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Lessons in Fusion” speaks to the fluidity of Jewish identity in the contemporary world

Primrose Mayadag Knazan
cover of “Lessons in Fusion:

Reviewed by BERNIE BELLAN In preparing to write this review I searched our archives to see whether we had ever published anything previously about Primrose Mayadag Knazan; sad to say, we hadn’t.

It’s about time we made up for that oversight, as Primrose had already established herself as a playwright of considerable talent, having had her three plays been awarded “Best of Fest” at the Winnipeg Fringe Festival on each occasion she premiered a new play at the Fringe.

Her plays have also been produced by the Royal Manitoba Theatre Centre, Winnipeg Jewish Theatre, and Sarsavati Productions.
With “Lessons in Fusion”, Primrose enters into the world of fiction writing and, while the book is described as a “Young Adult” novel – not being a young adult myself, I wondered whether I would be as interested in this particular book as much as someone who was in their teens.
It turns out that “Lessons in Fusion” would hardly be limited in its appeal to young readers. As someone who has blended two different cultures in her own life: Filipino and Jewish, Primrose Mayadag Knazan offers readers who might come from a more traditional background tremendous insight into identity, how it is forged over time, and the challenges faced by individuals who, because of the way they look, are stereotyped by others.

The storyline of “Lessons in Fusion” takes place in the pandemic world in which we all now find ourselves, although the action moves back and forth in time as we begin to develop a better understanding of the novel’s protagonist, 16-year-old Sarah Dayan-Abad.
Sarah is a precocious young woman who has developed a keen fascination for “fusion” cooking – blending ingredients from different cultures to create dishes that are an amalgam so totally original they lead to her developing quite a following on a blog she had started when she was 14 years old, titled “fusiononaplate”.

Here is how she describes her blog, when asked to give some information about it by the creators of a new online cooking show in which Sarah would like to participate: “Fusion comfort food, a mash-up of East and West and everything in between. Easy recipes of our classic cravings with a twist.”
Now, given Sarah’s interest in food, one would ordinarily expect that is something she might have inherited from her mother, Grace, who is “Filipinx” (the proper term for someone of Filipino descent, we are told, rather than “Filipino”). Grace, however, has almost no interest at all in cooking, especially Filipino food. The reasons for that become clearer as the story develops.

The reviews that I’ve read of “Lessons in Fusion” to date all make a big fuss over how the author introduces each chapter in the book with a recipe. Apparently Primose Mayadag Knazan is quite the food connoisseur, writing a regular column for the Filipino Journal about food in Winnipeg, as well as maintaining an Instagram account devoted to food,@pegonaplate.

As the story unfolds, Sarah is accepted into a competition known as “Cyber Chef”, in which five young people – all under 20, will compete on a weekly basis until only one is left. By the way, the chapter in which the competition is explained in some detail starts with a recipe for Chanukah latkes, so if this review is just a tad too late to influence your latke recipe, you might want to consider buying the book for next year. Just consider some of the ingredients in Sarah’s latke recipe: “sweet potatoes instead of russets. Instead of traditional sour cream or applesauce…raita made with yogurt, green apple, and mint” – I think you get the idea why the book is titled “Lessons in Fusion”.
Now, I’ll be honest: I barely looked at the recipes in this book, although they seemed tantalizing enough. Yet, for anyone who’s really into cooking, I’m sure the recipes in the book would be reason enough to buy it, as many of them are traditional Jewish recipes turned into something so imaginatively different from what I think most of us have come to accept that we would have a hard time recognizing them.
But, more than the recipes and the fastidious attention to food details that the book incorporates, “Lessons in Fusion” is a coming of age story that is so contemporary in its being set during the pandemic that it offers many real life lessons which can be useful for all of us.

Sarah, for instance, is a good student, yet she’s been forced into online learning as a result of the pandemic. Cooking is a diversion for her – as it had become for so many others once we found ourselves being confined to our homes during the many lockdowns that characterized the first year of the pandemic. While she has two good friends, with whom she communicates online (and you have to appreciate how thoroughly the author is familiar with what is known as “textspeak”), we can still appreciate the extent to which the pandemic has truncated what should have been some of the best parts of young people’s lives.
I don’t want to go into any further detail about the cooking show in which Sarah participates, lest I spoil any surprises for readers.
What I was most interested in reading is how Sarah develops her identity as a Jewish Filipinx. She and her siblings all attend what is described as a “Hebrew Immersion program” in a “private school”, where the students wear uniforms, so I’m assuming it’s based on Gray Academy. Sarah has had a bat mitzvah and is quite proud of her being Jewish.
Yet, beyond her interest in Jewish food, what seems to drive Sarah’s Jewish identity more than anything is her closeness to her baba. At the same time though, the book does describe Sarah’s more tenuous relationship with her Filipinx grandmother, her “lola”, and how cooking also brings the two of them together eventually.

