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Jews from Ukraine who have settled in Winnipeg offer conflicting opinions about the Russian invasion

Alexey Grenier with his two
children, Nelly (left) and Mark
on a visit to Ukraine
this past September

By BERNIE BELLAN With the war in Ukraine still raging, its effects are being felt especially closely by individuals who have relatives or friends in that country.
Such is the case with several newer members of our own Jewish community in Winnipeg, who either came to Winnipeg directly from Ukraine, or who emigrated first to Israel, then to Winnipeg.

Wanting to learn more about the attitudes of former Ukrainians who are now members of our Jewish community here, I contacted Dalia Szpiro, who is the GrowWinnipeg Director at the Jewish Federation of Winnipeg, to inquire whether she could put me in touch with one or more of those individuals.

Subsequently, I spoke with two men of Jewish Ukrainian origin on Tuesday, March 22. The first, Alexey Guider, was quite willing for me to use his name, but the second individual asked me not to mention his name. The reason for that, as you’ll see if you read on, is that he was not totally unsympathetic to the view that Russian-speaking Ukrainians would not be opposed to seeing a part of Ukraine transferred to Russian control. He was worried that taking a position that might not be all that popular here was something that he didn’t want to lead to potential backlash against him or his family.
My primary purpose in speaking with both men was to try and find out what they are hearing from friends and relatives still in Ukraine. Further, I wondered what their attitudes were toward the war that is currently going on in Ukraine.

Alexey Guider explained that he and his wife (from whom he is now separated) came to Winnipeg 11 years ago, directly from Kiev, which is where he and his wife lived for 10 years before emigrating to Winnipeg. He noted that they were both planning on making aliyah to Israel, but they “decided to come to Canada instead.” Their two children were both born in Winnipeg, Alexey noted.
Alexey said that he’s a business analyst working at New Flyer Industries. He added that he has “a small business as well.”
I asked Alexey how many family members he still has in Ukraine?
His parents were living there until quite recently, he answered – in a town close to Kiev called Irpin . His “siblings live in Israel,” Alexey said.
I asked whether Irpin was under attack?
“I’m not sure at the moment,” Alexey answered. “It was captured, liberated, and captured again,” he said. “I’m not 100% sure what’s going on right now –but it’s not suitable for life at the moment.”

“Have you been in touch with your parents?” I asked.
Alexey explained that his parents were able to leave Ukraine shortly before Russia invaded, and go to Germany, where his grandfather had been living. “They went there in the middle of February – just before he died,” Alexey said. “They were able to say good bye – and then the war started…they were lucky.”
Alexey added that his mother-in-law is still in Ukraine – in the western part. “There’s no heavy fighting there,” he noted, “although at least twice a day there’s an air raid alert – so she has to run for safety.”
The rest of Alexey’s family, other than his siblings in Israel, live in other parts of Europe, he said.

“But what about your friends?” I asked. “You must still have many friends who remained in Ukraine?”
“Yes, I have lots of friends,” Alexey said. “Some of them escaped before the war. Some of them went to Poland. I have one friend who went to Spain with her kid. She was able to get her parents there too. I talk to her every day. She’s very anxious. Her husband is still in Ukraine. A man can’t leave Ukraine. “ (Men between the ages of 18-65 are not allowed to leave and must report for military duty.)
Alexey mentioned that he and his parents had been very involved with the Jewish community in Ukraine. His father, he said, was director of a Reform congregation in that country, while his mother was a program coordinator for the congregation.
Even though they’re in Germany now, “they have been helping members of the Jewish community to get out of Ukraine to Poland…not just Jewish people,” Alexey added.

I said to Alexey that I had read that most Ukrainian Jews who are able to leave that country prefer to go to Germany, rather than Israel.
“People are hesitant to go to Israel because it’s a similar situation there (as Ukraine),” he suggested. “There was shelling all over Israel.”
Something that Alexey told me though which took me somewhat by surprise was when he said that “most people who have left Ukraine (and who are still leaving) “are planning on returning when the war’s over.”
Yet, notwithstanding the desire of most Ukrainians who have left the country to be able to return home – and apparently the preference of most Jews who have left to move to Germany, I wondered whether Ukrainians would be eager to come to Canada if they were offered the opportunity?
The Canadian government has taken steps to expedite the immigration of Ukrainian refugees to this country, including dropping the normal visa requirement and allowing Ukrainians to obtain work permits immediately upon their arrival, although there will be a two-year maximum stay permitted for anyone coming here under the relaxation of the normal rules.

