Local News
Jewish National Fund holds successful online Negev Gala
By BERNIE BELLAN
It was more than two years in the making, but after the most prolonged break in the history of Negev Galas (and Dinners – which preceded the more recent Negev Galas), the Jewish National Fund was finally able to pull off what turned out to be a very successful event on Monday, May 31, albeit one that was held online.
Gala honouree Ted Lyons, who now has the distinction of being the only Winnipeg Negev Gala honouree to be honoured two consecutive years (he was originally to be honoured in 2020, but last year’s Gala was canceled entirely due to Covid ) was the recipient of numerous accolades during the event – from friends, dignitaries, and family members.
In a gesture that couldn’t have been more appropriate, the project for which this year’s gala was raising funds is known as “Bervin Canada House”, to be located in Sderot. The choice of Sderot is particularly timely, given what that community has just finished enduring – for the umpteenth time, as rockets began to pour down from Gaza beginning on May 10.
Here is how the project was described in an article which I wrote earlier about the Negev Gala: “The Bervin JNF Canada House of Excellence is to be built in Sderot, which is the community that has always been the most immediate target of missiles launched over the years from the Gaza Strip. This particular facility is intended to serve as an after-school education, empowerment, and enrichment centre for high school students from Sderot and its surroundings, who will be provided with the necessary tools and skills for personal and scholastic success’.”
The choice of Sderot as the location for this year’s project for JNF Canada (and, by the way, for the first time ever, all Negev Galas held across Canada in 2021 have earmarked funds for the Bervin project – hoping to raise $4 million altogether), was made long before Sderot found itself coming under incessant fire just a few weeks ago. (Incidentally, of that $4 million to be raised across Canada, over $1. 3 million has already been raised from Winnipeg donors, including $100,000 from Ted and Harriet Lyons themselves. If there were any more proof needed how much Winnipeg Jews punch above their weight, this is it.)
As for how the gala itself unfolded, there was the usual combination of speeches and entertainment, this year provided by famed Israeli singer David Broza, in conjunction with the Winnipeg Symphony Orchestra.
The fact that everything to do with the gala had been taped well in advance might have left anyone watching wondering why there was almost no reference at all to the recent war between Israel and Gaza, save for some remarks by David Greaves, Executive Director, JNF Manitoba-Saskatchewan, who referenced the recent fighting at the very end of the event.
In my report of the gala which follows, I took the liberty of changing the order of some of the remarks which were delivered by various individuals. Normally, the honouree is the last person (or persons) to be heard from at events of this sort, but in this case, I thought it fitting to begin with Ted Lyons’ explanation of why he and Harriet found the Bervin project to be so appealing.
Ted began with a story: “Twenty years ago I was lecturing in Korea and I was at the airport with a young Korean associate. Making small talk, I asked him about his family.
“He said he was married and had two children. I asked him, ‘Do they go to school? and he said ‘yes, they actually go to two schools. They go to a regular school Monday to Friday and they actually go to a second school two evenings and one weekend day a week’.’
“I said, ‘Why would you do that?’ and he said, ‘Well, there’s a lot of competition out there and I want to give my kids an extra advantage.’ I thought that made a lot of sense and wondered why we don’t do that in Canada.”
Ted said that in December 2019 he and Harriet were visiting Israel for their granddaughter’s bat mitzvah. They arrived two days early and JNF hosted them on a visit to the Upper Galilee and Sderot. In the Upper Galilee (in a place called Nof HaGalil) they visited an after hours school for 14-18 year-olds. Some of the students were finishing high school and were preparing to go into the army.
“We learned how the young people were being given extra training – in math, in physics, computers, and English. “ Ted explained. “These subjects are critical to be successful in industry, particularly in Israel, a ‘start-up nation’.
“The thinking is that urban children have access to extra education, but rural children do not. This school was an opportunity to give students additional training, to help them get into elite units in the army – and into university. In order to get those placements you need high marks. It made me think of my Korean colleague.