One aspect of the book that might serve as a wake-up call for some readers is how Sarah is stereotyped because of her appearance and, although she can understand how she is regarded by almost anyone she meets (including online) as Filipinx, she herself regards her identity as first and foremost Jewish.
At one point Sarah is asked whether she considers herself “White or Filipino”?
She answers: “Jewish” – to which the questioner responds: “That wasn’t my question.”
So Sarah launches into a more detailed explanation: “But that’s what I am. My parents are Jewish. (Grace had converted when she married Sarah’s father.) I was raised Jewish. It’s not just my religion. It’s my culture. I get all the jokes. I celebrate the holidays. I eat and cook all the food. I even speak some Yiddish. I had family that died in the Holocaust. Go back far enough, I had family that were chased out of Russia. It’s in my blood. I carry it on my shoulders. I. Am . Jewish.”
That exchange goes on, with the questioner insisting on finding out whether Sarah identifies as “White” or not, and with Sarah not sure how to answer the question.

As someone who has been writing extensively about identity in this newspaper, and how much Jewish identity is evolving so rapidly as more and more individuals who have either converted to Judaism or live with someone who is Jewish bring with them backgrounds that are not Jewish, I find it quite fascinating to read a quite authentic description of how confusing it must be for a young person who comes from a blend of ethnic identities when asked to explain their own identity.
For that reason alone I would recommend “Lessons in Fusion” as a real eye opener to so many in our community – and well beyond the Jewish community, in helping to understand how someone might identify strongly as Jewish even when that person’s identity is rooted in a background that is quite different than something with which many of us are familiar.

As for how well written “Lessons in Fusion” is, as a first-time novelist, Primrose Mayadag Knazan shows remarkable talent, although given her success as a playwright to date, it should come as no surprise that she has made the transition to fiction writing so successfully.

“Lessons in Fusion”
By Primrose Mayadag Knazan
Published by Great Plains Publishing , 2021
288 pages

 

More about Primrose Mayadag Knazan

Primrose Madayag Knazan brings an interesting perspective to what it means to become Jewish
By BERNIE BELLAN
As someone who had already established a solid reputation as a successful playwright, Primrose Madayag Knazan knew that she was taking on a challenge of quite a different sort when a publisher proposed that she consider writing a book of fiction aimed at the Young Adult market.
“Writing plays was easier than writing a novel,” Primrose told me during the course of a lengthy phone interview.
“But Great Plains (her publisher) approached me with the idea of writing a book. They said I’ve always been so successful with plays, why don’t I write something – either non fiction or Young Adult?”

 

The timing was right for her to begin thinking about writing a book, she says. It was the fall of 2020, the Covid pandemic had set in, and she actually had more time to write since she was working from home. Her two young boys were both in school and, while she was certainly busy enough – she had begun writing a food blog as well as writing a regular column for the Filipino Journal about food, Primrose says that she didn’t have any plays in the works, so the idea of writing a book at that time appealed to her.
Around the same time, the killing of George Floyd in Minneapolis happened, Primrose notes. “It opened people’s eyes about diversity and representation.”
So, the idea of tackling those themes, along with her passion for writing about food, jelled into the basis of “Lessons in Fusion”.
As I explain in my review of the book, the story centres around 16-year-old Sarah Dayan-Abad. The fact that Sarah’s name is a blend of Jewish and Filipino names is no coincidence. And yet, while there are distinct parallels in Sarah’s life to Primrose’s, Primrose wanted to make clear that Sarah is largely an imagined character.
Having grown up in Winnipeg herself, Primrose says that, while she was raised Catholic, she didn’t find the Catholic church appealing.
“I grew up at a time when I didn’t fit in with other Filipino kids,” she says.
For instance, she notes that she “always wanted to be a blonde. I knew a part of me always wanted to be White.”
At the same time, she says that “ever since I was a kid, I wanted to write plays, books, poetry.

