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Jewish doctor denied $500 payment after refusing to promise Arkansas he won’t boycott Israel
(JTA) – The state of Arkansas is refusing to pay a Jewish doctor for a talk he delivered at a public university because he declined to promise not to boycott Israel.
Dr. Steve Feldman, a dermatologist, delivered a Zoom lecture to University of Arkansas at Little Rock medical students in February, for which he was entitled to a $500 honorarium from the state. But Feldman said that the state is withholding payment because he refused to sign a pledge, required for public contractors under Arkansas law since 2017, to commit to not boycotting Israel.
“They have a law in place that makes contracts with Arkansas dependent on your agreement not to boycott Israel, which I think is wrong,” Feldman, who is a professor at the Wake Forest University School of Medicine in Winston-Salem, North Carolina, told the Jewish Telegraphic Agency. “To me, growing up Jewish, the very strong lesson of the Holocaust that I learned is it’s wrong to mistreat other people.”
Arkansas is one of dozens of states that have passed laws aiming to combat the Boycott, Divestment and Sanctions movement targeting Israel. The laws either bar the state from investing in companies that boycott Israel or, as in Arkansas’ case, mandate that state contractors promise not to boycott the country. Most of those laws have been struck down by courts, but Feldman’s lecture took place the same month the U.S. Supreme Court declined to hear a challenge to Arkansas’ law. His case is the latest example of how such laws are affecting what would otherwise be ordinary state business transactions.
Feldman has close relatives who live in Israel. But he said the pledge conflicted with his religious and moral views. In addition to his medical work, he is a pro-Palestinian activist who created the online-only Jewish Museum of the Palestinian Experience. The website says that the Jewish commitment to fighting injustice should lead Jews to stand up for Palestinian rights. Feldman said he does support boycotting Israel.
“I think the only thing that will lead to Israel allowing Palestinian families to return to their homes, so that everybody can live together peacefully, will be some kind of boycott,” he said.
While the Arkansas law, passed in 2017, applies only to contractors earning more than $1,000 from the state, Feldman said he was still refused his $500 payment. The justification, he said, was that being added to the state’s vendor system would make him eligible for future assignments that could add up to more than $1,000.
Feldman told JTA he is exploring his legal options and wouldn’t rule out a lawsuit against the state as a means of advocating for Palestinian rights and challenging last year’s federal Eighth Circuit Court ruling that the law was constitutionally protected. “I would love to sue and have the Circuit Court either retract what they said, or go to the Supreme Court in order for people to see things that they didn’t know,” he said.
Arkansas Attorney General Tim Griffin, a Republican, has said the law combats discrimination on the basis of nationality. Following the Supreme Court’s decision not to hear the case, he told the Arkansas Democrat-Gazette that he works to “ensure that taxpayers aren’t required to pay for anti-Israel and anti-Israeli discrimination.”
Feldman’s story was first reported by the Arkansas Times, a publication that has itself become entangled in the state’s anti-boycott law. The paper’s publisher, Alan Leveritt, challenged the law in court after he was asked to sign the anti-boycott pledge so that the paper could run advertising from a state university. The suit, which is the one that reached the Supreme Court, argued that the law was a violation of the publication’s First Amendment rights and attracted support from progressive Jewish groups, as well as opposition from some pro-Israel groups. Leveritt argued that he doesn’t have strong feelings about Israel boycotts but that his paper does not take political positions in exchange for advertising.
Since the inception of state-level laws prohibiting Israel boycotts, some state lawmakers have used them as a template for legislation barring other types of divestment campaigns, such as those targeting fossil fuels or the firearms industry.
Feldman mused that he could have signed the pledge, taken the money and then engaged in an Israel boycott to see how the state would react, but concluded, “I can’t lie on a form. That also goes against my Jewish moral character.”
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The post Jewish doctor denied $500 payment after refusing to promise Arkansas he won’t boycott Israel appeared first on Jewish Telegraphic Agency.
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Strong start for Virginia’s first Yiddish culture festival
It’s not every day that you encounter a man in a Stetson hat singing Yiddish folksongs in the former capital of the Confederacy.
