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‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism
(JTA) — The announcement this week that Katerina McCrimmon would star as Fanny Brice in the national tour of “Funny Girl,” the Broadway musical about a trailblazing Jewish comedian, has ignited criticism from some Jewish actors who say the role should be played only by someone who identifies as Jewish.
The casting, announced on Tuesday, is a breakout role for McCrimmon, who previously appeared briefly on Broadway in Tennessee Williams’ “The Rose Tattoo” but has mostly done smaller productions.
But it has disappointed some Jewish performers and their allies in the theater community who knew that the production had advertised itself as “specifically seeking actors of Jewish heritage.”
Jennifer Apple, one of the first actors to discuss the decision on social media, told the Jewish Telegraphic Agency that because Jewishness was central to Brice, a pioneering early 20th-century vaudevillian, it should be for anyone playing her as well.
“Fanny Brice was a real human being,” said Apple, who also auditioned for the role of Brice and appeared in the national tour of “The Band’s Visit,” about an Egyptian police band’s accidental stay in an Israeli town. “She was a Jewish icon. She was a heroine. She in and of herself paved the way for performers like myself to be able to have a career. If it wasn’t for her, and her chutzpah, many of us Jewish women specifically wouldn’t be able to be performers. So it’s integral to this role, specifically.”
Someone can have Jewish heritage without embracing a Jewish identity — just ask the actor Lea Michele, who replaced Jewish actor Beanie Feldstein as Brice in the recent Broadway revival of “Funny Girl.” Michele’s father is a Sephardic Jew, but she was raised as a Catholic and said she does not identify as Jewish. (For six seasons on the hit television show “Glee,” Michele played a Jewish character, Rachel Berry, who was set on one day portraying Fanny Brice.)
But none of the coverage of McCrimmon’s casting in arts outlets has suggested any personal connection to the Brice character’s Jewish identity, and in the show’s materials, she identifies as “a proud Cuban-American from Miami.” She did not respond to a request for comment.
“I have no doubt that Katerina is freaking terrific and … that she is more than capable of leading a nat’l tour,” Samantha Massell, an actor who appeared in the revival of “Fiddler on the Roof” on Broadway, posted on Instagram after the casting announcement. “But if you consider yourself an advocate for representation in casting and you’re AOK with this (or celebrating it), you need to check yourself.”
The casting adds to an ongoing debate over identity and performance. Some argue that actors should be able to play any role, regardless of their background. But the idea that at least some roles should be reserved for actors whose identities overlap with their characters’ has gained steam in recent years — opening the door for criticism when people who are not Jewish are cast as Jewish characters. (Helen Mirren, who is not Jewish but is playing the Israeli stateswoman Golda Meir in the upcoming film “Golda,” is among those who say they “adhere to both camps.”)
Some have criticized the casting of non-Jewish actors in Jewish roles as “Jewface.” The Jewish comedian Sarah Silverman, for example, lambasted the casting of Kathryn Hahn as Joan Rivers in a biopic that was ultimately scrapped; another frequent subject of criticism has been Rachel Brosnahan as the fictional Jewish comedian Midge Maisel on “The Marvelous Mrs. Maisel.”
The real-life Brice got her start in the 1910s headlining Florenz Ziegfeld’s revue, the “Ziegfeld Follies.” The 1964 musical and subsequent film “Funny Girl,” both starring Barbra Streisand, chronicle Brice’s rise to fame while she grapples with her own identity as a Jewish woman — including the shape of her nose, the cadence of her voice and the pacing of her humor.
“If there is something in the piece that when portrayed by somebody of a different identity could potentially be viewed as perpetuating a stereotype or veer into the land of cultural appropriation, you’ve made the wrong casting decision,” said Ari Axelrod, an actor and producer who organized a Broadway gathering in response to a neo-Nazi protest outside the first preview of “Parade,” the show about a 1915 antisemitic lynching, in which the main character is played by the Jewish actor Ben Platt.
Critics of the casting choice say specific lyrics and visual gags just don’t work as well when they are performed by people who do not have specific Jewish lived experiences because they are or can be offensive.
The song, “If a Girl isn’t Pretty,” for example, contains the lyric, “Is a nose with deviation such a crime against the nation?” referring to Brice’s own body image issues, which she partially resolved with one of the earliest rhinoplasties in the United States.