“In Sderot, a rural settlement, the JNF is going to build a facility like the one we saw in the Upper Galilee. Money is being raised for this project through all the Canadian JNF Galas.
“Out of necessity this new facility will also act as a bomb shelter – given the almost daily rocket attacks.
“We hope that everyone will give generously to make this worthwhile project a reality.”
Ted went on to say that “Harriet and I have had the opportunity to serve the community for many years. Harriet has taught tallis-weaving at the Shaarey Zedek for over 30 years and has helped many people – at home and in Israel, celebrate b’nai mitzvah, with a hand made tallis.
“She has helped the Humane Society for many years as one of the main photographers to help in the adoption process. She is also an established potter who has designed and crafted porcelain mezzuzot for rooms in the Simkin Centre and at Gray Academy.
“She is a staunch supporter of the Cancercare Challenge for Life, walking the 20 k every year since its inception 14 years ago.
Her group, ‘Nancy’s Nightingales’, has raised well over $100,000.
“Finally, she’s always been there for our children and our five grandchildren.
“I’ve had the honour to serve our synagogue, Jewish and radiology communities over the years. It’s been a real thrill to serve as president of many of the local and national organizations, and to have been honoured by Governor General Michaelle Jean as an Officer of the Order of Canada (in 2007).
“I served as Shaarey Zedek President 30 years after my late father, Reuven. It was a real honour and an opportunity I cherished.
“Israel is the gold standard in technology and innovation and has been an example to the rest of the world in handling the Covid crisis and vaccinating the population in the most efficient manner.
“Being the JNF honouree for the past two years has been a real treat for Harriet and me.”
The MC for the evening was Rabbi Matthew Leibl, who was gracious in speaking about Ted and, as is always the case when Rabbi Leibl hosts an event of this sort, occasionally quite funny.
He began by explaining how he first met Ted Lyon: “I first met Ted at my bar mitzvah – just a few years ago, on the bimah of the Shaarey Zedek. Ted was there in his capacity as a member of the board and the executive, and he was tasked with presenting me gifts. There I was, sweating in the first suit I ever wore.
“I remember standing there looking up at this tall, dark goateed figure who had both a calm and booming voice, telling me what a remarkable job I had done – one of the best he had seen, how I was an asset to the community and how I had a bright future.
“It seemed like it was a big morning – for him and for me. Years later we were sitting together on that bimah; I had started my work as a Torah reader and a bar mitzvah teacher, and Ted was again there in his capacity as a past president probably – and I said to him: ‘Ted, we were here together not that long ago for my bar mitzvah and you said such amazing, inspirational things. Do you remember that?’
“And he looked at me with that same calm, yet booming voice and said: ‘Matt, I did a lot of those.’ (Now, if you needed to be reminded that Ted Lyons has met an awful lot of different people during his life, Rabbi Leibl added one more amusing anecdote. He said that whenever he would meet Ted at the synagogue, Ted would greet him as “Matityahu”. Rabbi Leibl explained, however, that his Hebrew name is actually “Mordecai”, but every time they would run into each other, Ted would still greet him as “Matityahu”.)
Following Rabbi Leibl’s remarks were some from Michael Nozick, who’s been a lifelong friend of Ted Lyons, also a co-sponsor of the evening. Nozick said: “I’ve known Teddy for more than 70 years. We’ve always been besties. We grew up together. We went to grade school together. We were classmates.
“To me he’s always been Teddy – and he’ll never be Ted.
“Teddy will tell you that we ‘served time’ together in Cheder – and it’s true because we went to Hebrew night school together when we were 10 and 11. One day, on our way to night school, we got off the bus and we were confronted by two big guys – probably teenagers, brandishing big knives, and they demanded we turn over all our bus tickets and our money.
“Two of us took off like jackrabbits across the Crescent to the Shaarey Zedek – where night school was – and Teddy stayed. When he got back to us at class time, I asked him why he stayed and he said, ‘Well, robbery’s wrong and I wanted to explain to them that what they were doing was wrong, and I thought I could talk them out of it’.
