Features
Fredelle Bruser Maynard’s centenary and remembering “Raisins and Almonds”
By IRENA KARSHENBAUM While out walking recently, I came across a copy of “Confederacy of Dunces” by John Kennedy Toole in one of those free little libraries. Now the book doesn’t fit into my criteria of rare, lost or out-of-print works that I am usually on the hunt for, but knowing that this is one of the great American classics of the 20th century, which I had not yet read, I started reading it on the spot while thinking, can people see me from their front windows and think I’m like rummaging through their garbage?
I quieted the noise in my head, and concentrated on the lively story of the publisher, Walker Percy, recounting how he first came across the work; the mother of the author who turned out to be dead, started calling him incessantly, and in an attempt to push her off, Percy asked why he should read the book, only to be told that it was a “great novel.” (Many readers know how this story ends, the book won the Pulitzer Prize eleven years after the author’s suicide, thanks to Percy publishing the work.)
My search-for-publisher story is the exact opposite. For years, my mother knew I was writing a book and was after me to read it. Finally, I acquiesced and emailed her the manuscript. A few weeks later, my mother called and told me she nearly vomited when she got to the part where the main character masturbates (can I use this word in a PG-rated community newspaper?) and then asked me if I seriously thought someone would publish my book.
So, if I were to run a garden hose from the exhaust pipe into my car, while securing myself tightly inside (I have no inclination to do so), I know for a fact my mother will never make a nuisance of herself with some publisher. What I am trying to say here, is that every writer needs a champion. Just one. Toole had Walker Percy, and his mother. That’s two, hence the Pulitzer Prize. Franz Kafka had Max Brod. Anne Frank and Julia Child had Judith Jones. (Anne Frank also had her father.) I don’t have one, not even my mother. Now, Dear Reader, please don’t think my mother is some horrible person. She makes me blintzes and borscht and sends me home with massive care packages. It’s just that she couldn’t get past the masturbation scene, which she may be right about because when it comes to literary fiction, Sex. Does. Not. Sell.
Writers need champions not only to get published, but also not to get forgotten, as so many good books suffer this fate. My tale continues.
On another recent walk I was rummaging through a different free little library that was full of Catholic titles. I zeroed in on “Christ Stopped at Eboli” with a sketch of a cross as the backdrop for a crucified figure. I wasn’t about to take this book home with me. But then it was as if time had stopped. My breathing seized. Pudgy cupids fluttered in front of my eyes playing their little harps as my eyes rested on the name of the author — Carlo Levi. I pulled out my phone and googled the name. Italian. Jewish. Doctor. Painter. Author. Detained during the 1930s for his anti-Fascist activities in an impoverished Italian town, the memoir recounts this time. Fits my criteria: rare, lost and/or out-of-print, not to mention, fascinating time and place. I placed the book snuggly under my arm pit, looked around for any judging eyes and slunk away like some satisfied thief with her precious plunder.
I won’t be retelling the story of “Christ at Eboli” here because I’ve only just started reading it — it is good, so far — but I’ve brought the work to your attention so go find a copy and read it!
I’ve flown to Tasmania and back to make my convoluted points and have to get to the story I promised Bernie, “Raisins and Almonds,” a memoir by Fredelle Bruser Maynard. This book is not exactly forgotten because one thing I know about Winnipegers is that they are very cultured people and are faithful followers of their great literary tradition. The book is a quiet masterpiece that deservers to be remembered, celebrated and introduced to younger readers.
Originally published in 1972, it was one of the first Jewish memoirs to be published by a major publisher, Doubleday Canada Limited, and received wide-spread acclaim. Today, it is sadly out-of-print. I got my copy, luckily, when the Jewish Historical Society of Southern Alberta was purging its library — Fredelle Bruser Maynard belongs to Saskatchewan, to Manitoba, she is not “ours” they said — and knowing my interests post-publication of “Remembering a forgotten book, Winnipeg Stories” (in this newspaper), triumphantly handed me the fragile copy.
Through a series of short stories, “Raisins and Almonds” recounts the author’s life growing up in the 1920s and ‘30s in Saskatchewan and Manitoba. The memoir doesn’t pull at the heartstrings; it rips out the heart.
