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Two late iconic Israeli singers have been resurrected via AI for a duet. Not everyone is happy about it.
(JTA) — Two popular Israeli singers — one the “Madonna of the East,” the other the “king” of Mizrahi music as well as a convicted rapist — have teamed up on a new song in honor of their country’s 75th birthday.
The twist: Both Ofra Haza and Zohar Argov have been dead for decades.
Their collaboration, “Here Forever,” wasn’t unearthed in a dusty archive. Instead, the song and its accompanying video are essentially deepfakes, created using artificial intelligence that mined recordings from when they were alive to fabricate a lifelike performance of a song composed long after their deaths.
Their families signed off on the song, a soulful duet about Israel’s bygone past that has caught on among Israeli listeners. But some in the country are asking why Argov, who died in prison while facing another rape charge, should be a centerpiece of Israel’s Independence Day celebrations.
Meanwhile, others who were close to the artists, including Haza’s longtime manager Bezalel Aloni, have panned the song.
“The song does not resemble the tone of her divine voice,” Aloni told Israeli news outlet N12. “She broke through thanks to her artistry, and none of that is reflected in this piece. ֿI want to cry for her.”
An Argov impersonator who was part of the team that created the song also slammed it in the press, calling it “shameful” for not accurately reproducing Argov’s voice.
The song is part of a growing trend of using AI to create new tracks with pop stars’ voices. Fresh, but fake, songs or covers have been published using the vocals of artists like Drake and Rihanna, raising ethical questions as to who owns an artist’s voice or likeness.
The new song’s popularity — the video has racked up 200,000 views since launching last week, and the song is the 16th-most-requested in Israel on Shazam, a music app — also suggests that Israelis are embracing nostalgia for a shared Israeli past at a time when the country is occupied with social strife and political upheaval.
“Not to be too cliched, but with everything that’s been happening in the last three months, that offered a lot of inspiration,” Oudi Antebi, CEO and co-founder of Session 42, the Israeli music production company spearheading the AI music project, told the Times of Israel.
The video for “Here Forever” uses archival footage of the singers to make them look like they’re singing the song, combined with grainy scenes from Israel during earlier eras of its history.
Both Haza and Argov played a role in shaping that history through their music, which earned them distinctive nicknames. Haza, who died in 2000, was dubbed the “Madonna” of Israel, and is perhaps best known to American audiences for her singing on the soundtrack of the 1998 animated musical film “The Prince of Egypt.” Her musical style blended Mizrahi influences and pop.
Argov was called, simply, the “king” of Mizrahi music, and he helped mainstream the genre that is rooted in the songs and poetry of Jews from across the Middle East and North Africa. But his life and legacy have been tainted by a conviction for rape as well as other criminal charges. He died by suicide in a prison cell in 1987 while facing his second rape charge, nearly 10 years after the conviction. Even so, in the decades since his death, his music has become ever more popular. He is one of the most-played artists on Israeli radio, even after growing awareness of sexual abuse in the years since the beginning of the #MeToo movement.
“I had hoped, but it’s hard to say I expected” that attitudes toward Argov would change, Orit Sulitzeanu, executive director of the Association of Rape Crisis Centers in Israel, told the Times of Israel last year in an article exploring Argov’s legacy. “Until there is societal shaming, sexual violence will continue all over the place,” she said. “There have to be people pushing for it … the only way to make change is through activism.”
In a column last week, Israeli music journalist Avi Sasson suggested that Argov’s rape conviction should have been grounds for excluding him from “Here Forever.”
“What about this pairing?” Sasson wrote in the Israeli publication Ynet. “After all, Ofra Haza and Zohar Argov worked in parallel in the ’70s and ’80s, and when they could have collaborated, they chose not to. Moreover, did anyone stop to think about the fact that, had Ofra Haza been alive today, in the #MeToo era, perhaps she wouldn’t have opted to record a duet with Argov, a person who was convicted of rape and later ended his life in a jail cell?”
For his part, Aloni said that Haza “vehemently refused to collaborate with Zohar Argov,” but the manager did not attribute that refusal to Argov’s rape conviction. Rather, although Haza is widely described as a Mizrahi singer and was of Yemeni Jewish descent, Aloni said Haza did not consider her musical genre to be Mizrahi.
Antebi said that after conducting a poll to see which artists best represented Israel, the vast majority voted for Haza and Argov.
Antebi told the Times of Israel that the track is “a love song for the nation.” Its chorus seems to allude not only to Israeli resilience but also to the technological innovation that made the song possible — and that has placed new words in Argov and Haza’s mouths long after their passing.
“I’ll stay here always, I’ve missed you,” the lyrics read. “Even if you can’t see it, we are here forever.”