“In the end Teddy gave them all his bus tickets and all his money – but it was the precursor of Teddy’s resolution –oriented leadership. Even then he was looking to make peace.
“Teddy’s curiosity is insatiable. Gadgets have always fascinated him. But, he’s not to be tinkered with. His dog once bit him – and he bit the dog back.
“With the computers and technology though, it was a new world for Teddy and it ultimately led him to the field of ultrasound, where he is a world leader.
“He’s a people person and a people lover, with incredible interpersonal skills which, together with his peaceful, quiet nature and curiosity about new frontiers make him a natural leader.
“He inherits his calm demeanour and comfort with leadership from his father (Reuven) – himself a doctor and a true mensch.
“Teddy’s contributions to the world are so great – and have been achieved with such humility, he will never be able to be truly measured.
“Teddy has not only led major organizations – in both our Jewish community and the general community, but has co-authored books and has written an almost uncountable number of articles, and even given many lectures at conferences all over the world. I have no idea where he finds the time.
“Teddy and Harriet have a profound love for Israel. They have led missions and returned often. Teddy has said to me: ‘This year’s Bervin Canada House project is special’.”
This year also saw a special presentation made to Winnipegger Patrick Elazar, who has been one of those unsung volunteers who has given so much of himself to so many different Jewish organizations since having arrived in Winnipeg in 1988 with his wife, Sherry Elazar Wolfe, and his family.
JNF Manitoba Saskatch-ewan President Nola Lazar said: “The Bernard M. Bloomfield Award is presented annually to a deserving volunteer for JNF. This year’s award is being given to Patrick Elazar. Patrick served in the IDF and helped establish Kibbutz Elazar. He has degrees in Middle East Economics and Agricultural Studies. Together with his family Patrick came to Winnipeg in 1988.
“Patrick is passionate about Israel. He volunteers regularly at Shalom Square, Limmud Winnipeg, and JNF Winnipeg.”
Longtime Winnipeg philanthropist and community leader Marjorie Blankstein added a personal memory of a young Teddy Lyons, saying: “You will always be Teddy to me. I remember you as the swimming instructor at a Gimli summer camp – always in your swim suit. You have made an invaluable contribution to your profession, also to the community.”
Manitoba Governor General Janice Filmon also spoke fondly of “Teddy” Lyons whom, she noted, she’s known since “grade school”: “Tonight’s honouree, Dr. Ted Lyons, has dedicated his career to the lives of others. As a pioneer in the field of ultrasound technology – through his own work or through the work of others he has taught, he has saved countless lives.”
As I noted in my earlier article about Ted Lyons, his being honoured as the Negev Gala Honouree for 2020-21 marks the first time that a physician has received that accolade. With all the other honours Ted has received over the years, however, he remains ever so humble and personable. It was two years in the making, but in the end, this year’s Negev Gala will go down as having had to overcome more obstacles than anyone could ever have imagined, yet proved to be one of the most successful ever.
Local News
Hundreds rally against opening of Nakba exhibit at Human Rights Museum
By NOAH STRAUSS Around 300 people gathered outside the Canadian Museum for Human Rights on Friday during the grand opening of the museum’s newest exhibit, “Palestine Uprooted: Nakba Past and Present.” (Ed. note: The CBC report on the protest said there were “100” people at the rally. I know there were more than 100, but I’m not sure there were 300 either.) The exhibit, which had a limited number of tickets available for opening night, sold out. The Canadian Palestinian Association of Manitoba had originally planned a rally in support of the exhibit’s opening, but it was cancelled just days before the event.