As a result, Alexey told me that he is in the process of bringing his parents here under the new provisions. They have family in Germany, he said, but this will be an opportunity for them to see their grandchildren again, so of course they’re eager to come, he explained.
In addition to his parents, Alexey will also be hosting two other friends who will be arriving within the next few weeks, he told me. “I’m going to have a full house,” he said.
He added that many Manitobans of Ukrainian heritage have been offering to take in refugees from Ukraine. (He said there’s been a Facebook group created for that specific purpose with a great many members already.)
Alexey added though that it would be great if the Jewish Federation here were to take the initiative and ask members of the Jewish community to volunteer to take in Jewish (and non-Jewish) refugees from Ukraine. I told him that I’d asked representatives of the Federation whether that is an initiative they will undertake and that I hoped the Federation would respond to my inquiry.

I did receive a response from Adam Levy, the Federation’s Public & Community Relations Director, to my query when I asked whether the Federation might want to ask members of the Jewish community whether they’d be prepared to take in refugees from Ukraine.
Here is what Adam wrote on March 25: “At this time, we are not making such an ask of the community, but continue to re-assess the situation on a daily basis as needs change and evolve. If community members wish to take Ukrainian newcomers into their homes, they can certainly do that.
“This is why we have settlement services in our community. Besides finding housing, there are many other vital parts to living in Canada that these services help to facilitate. We hope that they will utilize these resources so that their needs will be met and their transition to life in Canada will be as painless as possible.”

 

While Alexey Guider comes from Kiev, which is in the western part of Ukraine, and which is Western oriented in terms of its culture and politics, other Ukrainian Jews, especially those in the eastern part of the country, might have stronger connections to Russia.
Such was the case with Michael (not his real name), who told me he left Ukraine when he was 10, at which point his family moved to Israel for 20 years. He and his wife came to Winnipeg with their three-month-old baby eight years ago. (He wanted to thank the Jewish Federation for its help in bringing him and his family here. He specifically cited Dalia Szpiro’s assistance in that regard.)
Michael works in IT, having been involved in projects for companies both inside and outside Manitoba, he said.
When I asked Michael what part of Ukraine he came from, he said it was a town called Petrovsk, which is situated in the province of Luhansk Oblast. That area of Ukraine has been the scene of fighting between pro-Russian separatists and Ukrainian forces for the past eight years and, during Russia’s recent invasion it was taken over completely by Russian forces during the very first days of the invasion.
Two years ago, Michael noted, he was able to bring his parents and grandparents as well to Winnipeg, under a Federal sponsorship program. But, he added, “I still have a bunch of family in Ukraine.”
He said that another grandfather and an uncle of his are in Luhansk, while his wife’s mother and aunt are outside of Luhansk, in an area that has been subject to intermittent bombardment for the past eight years.
Perhaps somewhat ironically, Luhansk and the areas adjacent to it are now quiet, Michael said, as they are now totally under Russian control. “The people are working, shopping centres are open, so are restaurants,” he added.

As noted, an aunt of Michal’s left the Luhansk area with her two daughters (who are approximately the same age as Michael) eight years ago when the fighting first began there, and they moved to a town west of Luhansk.
“It’s quieter there,” Michael said. “You can’t compare to the other places, but still they have sirens in the middle of the night, they’re hiding, they’re getting some humanitarian aid – they’re volunteering in those centres. Basically, right now there is no active combat going on in that part, but there’s uncertainty where everything is going. The economy is stalled; they’re not working.”
What he’s been able to do though is send money to them through Western Union – which is “deposited directly into their bank account,” Michael said.
I asked Michael whether he’s in touch with his family in Ukraine. He said that he is, through a platform called “Viber” (which, interestingly, was developed in Israel).
But I was curious to know what life was like for his relatives who are now living in areas totally under Russian control. “From what you say, life is pretty normal,” I said to Michael.
In response, he told this story about his uncle, who is still living in Luhansk: “He was going someplace, going shopping or something. He was stopped by two Russian soldiers…they were checking his passport and his papers. He took his hat off. He’s like 75. He’s like a traditional Jewish person – he looks Jewish. And they said to him, ‘Sorry father’– (a Russian expression, Michael explained) and they apologized. They said ‘You look like someone else.’ They were looking for resistance. They checked his paperwork and wished him good day, and off he went.”
“So this is fair and normal in the city of Luhansk,” Michael said.
I said I was surprised to hear what Michael just told me. I said, “So this means the Russian soldiers are behaving fairly nicely,” I suggested.
Michael agreed, adding, “The Western media. They are reporting just one side of the story. And, to be honest, I don’t know who is wrong, who is right. You know, you see all those terrible things on the TV, on Facebook, on Instagram, but on Viber – and I haven’t heard from my uncle for a week or so, he says that everything is stable, everyone is okay.”

