed by Reuters.”
HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
The post How Reuters and Getty Images Platform a Gaza Photojournalist Kissed by Hamas’ Sinwar first appeared on Algemeiner.com.
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