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Jon Stewart, Here Is Your Chance to Be a Mensch
Jon Stewart on “The Daily Show” on April 8, 2024. Photo: Screenshot
There is no doubt that Jon Stewart has great comedic ability and the gift of gab. In a sneak attack many years ago, he had a mic drop moment where he destroyed Tucker Carlson’s show CrossFire, telling him to stop hurting America. At that time, all Carlson did was have an aggressive political debate show — he wasn’t spewing Jew-hatred and conspiracy theories.
Stewart, who must know something about antisemitism because he felt a need to change his name from Leibowitz to Stewart, raised The Daily Show to great heights and came out of retirement ostensibly to try to make sure that President Trump is lampooned.
I know Jon Stewart is a person who cares about justice, because he fought very hard for the rights of 9/11 firefighters. The passion Stewart showed and his ability to speak truth to power was unrivaled. Some even thought he even had the potential to be a president one day. If Ukraine can have a president that was a comedian, why not America?
Of course, Stewart would be good if his focus was justice. It isn’t always. Sometimes, it’s only about haranguing Trump, no matter what. How about a few shows against antisemitism. He took on Tucker Carlson once. Why not do it again? While Tucker’s no longer wearing a bowtie, he’s saying he was attacked by a demon and Candace Owens is making claims about time machines. What about a one-hour Netflix or Apple TV+ show lambasting them both. It would be monumental.
But Stewart is hoping that Carlson and Owens continue to wreak havoc, and benefit the Democratic Party. And with only a few more years of Trump, those who want to vilify him want to get their last shots in and may not want to divert to something else. I believe that Stewart is against antisemitism. But he should call it out on all sides, and not mock Israel, a country that faced genocidal terrorists who would kill every Jew if they had the weapons to do so.
Jon Stewart is 63 and mentally sharp. He is capable of much better jokes than about physical appearance, which he recently used to attack Sid Rosenberg. Stewart would be better off criticizing Rosenberg’s positions, or perhaps that’s a bit more difficult these days.
If Stewart really wants to advance justice, he could start by attacking antisemites and racists, on both the right and left. He has the rare talent to do it in an impressive way.
Jon Stewart was the greatest mensch when he fought for firefighters. This is his time to do it again.
The author is a writer based in New York.
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Fatah Glorified Munich Olympics Massacre Ahead of 2026 Winter Olympics
An image of one of the Palestinian terrorists who took part in the 1972 Munich Olympics massacre. Photo: Wikimedia Commons.
While the world was preparing to celebrate the Olympic Games in Italy, Fatah celebrated Olympic blood in Munich.
Just two weeks before the opening of this year’s Winter Olympics, Fatah — the Palestinian Authority (PA)’s ruling party — chose to revive and celebrate the most infamous act of Olympic terrorism in history: the 1972 Munich Olympics massacre, in which 11 Israeli athletes and coaches were murdered.
On its Facebook page, Fatah’s Commission of Information and Culture posted a segment from its Awdah TV channel, glorifying the massacre as “a surprise Israel had not experienced before” and recounting how terrorists, whom she called “self-sacrificing fighters,” infiltrated the Olympic Village, seized Israeli hostages, and issued demands.
Responsibility for the murders was subtly shifted away from the terrorists, while the operation was presented as daring and historic:
Fatah-run Awdah TV host:“In September 1972, Israel was about to receive a surprise it had not experienced before. Eight self-sacrificing fighters [i.e., terrorists] invaded the quarters of the Israeli sports delegation that was participating in the Olympic Games in the German city of Munich. They captured nine Israelis and demanded to release hundreds of Palestinian prisoners [i.e., terrorists] who were in the Israeli prisons in exchange for the release of the hostages. Israel refused to negotiate, and the hostages were killed.”
[Fatah Commission of Information and Culture, Facebook page, Jan. 22, 2026]
On the same day, Fatah’s Commission of Information and Culture also lionized the architect of the Munich massacre, Ali Hassan Salameh, as “The Red Prince.”
Fatah described him as a brilliant “security mind” and strategic genius whose operations allegedly “embarrassed Israel:”
Text on screen: “The Red Prince, the commander whom the Mossad pursued for years. Ali Hassan Salameh was not a shadowy figure, but rather a security mind who created a secret battle …
He joined Fatah in the mid-1960s and was among its first security personnel. He quickly stood out for his organizational wisdom and ability, and sensitive missions were entrusted to him … He led the security activity of the revolution outside Palestine and built a complex defense network that embarrassed Israel. He became a central target of the Mossad, and his name topped the assassination lists.