“Isn’t that interesting?” I responded. I continued, asking Michael, “What would you say then if the Russians took over all of Ukraine, how do you think they would behave?”
Michael answered: “This is what the Western world really doesn’t understand. Ukraine is actually divided into two. The eastern part is truly Russian-speaking population. They share the same traditions, the same language – everything. Even myself, when I was in school, Ukrainian was like a foreign language. It’s like you learn French here. It’s as if Ontario and Quebec were combined together – and you called it Ukraine.
“For those areas where it’s mostly Russian-speaking people, the quality of life is not that great. They don’t really care who is in power, honestly. They just want to get to work, get paid, and feed their families. The people there are mostly farmers, miners (of coal). They don’t really have an agenda for politics. They don’t want war. They just want to lead a normal life.
“In the western part of Ukraine, it’s a different story because they’re more Polish in nature. They have stronger connections to Poland. There was always tension between Ukrainians and Russians. It’s not spoken of, but during the Holocaust the Ukrainians cooperated with the Nazis. (To which I said, “Yes, I know.”) More (Jewish) people were killed by Ukrainians than by Nazis. These days we don’t talk about that. But I don’t know who is better and who is worse (comparing Ukrainians and Russians). They both do the same.
“It’s not black and white, it’s sort of gray,” Michael suggested.

“But how do you react when you see what they (the Russians) are doing to Mariupol and to Kharkiv?” I asked Michael. “Mariupol has been destroyed.”
“Yes, absolutely,” Michael said. “How do I feel? I feel bad. How can you feel when the city is being destroyed, but the point is: Russia has its own agenda and Ukraine has its agenda. Someone is making a lot of money out of this.” (I didn’t ask him what he meant by that.)
I wanted to return to asking about Michael’s relatives who were still in Ukraine. I wondered whether any of them are trying to get out?
He explained that it’s all but impossible where his relatives are. “So,” I asked, “what can we as Winnipeg Jews do to help people like your relatives? We can help with money, I suppose,” I said.
“I guess so,” Michael said. “But he noted that the Russian army is not progressing to the centre of the country where his aunt and his cousins are living. His aunt is working part-time in a grocery store, Michael explained.

I remarked to Michael that I found his perspective totally different from Alexey’s and was rather unsure what to make of what he had told me.
Based on what he told me, I wondered whether the war could be brought to an end if Ukraine were to hand over the two eastern provinces (Luhansk and Donetsk) that are primarily Russian speaking, along with Crimea (which used to belong to Russia)?
“But,” Michael suggested, “they (the Russians) won’t stop. Sanctions mean nothing to them. What do you care about sanctions when you have nothing to begin with?”
He said that there should be “some kind of reasonable negotiations,” but when I suggested that Zelensky has been willing to engage in honest negotiations from the very beginning, yet the Russians are engaged in some kind of charade when it comes to negotiations, he said “I don’t know. I’m not a politician.”

But after listening to Michael, I felt that I had a better understanding how Jewish Ukrainians are not all on the same page when it comes to this terrible conflict. Yet, I don’t want what I’ve written in any way to come across as a defence of what Vladimir Putin has done – and I’m afraid that someone reading this could easily extract from some of Michael’s comments exactly that. Still, I wonder if perhaps, by understanding somewhat better the divisions that exist within Ukraine between Russian speaking and Ukrainian speaking Ukrainians, we might come to the realization that a compromise solution will have to take into account those divisions.
Is a compromise possible? It would seem so, but Vladimir Putin and his generals seem determined to punish Ukrainians terribly first, and for expatriate Ukrainians like Alexey and Michael, they can only watch and wait – and hope that their relatives and friends still living in Ukraine don’t become casualties.