The Nakba, which means “catastrophe” in Arabic, refers to the displacement of an estimated 750,000 Palestinians during the 1947–1949 war surrounding the establishment of the State of Israel. The exhibit has drawn criticism from members of Winnipeg’s Jewish community and others who argue that it does not acknowledge the displacement and persecution of Jewish communities in many Arab and Muslim-majority countries following Israel’s independence and the 1948 Arab-Israeli War. Historians estimate that between 850,000 and 950,000 Jews left or were expelled from Arab and Muslim-majority countries during the decades surrounding Israel’s establishment. In countries including Iraq, Egypt, and Yemen, many had their property confiscated, while others left because of persecution or increasing hostility.
Supporters of the Jewish community came from all faiths and backgrounds. The Jewish Post spoke with Lisa Lewis, a longtime supporter of the Jewish community.
“I think there is a crisis of antisemitism happening right now,” Lewis said.
She was one of many non-Jewish community members who attended the rally. Lewis said she has been an active ally since the 2000s, helping Argentine immigrants come to Canada. Following the October 7 attacks on Israel, she said she has become a more vocal supporter of the Jewish community. During the rally, she wore a Magen David necklace.
Lewis also criticized the museum’s approach to the exhibit.
“The Jewish community organizations that represent the majority of the Jewish community weren’t consulted on something like this,” she said.
Cindy Clubb, another ally of the Jewish community who attended the rally, also voiced her concerns.
“I grew up with prominent businesspeople and members of the academic and medical communities. I don’t know what we would do without our Jewish cooperation. So I’m up here to support them, and I think all of Winnipeg should be out here,” Clubb said.
One protester, who identified herself as Michelle, said, “We are against the Nakba exhibit. It’s all lies.”
Gustavo Zentner, Vice President of CIJA Manitoba and Saskatchewan, said, “We are calling on Minister Miller to hold the museum leadership accountable. The Minister of Canadian Heritage needs to ensure that national institutions are not weaponized against Canadians to serve a one-sided political agenda. These concerns were expressed not only by the Jewish community, but by many concerned Canadians. At its core, this is a Canadian issue.”
Zentner did not participate in the community rally. He went on to say, “We are proud of the many community members, allies, and organizers who gathered at the museum before Shabbat began to demonstrate their concerns.”
The museum defended its decision to present the exhibit. CEO Isha Khan said that “human rights matter precisely when they are inconvenient.” She added that the museum “belongs in the collective memory of Canadians.”
The exhibit is scheduled to remain on display until November 2028.
Local News
Interviews with the curator of the Nakba exhibit and the CEO of the Human Rights Museum
By BERNIE BELLAN On June 26, I was invited to attend the Canadian Museum for Human Right to see the Nakba exhibit prior to its being opened to the public. While I was there I was given the opportunity to interview the curator for the exhibit, Isabelle Masson, along with CMHR CEO Isha Khan. What follows are the transcripts of those interviews (edited only to remove pause words like “uh” and phrases that were repeated). The first interview was with Isabelle Masson:
Jewish Post: Several representatives of Winnipeg Jewish community organization say that they weren’t fairly consulted on this exhibit. How do you respond to that?
Masson: We came to this project with an awareness that Palestinian voices are often marginalized, even silenced, and an awareness that Islamophobia and anti-Palestinian racism have an impact on whose voice is heard and whose suffering is recognized. And so we intentionally chose to centre Palestinian voices with this exhibition.
JP: But to the point that many Jewish representatives of organizations and people within the community at large feel that the Jewish community should have been consulted on an issue that had such a direct impact on the Jewish community – did you not feel an obligation to consult with the Jewish community?
Masson: I think the best person to talk further about this issue is our CEO, Isha.
JP: In terms of the exhibit itself, I must say it really stresses the suffering that Palestinians have endured. But, in looking at other refugee situations around the world, the Palestinian situation seems to me to be unique in that there has never been an effort to resettle Palestinians within the countries to which they were forced to flee.
Do you not think that separates their situation (from other refugee situations) and, in some ways, it has made their situation worse than it could have been?