And in the song “Rat-Tat-Tat-Tat,” Brice’s character plays the Jewish caricature “Private Schwartz from Rockaway,” who wears a harness outfitted with two suggestively placed bagels and sings in an exaggerated Eastern European accent about how his “bagels gave a spin, oy, oy.”
“The content of this show is specifically about how she was not considered a pretty Jewish woman, that she had to change her name and change her looks to ‘fit in,’ that she had to assimilate because of her Jewish identity,” Apple said. “To have somebody not be Jewish and do that could perpetuate stereotypes.”
Axelrod and Apple both pointed to the casting of actor Bradley Cooper as American Jewish composer Leonard Bernstein in the upcoming Netflix film “Maestro” as another example of a “Jewface” gaffe. (Early stills of Cooper wearing a prosthetic nose for the role reignited the debate; Silverman is set to appear in the film.)
The casting decision for the tour follows a 15-month Broadway run for “Funny Girl.” Beginning in April 2022, Feldstein starred as Fanny Brice in the revival, bringing a childhood dream of hers to life. (Feldstein’s 3rd birthday party was “Funny Girl”-themed.)
Beanie Feldstein, center, stars as Fanny Brice in the Broadway revival of “Funny Girl.” (Matthew Murphy)
“I truly believe that any Jewish woman who wants to be funny and perform and sing owes something to Fanny Brice,” she told the New York Jewish Week last year.
But after three months, the production announced that Michele would replace Feldstein — after a one-month performance by Jewish actor Julie Benko.
Under the laws of the Equal Employment Opportunity Commission, it is illegal for a workplace to discriminate against an applicant or employee’s race, religion, sex or gender identity, national origin, age or disability. But the law allows employers to select for aspects of personal appearance if they are essential for fulfilling the requirements of the job — a leniency that opens the door to casting Black actors as Black characters, for example.
There are legal ways to stack the deck in favor of filling roles with actors of certain backgrounds, such as by encouraging people who hold specific identities to audition, or by encouraging others to choose not to.
Massell revealed in an Instagram story Thursday that when the casting directors of the musical “Double Helix,” which tells the story of the discovery of the structure of DNA, were auditioning for the other two Jewish roles (Massell plays the lead role of Rosalind Franklin), they asked people who do not identify as Jewish to “please pass” on auditioning.
“This feels like such a great actionable step for all of these types of roles that are specifically tied to an ethnic identity,” she said.
Those who are challenging the Brice casting on the national tour say there is room for actors to play characters unlike themselves. Apple — who said she has twice been one of just two Jews cast in professional productions of “Fiddler” — says it’s a “slippery slope” to argue that actors must only play their own identity.
“I don’t like that. I don’t subscribe to that. That’s not why I’m an actor,” she said. “It really just comes down to the integrity of the role and the story. And this one is literally about her Jewish identity. She was a Jewish icon.”
Who made the decision to depart from the character breakdown suggestion is not clear. Sonia Friedman Productions and NETworks Presentations, which are producing the tour that is set to launch in Providence, Rhode Island, this fall, did not respond to requests for comment..
“I do know that for this to have happened, a lot of people had to say yes,” said Axelrod.
He said that even though he disagrees with the casting decision, he believes it could have positive dividends for storytelling about Jews.
“Katerina has an incredible opportunity to use this moment to educate herself and empathize with Fanny’s story, but also the story of Jews today,” he said. “If we can’t change the casting decision — and I don’t necessarily think we should, it’s not up to me — we can leverage the moment as an opportunity for empathy and education.”
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The post ‘Funny Girl’ national tour casts non-Jewish actor as Fanny Brice, reigniting ‘Jewface’ criticism appeared first on Jewish Telegraphic Agency.
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US Says That Israel Accepts Gaza Ceasefire Plan; Hamas Cool to It
A picture released by the Israeli Army says to show Israeli soldiers conducting operations in a location given as Tel Al-Sultan area, Rafah Governorate, Gaza, in this handout image released April 2, 2025. Photo: Israeli Army/Handout via REUTERS
Israel has agreed to a US ceasefire proposal for Gaza, the White House said on Thursday, and Hamas said it was reviewing the plan although its terms did not meet the Palestinian terrorist group’s demands.