 

It was while she was in university here – where she was taking a double major in psychology and sociology, that she also had her first immersion in theatre. Primrose says she fell in love with the theatre and, years after she graduated, she became involved in it again, as an actor, as a producer, and as a playwright.
Her first plays were written for Winnipeg’s Fringe Festival (the first one was written in 2000) and each time she entered a new play there (three times altogether), her plays went on to win “Best of Fest”.
It was also while she was in university that she met the man who would eventually become her husband, Josh Knazan.
Yet, while Josh came from a firm Ashkenazie Jewish background, he didn’t insist that Primrose convert to Judaism before they married.
“It was after he proposed to me that I told him I wanted to convert to Judaism – not before,” Primrose explains.
Ever since converting – in 2002, under Rabbi Alan Green’s tutelage, Primrose says that she has become “very comfortable in being a part of the Jewish community.”
“Judaism is such a beautiful religion that I fell in love with it. With Catholicism there are no shades of gray. Everything is black and white. Judaism is so much more nuanced.”
“I’m an outgoing person,” she says. “I’ve been able to be involved in the synagogue (Shaarey Zedek). I have a lot of new friends.”
And, while Primrose says that she has made sure that her two kids will grow up in a Jewish milieu – her older son was just recently Bar Mitzvahed, she says, the notion of “fusing” Filipino and Jewish culture is something that she is keenly interested in doing.

The story in “Lessons in Fusion” centres around food – and not just Filipino or Jewish food.
Raising two boys, especially one who was now a teenager, did give Primrose a certain insight into how young people think – and how they communicate, especially through texting.
Portions of “Lessons in Fusion” have some of the young characters texting with each other. “When I showed it to my son, he told me that I had it all wrong. No one texts in full words,” he said. “I had to learn textspeak from him.”
Something that Primrose wanted to avoid though, in writing a Young Adult novel, was “writing anything dystopian”. She says that she didn’t want to write yet one more book about “the end of the world”.
At the same time that she wanted to tackle issues of “diversity and representation” in her book, Primrose says that her older son was an “inspiration” for her when he told her he “didn’t want to read ‘issue books’ or books about ‘racism’.”
And, while Primrose and Josh are determined to give their two boys a solid Jewish upbringing, they both want them to be exposed to Filipino culture as well, Primrose says.
“They were both in the Hebrew Bilingual program at Brock Corydon” – the older boy has now graduated and is at Grant Park, but they’re both also involved in “Filipino dance”.
Unlike the character Sarah in “Lessons in Fusion”, moreover, who does not have a close relationship with her Filipino relatives – save one aunt, Primrose and Josh’s boys have close relationships with both their Jewish and Filipino relatives.
Sarah, however, identifies entirely as Jewish. The idea of creating a character who, even though she looks Filipino, doesn’t think of herself as Filipino at all, came to Primrose when she herself wondered what she would have been like had she been “raised exclusively Jewish”?

As noted, Primrose has a real passion for food – experimenting with it, writing about it and, as she explained to me, helping to promote local Filipino restaurants and stores.
“My head is focused on food blogging and promoting Filipino food,” she says.
“But when the pandemic happened,” so many restaurants had to close down, including many Filipino ones, she observes. So, her blog and column in the Filipino Journal became even more important to Primrose. She says that “in the past two years I’ve taken the food blogging seriously. I’ve always wanted to feature Manitoba products” as a way of helping local producers.
And, while “Lessons in Fusion” is largely a coming of age novel, as Sarah participates in an extremely demanding competition where she is required to come up with entirely original recipes for a TV show on a weekly basis, Primrose observes that “the growth in Sarah’s recipes parallels the growth in Sarah as a person to the point where she blends her two cultures” – and feels wholly comfortable in both.
That’s also the story of Primrose Madayag Knazan’s life: Someone who feels totally comfortable in her own skin as she blends Filipino and Jewish cultures into a unique amalgam. And, for someone who is as interested in identity as I am – and how fluid it is, having Primrose as part of the Jewish community offers one more reason why other members of our community should feel warm in the knowledge that the Jewish community is a blend of cultures and one in which people of quite different backgrounds can feel totally accepted.

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Younger Jewish talents continue to shine in their respective categories at annual Winnipeg Music Festival

clockwise from upper left: Yale Rayburn-Vander Hout, Juliet Eskin, Nate Kravetsky, Alex Schaeffer, Gregory H=yman

By MYRON LOVE  A number of younger members of our community were repeat stars at the most recent (108th annual) Winnipeg Music Festival – which takes place annually in March. Among the repeat Jewish singers and musicians in the ranks of high achievers this year were” Yale Rayburn-Vander Hout, Gregory Hyman, Alex Schaeffer, Juliet Eskin, Noah Kravetsky, and Lyla Chisick. 

