Uncategorized
How the Lower East Side has changed since the 1988 rom-com ‘Crossing Delancey’
(New York Jewish Week) — The classic and very Jewish 1988 film “Crossing Delancey” is one of those movies that feels both extremely of its time and also completely timeless.
Director Joan Micklin Silver’s film has all the classic rom-com trappings: A woman who’s torn between two men (and to that end, two worlds); complaints about how hard it is to meet a man in New York City (as true in 1988 as it is in 2022), and a “mother” figure who knows better (here, a Jewish grandmother known as Bubbe, and in this case, she actually does know better). You could pluck all these specifics and drop them into a present-day film — and, if told with the heart and care of “Crossing Delancey,” still have a pretty good movie.
Yet there’s one thing about the “Crossing Delancey” that fully anchors it in the past, and that is its late-1980s Lower East Side setting. While our heroine, Izzy (Amy Irving), lives and works on the Upper West Side, she pays frequent visits to her Bubbe (Yiddish theater actress Reizl Bozyk), her grandmother, downtown. From the moment that Izzy steps off the train at Delancey Street, she’s transported to another world: a bustling Jewish enclave with market-goers shopping for produce, friends and neighbors in the streets kibbitzing and a Hasidic child sitting outside the subway, enjoying a treat from a local bakery.
This dichotomy between the “Old World” of the Lower East Side and the “New World” uptown is the central conflict of the film: Izzy’s inability to reconcile her Jewish roots with her desire to live a secular, intelligentsia lifestyle, as represented by her two love interests (Sam the Pickle Man and Anton, the self-important author).
However, rewatching the film in the present day, I can’t help but wonder: Would Izzy run from the shtetl if she knew that in a few years, it wouldn’t exist anymore? That due to rising rents and a shift in population, many Jewish businesses would meet their end — or, somewhat ironically, be part of the flight to Brooklyn that began in the early-to-mid 2000s? In some ways, 1988 itself was the beginning and the end: It marked the opening of the Lower East Side Tenement Museum, an effort to preserve the neighborhood’s immigrant past, and it was the very same year that Mayor Koch created a new redevelopment proposal for the Seward Park Extension, a canary in the coal mine for the sea change of development the city would see over the next 30 years.
Re-watching the film in 2022, it struck me how the Lower East Side’s bustling Jewish enclave — the same place where my grandparents were born and raised — has since been lost to time, gentrification and re-zoning plans. These days, the neighborhood paints a different picture entirely: giant buildings hog entire city blocks, with construction promising even more sky-high buildings. There’s no specific character to the neighborhood, no story to tell, few places more integral to the city’s fabric than the Delancey-Essex McDonald’s.
Of course, if you’ve lived in the city long enough, you know there’s no getting comfortable. New Yorkers have to, in essence, harden their hearts. We must accept that the local business you love that’s here today very well could be gone tomorrow — even if that business is a Duane Reade. The Lower East Side of today is not the neighborhood of 1988, or 1968 or 1928.
But amongst all of the present-day residential developments, upscale clothing stores and fast food chains, old-school Jewish businesses like The Pickle Guys, Kossar’s Bagels and Bialys and Yonah Schimmel’s Knish Bakery are still thriving. (And, I’d like to think that if you look hard enough, you’ll find some meddling but well-meaning bubbes and yentas, too.)
While we might not be able to fully experience the Lower East Side as the cast and crew of “Crossing Delancey,” here are four places from “Crossing Delancey” that you can still visit, and four that are sadly gone forever.
What Remains Today
Bubbe’s Apartment
154 Broome Street
The interior shots of Bubbe’s apartment, where Izzy fulfills all of her granddaughterly duties, like singing with her grandmother in Yiddish and plucking her chin hairs, were filmed at 154 Broome Street. The 181-unit building sits at the mouth of the Williamsburg Bridge — which is why Bubbe has that spectacular view — and is part of the New York City Housing Authority’s Seward Park Housing Extension. So while you still can visit the exterior of Bubbe’s apartment building today, don’t linger too long — it might weird out the current tenants.
Essex Market
108 Essex Street
This one is a little complicated. The original Essex Market, where Bubbe shows off her Korean-language skills, still stands today. (If you get off at the subway at Delancey Street, you can’t really miss it.) But that iteration of the market closed its doors in 2019 — in order to relocate to a building across the street so big and so glassy it would make Michael Bloomberg blush. In addition to apartments, office space and a movie theater (it’s a truly mixed-use building for our modern times!), Essex Market does boast local, independent vendors, such as Essex Olive & Spice, Porto Rico Importing Co. and Puebla Mexicana food. Per the New York Times, only one of the market’s vendors decided to forgo the move, opting instead for retirement. But you might want to pay a visit to the original Essex Market while you still can — even if only to give it one last look. Following the move, Essex Market initially housed some avant-garde art installations, but it has since seemingly closed its doors for good. According to Gothamist, it’s to be razed to create — what else? — more condos.
