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TV star Lisa Edelstein captures her Jewish family in a solo painting exhibit

(JTA) — Like many of us left without plans during the initial COVID-19 lockdown in 2020, Lisa Edelstein spent some of her time rummaging through old family photographs. But instead of just basking in the nostalgia, she was also on the lookout for her next painting project.

Since then, the actress, known for her often Jewish roles on several hit TV shows — from “House” to “Girlfriends’ Guide to Divorce” to “The West Wing” to “The Kominsky Method” — has been producing paintings that recreate old photos of her Jewish family. She is showing them at her first solo art exhibition, titled “Family,” at the SFA Advisory art gallery in downtown Manhattan through Jan. 25.

“I don’t think there is any way around my Jewishness being a part of what I do or make, whether or not I intend to make it a part of it,” says Edelstein. “Almost every role I get turns Jewish if it lasts long enough. I don’t think of myself as so obviously a Jew, but my name definitely gives it away and I don’t mind.”

Her Jewish identity comes through in her paintings, too. Like the photos they are modeled after, they capture family members in candid moments, often at group events. There are works of men in yarmulkes kissing family members on the cheek at a celebration, of a woman mid-phone call, of kids and adults stuffing their faces at a pizza parlor.

“What I’m looking for are those images that tell a more honest story, a caught moment, an odd angle, an awkward pose,” Edelstein said. “We don’t have images like that anymore, the world is too camera savvy and our phones are so high tech that we can just delete things that tell stories we’d like to forget or filter them into something else. Back when we took pictures on film, each photo took time, effort, and money to produce, so even if we hated it, we tended to keep it, at least in a box somewhere. Those are the ones I’m looking for.”

Edelstein, 56, grew up in Wayne, New Jersey, in a Conservative Jewish household observing all the holidays and Shabbat.

“Though I was raised with a healthy Jewish identity, it wasn’t without embarrassment and apologetics,” she said. It didn’t help that the local head of the school board, who later became mayor, published an article in a local paper telling people not to vote for the Jews for the school board because they would cancel Christmas.

“Matriarchs of Brooklyn,” by Lisa Edelstein. (Courtesy of SFA Advisory)

“The way people talk about Jewish women in particular, with for example the word JAP [a derogatory term used to describe young Jewish women], is really disgusting. On some level, I think there was a feeling that I needed to dissociate myself with that identity in order to not be that thing that people associated with that identity,” she said.

She did consider changing her name when she moved to Los Angeles in 1991, thinking it could help her career. But she said it would have taken away from any feeling of true success. It was letting Hitler win, she said.

Lisa Edelstein, shown in a studio with some of her works, is known for playing Jewish characters on TV. (Holland Clement)

She has since dealt with antisemitism in her career, from being lumped into a non-specific “ethnic” category at the start of her career, to not getting a job because they already had a Jewish actor — and two Jews were considered one Jew too many.

A few years ago, Edelstein posted an old photo of herself with her mother and two siblings on Instagram for her mother’s birthday, and it happened to be in front of the Western Wall in Jerusalem. She got death threats in public comments, which she deleted, on the post.

“And lately, just painting a yarmulke feels like a radical move, never mind painting an El Al logo or even just Jewish faces. It’s suddenly daring to just be publicly Jewish,” she said.

“Pizza,” by Lisa Edelstein. (Courtesy of SFA Advisory)

But she wasn’t afraid to put Jewish-themed art on display. She was more nervous about the entire project in the first place.

“Actresses are a breed that people love and they also love to hate, so you just don’t know what the public response is going to be. But I felt very supported within the art community, at least the one I’m in,” she said.

“Kids,” by Lisa Edelstein. (Courtesy of SFA Advisory)

Edelstein enjoyed drawing as a child and teen, but she didn’t continue with it after high school. It wasn’t until pandemic lockdown that she returned seriously to the art form. It started with buying adult coloring books to fill the time, but she didn’t like the images in them and decided to make her own. Her husband, Robert Russell, an artist himself, pushed her to do more, and the images got larger and larger, until she went from magic marker to watercolor.

Russell always encouraged her to make things — when they first started dating, he asked her to make him a drawing about a week into their relationship. Always a fan of using photography as a starting point for her work, she gave him a drawing of herself at four years old sitting on the beach holding a crab. (He had given her a painting of two doves on their second date.)

“Dessert,” by Lisa Edelstein. (Courtesy of SFA Advisory)

“Suddenly I realized I actually did have permission to do this stuff, not because he gave it to me, but because I always had,” Edelstein said.

She will continue to act, write and direct, but she wants to continue in her new career, too. Edelstein is toying with the idea of adding drawings to a Passover haggadah that she wrote for her family and updates every year. If she published the haggadah for public consumption, the drawings could turn the seder book into a coloring book of sorts for small children.

“I have a lot of energy, so I’m up for whatever,” she said. “And I think it’s important to view all of these things as one. They’re just different ways my body pushes out ideas. Each one feeds the other.”