[Then Israeli Prime Minister] Golda Meir gave the order to eliminate him, and the pursuit after him crossed continents … On Jan. 22, 1979, the Mossad assassinated him in Beirut using a car bomb. His assassination did not put an end to his presence, rather it established his status as one of the most dangerous minds of the revolution. Ali Hassan Salameh, a security commander and one of the symbols of the hidden strugglewith the occupation.” [emphasis added]
Posted text:“The Red Prince Ali Hassan Salameh, the commander whom the Mossad pursued for years”
[Fatah Commission of Information and Culture, Facebook page, Jan. 22, 2026]
Even more than 54 years later, the PA’s ruling party still treats the Munich Olympics massacre as a legacy to be celebrated.
By deliberately highlighting this massacre just before the Milano Winter Olympics, Fatah yet again shows how it is proud to promote terrorists and terrorism.
Ephraim D. Tepler is a researcher at Palestinian Media Watch (PMW), where a version of this article first appeared.
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How NPR Whitewashes the Palestinian Authority’s ‘Pay-for-Slay’ Program
Stuart and Robbi Force (left), parents of Taylor Force, with Reps. Doug Lamborn and Lee Zeldin. Taylor Force was killed by a Palestinian terrorist while visiting Israel. Photo: Algemeiner.
Even for NPR, the latest segment on its popular “All Things Considered” program crossed the line.
Headlined “Palestinian Authority tries to reform, but one measure is sparking a backlash,” the segment focused on the Palestinian Authority (PA)’s controversial “pay-for-slay” program, where imprisoned Palestinian terrorists and their families, or the families of Palestinians who were killed while committing acts of terrorism or trying to harm Israeli security forces, receive financial stipends.
However, instead of taking a critical look at “pay-for-slay,” NPR provided cover for the insidious PA program.
To begin, NPR immediately whitewashed the program in the subheading, referring to it merely as “payments to families whose relatives are killed or jailed by Israel.”
There was zero mention of the fact that this program incentivizes violence and terrorism by paying out more to families of terrorists than the PA’s regular social welfare pay-outs. In addition, there was no mention that these payments are based on the length of prison sentences rather than actual financial need.
And that was just the tip of the iceberg.
No, @NPR, this isn’t the reason the PA program is “controversial.”
The recipients of the cash are families of TERRORISTS – not Palestinians who committed minor crimes or were innocently caught in the crossfire, but bona fide terrorists whom you appear to be whitewashing. pic.twitter.com/WH0q1AkOBj
— HonestReporting (@HonestReporting) February 10, 2026
Throughout the story, NPR’s Emily Feng downplayed the vile nature of “pay-for-slay.”
“Pay-for-slay” wasn’t presented as a dangerous incentive for the murder of innocent Israelis, which was the target of American legislation (The Taylor Force Act).
Instead, the program was merely characterized as “controversial.” But using public funds to incentivize terrorism is something much more grave and consequential.
Along with this false characterization, NPR also portrayed the truth about the program as Israeli criticisms that “the PA pushes back against.”
It would be hard to find a more watered-down depiction of “pay-for-slay.”
Further on in the segment, Feng interviewed a Palestinian woman named Inaan who was receiving a monthly payment of 1,400 shekels ($440) since her son had been killed by the IDF.
This doesn’t seem like a lot of money. However, Feng failed to inform her audience that this is only the payment for family members of those killed by Israeli security forces (after a one-time payment of 6,000 shekels).
Terrorists in Israeli prisons can receive up to 12,000 shekels (roughly $3,900) per month.
This presentation of the monthly payments being inconsequential and of limited value is further emphasized by Feng’s next interviewee, Qadura Fares, who is quoted as saying, “The money — it’s mean [sic] nothing for those have believed [sic] that this occupation should be ended and to fight the occupation.”
Fares is the former head of the PA’s prisoners’ affairs commission. In passing, NPR also informed its audience that Fares served time in Israeli prison for “trying to kill Israeli soldiers.”
That’s right, NPR platformed a convicted terrorist.
Perhaps the words of someone who used to target Israelis should be taken with a grain of salt when discussing payments for imprisoned terrorists.
Fares resigned from his position after PA President Mahmoud Abbas announced an end to the “pay-for-slay” policy, stating that the only recipients would now be those who require economic assistance. Many groups, including Palestinian Media Watch (PMW), have provided documentation that the PA is still continuing “pay-for-slay” — though the PA is trying to hide the payments.
Along with Fares, Feng interviewed a couple of other Palestinians who were upset with this alleged reform and complained that the new system is not working properly.
What Feng failed to inform her audience is that this “reform” is alleged by analysts like PMW to be a ruse, with Abbas promising a Palestinian audience that imprisoned terrorists and the families of “martyrs” would continue to receive funds, and that the “reform” is more of a restructuring than an outright end to “pay-for-slay.”
Nearly a year after this “reform” was announced, many beneficiaries were still reportedly receiving their payments.
Perhaps the cherry on top is when Feng referred to the alleged reform as “trying to please outside powers.” As if the program didn’t require serious reform, but rather that the PA capitulated to foreign interference.
A whitewash indeed.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.