Postscript: Several days after I interviewed Alexey and Michael, I was troubled by the message that I discerned from what Michael had said to me. He was quite sanguine about Russia’s occupation of Ukraine, I thought.
So I decided to look further into his claims that Russian-speaking Ukrainians feel quite differently about the Russian invasion than do Ukrainian-speaking Ukrainians.
According to an article in the Washington Post, “most Russian-speaking Ukrainians feel Ukrainian.” The article went on to say that “In Ukraine, the language people speak cannot be equated with ethnic identity. A larger representative study from 2013 examining the identity of Ukrainians living in various regions of the country found that the vast majority consider their ethnic identity as Ukrainian – the lone exception was in Crimea….strong Ukrainian identification can be found in predominantly Russian-speaking parts such as southern, eastern Ukraine, and even Donbas – where 70 percent or more identify as Ukrainian.”
I thought about Michael’s relative acquiescence to the Russian occupation of that part of Ukraine where he lived – until he was 10. But that was 28 years ago. Even though he says he is in touch with relatives in that area, including his grandfather and uncle, I wonder just how much Michael’s views were shaped by his experience growing up in a country that was under Soviet occupation until1991. According to what he told me, Michael would have left Ukraine for Israel in 1994. One can well imagine how much the country has changed in the past 28 years.
But to say that “But I don’t know who is better and who is worse (comparing Ukrainians and Russians),” as Michael said; “they both do the same”, would seem to be a distortion of the reality that now exists in Ukraine.

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Interviews with the curator of the Nakba exhibit and the CEO of the Human Rights Museum

Isha Khan, CEO of the Canadian Museum for Human Rights

By BERNIE BELLAN On June 26, I was invited to attend the Canadian Museum for Human Right to see the Nakba exhibit prior to its being opened to the public. While I was there I was given the opportunity to interview the curator for the exhibit, Isabelle Masson, along with CMHR CEO Isha Khan. What follows are the transcripts of those interviews (edited only to remove pause words like “uh” and phrases the were repeated). The first interview was with Isabelle Masson:

Jewish Post: Several representatives of Winnipeg Jewish community organization say that they weren’t fairly consulted on this exhibit. How do you respond to that?

Masson: We came to this project with an awareness that Palestinian voices are often marginalized, even silenced, and an awareness that Islamophobia and anti-Palestinian racism have an impact on whose voice is heard and whose suffering is recognized. And so we intentionally chose to centre Palestinian voices with this exhibition.

Isabelle Masson, Curator of the Nakba Exhibit

JP: But to the point that many Jewish representatives of organizations and people within the community at large feel that the Jewish community should have been consulted on an issue that had such a direct impact on the Jewish community – did you not feel an obligation to consult with the Jewish community?


Masson: I think the best person to talk further about this issue is our CEO, Isha.

JP: In terms of the exhibit itself, I must say it really stresses the suffering that Palestinians have endured. But, in looking at other refugee situations around the world, the Palestinian situation seems to me to be unique in that there has never been an effort to resettle Palestinians within the countries to which they were forced to flee.
Do you not think that separates their situation (from other refugee situations) and, in some ways, it has made their situation worse than it could have been?


Masson: Well, the exhibit not only centres that experience of forced displacement and disposition as a longstanding experience across five generation that you know is tied to human rights violations that are ongoing today, but it also I want to point out, you know, foregrounds beauty, foregrounds resilience, foregrounds the maintenance of identity and belonging across time and across that experience. So there’s also these elements about this exhibition because it was also about humanizing Palestinians – about people with families with stories, with creativity – and coming back to some of the videos what interviewees say, right, we hope that Palestinians can be seen as fully human and hope that they can see Palestinians as having human rights and this this story today in this gallery is is a story about human rights.

JP: If I can focus on one particular aspect of the exhibit that I read this morning when I was sent the preview, it referred to what happened between the years 2000 and 2005 as a Palestinian uprising. But the Israeli term would be the Intifada which for them meant large-scale attacks – terrorist bombings by some Palestinians. Did you not think it necessary to include that in a larger context?


Masson: Well, we use uprising because it’s the most more accessible term in the exhibition and we, you know, we’re focusing really here on an artwork by artists – Palestinian American artist Reggie Cook and with an artwork that was trying to translate the experience of of occupation into what is created. So that’s the context in which we talk about that.

JP: But to ignore what happened during the uprising seems to me to leave out a major part of the context.


Masson: I don’t think that we are ignoring that. This exhibit is not about the full story of what has happened in Palestine, in Israel. It’s not, you know, the scope of this small exhibition. This small exhibition has a scope and the scope was really to create an opportunity and a place for Canadians to be able to encounter Palestinian Canadians and hear their voices.

JP: Given the current mood in the Middle East and the ongoing tensions between Israel and various other actors, the concern among many in the Jewish community that this is going to lead to a heightening of antisemitism and an exhibit like this seems that it it’s not going to do much to improve relations between Jews and Palestinians when it focuses on only one side of the story. How do you respond to that?