Seward Park Handball Court
Essex Street between Grand and Hester Streets
From the moment Sam and Izzy meet, he makes no effort to hide his ardor. In fact, I’d say he uses every weapon in his arsenal to demonstrate his interest — even going so far as to try to impress her with his handball skills when she unexpectedly drops by the court. (You might also clock his CUNY sweatshirt, as I most certainly did.) The handball court is still there, should you decide you want to play a pickup game, but sadly the court’s colorful mural depicted in the film has since been painted over.
Bonus: Gray’s Papaya
2090 Broadway
While this article is focused on the film’s Lower East Side locations, and with good reason, we’d be remiss if we didn’t point out that one important New York institution Izzy visits triumphantly remains: The Upper West Side Gray’s Papaya. There, Izzy celebrates her birthday with a friend and a hot dog — the right way to do it, in my opinion — when a woman bursts in singing “Some Enchanted Evening,” for everyone and no one in particular. It’s one of many of the film’s classic New York moments.
What’s Been Replaced
Steinberg’s Dairy
21 Essex Street
When Izzy emerges from that train at Delancey Street, director Silver takes great care to immerse us in this world. The camera stays on Izzy as she walks from the subway to Bubbe’s apartment, passing a host of local businesses along the way. Among them is Steinberg’s Dairy, which once lived at 21 Essex Street. Steinberg’s Dairy, which also had an Upper West Side location, offered staples like herring, egg salad and vegetarian chopped liver for less than a dollar back in 1941. Today, if you’re in the area, you can grab a drink at the punk rock bar Clockwork, which opened in 2013.
Zelig Blumenthal
13 Essex Street
Izzy also takes us by Zelig’s Blumenthal (also known as Z & A Kol Torah), where three older women sit outside, enjoying the sights and sounds around them. Once a popular Judaica store, it unexpectedly closed its Lower East Side doors in 2010 after 60 years in business. At the time, then-owner Mordechai Blumenthal made the decision to relocate the store to Flatbush due to a dwindling Orthodox population and foot traffic in the area, and a landlord who made clear he “wanted him gone.” It’s unclear if the Flatbush location remains open today, but a vintage clothing store called Country Of has taken up its original spot.
Posner’s Pickles (AKA Guss’ Pickles)
35 Essex Street
Posner’s Pickles, as run by Sam the Pickle Man in the film, was never exactly a real place to begin with. Filming took place at the world-famous Guss’ Pickles, which first opened on Hester Street in 1920, before relocating to Essex Street, where there were once over 80 pickle vendors for locals to choose from. After a stint on Orchard Street, Guss’ Pickles followed in the footsteps of so many others by then, leaving Manhattan to open up shop in Brooklyn’s Dekalb Market in 2017. While Guss’ Pickles is today based out of the Bronx, their delicious pickles are available to order no matter where you are in the country, via Goldbelly. Today, 35 Essex Street is home to Delancey Wine — appropriately named, but doesn’t offer possibilities for a slogan like “a joke and a pickle for only a nickel,” as Posner’s Pickles did in the film.
Schapiro’s Kosher Wines
124 Rivington Street
For 100 years, Schapiro’s Kosher Wines proudly served the Jewish community as the only kosher winery in New York City. It’s where Bubbe chides Izzy for her lack of interest in Sam, and while today the pair couldn’t have this conversation outside Schapiro’s, they could grab brunch at the restaurant Essex. Home to New York City’s “longest-running Brunch Party,” Essex salutes its Lower East Side roots with dishes like potato pancakes and Israeli couscous.
—
The post How the Lower East Side has changed since the 1988 rom-com ‘Crossing Delancey’ appeared first on Jewish Telegraphic Agency.
Uncategorized
As Trump officials cozy up to Germany’s far right, everything alt is neu again
In the 1930s, American Nazis looked to Berlin for inspiration. The German-American Bund held torchlit rallies in New York, slandered Jews, preached white supremacy, and sent their children to Hitler Youth-style summer camps for indoctrination — all in service of importing the Führer’s vision to U.S. soil.
