Local News
Israeli-born Winnipeg teen wins gold at national pairs figure skater competition
By MYRON LOVE Yohnatan Elizarov may well be on the threshold of a dream career. Fresh from winning his first Canadian national pairs figure skating competition – with partner Ava Kemp – in Calgary – in the novice division, the Israeli-born, Winnipeg-raised 18-year-old figure skater says that he would love to have the opportunity to skate with The Ice Capades or Disney On Ice – or emulate Garrett Gosselin, one of the choreographers he has worked with, and appear in a skating show on cruise ships.
But while those may be potential career options, he adds that at this early stage he doesn’t want to get ahead of himself.
Elizarov, who lives with his parents. Elena and German, and younger brothers, Sean, 11, and Jamie, six, has been skating almost since the family arrived in Winnipeg from Haifa when he was five years old. He notes that his mother was passionate about skating – having skated in her native Russia when she was a kid. Her family moved to Israel when she was 14 – bringing an end to her skating dreams.
(There was only one ice rink in Israel at that time.)
“My mom wanted me to learn to skate,” Elizarov recalls, “and I quickly came to enjoy it.”
For the first while, the skating lessons were just about skating. Elena Elizarov notes that most boys – after they learn to skate – gravitate to hockey. One of the coaches in the CanSkate program, howeve,r approached her about enrolling Yohnatan in figure skating instead.
You could say that the kid took to the art like a duck to water. Four years ago, he qualified for the first time for a national competition in his age group – the first Manitoban to have done so in quite some time.
To qualify for the Nationals, he points out, skaters have to first excel at provincial sectional competition and then at a Skate Canada Challenge where they need to place in the top 18 in Novice/Junior/Senior level to qualify for the Nationals. Skate Canada Challenge locations usually change every year (although the competition hasn’t been held in Manitoba in recent years). Yohnatan competed in Skate Canada Challenge competitions in Montreal, Edmonton and, most recently, in Regina. In the most recent national competition, held earlier this year in Ottawa, Elizarov finished ninth out of a field of 18 in the Junior Men discipline.
Last summer, the young skater opted to try pairs skating. He says that he had been considering the idea for a while. Before connecting with Ava Kemp, Elizarov had tried partnering with another girl, but she had a different coach and trained in Virden, which made practices together rather difficult. In Ava Kemp, Elizarov has a partner who lives in the same part of the city and now shares the same coach.
The challenge, Elena Elizarov adds, is to find the right partner in terms of relative size, location and skills level.
“I was at first hesitant about working with another person in my space,” Elizarov admits. “I am more comfortable with that now.”
He notes that he and his partner balance each other emotionally as well. “I alleviate the stress of competing by calming myself whereas Ava gets more excited,” he explains. “We communicate very well.”
Elizarov reports that he puts in about 20 hours a week in training – which includes about 15 hours of on-ice practice. (That is in addition to his university classes in computer science.) “Upper body strength is very important in pairs for the male skater,” he says. “My upper body strength is now three to four times stronger than when I was skating solo.”
In addition to training here at home, Yohnatan and Ava will be spending the summer training at the Canadian Ice Academy in Mississauga. As Elena points out, in Manitoba there is not a lot of competition for pairs skaters.
“If you want to be able to compete with the best, you have to train with the best,” she says, ‘and the best pairs skaters are in Ontario and Quebec.”
As fans of figure skating are no doubt aware, what skaters do on ice becomes a major production. Not only does the coach prepare the skaters for the actual physical skating, but he or she also chooses the choreographer, music and costumes.
Elizarov notes that in his single skating career, he was partial to Michael Buble’s “Feeling Good”. His new singles short program is “Movement” by the musician, Hozier. His and Ava’s new pairs short program will be choreographed by Asher Hill and the music is “Anything You can do” from the musical “Annie Get your Gun”. Their pairs free program was choreographed last year by Garrett Gosselin to “Never Enough” from “The Greatest Showman”.
Elizarov reports that his favourite moves are the lift and the twist. In the latter, he throws his partner into the air as high as he can, where she does a compete double twist before he catches her. In the lift, he holds her over his head while he is skating and she is stretched out in various positions.
“Both the moves are cool,” he says.
As to the judging, he points out that judges have a system in which they award or subtract points based on such skills as the distance between the skaters, how high the male skater throws the female, difficulty of the elements, and how effortless and easy the dance appears.
Having won the novice division in pairs, the Winnipeg skating pair are hoping to be selected to join SkateCanada’s NextGen team with the potential for international competitions.
Having found success in pairs skating, Elizarov says that he is considering cutting back on his singles efforts and focusing more on pairs. “I want to see where it goes,” he says. “I am thinking maybe I will skate for a few more years, then transition into coaching.”
In fact, he is already doing some coaching of younger skaters – one of whom is his little brother, Jamie.
Or maybe he will get that call from Stars On Ice.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