The post TV star Lisa Edelstein captures her Jewish family in a solo painting exhibit appeared first on Jewish Telegraphic Agency.

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Rights Groups Say at Least 16 Dead in Iran During Week of Protests

People walk past closed shops following protests over a plunge in the currency’s value, in the Tehran Grand Bazaar in Tehran, Iran, December 30, 2025. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

At least 16 people have been killed during a week of unrest in Iran, rights groups said on Sunday, as protests over soaring inflation spread across the country, sparking violent clashes between demonstrators and security forces.

Deaths and arrests have been reported through the week both by state media and rights groups, though the figures differ. Reuters has not been able to independently verify the numbers.

The protests are the biggest in three years. Senior figures have struck a softer tone than in some previous bouts of unrest, at a moment of vulnerability for the Islamic Republic with the economy in tatters and international pressure building.

SUPREME LEADER SAYS IRAN WILL NOT YIELD TO ENEMY

President Masoud Pezeshkian told the Interior Ministry to take a “kind and responsible” approach toward protesters, according to remarks published by state media, saying “society cannot be convinced or calmed by forceful approaches.”

That language is the most conciliatory yet adopted by Iranian authorities, who have this week acknowledged economic pain and promised dialogue even as security forces cracked down on public dissent in the streets.

US President Donald Trump has threatened to come to the protesters’ aid if they face violence, saying on Friday “we are locked and loaded and ready to go,” without specifying what actions he was considering.

That warning prompted threats of retaliation against US forces in the region from senior Iranian officials. Supreme Leader Ayatollah Ali Khamenei said Iran “will not yield to the enemy.”

Kurdish rights group Hengaw reported that at least 17 people had been killed since the start of the protests. HRANA, a network of rights activists, said at least 16 people had been killed and 582 arrested.

Iran’s police chief Ahmad-Reza Radan told state media that security forces had been targeting protest leaders for arrest over the previous two days, saying “a big number of leaders on the virtual space have been detained.”

Police said 40 people had been arrested in the capital Tehran alone over what they called “fake posts” on protests aimed at disturbing public opinion.

The most intense clashes have been reported in western parts of Iran but there have also been protests and clashes between demonstrators and police in Tehran, in central areas, and in the southern Baluchistan province.

Late on Saturday, the governor of Qom, the conservative centre of Iran’s Shi’ite Muslim clerical establishment, said two people had been killed there in unrest, adding that one of them had died when an explosive device he made blew up prematurely.

HRANA and the state-affiliated Tasnim news agency reported that authorities had detained the administrator of online accounts urging protests.

CURRENCY LOST AROUND HALF ITS VALUE

Protests began a week ago among bazaar traders and shopkeepers before spreading to university students and then provincial cities, where some protesters have been chanting against Iran’s clerical rulers.

Iran has faced inflation above 36 percent since the start of its year in March and the rial currency has lost around half its value against the dollar, causing hardship for many people.

International sanctions over Iran’s nuclear program have been reimposed, the government has struggled to provide water and electricity across the country through the year, and global financial bodies predict a recession in 2026.

Khamenei said on Saturday that although authorities would talk to protesters, “rioters should be put in their place.”

Speaking on Sunday, Vice President Mohammadreza Aref said the government acknowledged the country faced shortcomings while warning that some people were seeking to exploit the protests.

“We expect the youth not to fall into the trap of the enemies,” Aref said in comments carried by state media.

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Antisemitic Graffiti Painted on the Facade of Canada Synagogue

Antisemitic graffiti on a synagogue in Winnipeg, Canada. Photo: CIJA, via i24.

i24 NewsThe Winnipeg police in central Canada have opened a hate crime investigation after the discovery of swastikas and antisemitic messages spray-painted on the exterior of the Shaarey Zedek synagogue, one of the city’s main Jewish congregations. The graffiti is believed to have been done during the night from Saturday to Sunday.

The acts of vandalism were discovered early in the morning. Several hateful symbols were visible on exterior parts of the building. No injuries were reported. Officers went to the scene to assess the damage and secure the premises. The police are currently reviewing surveillance footage from the area and are asking anyone with information to come forward.

The incident has drawn strong condemnation from national and local Jewish organizations. The Centre for Israel and Jewish Affairs (CIJA) denounced these acts, stressing that the desecration of Jewish institutions with Nazi symbols requires a firm response from municipal and police authorities.

The Jewish Federation of Winnipeg has also condemned what it calls “pure hatred,” warning that the repeated targeting of Jewish institutions poses a serious threat to the community’s safety. It has once again encouraged citizens to promptly report any hate-related incident to enable investigators to gather the necessary evidence.

These graffiti have appeared in a context of rising antisemitic incidents across the country. Community organizations note that synagogues, schools, and Jewish centers are increasingly being targeted, particularly during times of international tension, even when they have no direct connection to those events.