Yale Rayburn-Vander Hout


Vocalist Yale Rayburn-Vander Hout, the oldest of this year’s group of Jewish repeat winners, was competing in his fifth straight festival, where he continued to build on his accomplishments in previous festivals.  This year, the 20-year-old son of Samantha and Peter finished first in two musical theatre categories – songs from musical theatre productions between 1965 and 1999, and shows from the past 26 years. Yale sang “I’m Allergic to Cats,” from the 2016 musical “The Theory of Relativity,” and “Suppertime,” from the 1967 musical, “You’re a Good man, Charlie Brown.”
The former Gray Academy student is currently enrolled at the University of Manitoba’s Desautels Faculty of Music in the Choral program.  Yale says that he is hoping to get into the performance track in the fall with the goal of earning a degree in Classical Voice Performance en route to pursuing a career in musical theatre.

Gregory Hyman


As reported previously, Gregory  Hyman is a multi-faceted artist who can do it all. The 18-year-old son of Hartley and Rishona Hyman is a singer/songwriter/musician (guitar) who records and performs under the stage name, GMH. His versatility shone through once again in his eighth Music Festival, in which he registered first-place finishes for vocal performances in both “Popular and Contemporary Music” and “TV and Movie Music “categories.
Gregory notes that he was also recommended to compete in the provincial finals in June.    The St. John’s-Ravenscourt student (and soon-to be) graduate continues to be busy on stage. In January, he headlined a sold out solo show at Sidestage on Osborne featuring some of his new material.  In March, he released an album of his newest songs. Readers can check out his latest compositions on any of the music streaming platforms as well as his own social media (thegmh) on Instagram. 
Gregory also continues to host his own podcast: “Talk and Rock with GMH – now in its fifth season – in which he interviews various people in the music business across Canada.
While Gregory says that a musical career is his “dream,” he reports that he is hedging his bets and considering different potential career opportunities.  Come September, he will be enrolled at the University of Manitoba in a University One program, which will allow him to select from a variety of courses that can count toward a degree.

Alex Schaeffer

Sixteen-year-old Alex Schaeffer won first place this year in the “Musicals Prior to 1965, 16 Years and Under” category with “Try Me” from “She Loves Me,” and was runner-up in the “Musicals 1965 to 1999, 16 Years and Under” category with “On My Own,” from “Les Misérables.” For the son of Marc Schaeffer and Kae Sasaki, this was his fifth year competing in the festival.
The Grant Park High School student made his big stage debut three years ago as Kurt von Trapp in “The Sound of Music,” followed by playing Michael Hobbs in “Elf the Musical” this past winter at the Royal MTC.
Alex recently performed in Grant Park High School’s production of “Something Rotten!”  This summer Schaeffer can be seen again at the Winnipeg Fringe Festival, where he will be appearing in a production staged by Rem Lezar Theatre. 
Rounding out the voice winners is Lyla Chisick. The daughter of Daniel and Baillee was competing in her second music festival. This year, she scored  Gold performances in the “Vocal Solo,” “Manitoba Composers,” and “TV/Movie Musical, 12 and under” categories.
Lyla reports that she began taking voice lessons from Jessica Kos-Whicher three years ago.   She says she regularly takes part in the Shaarey Zedek Synagogue Family Service and has sung at several community events. Lyla adds that she is already looking forward to next year’s music festival.

Nate Kravetsky


Nate Kravetsky and Juliet Eskin competed in the festival as musicians rather than singers. Juliet, 16, plays the viola,  and is also is the violist in the Assiniboine String Quartet. In this, her fifth go-round at the festival, Juliet, the daughter of the musically talented Kelly Robinon and Josh Eskin,  had first place finishes in the  “Viola Solo, level 8,” “Baroque or Classical  Concerto,” and “Romantic Composers” categories.

Juliet Eskin


Juliet originally took up the violin – adding the viola a couple of  years after.  She also just finished performing in the Grant Park High School production of “Something Rotten!”
Nate Kravetsky is currently in Grade 5 level piano. He studies with Erica Schultz and has been taking lessons from her since age 5.
Nate competed in three categories at the Winnipeg music festival: “Baroque,” “Sonata,” and “Contemporary/own choice.”
His own choice selection was the theme from his favourite video game, “Hollow Knight.” 