In a Jewish Christmas, Bruser Maynard writes about what it was like to be the only Jewish child in a small Saskatchewan town, in Birch Hills, during the Christmas season, “Christmas, when I was young, was the season of bitterness.” The story is painful to read not because little Fredelle is not like the other children and can’t have a Christmas tree or Christmas presents or is even cruelly taunted in the playground for having “killed Christ.” All of these experiences are hard and traumatic for a child to endure. What is so painful about this story is the vulnerability of the parents who at their core feel inferior as Jews and who will do anything — even have their child, “the town’s most accomplished elocutionist,” recite a Christmas poem at the yearly Christmas concert — for a scrap of Gentile acceptance. Of course, the Brusers are not the first Jews in history to hide or compromise their identity; Jewish pride or confidence is probably more of a historic rarity that flourishes when we have the good fortune to live in a Jewish golden age.
In The Silk Umbrella, the author describes her father’s loneliness and alienation being the only Jewish man living in one prairie town after another, “He had no friends but us. Would it have been different in the city, in a Jewish community? I don’t know. But certainly, marooned on the prairies, an island of Jewishness in a barbarian sea, he never formed ties beyond the limits of his business life….. He talked crops with farmers, theology with the local minister, household matters with women. But he would no more have thought of accompanying a farmer to the beer parlor than, years before, he could have joined a Cossack on a gallop across the steppes.”
Born in 1922, in Foam Lake, Saskatchewan, to Boris and Rona Bruser, Fredelle describes her childhood as growing up in a family “where women mattered” and as a result was able to pursue degrees from the University of Manitoba, University of Toronto and obtained a Ph.D. in English Literature from Radcliffe College (Harvard University). She married her former professor, Max Maynard, “the son of a Protestant clergyman,” which she wrote about in The Silk Umbrella. The interfaith marriage irrevocably damaged her relationship with her father, “Always a demonstrative man, my father embraced me very seldom after I married. In this new reserve, there was no hint of reproach. I remained his own dear child. Whatever had gone wrong, the fault must be his. If he had given me a proper Jewish education….”
The couple had two daughters, Rona Maynard and Joyce Maynard, both of whom followed their mother in her literary path. Joyce Maynard, as a teenager, briefly lived with J.D. Salinger, who was more than 30 years her senior, and wrote about the time in, “At Home in the World: A Memoir.”
My PaperJacks edition of “Raisins and Almonds,” that originally sold for $1.95, includes a number of review quotes, one being from Margaret Laurence, “Fredelle Bruser Maynard… communicates the sadness at the core of laughter… Her memoirs are so authentically prairie, Depression prairie, but they reach out far beyond any place or time.”
“Raisins and Almonds” remains as true now as when crisp copies lined book store shelves 50 years ago when it was first published. If only this beautiful book would be re-released today.
Irena Karshenbaum writes in Calgary irenakarshenbaum.com .
Features
Why casinos reject card payments: common reasons
Online casino withdrawals seem simple, yet many players experience unanticipated decreases. Canada has more credit and debit card payout refusals than expected. Delays or rejections are rarely random. Casino rules and technical processes are rigorous. Identity verification, banking regulations, bonus terms, and technological issues might cause issues.
Card payment difficulties can result from insufficient identification verification. Canadian casinos must verify players’ identities before accepting card withdrawals. If documentation are missing, obsolete, or confusing, the request may be stopped or denied until verified.
Banks and card issuers’ gaming policies are another aspect. Some Canadian banks limit or treat online casino payments differently from card refunds. In such circumstances, the casino may recommend a more reliable withdrawal method.
For Canadian players looking to compare bonus terms and payout conditions, check https://casinosanalyzer.ca/free-spins-no-deposit/free-chips. This article explores the main reasons Canadian casinos reject card payouts, from KYC hurdles to bank-specific restrictions, so you know exactly what to watch for.
Verification Issues: Why Identity Checks Matter
KYC rules must be activated by licensed casinos. Players need to submit proof of their identity, address and age. If any documentation is missing, expired or unclear, the withdrawal will be denied. In Canada, for instance, authorities like the AGCO or iGaming Ontario have been cracking down on KYCs by demanding that submitted documents – whether photo ID, utility bills or bank statements – be consistent with all account details.
Common errors are submitting screenshots, cropped photos or documents with names, dates or addresses that aren’t entirely visible. Just the slightest differences in spelling or abbreviations or formatting can get these blocks triggered.
Another possibility is that the account was red flagged if previous withdrawals were already made without partial verification. Keeping precise, readable documents helps facilitate approvals and cuts through delays and frustrating red tape, as Canadian gamblers access their winnings both safely and quickly.
Timing Matters
Verification isn’t always instant. Documents being submitted during the busiest times, or on weekends or holidays can only prolong that approval process, and the withdrawal sitting pre-approved – or refused for that matter – until the casino reviews the paperwork. A lot of players feel disappointment not due to mistakes, but only for that a verification team still hasn’t checked their documents! This can be especially frustrating when winnings come from free chips or bonus play and players are eager to cash out.