Nine decades later, the current is flowing in reverse, as Germany’s far-right Alternative für Deutschland (Alternative for Germany) party makes pilgrimages to Washington, D.C. — at the invitation of Trump administration officials who see the German party as unfairly ostracized.

This September, two top AfD figures met with staff from Vice President JD Vance’s office and with State Department employees. Later that month, more AfD parliamentarians arrived in D.C., where they conferred with Darren Beattie, a former Trump speechwriter now embedded in the State Department.
Over the past several months, the Trump administration has, in effect, taken the AfD under its wing. Trump’s MAGA movement and the AfD both cast themselves as defenders of a civilization threatened by nonwhite outsiders, and both have tolerated displays of antisemitism from operatives within their ranks.
At Trump’s Jan. 20 inauguration rally, Elon Musk made a gesture resembling a Nazi salute and declared, “My heart goes out to you. It is thanks to you that the future of civilization is assured.” Musk later denied any Nazi intent. But he raised eyebrows again when he appeared remotely at an AfD campaign rally in Halle, Germany, in February, where he praised the party as “the best hope for Germany” and urged citizens to “move beyond” their country’s Nazi past.
At the annual Munich Security Conference in mid-February, Vance rattled America’s European partners by saying democracy in Europe was threatened not by populist parties like the AfD, but by governments’ refusal to treat them like legitimate political actors. Vance added insult to injury by having a private meeting with Alice Weidel, co-leader of the AfD, before returning to the states.
This chummy relationship between the Trump administration and a German political party that has been designated an extremist organization by German intelligence presents a sort of reverse mirror image of the state of affairs between the two countries back in the 1930s.
Let’s set the time machine back to July 18, 1937, and the location to a summer camp in New Jersey — Camp Nordland. Operated by the German-American Bund, it wasn’t just a retreat; it was a staging ground for fascist pageantry. Swastika flags flanked the entrance. Uniformed men marched in formation. Children sang songs of Aryan pride. Politicians and Bund leaders gave speeches praising Hitler’s vision and denouncing Roosevelt’s “Jewish government.” It was America’s own slice of the Reich, nestled in the woods of Sussex County.
Camp Nordland was not an isolated hive of American-style Nazism. There were about 200 other camps like it, stretched across the nation.
The Bund’s rallies were near-perfect replicas of Nazi spectacles in Germany, none more brazen than the one held at Madison Square Garden on Feb. 20, 1939. More than 20,000 people packed the arena as uniformed men and women marched down the aisles in Nazi-style regalia. Swastikas flanked a towering portrait of George Washington. The crowd raised stiff-arm salutes as Bund leader Fritz Kuhn took the stage and declared, to roaring applause, that “the Jew is one thousand times more dangerous to us than all the others” and that the government must be “returned to the American people who founded it.”
The Bund’s dream of an American Reich collapsed soon after. Kuhn was convicted of embezzlement. The FBI cracked down. World War II made their allegiance to Hitler politically toxic. Camp Nordland was raided and shut down in 1941. But the ideology didn’t die — it went dormant, and it is resurfacing on both sides of the Atlantic.
Following the AfD’s September visits to Washington, Trump adviser Alex Bruesewitz traveled to Berlin in November, calling the AfD members of the Bundestag and party supporters “bold visionaries.”
“We are in this together,” said Bruesewitz, according to Politico. “The forces arrayed against us aren’t just ideological opponents, they’re manifestations of evil, seeking to extinguish the light of faith, family and freedom.”
“This spiritual battle isn’t confined to the United States,” he continued. “Oh, no. Germany and America may be separated by thousands of miles of ocean, but we face the same exact enemies, the same threats, the same insidious forces trying to tear us down.”
A month before Bruesewitz’s trip to Berlin, two AfD lawmakers were treated to a private reception in Manhattan, where an opera tenor serenaded them with the first stanza of “Deutschland über Alles” — a verse officially excluded from Germany’s national anthem and widely considered taboo for its Nazi associations, according to a Reuters report. The event was hosted by the New York Young Republican Club, a chapter of the national Young Republican Federation. Notably, a fall exposé by Politico revealed leaked Telegram messages from Young Republican leaders in multiple states, in which members praised Hitler, joked about gas chambers, slandered Jews and Black Americans, and fantasized about violence against political opponents.
All of this raises the question: Is there any danger in this transatlantic camaraderie between Trump’s MAGA movement and the AfD? Probably more so for Germans than for Americans.
