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In Brooklyn, a shared studio empowers Mizrahi women artists
On the second floor of a nondescript commercial building in Gravesend, Brooklyn, is a small artists’ studio. There, four long wooden tables are pushed together to create one massive table covered with oil paints, canvases, watercolors and other tools of the trade. The white walls are adorned with dozens of drawings and paintings; along one wall, a dozen cubbies are filled with even more art supplies.
It could be one of countless shared studio spaces for artists that are hidden in corners throughout the five boroughs. But this particular space is designed expressly for Jewish women artists: It’s closed on Shabbat and Jewish holidays, and among the art and design books on the shelves are siddurs, or prayer books.
Welcome to Muse Brooklyn, a coworking space built by and for Jewish women artists. The brainchild of Lenore Mizrachi-Cohen, a conceptual artist and observant Jew, the space doubles as an arts event space for its corner of Brooklyn, which is home to a significant Syrian Jewish community. Some 38,200 and 55,000 Syrian Jews live in the surrounding neighborhoods, according to a recent study commissioned by JIMENA, a nonprofit that advocates Middle Eastern and North African Jews — and, so far, all seven members of the shared studio are Mizrahi Jews.
“I initially started it for my own needs,” said Cohen, a 35-year-old married mother of four who has been working as an artist and calligrapher for 15 years.
Cohen was inspired to create Muse after a stint, in 2019, at a women-only art studio in Jerusalem. That shared space — which was designed for religious women often facing communal pressures against their artistic pursuits — opened her eyes to what a neighborhood studio for women like her could look like.
“It was 12 minutes away from my house, and it was a very supportive environment,” Cohen recalled. When she returned to New York she sought something similar in Brooklyn, but didn’t find it. “That’s when I realized that if it doesn’t exist in my own neighborhood, then it’s my job to make it.”
At Muse Brooklyn, the seven current members are all part of the local Syrian Jewish community, and all are at least somewhat traditionally observant. (There’s room for twice as many members, Cohen added, and being Jewish, Mizrahi or religious is not required.) In the shared space, the women — who each pay $206 a month — can draw, paint, or work in any medium they like, as well as brainstorm ideas with each other in a supportive environment of a shared identity. And because the space is women-only, members never need to worry about issues of yichud, the Jewish laws prohibiting men and women who are not married to each other from being secluded together.
The idea for Muse predated the war in Gaza, but Cohen said the tense climate for some Jewish artists within the city’s existing cultural institutions that resulted fueled her drive.
Lenore Mizrachi-Cohen, artist and founder of Muse artist studio in Brooklyn, drafts a calligraphy project. (Jackie Hajdenberg)
Previously a member at a shared studio in Red Hook, Brooklyn, Cohen said that she had felt singled out there as a Jew, recalling that she was once asked if she was comfortable with another artist donating money to a pro-Palestinian children’s charity.
“A, that’s weird that you think I would have a problem with that. B, it’s already somewhat of an issue that they’re creating: ‘Oh, you’re Jewish, but I’m a ‘free Palestine’ person,’” Cohen said.
Cohen began looking for a space to execute her vision in September 2023. Muse Brooklyn officially launched exactly a year later, when she found a space to rent within a larger complex currently used as a music coworking space by another member of the Syrian community.
Aimee Swed, a 32-year-old content and marketing professional and mother of two young boys, joined Muse when it opened last fall. Swed said that, as a Shabbat-observant Jew, she felt “very discouraged from entering the art world.” Many galleries held openings on Friday nights, she explained, and workshops and classes were often on Saturdays.
An artist who works in watercolor, acrylics and multimedia, she said her work has been “transformed” by the shared Jewish space.
“The camaraderie kind of reinitiated my own artistic practice,” said Swed, whose work focuses on the food found on her Syrian Jewish Shabbat table, like her watercolors of kibbeh meatballs with rice and meat. “It’s really something that became very important to me, because it felt so good to create with others, and finally find a space that was very friendly towards what you were creating.”