Masson: Well, this is only one exhibit of of many, of many stories that we have.

Following is my interview with Isha Khan. Khan began by explaining that she is “the CEO at the Canadian Museum for Human Rights and I’ve been here as CEO of the museum since August of 2020. So almost six years.”

JP: So let’s get right down to discussing (the exhibit). I spoke to the curator. I asked a lot of questions about the exhibit itself. I’m more interested in asking (you) about the general context and the atmosphere in the community. The accusation has been made repeatedly by various leaders of Jewish organizations that you have not been willing to consult on this exhibit. How do you respond to that?

Khan: I think the word consult can mean many things. We have a community engagement practice. So for us that means that depending on the scope of the exhibit and this exhibit is about Palestinian Canadians and their experiences, the impacts of the human rights impacts, of forced displacement, which means we engage with that community as we share their stories. Many folks in the Jewish community will say we haven’t consulted with them and yet we have met with leaders of Jewish organizations from across Canada, main uh, major federations, foundations, local Jewish organization representatives many times to talk about this exhibit, to explain what its scope is, what it’s about, what it’s intended to do, and most importantly, what it isn’t. And unfortunately there continues to be misconceptions about what it is. So we hope people will come and see it.

JP: I think the fear in the community – and I think it’s well founded is that this will foment an increase in antisemitism. Can you understand that concern?

Khan: Absolutely. I personally and any member of our team who’s talked to folks about this has said that we unequivocally share the concern about antisemitism in Canada today. That is part of our mandate. And we will continue to do that work and we can also share these stories of Palestinian Canadians – you know, telling the story of one community’s human rights violation in no way should negate or minimize the experience of another community. That’s what this museum was designed to do….designed to build understanding of shared humanity and that’s what we believe we’re doing responsibly.

JP: Just before I began this interview, I was taken (down to the fourth floor; the Nakba exhibit is on the fifth floor) to see the gallery of other human rights violations. I’m not sure what it’s called. (It’s where there is a ) recitation of various human rights violations, including what happened in 1947 and 1948 (in Palestine). They offer passing reference to the displacement of both Jewish and Palestinian refugees. Would you consider ever having an exhibit about the displacement of Jewish refugees from Arab lands in 1948 and subsequent years?

Khan: We would absolutely consider it and in fact have shared with leaders of the Jewish organizations months ago that yes, these are important stories that need to be told (and) invited them to work constructively with us on developing that content. Unfortunately we didn’t really receive much response.

JP: How long is this exhibit supposed to be on for?

Khan: So this exhibit right now we’re saying is a minimum of two years. That’s because it is an exhibit in a standing gallery and so it also depends on our updating of our other galleries and, you know, exhibits take a bit of time. This one is four years in the making and so we’ve just committed that it’ll be a minimum of two years and we’ll see where things go.

JP: There are a lot of other refugee situations in the world – (for instance) South Sudan, and just this morning I was saying to Isabelle that I received an email about the situation for people from Burundi in the Democratic Republic of the Congo.
I didn’t realize that was a problem. I know that the Congo has had ongoing problems with displacement of populations. It it seems to me it’s not an unlimited number of stories like this you could tell, but there are a lot of others. How do you decide which ones take priority?

Khan: We’re often asked the question of how we decide, and it comes back to how this museum is designed. Each gallery is intended to tell a different story. It has an objective. So this exhibit, Palestine Uprooted, is in our Rights Today gallery. It’s to talk about global human rights issues. And we know that people want to better understand human rights of Palestinians. There’s no question. It’s being talked about, debated, discussed all over the world. And so we’re being responsive there to that need. And we know that Palestinian experiences were under represented in our galleries and have heard that for years. To your point though that there are other stories – the design of this museum is that you ought to be able to feel something, understand something about the forced displacement of one community and apply it to another. So now this story stands along the forced displacement of the Rwanda people, indigenous peoples, Ukrainian people, the Igbo people. You’ve named a number of others that we do need to develop content on over time, but it’s done depending on what gallery it is, what we are trying to invoke…because we’ll never be the encyclopedia of all human rights atrocities in the world. That’s actually why we’re called the Canadian Museum for Human Rights rather than the Canadian Museum of Human Rights.
We’re here to to develop an understanding through the stories that will impact people.

JP: Okay. I want to ask a politically loaded question.

Khan: Okay.