Masson: Well, the exhibit not only centres that experience of forced displacement and disposition as a longstanding experience across five generation that you know is tied to human rights violations that are ongoing today, but it also I want to point out, you know, foregrounds beauty, foregrounds resilience, foregrounds the maintenance of identity and belonging across time and across that experience. So there’s also these elements about this exhibition because it was also about humanizing Palestinians – about people with families with stories, with creativity – and coming back to some of the videos what interviewees say, right, we hope that Palestinians can be seen as fully human and hope that they can see Palestinians as having human rights and this this story today in this gallery is is a story about human rights.
JP: If I can focus on one particular aspect of the exhibit that I read this morning when I was sent the preview, it referred to what happened between the years 2000 and 2005 as a Palestinian uprising. But the Israeli term would be the Intifada which for them meant large-scale attacks – terrorist bombings by some Palestinians. Did you not think it necessary to include that in a larger context?
Masson: Well, we use uprising because it’s the most more accessible term in the exhibition and we, you know, we’re focusing really here on an artwork by artists – Palestinian American artist Reggie Cook and with an artwork that was trying to translate the experience of of occupation into what is created. So that’s the context in which we talk about that.
JP: But to ignore what happened during the uprising seems to me to leave out a major part of the context.
Masson: I don’t think that we are ignoring that. This exhibit is not about the full story of what has happened in Palestine, in Israel. It’s not, you know, the scope of this small exhibition. This small exhibition has a scope and the scope was really to create an opportunity and a place for Canadians to be able to encounter Palestinian Canadians and hear their voices.
JP: Given the current mood in the Middle East and the ongoing tensions between Israel and various other actors, the concern among many in the Jewish community that this is going to lead to a heightening of antisemitism and an exhibit like this seems that it’s not going to do much to improve relations between Jews and Palestinians when it focuses on only one side of the story. How do you respond to that?
Masson: Well, this is only one exhibit of of many, of many stories that we have.
Following is my interview with Isha Khan. Khan began by explaining that she is “the CEO at the Canadian Museum for Human Rights and I’ve been here as CEO of the museum since August of 2020. So almost six years.”
JP: So let’s get right down to discussing (the exhibit). I spoke to the curator. I asked a lot of questions about the exhibit itself. I’m more interested in asking (you) about the general context and the atmosphere in the community. The accusation has been made repeatedly by various leaders of Jewish organizations that you have not been willing to consult on this exhibit. How do you respond to that?
Khan: I think the word consult can mean many things. We have a community engagement practice. So for us that means that depending on the scope of the exhibit and this exhibit is about Palestinian Canadians and their experiences, the impacts of the human rights impacts, of forced displacement, which means we engage with that community as we share their stories. Many folks in the Jewish community will say we haven’t consulted with them and yet we have met with leaders of Jewish organizations from across Canada, main uh, major federations, foundations, local Jewish organization representatives many times to talk about this exhibit, to explain what its scope is, what it’s about, what it’s intended to do, and most importantly, what it isn’t. And unfortunately there continues to be misconceptions about what it is. So we hope people will come and see it.
JP: I think the fear in the community – and I think it’s well founded is that this will foment an increase in antisemitism. Can you understand that concern?
Khan: Absolutely. I personally and any member of our team who’s talked to folks about this has said that we unequivocally share the concern about antisemitism in Canada today. That is part of our mandate. And we will continue to do that work and we can also share these stories of Palestinian Canadians – you know, telling the story of one community’s human rights violation in no way should negate or minimize the experience of another community. That’s what this museum was designed to do….designed to build understanding of shared humanity and that’s what we believe we’re doing responsibly.
JP: Just before I began this interview, I was taken (down to the fourth floor; the Nakba exhibit is on the fifth floor) to see the gallery of other human rights violations. I’m not sure what it’s called. (It’s where there is a ) recitation of various human rights violations, including what happened in 1947 and 1948 (in Palestine). They offer passing reference to the displacement of both Jewish and Palestinian refugees. Would you consider ever having an exhibit about the displacement of Jewish refugees from Arab lands in 1948 and subsequent years?