Yet that wasn’t the most unexpected thing this reporter experienced over Richmond Yiddish Week’s opening weekend. The grassroots Yiddish cultural festival, which began on Saturday, got off to an energetic, well-attended start.
The festival’s opening concert, a double billing of local klezmer bands The Vulgar Bulgars and My Son The Doctor, took place Saturday night at Gold Lion Community Café, an art-space in Richmond’s up-and-coming Manchester neighborhood.
Even before the concert began, the venue was standing-room only. “This is clearly the place to be in Manchester tonight,” remarked one attendee as he squeezed into a seat.
Before the first set, festival co-founder Sam Shokin addressed the audience, expressing her delight at the large turnout. “We weren’t sure how many like-minded people we were going to find for a Yiddish culture festival,” she said, “but judging by the crowd it seems like there are a lot of you.” Her remark elicited enthusiastic applause.
Thirty minutes into the first set, the space was so crowded that service staff had difficulty delivering customers’ food and drink orders to the tables. At least one woman gave up waiting in line to place her order until the break between sets.
The Vulgar Bulgars opened with several tightly harmonized and adventurously arranged klezmer instrumentals. Local singer Nina Lankin then joined in for a power ballad-esque and refreshingly non-maudlin rendition of the Yiddish theater classic Papirosn (Cigarettes).
She and the band also shined with a heartfelt rendition of the messianic Yiddish song Shnirele Perele (Ribbons and Pearls). Between sets, as attendees reordered food and drinks, this reporter had a chance to speak with a few attendees.
“I’ve been here for three years or so,” Rachel Enders, a local preschool teacher who told me she’s Catholic, said. “But I had no idea there was this big, vibrant Jewish community here.”
Festival co-founder Danny Kraft said that the local community has some “conservative and insular” tendencies. But at a time when many Jewish communities are retreating into explicitly Jewish spaces, the organizers of RYW chose more public venues for their programming. The local Jewish Federation lent support by funding security. One of Shokin’s and Kraft’s stated goals was to “bring some Yiddishkayt into the local arts community.”
Maribel Moheno — a language instructor at a local university who recently discovered her Jewish ancestry — was the first to start dancing. The rest of the audience got on their feet and joined Moheno during the second set. That set, played by My Son The Doctor, was less polished or interestingly arranged, but far more danceable.
Having finished the circle dance called a freylekhs with Moheno and a dozen or so others, this reporter refueled with a bagel made by local bakery Cupertino’s NY Bagels. It wasn’t bad. Also on offer was an unexpected soft drink called Palestine Cola.
As it turns out, the Gold Lion cafe has, like many such establishments of late, hosted pro-Palestine events. After some community members expressed concern about the festival being held there, the organizers explained that the festival had no stance vis-à-vis Israel-Palestine.
“People on both the left and the right who don’t know much about Yiddish think it’s synonymous with queer, anti-Zionist culture,” Kraft said. “That’s very reductive. Some people in the mainstream community saw this Yiddish event as a dog-whistle or code-word for anti-Zionism. Once we clarified this with the local Federation, that cleared the air a bit.”
“This is a week of celebrating Yiddishkeit,” said Shokin. “We’re focusing on arts and culture — politics, not so much.”
Despite this shturem in a glezl tey (tempest in a teacup), the opening concert had more than 100 people in attendance. Young families with toddlers and tweens mingled with elegantly dressed retirees, long-haired baby boomers, and 20- and 30-something hipsters.
The evening closed out with two lively songs that the audience joined in for: Ale Brider (We’re All Brothers), a popular anthem about Jewish unity, and the Yiddish birthday song Tsu Dayn Geburtstog in honor of an audience member’s birthday.
On Sunday afternoon, the Richmond Public Library’s main branch hosted a Yiddish story time event, which Kraft, who is also a poet and Yiddish translator, led. More than a dozen young families attended.
The program began with a brief Yiddish lesson. Kraft, himself the father of a toddler, then regaled children and parents with the unique Yiddish-Spanish-English picture book Beautiful Yetta: the Yiddish Chicken, using the book’s dialogue to teach more Yiddish phrases.
One high point of the afternoon was an interactive game called “Guess the Animal” where the audience learned the Yiddish terms for familiar animals, including the non-kosher khazer (pig), which got plenty of laughs.