As a US-backed system for distributing food aid in the war-torn enclave expanded, Israeli media reported that Prime Minister Benjamin Netanyahu told the families of hostages held in Gaza that Israel had accepted a deal presented by US President Donald Trump’s Middle East envoy Steve Witkoff.
Netanyahu’s office did not confirm the reports, but White House spokeswoman Karoline Leavitt told reporters in Washington that Israel had signed off on the proposal.
She did not detail its contents. But the New York Times quoted an Israeli official familiar with the proposal as saying the initial phase would include a 60-day ceasefire and humanitarian aid flowing through UN-run operations.
Hamas said it was studying the proposal, and senior Hamas official Sami Abu Zuhri told Reuters the group was still discussing it.
But Abu Zuhri said its terms echoed Israel‘s position and do not contain commitments to end the war, withdraw Israeli troops, or admit aid as Hamas has demanded.
Deep differences between Hamas and Israel have stymied previous attempts to restore a ceasefire that broke down in March after only two months.
Israel has insisted that Hamas disarm completely and be dismantled as a military and governing force and that all 58 hostages still held in Gaza must be returned before it will agree to end the war.
Hamas has rejected the demand to give up its weapons and says Israel must pull its troops out of Gaza and commit to ending the war.
Witkoff told reporters on Wednesday that Washington was close to “sending out a new term sheet” about a ceasefire to the two sides in the conflict that has raged since October 2023.
“I have some very good feelings about getting to a long-term resolution, temporary ceasefire and a long-term resolution, a peaceful resolution, of that conflict,” Witkoff said then.
Israel has come under increasing international pressure, with many European countries that have normally been reluctant to criticize it openly demanding an end to the war and a major relief effort.
Israel launched its campaign in Gaza in response to the devastating Hamas attack in southern Israel on Oct. 7, 2023, that killed some 1,200 people and saw 251 taken hostage into Gaza.
The post US Says That Israel Accepts Gaza Ceasefire Plan; Hamas Cool to It first appeared on Algemeiner.com.
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‘A Slap in the Face’: Chicago Venue Cancels Plans to Screen Documentary About Antisemitism for Second Time
Israeli-American rapper Kosha Dillz performs his new song “Bring the family home,” his response to Hamas’s attacks, in front of a Jewish bakery in lower Manhattan, US, Oct. 11, 2023. Photo: REUTERS/Aleksandra Michalska
A Chicago theater that canceled the screening of a documentary about campus antisemitism and then agreed to reschedule a showing has now made the final decision not to screen the film at its venue after facing harassment, it announced on Tuesday.
The Facets Film Forum, which operates the Facets arts theater in Chicago’s Lincoln Park neighborhood, claimed in a statement that Israeli-American Jewish filmmaker and rapper Kosha Dillz and the Chicago Jewish Alliance (CJA) – which helped organize the original screening that was canceled — have allegedly engaged in harassment against the venue, making it “impossible” for the Facets to move forward with a showing of “Bring the Family Home.” The documentary covers the rise of antisemitism on US college campuses after the Hamas terrorist attack in southern Israel on Oct. 7, 2023. This is the first film directed by Kosha Dillz, whose real name is Rami Even-Esh, and it focuses largely on anti-Israel encampments and sentiments at DePaul University and Northwestern University. Facets is located down the street from DePaul.
A rough cut of “Bring the Family Home” was set to premiere at Facets on May 13, but mere hours before the screening, the venue canceled the event, citing safety and security concerns for its patrons and staff. After facing an abundance of criticism from Kosha Dillz, CJA, and their supporters, Facets agreed to work with the filmmaker to reschedule the screening for later this summer.
“Facets Film Forum respects the First Amendment, its protections of free speech and the right to express views through film,” Facets said in a statement on May 16. “We regret any unintended offense our decision to cancel a privately organized, public film screening caused the filmmaker, those seeking to attend the event, and members of our community who have experienced or witnessed oppression or discrimination in any form.”
However, this week the theater has backtracked on its decision to reschedule the screening, before it even announced a new date for the event.
“Rather than acknowledging the legitimacy of our concerns and decisions, CJA and the filmmaker, and individuals that appear to be their supporters, have engaged in harassing Facets,” the venue claimed. It alleged that supporters of the film were “vilifying” Facets in an email campaign targeting donors, arts groups, and others, and even shared “vicious” posts on social media “attacking Facets.” The posts allegedly included offers for a “bounty to anyone willing to burn down Facets’ building,” which Facets reported to authorities. The venue also claimed that supporters of “Bring the Family Home” recording a conversation with a Facets staff members without consent and then posted it online, sharing personal contact details.