Much of artist Aimee Swed’s work focuses on the foods of her Syrian-Egyptian Jewish heritage. (Courtesy Aimee Swed)
Now that she works in a studio with other Mizrahi Jewish artists, Swed, whose family is Syrian via Egypt, finds inspiration all around her, including Cohen’s Arabic calligraphy. “One of the first things that I made was [a painting of] some phrases, like, ‘yom asal, yom basal,’ — ‘one day onion, one day honey’ [which] is what my grandma would say,” she said.
Not everyone who comes to Muse is necessarily working on Jewish art. For Shelley Shamah, a 22-year-old illustrator, graphic designer and photographer, Muse is simply a safe space for artists who happen to be Jewish.
Shamah, who also joined last fall, was drawn to Muse because she needed “to be in a space that fuels creativity,” she said.
Part of that, she explained, is simply being around likeminded people. “Jews are a microcosm of the world, but Syrians are a microcosm of Jews,” she said.
Shelley Shamah paints a canvas for her dining room. (Jackie Hajdenberg)
On a recent Tuesday, Shamah, a recent graduate of the Pratt Institute, was working on a canvas for her dining room, which she will soon be sharing with her fiancé, a musician.
Shamah and another young Muse member, Allie Saada, a recent graduate of the Fashion Institute of Technology, consider themselves part of the “younger bunch” of artists in the group.
Not yet married or mothers, they feel they can take full advantage of the space, coming in at all hours of the day and night, where they often run into each other.
For Swed, whose sons are 4 and 5, the space provides almost the opposite advantage.
“It was really hard, like any working mom, trying to step back into another world once she’s had children,” Swed said. “So as a mom coming into an all-women space, that felt really good, too.”
The studio also functions as a space for the neighborhood to engage in the arts. Several times a month, Muse holds events such as art classes, paint-and-sip nights and museum tours, taught and led by its members, and always with the Jewish holiday schedule in mind. Shelley Shamah even had her 22nd birthday party, a drink-and-draw night, in the space with a dozen of her friends.
Ultimately, Cohen hopes that Muse will grow into a robust network of Jewish women artists. “The more people you have in the space who generate opportunities like this, the better it is for everyone concerned,” Cohen, who’s shown work at the Jewish Museum in Vienna, the Museo Ebraico in Lecce, Ital,y and the Jewish Museum in Amsterdam, said. “All your best opportunities in your career as an artist, at least for me, come from other artists.”
She added: “Create the conditions to be successful. Show up and watch what happens.”
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The post In Brooklyn, a shared studio empowers Mizrahi women artists appeared first on Jewish Telegraphic Agency.
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Iran Accuses US of Ground Assault Plans as Pakistan Hosts Regional Talks
Foreign Ministers Badr Abdelatty of Egypt, Prince Faisal bin Farhan Al Saud of Saudi Arabia, Ishaq Dar of Pakistan and Hakan Fidan of Turkey pose for a group photo during their meeting to discuss regional de-escalation, amid the U.S.-Israel conflict with Iran, in Islamabad, Pakistan, March 29, 2026. Photo: Muammer Tan/Turkish Foreign MinistryHandout via REUTERS
Iran said it was ready to respond to any US ground attack, accusing Washington of preparing a land assault while seeking talks, as regional powers met in Pakistan on Sunday to try to bring the two sides together.
The initial discussions in Islamabad with Saudi Arabia, Turkey and Egypt focused on proposals to reopen the Strait of Hormuz to shipping, sources familiar with the matter said. More talks will be held on Monday.
Iran’s effective blockade of oil and gas shipments through the strait since the US and Israel began attacking the country on February 28 is spreading economic pain around the world. Food and energy security and supply chains were among issues discussed in Pakistan, Egypt’s foreign ministry said.
