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Israeli-born Winnipeg teen wins gold at national pairs figure skater competition
By MYRON LOVE Yohnatan Elizarov may well be on the threshold of a dream career. Fresh from winning his first Canadian national pairs figure skating competition – with partner Ava Kemp – in Calgary – in the novice division, the Israeli-born, Winnipeg-raised 18-year-old figure skater says that he would love to have the opportunity to skate with The Ice Capades or Disney On Ice – or emulate Garrett Gosselin, one of the choreographers he has worked with, and appear in a skating show on cruise ships.
But while those may be potential career options, he adds that at this early stage he doesn’t want to get ahead of himself.
Elizarov, who lives with his parents. Elena and German, and younger brothers, Sean, 11, and Jamie, six, has been skating almost since the family arrived in Winnipeg from Haifa when he was five years old. He notes that his mother was passionate about skating – having skated in her native Russia when she was a kid. Her family moved to Israel when she was 14 – bringing an end to her skating dreams.
(There was only one ice rink in Israel at that time.)
“My mom wanted me to learn to skate,” Elizarov recalls, “and I quickly came to enjoy it.”
For the first while, the skating lessons were just about skating. Elena Elizarov notes that most boys – after they learn to skate – gravitate to hockey. One of the coaches in the CanSkate program, howeve,r approached her about enrolling Yohnatan in figure skating instead.
You could say that the kid took to the art like a duck to water. Four years ago, he qualified for the first time for a national competition in his age group – the first Manitoban to have done so in quite some time.
To qualify for the Nationals, he points out, skaters have to first excel at provincial sectional competition and then at a Skate Canada Challenge where they need to place in the top 18 in Novice/Junior/Senior level to qualify for the Nationals. Skate Canada Challenge locations usually change every year (although the competition hasn’t been held in Manitoba in recent years). Yohnatan competed in Skate Canada Challenge competitions in Montreal, Edmonton and, most recently, in Regina. In the most recent national competition, held earlier this year in Ottawa, Elizarov finished ninth out of a field of 18 in the Junior Men discipline.
Last summer, the young skater opted to try pairs skating. He says that he had been considering the idea for a while. Before connecting with Ava Kemp, Elizarov had tried partnering with another girl, but she had a different coach and trained in Virden, which made practices together rather difficult. In Ava Kemp, Elizarov has a partner who lives in the same part of the city and now shares the same coach.
The challenge, Elena Elizarov adds, is to find the right partner in terms of relative size, location and skills level.
“I was at first hesitant about working with another person in my space,” Elizarov admits. “I am more comfortable with that now.”
He notes that he and his partner balance each other emotionally as well. “I alleviate the stress of competing by calming myself whereas Ava gets more excited,” he explains. “We communicate very well.”
Elizarov reports that he puts in about 20 hours a week in training – which includes about 15 hours of on-ice practice. (That is in addition to his university classes in computer science.) “Upper body strength is very important in pairs for the male skater,” he says. “My upper body strength is now three to four times stronger than when I was skating solo.”
In addition to training here at home, Yohnatan and Ava will be spending the summer training at the Canadian Ice Academy in Mississauga. As Elena points out, in Manitoba there is not a lot of competition for pairs skaters.
“If you want to be able to compete with the best, you have to train with the best,” she says, ‘and the best pairs skaters are in Ontario and Quebec.”
As fans of figure skating are no doubt aware, what skaters do on ice becomes a major production. Not only does the coach prepare the skaters for the actual physical skating, but he or she also chooses the choreographer, music and costumes.
Elizarov notes that in his single skating career, he was partial to Michael Buble’s “Feeling Good”. His new singles short program is “Movement” by the musician, Hozier. His and Ava’s new pairs short program will be choreographed by Asher Hill and the music is “Anything You can do” from the musical “Annie Get your Gun”. Their pairs free program was choreographed last year by Garrett Gosselin to “Never Enough” from “The Greatest Showman”.
Elizarov reports that his favourite moves are the lift and the twist. In the latter, he throws his partner into the air as high as he can, where she does a compete double twist before he catches her. In the lift, he holds her over his head while he is skating and she is stretched out in various positions.
“Both the moves are cool,” he says.
As to the judging, he points out that judges have a system in which they award or subtract points based on such skills as the distance between the skaters, how high the male skater throws the female, difficulty of the elements, and how effortless and easy the dance appears.
Having won the novice division in pairs, the Winnipeg skating pair are hoping to be selected to join SkateCanada’s NextGen team with the potential for international competitions.
Having found success in pairs skating, Elizarov says that he is considering cutting back on his singles efforts and focusing more on pairs. “I want to see where it goes,” he says. “I am thinking maybe I will skate for a few more years, then transition into coaching.”
In fact, he is already doing some coaching of younger skaters – one of whom is his little brother, Jamie.
Or maybe he will get that call from Stars On Ice.
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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May
By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”
Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”
All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”
Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man
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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa
The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:
“Dear Members and Friends,
“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.
“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”
Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018.
In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:
The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.
Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York.
He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.
Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.
He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.
In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.