Local News
Allan Levine to launch new book October 7
By BERNIE BELLAN With everything else that’s been affected by COVID-19, launching a new book does present a new type of challenge for authors.
However, notwithstanding the probems presented by being unable to hold in-person events, the fact that so many more people are looking for ways to pass the time does present an unexpected opportunity for talented writers, including our own Allan Levine.
On October 7 Levine will be launching his latest book, titled “Details are Unprintable: Wayne Lonergan and the Sensational Café Society Murder”.
Here is material gathered from a press release announcing the publication of the book:
The narrative of “Details Are Unprintable” primarily unfolds over a seven-month period from October 1943 to April 1944—from the moment the body of 22-year old Patricia Burton Lonergan is discovered in the bedroom of her New York City Beekman Hill apartment, to the arrest of her husband of two years, Wayne Lonergan, for her murder, and his subsequent trial and conviction. But this story goes back in time to the 1920s, when Wayne Lonergan grew up in Toronto and then forward to his post-prison life following his deportation to Canada. It is the chronicle of Lonergan in denial as a bisexual or gay man living in an intolerant and morally superior heterosexual world; and of Patricia, rich and entitled, a seeker of attention, who loved a night out on the town—all set against the fast pace of New York’s ostentatious café society.
Part True Crime and part a social history of New York City in the 1940s, this book transports readers to the New York World’s Fair of 1939 when Patricia’s father William Burton first encountered Lonergan; the Stork Club, 21 Club, and El Morocco to experience with Patricia a night of drinking champagne cocktails and dancing; and the muggy New York courtroom where Lonergan’s fate was decided.
What truly happened on that tragic night in October 24, 1943? Should we accept Lonergan’s confession at face value as the jury did? Or was he indeed a victim of physical and mental abuse by the state prosecutors and the police, as he maintained for the rest of his life? This book considers these, and other, key questions.
From Allan Levine: “It is a True Crime about the murder of a young woman and mother in New York City in October 1943, Patricia Burton Lonergan. She came from a wealthy German-Jewish family and stood to inherit the equivalent of about $66 million when her grandmother died (that didn’t happen until 1954). The person charged with the crime was her estranged husband, Wayne Lonergan from Toronto, who at the time was in the Royal Canadian Air Force. He was in New York on leave the weekend of the murder visiting their 18-month old son.
“At the time, the arrest of Lonergan and the subsequent trial received much coverage in the Canadian press as did Lonergan’s release in 1965 (a Globe and Mail photo of him at the Royal York Hotel the day he was released is one of the photos in the book). Excerpts of the book are appearing in Tablet Magazine in the US and the Toronto Star the last week of Sept/first week of October.
“Beyond the intriguing details of the actual murder, this story revolves around NY’s café society nightclub culture, of which Patricia and Wayne were active member as well as Lonergan’s bisexuality which became sensationalized in the extensive newspaper coverage and likely tainted the jury’s view of him. I explore the issue of homosexuality in 1940s America as well as many other issues. My main source for the book was the Manhattan DA’s voluminous case files which I got access to at the New York Municipal Archives. It is a treasure trove of witness biographies and statements; financial information; medical examiner’s reports and police and DA correspondence. I was the first person to look at this material since 1944 when the trial took place (and then in 1965 when a (failed) appeal was launched about a possible coerced confession.”
The press release also contains praise from someone who has a first-hand acquaintance with the case that forms the centrepiece of Levine’s book:
“Allan Levine’s extraordinary reconstruction of a high-society murder case that drove World War Two from the tabloid front pages in 1940s New York City offers a fascinating exploration of the New York social scene and the place of homosexuality, closeted or not, within it. It’s also a page-turning legal procedural that gracefully gives lay readers a vivid narrative of a hard-fought trial, as well as post-trial developments that unfolded during a revolution in the rights of criminal defendants.”
—Daniel Richman, former federal prosecutor for the Southern District of New York
As a follow-up to the press release we received an email from Allan Levine, in which he gave details about the October 7 book launch:
“This is not quite the book launch I had anticipated, but such is the reality of the current situation. On the other hand, those of you outside of Winnipeg can tune in as well. CBC broadcaster Terry MacLeod has kindly agreed to participate in the discussion, which I greatly appreciate.
Wednesday October 7@ 7 pm CST
Registration is required to directly participate in the Zoom webinar: https://zoom.us/webinar/register/WN_dFiNQe-hSjGUiGJrsrxpdg
If you prefer YouTube: It will be simultaneously streamed and available for viewing thereafter: https://www.youtube.com/watch?v=_DGM9_BBevc
Allan adds: “I’m happy to sign any book; just contact McNally Robinson and it will be done asap.”
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