As the conflict entered its second month, Israel‘s military said it had launched over 140 air strikes on central and western Iran, including Tehran, over the 24 hours to Sunday evening, hitting ballistic missile launch sites and storage facilities, among other targets.
A chemical plant in southern Israel near the city of Beer Sheva was hit by a missile or missile debris as Israel fended off multiple salvos from Iran, prompting official warnings to the public to stay away due to “hazardous materials.”
Another missile hit open ground near homes in Beer Sheva, located near several military bases, injuring 11 people.
The war has killed thousands of people and affected countries across the Middle East, with major aluminum plants in Bahrain and the United Arab Emirates damaged by air strikes over the weekend.
The UAE, which has faced more Iranian missile and drone attacks than any other country, is seeking reparations from Iran for attacks on civilians and vital facilities and clear guarantees to prevent any repetition, an adviser to the president said.
Pakistan has offered to host peace talks, but the United States, Israel and Iran have set out maximalist positions to end the warfare, complicating the path to a solution.
Iran’s parliament speaker Mohammad Baqer Qalibaf accused the US of sending messages about possible negotiations while at the same time planning to send in troops, adding that Tehran was ready to respond if US soldiers were deployed.
“As long as the Americans seek Iran’s surrender, our response is that we will never accept humiliation,” he said in a message to the nation.
Yemen’s Iran-aligned Houthis joined the conflict on Saturday launching their first attacks on Israel and raising the prospect they could target and thus block a second key shipping route, the Bab el-Mandeb Strait. Analysts say renewed attacks there would pile further pressure on the world economy.
US MARINES START ARRIVING IN MIDDLE EAST
Washington has dispatched thousands of Marines to the Middle East, with the first of two contingents arriving on Friday aboard an amphibious assault ship, the U.S. military has said.
The Washington Post quoted US officials as saying the Pentagon was preparing for weeks of ground operations in Iran, adding that it was not yet clear if President Donald Trump would approve such plans.
Reuters has reported that the Pentagon has considered military options that could include ground forces.
Trump faces a stark choice between seeking a negotiated exit or escalating militarily that risks a protracted crisis, and would likely weigh further on his already low approval ratings.
“President Trump has poor options all around to end the war,” said Jonathan Panikoff, former US deputy national intelligence officer for the Middle East.
“Part of the challenge is the lack of clarity related to what a satisfactory outcome would be,” Panikoff added.
Washington said last week it had offered a 15-point ceasefire plan, with a proposal to reopen the Strait of Hormuz and restrict Iran’s nuclear program, but Tehran has rejected the list and put forward proposals of its own.
ISRAEL HITS DOZENS OF TARGETS ACROSS IRAN
An Israeli official said Israel would continue carrying out strikes against Iran on what were described as military targets, adding there was no intention to scale back the campaign ahead of any possible talks between Washington and Tehran.
A building housing Qatar’s Al-Araby TV in Tehran was hit on Sunday, the semi-official Mehr news agency reported, with video showing walls and windows blown out of the multi-storey block.
“The missile hit. The ceiling and everything fell on our heads. Unfortunately, we couldn’t continue to work. It was a real miracle we survived,” said Al Araby camera operator Mohammadreza Shademan. “There was no military target here.”
With US midterm elections due in November, the increasingly unpopular war has weighed on Trump’s Republican Party. Demonstrators took to city streets across the US on Saturday in protests against the conflict.
Trump has threatened to hit power stations and other energy infrastructure if Iran does not open the Strait of Hormuz, though he has extended a deadline by 10 days through April 6.
A European diplomat warned that any further military escalation could make it harder to bring the two sides together, potentially delaying the possibility by weeks, if not longer.
Iranian threats against ships have kept most oil tankers from attempting the waterway. Iran has agreed to let an additional 20 Pakistani-flagged vessels pass through the strait, with two ships permitted to transit daily, Pakistan’s Foreign Minister Ishaq Dar has said, calling it a “harbinger of peace.”