Nate, who is in Grade 7 at Gray Academy, is also preoccupied preparing for his upcoming bar mitzvah.
We look forward to the continued musical success off Yale, Gregory,  Alex, Nate, Juliet and Lyla,  and what new talent may be unveiled at next year’s Winnipeg Music festival.
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Jewish Heritage Centre of Western Canada’s Archivist and Curator Stan Carbone retires

By MYRON LOVE Stan Carbone, a long-time friend of our Jewish community and fixture at the Jewish Heritage Centre of Western Canada (JHCWC) for the past 25 years, retired last week.  His last day of work was May 13.
Most recently, he was the JHCWC’s Director of Programs and Exhibits.
“For the past 25 years, the Jewish Heritage Centre of Western Canada has been an integral part of my life,” Carbone said.  “I have made a lot of friends in the Jewish community, and I hope to maintain those friendships.”
Carbone’s own history reflects the immigrant experience.  He arrived in Canada in 1960 as a three-year-old with his mother and sister, from San Giovanni in Fiore, Calabria in southern Italy. His father had come a few months earlier.  Initially, the family settled in Fort Rouge which, at that time, had a substantial Italian community.  Within a couple of years, they had relocated to East Kildonan to be closer to where his father’s two sisters and their families lived.
He earned a BA Double Honours in History and Political Studies at the University of Winnipeg, followed by an MA in History at the University of Manitoba, from where he graduated in 1981.
In 1993, he was hired at the Manitoba Museum of Man and Nature (as it was then called) as Curator of Multicultural Studies.
“I always enjoyed doing research,” he said.
His first project for the JHCWC came in 2000, the year after the organization was formed through the amalgamation of the Jewish Historical Society, the Ed and Marion Vickar Jewish Museum of Western Canada and the Freeman Family Foundation Holocaust Education Centre.
Marim Zipursky had approached the Manitoba Museum of Man and Nature looking for a curator to organize a JHCWC exhibit featuring Jewish music and musicians in Winnipeg,” Carbone recalled.  “I didn’t know much about Jewish music and musicians, but I was familiar with the Jewish Historical Society – which preceded the JHCWC. I was really impressed by its extensive archives, and I was intrigued by the Jewish community’s history and the wide range of subject materials in the archives.”
The next year, when a position opened at the JHCWC, Carbone applied.
“I have been here ever since,” he said.
Over the past quarter century, Carbone has been involved in bringing to fruition several interesting exhibits. He mentions the synagogues display, a history of the YMHA, and the current exhibit highlighting the important role of women’s organizations.   The exhibit that was closest to his heart though was “A Stitch in Time,” a look at how Jews contributed to the development of the garment trade in Winnipeg. Both of his parents worked in the garment industry.
The exhibits though are just one facet of the JHCWC’s focus, Carbone noted. He mentioned how the organization contributed to the publication of Allan Levine’s “Coming of Age: A History of the Jewish People of Manitoba.”
There have also been several compilations over the years of talks that the JHCWC has organized. These are known as the “Jewish Life and Times,” consisting to date of ten volumes.
Carbone further pointed out the organization’s commitment to Holocaust education and the numerous initiatives that have brought that subject to greater public attention.
The organization’s genealogical component, he reported, draws numerous queries from people all over the world.
One particularly interesting project that Carbone spoke about is an ongoing cooperative partnership with Gray Academy.  For the past 10 years, the JHCWC has been loaning photos from the archives to the school’s art program, allowing the students to make drawings based on the photos.
“It has been a wonderful program which has given the students a better understanding of local Jewish history,” he said.
“During my time here, we have worked with numerous Jewish and non-Jewish organizations,” Carbone added.  “It helps to build bridges between the Jewish and other communities.”
 In retirement, Carbone is looking forward to doing more travelling with Anna, his wife of 40 years.   They were scheduled to leave for southern Italy on May 16.
He will also continue to be busy in his role as Italy’s vice-consul here, helping fellow Italians and others in Winnipeg.
And he is excited about having more time to spend on his own genealogical and historical research.   He has already published two books: “Italians in Winnipeg: an Illustrated History,” and “The Streets Were Not Paved With Gold: A Social History of Italians in Winnipeg”.
A future project which he is seriously considering is a study of the history of Jewish life in Calabria. 
He is also working on a family tree.
“I may be retired,” he said, “but I will still be available from time to time to help out if needed.”

