Local News
Gwen Secter Centre plays host to Canadian/Israeli singer/songwriter of considerable renown who was stranded in Winnipeg for over a year and a half
By BERNIE BELLAN After going a year and a half in Winnipeg without any live entertainment to speak of – beyond the occasional street concerts that seemed to spring up impromptu from time to time, it was welcome news to read that the Gwen Secter Centre was going to be playing host to a series of weekly concerts every Wednesday through August 25th.
While there have been plenty of Zoom concerts that have attempted to fill the void, there’s nothing like having an audience on hand to watch and hear real live performers.
Thanks to the irrepressible Karla Berbrayer, our community’s incomparable impresario, along with Gwen Secter’s dynamic executive directory, Becky Chisick, a variety of performers – almost all of whom are Winnipeggers, were booked to perform two shows each Wednesday – at 11 and then again at 1.
When I scanned the names of the featured artists, however, one name caught my eye, as I had never heard of her: Orit Shimoni. In our July 21 issue she was described as an “Israeli Canadian” who was going to “accompany herself on guitar and accordion in a solo performance.”
Was she one of the many Israeli newcomers who have arrived in Winnipeg in recent years, I wondered?
The answer was quite different, I soon learned. Orit is a singer and songwriter of considerable renown who has actually recorded 11 different albums – some in English, some in Hebrew.
Here’s some information about Orit taken from her own website: “Raised in both Calgary and Jerusalem, the then Montrealer had released her debut album (Cinematic Way, 2006) with the help of local musicians and producer Mark Goodwin, and the response to it, including Mark Rheaume of CBC radio calling it one of the top 3 albums of its year, alongside Feist and Arcade Fire, led Shimoni to believe that her musical path was not just a pipedream.
“Knowing very little about the industry, she set off on an outside-of-the-box, self-managed DIY adventure that brought her to Berlin for a year, and after that, a decade of living out of a suitcase, performing across Canada and Europe entirely by public transit, in cafes, pubs, bars, reputable venues, house concerts, small festivals, and on Via Rail’s on-board entertainment program. As she traveled, she received numerous recording offers and has released eleven albums in total, with more on the way.”
So, how did Orit end up, not only coming to Winnipeg – which was in March, 2020, she told me, she ended up staying here for 16 months (and perhaps longer, depending on how quickly things open up in other provinces)?
It turns out she was on a Via Rail train (performing along the way, in a program that affords musical artists the chance to travel from one city to another while entertaining passengers along the way – sort of reminds me of Mexican buses where entertainers hop on and off, playing for tips from passengers). When the train, which had originated in Vancouver, and with a stop in Edmonton, hit Winnipeg that fateful day in March/20, it was Orit’s lousy luck to find herself stranded just as this province was entering into shutdown mode.
“When I arrived in Winnipeg I got a text message saying my next train out of town has been canceled,” Orit explained.
She was stuck here – and even though she managed to find accommodation with an acquaintance whom she had known previously, her live performing career came to a complete standstill – similar to every other live performer.
While she did manage to write and record new songs during her long hiatus from performing, Orit says she so dearly missed playing in front of live audiences.
Now, anyone who knows Karla Berbrayer would know that she’s constantly on the hunt for new talent, especially Jewish performers who can sing in Hebrew. When word reached Karla that a very talented Israeli Canadian was living in our midst, Karla didn’t hesitate to make contact with Orit. Thus – her July 21st appearance at Gwen Secter.
While the crowd that particular morning might have been small in size (even at its maximum, the nicely constructed canopy-covered Gwen Secter venue – on the centre’s parking lot, can only hold 25 people for a performance).
I arrived a few minutes before 11 that day – and there wasn’t anyone else in the audience at all – which afforded me the opportunity to go up to Orit and introduce myself.
Seeing Karla Berbrayer there as well, I asked Karla what would happen if no one showed up? “Don’t worry,” Karla assured me, “there are people who are arriving in special transport.”
Sure enough, attendees started to arrive. I’m not sure anyone reading this can remember, but July 21 was also the last day we had any significant rain in Winnipeg, and no doubt the possibility of getting soaked was a deterrent for some who might have considered attending Orit’s concert. (As it turned out, there was some rain prior to the concert, but the canopy was absolutely effective in keeping the seating area dry.)
Once Orit began to perform, I was astonished how beautiful her voice was. She opened her concert with a lovely rendition of “Hinei ma tov u ma na’im”, accompanying herself on the accordion. She followed that with a number of famous American folk songs, including “Blowing in the Wind”. Later in the concert she switched to playing guitar – and judging by the look of that particular guitar, with its noticeable chip in the wood, it has seen better days.
While I would have wished that Orit had told a little bit more about herself in between her songs, she preferred to talk only about how she ended up in Winnipeg. I had to learn, after reading biographical notes on her website, that Orit used to be a teacher and academic (with a master’s degree in theological studies).
What a shame that Orit wasn’t able to play in front of a much larger audience that July day. Perhaps we’ll get the chance to see her again – assuming that she’ll want to fulfill the original goal of playing at a number of venues when she arrived her that fateful day in March, 2020.
In the meantime if you want to hear samples of Orit’s singing, she has a number of songs from her latest album available to hear on her website: https://www.oritshimoni.com/
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