CJA launched an email campaign earlier this month that urged its supporters to reach out to Facets about the cancellation on May 13. CJA claimed the venue called off the event “because of discomfort with Jewish visibility” and called the move “shameful” and “a disgrace.” Facets said on Tuesday that more than 2,500 emails were sent.
“Given these acts, we are ceasing any further discussions with CJA and Mr. Dillz. Facets will not tolerate harassment of its staff from any organization,” the theater said in the statement this week. “Facets will continue to remain committed to our mission and the safety of our staff and guests.”
Facets said that for five decades, it has “provided a safe space for the community to experience a vast variety of film perspectives.” The venue noted that it hosted an event as part of the Chicago Festival of Israeli Cinema’s 20th Anniversary Celebration in March. Earlier this month, the theater also screened “No Other Land,” the Oscar-winning documentary that heavily criticizes Israel’s demolition of a village in the West Bank. “Bring the Family Home” was originally meant to be mentioned on the marquee outside of Facets along with “No Other Land,” said Kosha Dillz.
In its statement, Facets also listed three Jewish or Israel-themed movies that it has screened in the past, including “Come Closer,” “In Between,” and “Zone of Interest.” None of those films depict pro-Israel sentiments or a condemnation of antisemitism like “Bring the Family Home.”
Kosha Dillz told The Algemeiner on Thursday he cannot believe that he has been canceled twice by the same venue, which has not screened his film even once. “I was quite shocked,” he said. “It’s exhausting to deal with this for the second time. How can they cancel a film twice that hasn’t been shown once. To me, that’s just representative of what the Jewish community has to deal with.”
He also denied taking part in the alleged harassment that Facets claimed it faced, including the email campaign and calls online to burn down the venue.
“The 2,500 emails — those are people that aren’t related to me. I don’t know them. Obviously, they know me,” he noted. “They made it seem as if I was the one who rallied people to email them and take away their funding. That’s obviously not true.”
Even now, after Facets made the final decision not to screen “Bring the Family Home,” Kosha Dillz does not support efforts to attack the venue for the move.
“I don’t think bullying people who have gotten bullied makes sense. I don’t think that’s a win-win situation,” he explained. “I don’t believe in people ganging up on them. I just think they were bullied by other bullies.”
Kosha Dillz had multiple Zoom meetings and sent several emails back and forth with leaders at Facet to reschedule a screening of “Bring the Family Home,” hoping to find a new date for the event. Following the decision by Facets this week to call off all efforts for a screening, Kosha Dillz told The Algemeiner that he is upset but will now focus his time and energy on finding a new venue to screen the documentary.
“It’s called selective Jewishness,” he said of the move by Facets. “They are picking which voices they get to hear and they’re letting other people define it for them. I was the one who offered for them to make it good [after the initial cancellation] and they took me up on it and then, you know … it’s kind of a slap in the face. But the first time, shame on them. The second time, shame on me.”
On Wednesday, CJA released a statement on social media in response to Facets decision this week and also the allegations against the Jewish group.
“We objected, respectfully and publicly, to the theater’s sudden about-face. We sent emails. We asked questions. We defended a Jewish voice that refused to conform to the approved script. For that, they accused us of harassment,” CJA said. “If Facets believes in free speech, it must apply to Jews who are visible, assertive, and yes, Zionist. Anything less is not inclusion. It’s performance. We remain proud partners of ‘Bring the Family Home’ and of every Jewish artist who refuses to stay quiet just to stay included.”
CJA also accused Facets of “cultural exclusion” and “soft censorship,” making “endless excuses” and “shifting standards for what qualifies as ‘appropriate’ Jewish expression.”
CJA said “Bring the Family Home” will be shown in Chicago on June 22, but a venue has yet to be secured.
The post ‘A Slap in the Face’: Chicago Venue Cancels Plans to Screen Documentary About Antisemitism for Second Time first appeared on Algemeiner.com.