Keep personal information current and only submit clear legible files to reduce the processing time. Ensure that any scans or photos are sharp, fully visible and there is no detail missing. Preventing Gaffes With submission guidelines to read over ahead of time and directions for following them exactly, verification issues can often be significantly minimized, avoiding delay in accessing winnings and making the lie down withdrawal process that much smoother at Canadian online casinos.
Banking Restrictions and Card Policies
Not all credit or debit cards are eligible for casino withdrawals. Many Canadian banks restrict transactions related to gambling. For example, prepaid cards, virtual cards, or certain credit cards may allow deposits but block withdrawals. Even if deposits work, a payout can fail if the bank refuses incoming gambling credits.
Cards issued outside Canada can also be declined due to international processing rules. Currency conversion restrictions may prevent a CAD payout to a USD card, depending on the bank’s policies.
Banks keep an eye on abnormal or frequent transactions. Online casinos can flag large or multiple withdrawals as suspicious and in such cases may impose temporary blocks on withdrawals or outright decline the withdrawal until the issuing bank confirms them with its account holder. Contacting your bank in advance will avoid any surprises and make withdrawals go more smoothly. What to consider when using your card in Canada:
- Check if your card type supports gambling withdrawals (prepaid, virtual, and some credit cards may not).
- Confirm whether your bank allows international online casino payouts.
- Be aware of currency conversion restrictions.
- Monitor withdrawal frequency to avoid triggering fraud alerts.
- Contact your bank ahead of time to authorize or clarify online gambling transactions.
- Keep alternative withdrawal methods ready, such as e-wallets or bank transfers.
Being aware of these constraints prevents Canadian players from having declined payouts, delays and waste of time when it comes to handling the casino money properly.
Wagering Requirements and Bonus Conditions
Many Canadians chase casino bonuses, including deals built around free chips, but these offers always come with conditions, Wagering requirements usually require players to bet a multiple of the bonus before withdrawing. Attempting a payout before meeting these conditions will be automatically declined. Not all games contribute equally: slots often count 100%, table games 10–20%, and certain features nothing at all.
Misinterpretation of this, can make it appear as though a withdraw should be valid, while the casino believes there are unmet bonus requirements. Some casinos also impose a minimum withdrawal amount and will cap card payouts. And if you have more than the minimum in your account, a limit set off by your bonus could limit withdrawal. By testing these issues early on, you can save yourself a lot of aggravation. How to manage bonus conditions effectively:
- Have a close look at the terms of the bonus – check out wagering requirements, game contribution and time limits.
- Track your progress – note how much of the bonus has been wagered and which games contribute most.
- Plan your gameplay – prioritize slots or eligible games to efficiently meet wagering.
- Check withdrawal limits – ensure your balance meets minimums and bonus-specific caps.
- Avoid early withdrawals – never attempt a cash-out before meeting all conditions.
- Use trusted sources – platforms like CA CasinosAnalyzer can clarify real requirements and prevent surprises.
Following these steps helps players meet bonus conditions without stress and makes bankroll management smoother.
Features
What is the return on investment of US military spending on Israel?
By GREGORY MASON A recurring theme of Israel’s critics is that were it not for US spending on its war machine, it would be unable to wage genocide. I will leave the genocide issue (sic, I mean non-issue) aside as it has been well covered here and here.
Of course, right now (March 11), the war is going well for Israel and the US. In fact, the Israeli and American air forces are showing a level of coordination enabled by decades of close cooperation between the two militaries. I recall a conversation with an IDF colonel, the commander of a base near Eilat, in 2010, during a mission that gave participants access to high-level military briefings. Tensions between Israel and the US had soured, as they periodically do, and I asked whether this ebb and flow in political posturing affected military operations. The colonel said political leaders come and go, but the cooperation between the Israeli and American militaries is very tight. To quote him, “they need us as much as we need them. We are their eyes and ears in this part of the world.”
Many on both the right and left call for the US to disengage from Israel, especially with respect to defence spending. First, let us look at facts.
Table 1 readily shows the impact of the war in Ukraine, with Russia’s spending also reflecting wartime demands. Israel’s total commitment of 5-6% of GDP amounts to $45 billion in defence spending, reflecting its perpetual need to defend itself and maintain a permanent reserve force. Table 2 elaborates on defence spending as a share of public spending. Unlike other countries that have been free riding under the US military umbrella (and Canada is the most egregious of the lot), Israel has made very substantial commitments to its own defence. The $3.8 billion spent on hardware for US equipment is a fraction of Israel’s total defence budget of about $43 Billion. All U.S. financial aid to any country for military hardware must be spent on U.S.-manufactured equipment by law.