JP: The Jewish population of Canada is at best 450,000. In that range, Jews don’t have the political impact that they used to. At most, there are 12 to 16 ridings where the Jewish vote can make a difference. The Muslim population has grown substantially. It has a much larger political impact. Did that factor in to this exhibit being mounted in any way?

Khan: Absolutely not.

JP: So, I’ll ask the question that I asked the curator of the exhibit. Where did the impetus for this come from? Did it come from Palestinian Canadians?

Khan: The this exhibit came from a recognition, our decision. I hold responsibility ultimately for the decisions made by my team. It was made based on the recognition that Palestinian experiences were under represented in this museum. We absolutely heard from the Palestinian community organizations in Canada and had heard for many years that their stories were underrepresented. Ultimately, the decision was ours. And as we look at this gallery and updating our content, this is ‘rights today’ – global human rights. We know that the world is talking about Palestinian human rights and the stories of Palestinian Canadians naturally belong in our collective memory alongside many other stories that are told here.

JP: There was one particular aspect on one of the panels when I was sent a preview this morning and it referred to the Palestinian uprising from 2000 to 2005 which led to a lot of Israeli deaths that we generally refer to as the Intifada. There’s no mention of Israeli deaths on that panel. Would you agree that might have been an oversight?

Khan: I mean I know that there the factual point is absolutely accurate. The decisions on the curation of the exhibit are not ones that I make, but certainly if that is a concern that we will look at.

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Nakba exhbit at CMHR now open – here’s what it looks like

By BERNIE BELLAN (Posted June 26)The following press release was sent to me early Friday morning June 26 (Photos supplied by Annie Kierans, CMHR) Nothing that follows has been edited. I leave it to you to form your own opinion:

Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
 
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
 
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.  

Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.

Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.

Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.

Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.

Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.  

Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
 
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit


“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted


“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
 
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
 
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”

  • – Isha Khan, CEO
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Nakba exhibit at human rights museum set to open despite mounting criticism

By NOAH STRAUSS (posted June 25) The Canadian Museum for Human Rights’ Nakba exhibit is scheduled to open this Saturday, June 27, despite growing criticism and calls for it to be delayed or revised. The exhibit has sparked public debate in Winnipeg and beyond regarding how it presents the history surrounding the creation of the State of Israel.

Earlier this week, Mark Berlin resigned from the museum’s board. In his resignation letter, he expressed concern that the exhibit presents a one-sided narrative and does not adequately address the experiences of Jewish communities affected by the events surrounding Israel’s independence.

The Nakba, an Arabic word meaning “catastrophe,” refers to the displacement of hundreds of thousands of Palestinians during the 1947–1949 conflict that followed the creation of the State of Israel. Critics of the exhibit argue that it focuses primarily on Palestinian displacement without sufficiently acknowledging the broader regional consequences of the period.

Some Jewish advocacy groups also point to the experiences of Jews who left or were expelled from several Arab and Muslim-majority countries in the decades surrounding Israel’s creation. Estimates suggest that between 850,000 and 950,000 Jews left or were displaced from countries including Iraq, Egypt, and Yemen, under a range of circumstances including persecution, expulsion, and confiscation of property.

In his resignation letter, Berlin, a faculty member at McGill University specializing in human rights law, wrote, “Telling the story with a one-sided perspective chosen by the museum serves to deepen division and contributes to further hostility toward Jews in Canada.”

Following his resignation, CIJA President Noah Shack released a statement saying, “The resignation of the museum’s only Jewish board member is a clear indictment of the museum’s handling of the controversial ‘Nakba’ exhibit.”

The exhibit’s VIP opening is expected to include invitations to representatives from all three levels of government. Winnipeg Mayor Scott Gillingham had initially been invited but later declined following discussions with representatives from the Jewish community, including CIJA Manitoba Vice President Gustavo Zentner and Jeff Lieberman, President and CEO of the Jewish Federation of Winnipeg.

Members of Winnipeg’s Jewish community are also planning a peaceful rally outside the museum on Friday at 5 p.m., according to organizers.

The Canadian Museum for Human Rights is expected to release a formal statement ahead of the exhibit’s opening.

(added June 26) To see interviews that Bernie Bellan conducted with Isabelle Masson, curator of the “Palestine Uprooted: Nakba Past and Present” exhibition at the Canadian Museum for Human Rights (CMHR) in Winnipeg and Isha Khan, CEO, CMHR about the exhibit go to curator of exhibit and CEO interviewed

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