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Negev Gala honours Jewish Physicians Association of Manitoba

Members of the Board of the Jewish Physicians Association of Manitoba (JPAM)

By MYRON LOVE It is written in “The Prophets” – specifically in ‘The Book of Isaiah’  -that the prophet heard the voice of the Lord saying “Whom should I send and who will go for us?”
And Isaiah answered the call and responded “Hineni”  (here I am). “Send me.”
“Hineni” was the theme of this year’s Friends of JNF Canada’s annual Negev Gala – and about 750 supporters of the Jewish state – Jewish and non-Jewish – answered the call.
“Hineni” was the response of this year’s Negev Gala’s honorees: -members of the Jewish Physicians Association of Manitoba (JPAM), who, instead of remaining silent in the face of unprecedented levels of antisemitism in modern times, chose to speak with one voice against Jew hate in Manitoba’s medical community – and specifically among medical students enrolled in the Rady Faculty of Medicine.
“Hineni”is also the name of a new award that was given out at this year’s dinner.   The Negev Gala Hineni award recognizes non-Jews who speak up on behalf of the Jewish people, despite personal risk for taking such a stand.
The evening opened with singer Haviva Polevoi singing a prayer for healing (“Mi Shebrach”) accompanied by pianist Tatyana Smolyaninov. The duo returned later in the evening to offer a second Mi Sheberach for “those who protect us.”
In his opening remarks, David Greaves, Friends of JNF Canada’s executive director for Manitoba and Saskatchewan – and emcee for the evening, observed that  “over the past almost three years we have seen the worst of the worst as a community – as Am Yisrael,  but what we may not have seen clearly are the struggles of subcommunities within our own community.
“This has been highlighted by the unfortunate need for the existence of JPAM. As the Jewish physicians continue to serve the ‘whole’ community, they do so in the face of extreme antisemitism, roadblocks and hate. Friends of JNF Canada are honoured to honour the many physicians and healthcare heroes that dedicate their lives every day to keep us all safe and healthy, regardless of background or beliefs.”
Greaves was then joined on stage by Aboriginal community leader and friend of the Jewish community Lisa Lewis for the requisite Land Acknowledgement.  In relatively quick succession, the Shaarey Zedek’s senior Rabbi, Carnie Rose, read the prayer for the State of Israel, local Bridges for Peace leaders Don and Victoria James recited a prayer for peace, and medical students Rachel Cogan and Rotem Keynan recited haMotzi.
Michael Silver, president of the local Friends of the JNF Canada, national CEO Lance Davis and Jewish Federation of Winnipeg vice chair (and past JNF Manitoba ad Saskatchewan president) Jessica Cogan made presentations, after which Cogan had the privilege of introducing the inaugural  Hineni Award recipient.
“We all know that in the months following October 7, our community was deeply shaken,” Cogan observed. “We were not only traumatized by the brutality of that day, but by the silence, the hostility, and the surge of antisemitism that followed.
 
“Antisemitism,” she continued, “began creeping into every corner of public life, even in spaces we believed would be guided by integrity and care. In May 2024, we felt the sharp pain of this reality during the University of Manitoba’s Faculty of Medicine convocation.
 
“The world we thought we knew no longer felt as safe or as certain. And yet—out of that darkness, something extraordinary emerged. As David mentioned earlier, even in the darkest of days, our community seeks, finds and creates sparks of light.”
One of those “sparks of light” that she pointed to was the decision by a number of local Jewish doctors to come together to fight back through the formation of the Jewish Physicians Association of Manitoba.  
“The creation of JPAM,” she noted,  “told us we are not alone. This group of Jewish physicians made it clear that antisemitism—whether subtle or overt—would not go unchallenged.
“As the mother of a newly graduated medical student at the U of M,” Cogan added,  “it meant even more. Our daughter, like so many others, faced moments of discomfort and isolation after October 7. Because of JPAM, she had somewhere to turn, someone to guide her.  This brought a sense of reassurance that I cannot overstate.”

Dr. Matthew Bzura


While JPAM works from within our Jewish community, Cogan pointed out, Dr Matthew Bzura  chose not only  to stand with us but also to stand up for us. (To read more about what Dr. Bzura did, go to PARIM Board forces out principled president-elect.)
“When so many stayed silent or even applauded the statements made at the medical school convocation two years ago by an antisemitic valedictorian,” Cogan recalled,  “Dr. Bzura raised his voice — in a very public way. He responded with clarity, integrity, and courage. And we all know, these days, speaking out on behalf of the Jewish community comes with substantial personal and professional risk.
 