A lot of Yiddish programming today tends to be adult-focused, often geared toward retirees. So a Yiddish festival for children and young parents seems like an expression of hope for Yiddish continuity — a leap of faith, even. Yet despite a small budget and all-volunteer staff, Kraft and Shokin seem to have stuck the landing.
The post Strong start for Virginia’s first Yiddish culture festival appeared first on The Forward.
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UK Prosecutors Try to Reinstate Terrorism Charge Against Kneecap Rapper
Member of Kneecap Liam O’Hanna, also known as Liam Og O hAnnaidh and performing under the name of Mo Chara, speaks to supporters outside Woolwich Crown Court, after a UK court threw out his prosecution for a terrorism offense, in London, Britain, Sept. 26, 2025. Photo: REUTERS/Hannah McKay
British prosecutors sought to reinstate a terrorism charge against a member of Irish rap group Kneecap on Wednesday for displaying a flag of Iran-backed Lebanese terrorist group Hezbollah at a London gig, after a court threw out the case last year.
Liam Óg Ó hAnnaidh, whose stage name is Mo Chara, was accused of having waved the flag of the banned Islamist group Hezbollah during a November 2024 gig.
The charge was thrown out in September after a court ruled it had originally been brought without the permission of the Director of Public Prosecutions and the Attorney General, and also one day outside the six-month statutory limit.
But the Crown Prosecution Service said it would challenge the ruling and its lawyer Paul Jarvis told London’s High Court on Wednesday that permission was only required by the time Ó hAnnaidh first appeared in court, meaning the case can proceed.
Kneecap – known for their politically charged lyrics and anti-Israel activism – have said the case is an attempt to distract from what they described as British complicity in Israel’s so-called “genocide” in Gaza. Israel strongly denies committing a genocide in the coastal territory, where it launched a military campaign against Hamas after the Palestinian terrorist group invaded Israeli territory.
J.J. Ó Dochartaigh, who goes by DJ Próvaí, was in court but Ó hAnnaidh was not required to attend and was not present.
KNEECAP SAYS PROSECUTION A DISTRACTION
Ó hAnnaidh was charged in May with displaying the Hezbollah flag in such a way that aroused reasonable suspicion that he supported the banned group, after footage emerged of him holding the flag on stage while saying “Up Hamas, up Hezbollah.”
Kneecap have previously said the flag was thrown on stage during their performance and that they “do not, and have never, supported Hamas or Hezbollah.”
The group, who rap about Irish identity and support the republican cause of uniting Northern Ireland with the Republic of Ireland, have become increasingly vocal about the war in Gaza, particularly after Ó hAnnaidh was charged in May.
During their performance at June’s Glastonbury Festival in England, Ó hAnnaidh accused Israel of committing war crimes, after Kneecap displayed pro-Palestinian messages during their set at the Coachella Festival in California in April.
Kneecap have since been banned from Hungary and Canada, also canceling a tour of the United States due to a clash with Ó hAnnaidh’s court appearances.
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German-Israel Deal Strengthens Cyber Defense, German Minister Says
A German and Israeli flag fly, on the day Chancellor Friedrich Merz meets with Israeli President Isaac Herzog for talks, in Berlin, Germany, May 12, 2025. Photo: REUTERS/Liesa Johannssen
A new German-Israel agreement aims to counter cyber threats and enhance security infrastructure, German Interior Minister Alexander Dobrindt told parliament on Wednesday.
Dobrindt signed the agreement with Israeli Prime Minister Benjamin Netanyahu in Jerusalem over the weekend.
The collaboration includes the development of a joint “cyber dome” system, an artificial intelligence and cyber innovation center, drone defense cooperation, and improved civilian warning systems.
“We have already had a trusting partnership in the past, which we want to strengthen further,” Dobrindt said. “Israel has extensive experience in cyber defense. We want to benefit from that.”
The German Interior Ministry said on Monday the agreement would extend to protecting energy infrastructure and connected vehicle networks, in addition to enhancing collaboration in civil protection, counter-terrorism, and criminal prosecution.
European countries are facing increasing pressure to fortify their cyber defense systems against sophisticated attacks.