The AfD has become a powerful player in German politics since its emergence just twelve years ago, rising from a fringe Euroskeptic movement to a dominant force — especially in the former East, where economic dislocation and cultural resentment have fueled its ascent. While Germany’s mainstream parties have steadily shed voters, the AfD has gained them. Of the Bundestag’s 630 seats, the AfD now holds 152, making it the second-largest delegation in the federal parliament. And yet, despite its electoral strength, the AfD remains politically isolated: Germany’s mainstream parties have refused to cooperate with the AfD on legislation or coalition-building.
The AfD hopes its courtship of Trump and his MAGA movement will increase pressure on Germany’s governing Christian Democrat–Social Democrat coalition to dismantle the firewall that has kept it politically isolated. Doing so wouldn’t just amplify the AfD’s influence — it could clear a path for the party to join a future governing coalition. To many Germans, this scenario evokes chilling memories of how Hitler rose to power: not by winning outright, but by exploiting the weakness and fragmentation of mainstream parties.
The AfD insists it is not a threat to democracy, despite being officially designated a “confirmed right-wing extremist” organization by Germany’s domestic intelligence agency in May. Party leaders call the label a smear, an attempt to silence dissent. That view has found defenders across the Atlantic. Secretary of State Marco Rubio condemned the designation as “tyranny in disguise.”
It could be argued that in some ways, what many Germans fear for their country has already happened here. In Germany, far-right ideologues are still waiting to enter government. In the U.S., they’re already inside — drafting policy, staffing agencies, shaping foreign alliances. What Germany still treats as a red line, America has already normalized.
The post As Trump officials cozy up to Germany’s far right, everything alt is neu again appeared first on The Forward.
Uncategorized
Some Black Jews feel more ostracized from Jewish communities post-Oct. 7, survey finds
Growing up as a Black woman in the South with a Jewish father, Autumn Leonard often felt like “an outsider looking in” on Jewish communities. She wasn’t raised particularly Jewish, and her Black and Jewish identities felt disconnected from each other — as if she had to choose one.
But after she married a Jewish man and wanted to raise Jewish children, she sought out ways to engage more deeply with her Jewishness. She found groups that affirmed both of her identities, chairing the “Race Working Group” at the progressive Brooklyn synagogue Kolot Chayeinu and becoming a lead organizer with the Black Jewish Liberation Collective.
“That made me feel like, Oh, Jewish is something I can be — as opposed to something over there that comes from my ancestors,” Leonard said.
After the attacks of Oct. 7, however, Leonard said she began to notice a shift. Jewish communities seemed more inward-looking, she said, with a heightened focus on combating antisemitism and a retreat from commitments to racial justice. She began hearing stories from Black Jews who felt increasingly sidelined or isolated.
So she set out to gather empirical evidence to test her hunch.
The result was a survey conducted through the Black Jewish Liberation Collective, a progressive group that connects Black Jews for political organizing and cultural events. The group circulated the survey beyond its own membership and received 104 responses from a geographically diverse group — most from New York state, but also with respondents in Canada, Portugal and the United Kingdom. Participants were between 21 and 75 years old and reported a range of religious observance levels, from just ethnically Jewish to Orthodox. Responses were collected between October 2024 and January 2025.
The survey — which represents a tiny subset of the estimated 1% of U.S. Jews who identify as Black — found that 62% of respondents reported “increased marginalization” in a Jewish community or space after Oct. 7, 2023.
Those feelings of ostracization largely had to do with disagreements around Israel and Gaza, according to the survey. While survey participants generally identified as more left-leaning on the Israeli-Palestinian conflict, respondents on both sides of the political spectrum said they felt alienated.
In Jewish spaces, some respondents felt they were assumed to be more sympathetic to the Palestinian cause because of their race. Meanwhile, in progressive spaces, some Black Jews felt they were assumed to be Zionist because of their Jewishness.
“I do feel some kind of internalizing shame where I am more careful around the ways that I share my Jewishness in non-Jewish spaces,” one survey respondent wrote. “I resent the ways that Zionism is conflated with Jewishness, and the ways I have to extricate [or] preface that.”
According to Leo Ferguson, a member of the Black Jewish Liberation Collective’s steering committee, another troubling post–Oct. 7 trend is that people who voice criticism of Israel are increasingly labeled “fake Jews.” Black Jews often already face that accusation because of their race — and adding political litmus tests, he said, only intensifies the problem.
“What I have witnessed is more scrutiny of Black Jews. There is an ongoing question as to whether or not we will stand up and be ‘real Jews’ which means aligning with whoever’s politics is judging us,” one survey participant wrote.