 “His voice cut through the silence, espousing the values we all claim to share. Dr. Bzura answered: “Hineni. Here I am.”
In accepting the award, Bzura observed that Hineni may seem to be a simple phrase but, he noted,  “the more time you spend with it, the more you realize that though it may sound a simple phrase, it’s a demanding one. To me, it doesn’t mean ‘here I am when it’s easy’ or ‘here I am when it’s convenient’. It means showing up – fully – and especially when it’s difficult, uncertain, or uncomfortable – when it costs you something.”
“I come to this moment from outside the Jewish community,” he noted ,“and I stand here tonight very aware of that, but that’s what makes this recognition all the more humbling and meaningful. What I’ve had instead is the privilege of working alongside Jewish colleagues, mentors, and patients – people who have shown me, not through words but through action, what it means to carry a deep sense of identity, responsibility, and caring for one another.
 
“So tonight,” Bzura concluded, “while I am deeply grateful for this award, I don’t see it as recognition of something I did alone. I see it as a reflection of a community that stood together and refused to be silent. On a deeply personal level I also accept this award with a sense of responsibility to keep showing up. To keep listening. To keep learning and, when it matters most, to say hineni.”

JPAM Chair Charles Bernstein with his mother, 100-year-old Clara Bernstein


In response to Dr. Bzura’s remarks, Dr. Charles Bernstein, JPAM’s chair, observed that “sadly, I can report that I can count on both hands, at most, the number of non-Jewish physicians and scientists who have reached out to me in support of our community as it has been attacked in the medical community, mostly in the medical school community.
 
“JPAM,” Bernstein pointed out,  “exists to bear witness to what is happening in our medical community; to provide advocacy where it is needed, to support Jews in health care who are being victimized and others who are being victimized; to ensure that Jewish Canadians feel free to study at U of M and exercise their rights to study openly as persons wanting to optimize health care through research, education and health policy and to undertake this as openly Jewish, fearless to openly wear a Star of David or Chai around their neck, as our Sikh friends should not fear wearing a turban or Muslim friends wearing a hijab.”
In responding  to Friends of the JNF’s recognition of JPAM, Bernstein spoke of his own medical career, provided an historic overview of the role of Jewish doctors in Manitoba’s medical history and identified by name many of the Jewish-trained  doctors from Winnipeg who have played leading roles in the practice of medicine nationally and internationally – innovators such as  Morley Cohen in Cardiac Surgery, Ruben Cherniak in Respirology, Lionel Israels in Hematology, Harry Medovy in Pediatrics, Arnold Naimark in Respirology and Medical Education, Maurice Victor in Neurology, Max Wintrobe in Hematology, Alvin Zipursky in Pediatric Hematology, and the entire Hollenberg family – as well as his brother,  Keevin, who revamped the medical school curriculum 15 years ago.
Bernstien further noted that of the 25 current Distinguished Professors at the U of M, four are clinicians and three of the four are Jewish and proud members of JPAM.  Harvey Chochinov, Cheryl Rockman-Greenberg and Teddy Lyons, he pointed out, are still active in Medicine and all have been inducted into the Order of Canada.
In his speech, Bernstein reported that JPAM was formed in October 2023 – shortly after the pogrom on 0ctopber 7 – at Dr. Laura Chisick’s house – who served as hostess, along with  Dr. Michael Boroditsky presiding. JPAM, he explained, was created “to address the need to provide advocacy for Jewish trainees, Jewish physicians, and Jewish patients.”
In June 2024, the inaugural meeting of JPAM took place at the Etz Chayim Synagogue. Nearly 100 physicians participated. The current board consists of: Charles Bernstein, David Hochman, Cheryl Rockman Greenberg, Marnie Wiseman, Lorrie Kirshenbaum, Isanne Schacter,  Daniel Kroft, Brent Schacter, Vivian Schutt, and Grant Goldberg , all of whom joined Bernstein at the podium.
The funds raised from the 2026 Negev Gala are slated to go toward the opening of a new rehab clinic and hydrotherapy pool at the Ashdod Rehabilitation and Therapy Centre in southern Israel. The Centre provides crucial care for trauma victims, children with disabilities, and cancer patients. 

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