Khan: We would absolutely consider it and in fact have shared with leaders of the Jewish organizations months ago that yes, these are important stories that need to be told (and) invited them to work constructively with us on developing that content. Unfortunately we didn’t really receive much response.
JP: How long is this exhibit supposed to be on for?
Khan: So this exhibit right now we’re saying is a minimum of two years. That’s because it is an exhibit in a standing gallery and so it also depends on our updating of our other galleries and, you know, exhibits take a bit of time. This one is four years in the making and so we’ve just committed that it’ll be a minimum of two years and we’ll see where things go.
JP: There are a lot of other refugee situations in the world – (for instance) South Sudan, and just this morning I was saying to Isabelle that I received an email about the situation for people from Burundi in the Democratic Republic of the Congo.
I didn’t realize that was a problem. I know that the Congo has had ongoing problems with displacement of populations. It it seems to me it’s not an unlimited number of stories like this you could tell, but there are a lot of others. How do you decide which ones take priority?
Khan: We’re often asked the question of how we decide, and it comes back to how this museum is designed. Each gallery is intended to tell a different story. It has an objective. So this exhibit, Palestine Uprooted, is in our Rights Today gallery. It’s to talk about global human rights issues. And we know that people want to better understand human rights of Palestinians. There’s no question. It’s being talked about, debated, discussed all over the world. And so we’re being responsive there to that need. And we know that Palestinian experiences were under represented in our galleries and have heard that for years. To your point though that there are other stories – the design of this museum is that you ought to be able to feel something, understand something about the forced displacement of one community and apply it to another. So now this story stands along the forced displacement of the Rwanda people, indigenous peoples, Ukrainian people, the Igbo people. You’ve named a number of others that we do need to develop content on over time, but it’s done depending on what gallery it is, what we are trying to invoke…because we’ll never be the encyclopedia of all human rights atrocities in the world. That’s actually why we’re called the Canadian Museum for Human Rights rather than the Canadian Museum of Human Rights.
We’re here to to develop an understanding through the stories that will impact people.
JP: Okay. I want to ask a politically loaded question.
Khan: Okay.
JP: The Jewish population of Canada is at best 450,000. In that range, Jews don’t have the political impact that they used to. At most, there are 12 to 16 ridings where the Jewish vote can make a difference. The Muslim population has grown substantially. It has a much larger political impact. Did that factor in to this exhibit being mounted in any way?
Khan: Absolutely not.
JP: So, I’ll ask the question that I asked the curator of the exhibit. Where did the impetus for this come from? Did it come from Palestinian Canadians?
Khan: This exhibit came from a recognition, our decision. I hold responsibility ultimately for the decisions made by my team. It was made based on the recognition that Palestinian experiences were under represented in this museum. We absolutely heard from the Palestinian community organizations in Canada and had heard for many years that their stories were underrepresented. Ultimately, the decision was ours. And as we look at this gallery and updating our content, this is ‘rights today’ – global human rights. We know that the world is talking about Palestinian human rights and the stories of Palestinian Canadians naturally belong in our collective memory alongside many other stories that are told here.
JP: There was one particular aspect on one of the panels when I was sent a preview this morning and it referred to the Palestinian uprising from 2000 to 2005 which led to a lot of Israeli deaths that we generally refer to as the Intifada. There’s no mention of Israeli deaths on that panel. Would you agree that might have been an oversight?
Khan: I mean I know that there the factual point is absolutely accurate. The decisions on the curation of the exhibit are not ones that I make, but certainly if that is a concern that we will look at.
Local News
Nakba exhbit at CMHR now open – here’s what it looks like
By BERNIE BELLAN (Posted June 26)The following press release was sent to me early Friday morning June 26 (Photos supplied by Annie Kierans, CMHR) Nothing that follows has been edited. I leave it to you to form your own opinion:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