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Oil Prices Likely to Move Higher on Venezuelan Turmoil, Ample Supply to Cap Gains

FILE PHOTO: The Guinea-flagged oil tanker MT Bandra, which is under sanctions, is partially seen alongside another vessel at El Palito terminal, near Puerto Cabello, Venezuela December 29, 2025. Photo: REUTERS/Juan Carlos Hernandez/File Photo

Oil prices are likely to move higher when benchmark futures resume trading later on Sunday on concern that supply may be disrupted after the United States snatched Venezuelan President Nicolas Maduro from Caracas at the weekend and President Donald Trump said Washington would take control of the oil-producing nation.

There is plentiful oil supply in global markets, meaning any further disruption to Venezuela’s exports would have little immediate impact on prices, analysts said.

The US strike on Venezuela to extract the country’s president inflicted no damage on the country’s oil production and refining industry, two sources with knowledge of operations at state oil company PDVSA said at the weekend.

Since Trump imposed a blockade of sanctioned oil tankers entering or leaving Venezuelan waters and seized two cargoes last month, exports have fallen and have been completely paralysed since January 1.

That has left millions of barrels stuck on loaded tankers in Venezuelan waters and led to millions more barrels going into Venezuelan oil storage.

The OPEC member’s exports fell to around 500,000 barrels per day in December, around half of what they were in November. Most of the December exports took place before the embargo. Since then, only exports from Chevron of around 100,000 bpd have continued to leave Venezuela. The global oil major has US authorization to produce and export from Venezuela despite sanctions.

The embargo prompted PDVSA to begin cutting oil output, three sources close to the decision said on Sunday, because Venezuela is running out of storage capacity for the oil that it cannot export. PDVSA has asked some of the joint ventures that are operating in the country to cut back production, the sources said. They would need to shut down oilfields or well clusters.

Trump said on Saturday that the oil embargo on Venezuelan exports remained in full effect. If the US government loosens the embargo and allows more Venezuelan crude exports to the US Gulf, there are refiners there that previously processed the country’s oil.

The weekend’s events were unlikely to materially alter global oil markets or the global economy given the US strikes avoided Venezuela’s oil infrastructure, said Neil Shearing, group chief economist at Capital Economics.

“In any case, any short-term disruption to Venezuelan output can easily be offset by increased production elsewhere. And any medium-term recovery in Venezuelan supply would be dwarfed by shifts among the major producers,” he said in a note.

Trump also threatened on Friday to intervene in a crackdown on protests in Iran, another OPEC producer, ratcheting up geopolitical tensions. Trump on Friday said “we are locked and loaded and ready to go,” without specifying what actions he was considering against Tehran, which has seen a week of unrest as protests over soaring inflation spread across the country.

“Prices may see modest upside on heightened geopolitical tensions and disruption risks linked to Venezuela and Iran, but ample global supply should continue to cap those risks for now,” said Ole Hansen, head of commodities research at Saxo Bank.

On Sunday, the Organization of the Petroleum Exporting Countries and their allies agreed to maintain steady oil output in the first quarter, OPEC+ said in a statement. Both Venezuela and Iran are members of OPEC. Several other members of OPEC+ are also embroiled in conflict and political crises.

The producer group has put increases in production on pause for the first quarter after raising output targets by around 2.9 million barrels per day from April to December 2025, equal to almost 3% of world oil demand.

Brent and US crude futures settled lower on Friday, the first day of trading of 2026, as investors weighed oversupply concerns against geopolitical risks. Both contracts closed 2025 with their biggest annual loss since 2020 marked by wars, higher tariffs, increased OPEC+ output and sanctions on Russia, Iran and Venezuela.

VENEZUELA

“The political transition in Venezuela adds another major layer of uncertainty, with elevated risks of civil unrest and near-term supply disruptions,” said Jorge Leon, head of geopolitical analysis at consultancy Rystad Energy and a former OPEC official.

“In an environment this fragile, OPEC+ is choosing caution, preserving flexibility rather than introducing new uncertainty into an already volatile market.”

Trump said on Saturday that the US would control the country until it could make an orderly transition, but an interim government led by vice president and oil minister Delcy Rodriguez remains in control of the country’s institutions, including state energy company PDVSA, with the blessing of Venezuela’s top court.

A top Venezuelan official said on Sunday that the country’s government would stay unified behind Maduro amid deep uncertainty about what is next for the Latin American country.

Trump said that American oil companies were prepared to reenter Venezuela and invest billions of dollars to restore production there.

Venezuela is unlikely to see any meaningful boost to crude output for years even if US oil majors do invest the billions of dollars in the country that Trump has promised, analysts said.

“We continue to caution market observers that it will be a long road back for the country, given its decades-long decline under the Chávez and Maduro regimes, as well as the fact that the US regime change track record is not one of unambiguous success,” Helima Croft, RBC Capital’s head of commodities research, said in a note.

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