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Pentagon Preparing for Weeks of Ground Operations in Iran
US Secretary of Defense Pete Hegseth holds a briefing with Chairman of the Joint Chiefs of Staff General Dan Caine, amid the US-Israeli war on Iran, at the Pentagon in Washington, DC, US, March 19, 2026. Photo: REUTERS/Evan Vucci
The Pentagon is preparing for weeks of ground operations in Iran, the Washington Post reported Saturday, citing US officials.
The plans could involve raids by Special Operations and conventional infantry troops, the Post reported. Whether President Donald Trump would approve any of those plans remains uncertain, according to the Post.
The Trump administration has deployed US Marines to the Middle East as the war in Iran stretches into its fifth week, and also has been planning to send thousands of soldiers from the US Army’s 82nd Airborne to the region.
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America’s oldest synagogue closed. Then an unlikely group tended its cemetery.
In 1833, Herald of the Times, a Newport, Rhode Island, newspaper, reported that the remains of Mrs. Rebecca Lopez had been brought from New York by steamboat and placed inside Touro Synagogue.
Dedicated in 1763, the building is now recognized as the nation’s oldest surviving synagogue. Newport had once been home to a thriving colonial Jewish community, but after the Revolutionary War and the city’s economic decline, that community had largely faded. The cemetery remained, and so did the synagogue. It was during that long interval of near-absence that Lopez’s funeral briefly reopened Jewish ritual life in Newport.
After prayers were read by Rabbi Isaac Seixas of New York, the body was carried to the cemetery on Touro Street, with “the clergy, town council, and a numerous concourse of spectators” joining the funeral procession. The paper noted that a Jewish ceremony had not been performed there “for the space of forty years.”
Newport’s Jewish burial ground dated to 1677. In 1822, Abraham Touro left money for the upkeep of the cemetery, the synagogue, and the street on which they stood. The fund was placed under trustees appointed by the Rhode Island legislature, and Newport’s Town Council was later authorized to use the interest for repairs.
While Newport’s Jewish population declined, the endowment ensured that the synagogue building and cemetery grounds continued to be maintained. In 1826, the Town Council reported that it had tried to repair the synagogue using the Touro fund, but could not proceed because it had not been able to obtain the keys from Shearith Israel in New York. Many of Newport’s former Jewish residents had relocated there, and the congregations had longstanding ties.
In 1842, the council contracted to enclose the synagogue lot with a substantial stone wall and an ornamental cast-iron fence, modeled on the fence around the Jewish cemetery. The work included a Quincy granite base and a gateway on Touro Street designed to correspond with the synagogue’s portico. The project cost $6,835.
The synagogue’s doors rarely opened, and often only for moments of mourning. In June 1854, Newport received the body of Judah Touro, one of the most prominent American Jews of his era, a native of the town and brother of Abraham Touro. The Herald of the Times reported that “the streets was [sic] crowded with people, the stores all closed, and the bells tolled.”
The City Council assembled at City Hall and marched in procession to the synagogue, where “thousands remained outside” during the service. At the funeral, Newport’s mayor, William C. Cozzens, spoke of the trust that had long existed between the city and local Jewish families, recalling that the synagogue and cemetery had been left in Newport’s care and maintained there “with ample means for their preservation.”
When Henry Wadsworth Longfellow visited Newport’s Jewish cemetery that same year, he wrote of the graves as “silent beside the never-silent waves.” He noticed, too, what endured there: “Gone are the living, but the dead remain,” he observed, “and not neglected.”
Newport’s preservation of Jewish sacred space was shared. Jews endowed these places and returned to bury their dead there. Christian officials repaired, protected, and publicly honored them. In this way, a Jewish inheritance was carried forward until communal life returned.
In 1883, Touro Synagogue was rededicated and a new Jewish community established in Newport. But even in the window of years when the congregation was gone, the dead were not abandoned.
The graves were kept.
The post America’s oldest synagogue closed. Then an unlikely group tended its cemetery. appeared first on The Forward.