Critics of US defence funding for Israel miss two key points. First, as Table 3 shows, financing sent to Israel does not involve troop deployment. Israel does not want the US to station troops within its borders. The costs of maintaining troop deployments and all the associated support costs for NATO, Japan, and South Korea are orders of magnitude higher than the financing for the hardware it provides to Israel.
Second, and the current joint US/Israeli operations in Iran bear this out, Israel has dramatically improved the equipment platforms it purchased. Examples include:
- The F-15 has benefited from Israeli wartime use, resulting in major improvements, including a redesigned cockpit layout, increased range through fuel redesign, improved avionics, new weaponry, helmet-mounted targeting, and structural strengthening.
- Because Israel was an early partner in the fighter’s development and had access to its top-secret software suite, the Israeli version of the F-35 is a radically different plane than the model delivered. Improvements include increasing operational range, embedding advanced air defence detection, and integrating the fighter with Israel’s defence network, creating extensive system integration. This proved instrumental in the rapid establishment of air superiority in the 12-day war in 2025.
- The THAAD (Terminal High Altitude Area Defence) program has benefited from a joint research and development relationship between Israel and the U.S.
- Finally, Iron Dome has contributed to U.S. air defence development, particularly the Tamir interceptor technology, battle management, target discrimination, and the development of a layered air defence system.
No senior military or political official questions the return on investment American gains by funding Israel’s acquisition of U.S. military hardware.
Features
Why Returning Players Often Stick to a Few Favorite Games on Platforms Like Gransino Casino
Many online casino players develop clear preferences over time, and Gransino Casino highlights how familiar games often become the center of regular play sessions.
Online casinos typically offer large catalogs filled with hundreds of different slot titles. While this variety allows players to explore new experiences, many returning users gradually settle on a smaller group of games that they revisit regularly. This pattern appears across many digital gaming environments, where familiarity often becomes just as important as novelty.
Platforms such as Gransino Casino demonstrate how this behavior emerges in practice. Even though players have access to many different titles, returning visitors frequently gravitate toward games they already know and understand.
Familiar mechanics reduce learning time
One reason players return to the same games is that they already understand how those titles work. Each slot game has its own rules, bonus features, and payout structure. When a player first opens a new title, they often need a few minutes to understand the paytable, special symbols, and feature triggers.
Once that learning process has taken place, the game becomes easier to approach in future sessions. Players do not need to spend time reviewing instructions or exploring unfamiliar mechanics. Instead, they can begin playing immediately with a clear sense of how the game operates.
On platforms like Gransino Casino, this familiarity can make certain titles stand out as reliable choices. When players know what to expect from a game, the experience often feels smoother and more predictable during short play sessions.
Personal preferences shape long-term choices
Another factor influencing player behavior is personal preference. Some players enjoy specific visual themes such as mythology, adventure, or classic fruit machine designs. Others may prefer particular gameplay features, such as free spins, cascading reels, or bonus rounds.
Over time, players tend to identify the games that best match these preferences. Once they find titles that align with their interests, they are more likely to return to those games rather than start the search process again.
This pattern can be seen on Gransino Casino, where players browsing the lobby may explore different titles at first but eventually settle on a smaller group of favorites that suit their individual style.
Habit formation in digital gaming
Habit formation also plays a role in why players repeatedly choose the same games. In many digital environments, users develop routines that guide how they interact with a platform. This behavior is visible across streaming services, mobile games, and online casinos.
Once a player has established a routine, returning to familiar content often becomes part of that pattern. For example, a player might log in and immediately open the same slot they played during previous sessions. The familiarity of the interface, symbols, and features can make the experience feel more comfortable.
Platforms like Gransino Casino support this behavior by maintaining consistent game availability and allowing players to locate previously played titles easily within the lobby.
Exploration still remains part of the experience
Although many players develop favorite games, exploration remains an important part of the online casino experience. New titles continue to appear on casino platforms, introducing different mechanics, themes, and visual styles.
Players often alternate between their familiar choices and occasional experimentation with new games. A player might return to a favorite slot for most sessions while occasionally trying recently released titles to see if they offer something interesting.
The wide selection available on Gransino Casino allows this balance between familiarity and discovery. Players can continue returning to the games they enjoy while still having the option to explore new additions within the platform’s catalog.
Ultimately, the tendency to revisit favorite games reflects how players build their own routines within digital entertainment environments. Familiar titles offer a comfortable starting point, while new releases provide opportunities for occasional exploration, creating a mix of consistency and variety within each player’s experience.