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‘Part of Our Commitment to the Palestinian People’: Anti-Israel Group Vandalizes Jewish-Owned Business in London
Vandals targeted a Jewish-owned real estate business in London on May 28-29, 2025. Photo: Screenshot
A Jewish-owned real estate business in London was vandalized by a radical anti-Israel group overnight on Wednesday into Thursday in an attack that local Jewish leaders called a “traumatic antisemitic targeting.”
Video shows two masked people dressed in all black smashing the windows of the business — which is located in Stamford Hill, a heavily Orthodox Jewish neighborhood — and spraying it with red paint. Pictures in the aftermath of the vandalism show shattered glass and red paint all over the office, and other reports say computers and furniture were also wrecked.
Last night in London’s Stamford Hill: A Jewish business completely destroyed by vandals who spray-painted “Drop Elbit”—targeting a company with NO ties to Israel whatsoever. Jewish businesses. Jewish people. Targeted for being Jewish. pic.twitter.com/JruV4Si4J9
— Combat Antisemitism Movement (@CombatASemitism) May 29, 2025
“This should be treated as [an] antisemitic incident without any doubt,” Rabbi Herschel Gluck, president of Jewish security service Shomrim’s branch in Stamford Hill, told the Jewish Chronicle. “[The owners] are visibly Jewish; the people who run the business and this business itself have nothing to do with Israel.”
According to the Chronicle, the authorities were “called as soon as the damage was discovered on Thursday morning and the Metropolitan Police were notified shortly afterwards.”
The Metropolitan Police said in a statement that the investigation is ongoing and that no arrests have been made so far. “This incident is being treated as racially aggravated criminal damage,” the statement continued.
“We understand the concern this may cause members of the Jewish community,” the police noted. “Officers are working with community leaders and patrols have increased across the local area.”
Palestine Action, the group behind the vandalism, took responsibility for it on social media.
BREAKING: Palestine Action target the London-based landlords of Kent’s Elbit weapons factory, Instro Precision.
Instro Precision continues to export targeting gear to Israel, making both the Israeli weapons maker and its landlord, perpetrators of genocide. pic.twitter.com/TDN2yrEump
— Palestine Action (@Pal_action) May 29, 2025
“Palestine Action target[s] the London-based landlords of Kent’s Elbit weapons factory, Instro Precision,” the group posted on X. “Instro Precision continues to export targeting gear to Israel, making both the Israeli weapons maker and its landlord, perpetrators of genocide.”
Along with vandalism of the business itself, “Drop Elbit” was also spray-painted on the pavement outside it, referring to Elbit Systems, an Israeli defense firm that is an industry leader.
A spokesperson for the group said the attack was a “part of our commitment to the Palestinian people” because “we will not allow companies on our doorstep to profit from mass murder.” The real estate group, it claimed, is “the [landlord] of a Kent-based Israeli weapons factory which is exporting targeting gear for the Israeli military.”
However, according to Gluck, the attack “is pure antisemitism” because “the people have no connection to Israel at all. They [the vandals] are accusing this company of having a connection to an Israeli arms manufacturer, which is not true.”
The Campaign Against Antisemitism (CAA) responded to the vandalism on X, asking, “Why is Palestine Action still not banned?”
“Palestine Action is a criminal enterprise operating freely in the UK and terrorizing the Jewish community,” it wrote. “It must be banned and its organizers and activists prosecuted.”
This latest vandalism is part of a general spike in antisemitism in the UK.
The UK experienced its second-worst year for antisemitism in 2024, despite recording an 18 percent drop in antisemitic incidents from the previous year’s all-time high, according to a report released in February.
The Community Security Trust (CST), a nonprofit charity that advises Britain’s Jewish community on security matters, released data showing it recorded 3,528 antisemitic incidents for 2024, a drop of 18 percent from the 4,296 in 2023. These numbers compare to 1,662 antisemitic incidents in 2022, 2,261 in 2021, and 1,684 in 2020.
Last year’s total “is a reflection of the sustained levels of antisemitism that have been recorded across the UK since the Hamas terror attack in Israel on Oct. 7, 2023,” CST said of its findings. “CST’s Antisemitic Incidents Report 2023 charted the immediacy and scope of the rise in anti-Jewish hate following that attack, before Israel had set in motion any extensive military response in Gaza.”
The post ‘Part of Our Commitment to the Palestinian People’: Anti-Israel Group Vandalizes Jewish-Owned Business in London first appeared on Algemeiner.com.
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