Compounding these trends, some Jewish institutions have shifted away from the idea that advocating for a broad range of minority groups also benefits Jews, focusing instead on antisemitism linked to Israel. Just last month, the Anti-Defamation League entirely removed from the “What We Do” page of its website a section called “Protect Civil Rights” amid threats from the Trump administration. Although that change occurred after the survey was conducted, some respondents already saw the trend emerging.
“The way in which much of [the] Jewish community has turned from barely doing antiracism work wholly toward Israel and self-protection is so discouraging, especially as the racism within Jewish community is so severe,” one survey respondent wrote.
The survey offers recommendations based on the survey’s findings, including welcoming ideological diversity in Jewish spaces; having a time and place for Israel discourse, rather than letting it “bleed into all aspects of Jewish life”; and maintaining connections between Black and Jewish advocacy groups even if they disagree on issues surrounding conflict in Gaza.
“The discussion around Israel Palestine has taken up so much of the oxygen that it has made it impossible to then also talk about things like racial justice,” Ferguson said.
The post Some Black Jews feel more ostracized from Jewish communities post-Oct. 7, survey finds appeared first on The Forward.
Uncategorized
Hasan Piker Bashed Gal Gadot in Villainous ‘Variety’ Feature
In case you missed it, The New York Times recently did a fawning profile on popular Twitch streamer Hasan Piker, in which it mentioned, only in passing, that he once said America deserved 9/11. The article didn’t mention that Piker said he supported Hezbollah or that he took every chance to vilify Israel. It didn’t mention that he interviewed someone who he said was a member of the Houthis, only to later say he wasn’t.
Now comes an article in Variety by Tatiana Siegel, who uncritically lets Piker says his statement about 9/11 was about “blowback” and doesn’t push any further, accepting this nonsense that his own words were “weaponized” against him.
Siegel is more interested in writing that Piker is 6’4″, muscular, and plays basketball, instead of writing about how he interviewed a Houthi and vibed with him. Why get into any of that stuff? It’s much more important for Siegel to repeat a line from the Times article, as if it was her own, that Piker could be a possible answer to when the left-wing will find its own Joe Rogan. Maybe if they repeat it, suddenly Piker will be the next Joe Rogan!
Siegel tries to cast Piker as a moderate, because he disagrees with the insane conspiracy theory that Israel killed Charlie Kirk.
Siegel also interviews Taylor Lorenz. Yes Lorenz, the fool who said she felt joy when she heard news of the murder of United Health Care CEO Brian Thompson. Lorenz, who in televised interviews has said she thinks Piker is hot, and says the entire Internet has been weaponized against him. I doubt she’d be so quick to say this if Piker was unattractive.
Of course, Siegel is uncritical of Piker for saying that Amy Schumer should be cancelled, though she at least points out he falsely attributes a statement to Schumer that she never made.
But the kicker is Piker’s disdain for Gal Gadot, who has been a very vocal supporter of Israel. Piker likes his Jews quiet and embarrassed. He calls Gadot a “dogs**t actress” and complains of her normalizing Israel. I don’t remember Piker being a film critic — and of course no one talks about how Piker normalizes antisemitism. Good thing they got a writer with a Jewish-sounding last name to write a puff piece.
As Norman Finkelstein said when speaking about what Zohran Mamdani needed to do to fight off charges of antisemitism (which of course Finkelstein thought were fake) — people like this need to find Jews to do the “dirty work.”
Jewish actress Natalie Portman is okay, according to Piker, because she never served in the IDF. The Jewish actor who plays Superman is fine, because he’s not pro-Israel from what he’s seen. Who’s the Jewish influencer who says which Muslim actors are okay to watch in movies or not?
Oh, that’s right, there is none, as that would be seen as Islamophobic. But Piker gets another free pass to spew his hatred.
The article could not be complete without a little “Jews control the media” implication, as Piker criticizes Bari Weiss because she represents everything he “despises about access journalism.” Of course, Siegel doesn’t bother to mention that Piker got his career from his uncle, Cenk Uygur, founder of the Young Turks, one of the most noteworthy left-wing YouTube channels, for which Piker used to work. And there’s no mention of Weiss’ courage to quit the New York Times to start The Free Press. Because when Jews succeed, it can’t have anything to do with merit — it must be that they all help each other!
The writer could have asked about the Piker controversy surrounding his dog for which he’s received immense criticism, but I wasn’t shocked she didn’t mention it. That might get in the way of him being the next Joe Rogan!
The article ends with Piker saying he doesn’t have bodyguards, citing Fidel Castro who claimed to have a moral vest.
The article is good for only one thing — pointing out how much the media hates the Jews.
The author is a writer based in New York.

