Local News
Limmud preview: Famous novelist Naomi Ragen to discuss situation of Haredi Orthodox women
By BERNIE BELLAN The following information is taken from Naomi Ragen’s website: “Naomi Ragen is an American-born novelist, playwright and journalist who has lived in Jerusalem since 1971. She has published eleven internationally best-selling novels, and is the author of a hit play, ‘Women’s Minyan’, that has been performed more than 500 times in Israel’s National Theatre as well as in the United States and Argentine.
“Naomi has written for the Jerusalem Post and other publications in Israel and abroad, as well as to her blog list, about Israel and Jewish issues.”
The Wikipedia article about Naomi Ragen notes that “A recurring theme in her fictional works is injustice against women in the Haredi Jewish community.”
(The Wikipedia article also mentions that Naomi has been sued a number of times for plagiarism.)
Recently I contacted Naomi via email, which is how she had indicated to me she preferred to communicate.
Following is a series of questions I posed to Naomi, with the answer she gave tomy questions:
JP&N: Hi Naomi,
I see you’re going to be talking about your latest novel (“An Observant Wife”) in your Limmud presentation. I’ve only read one of your books previously: “The Devil in Jerusalem”, which was the subject of a book club discussion several years ago in a club which I had started at our Jewish Community Centre.
I was floored by that book. I realize it was extremely controversial, so I’d like to ask you one question about that book:
What has been the long-term reaction to your writing such a scathing exposé about a Haredi rabbi?
Naomi Ragen: Thanks for writing. I hope you get a chance to read the book (“The Observant Wife”), which I think is special for a number of reasons. It’s my first and only sequel. And it’s probably my last book on haredim, in which I sum up thirty years of knowledge, interaction, and understanding.
I wrote The Devil in Jerusalem as a public service – believe it or not. A very, very difficult book to write, the subject matter was horrendous. Many people have reviewed the book, saying it was difficult to read, but important. I can’t tell in the short term if it’s made people more wary of wonder rabbis, but more and more we are getting people who are speaking out about rabbinical abuse, so perhaps there’s a trend here which I’m happy to be a part of.
JP&N: Now, turning to your most recent book, “An Observant Wife”, I just read the lengthy review on bookreporter.com, so here are my questions:
What led you to wanting to write a sequel to “An Unorthodox Match”?
NR: This is the first time in my career that I really didn’t want to part with my characters from a previous book, An Unorthodox Match. First of all, when you end a book, you leave your characters to live on in your reader’s imaginations. I felt highly protective towards the characters in this book, the newly engaged mixed couple Leah and Yaakov, the young girl Shaindele undergoing such hardships, the children orphaned of their mother Chasya and Mordechai Shalom. I wanted to take their futures home with me and raise them myself.
Also, I think of all my characters Lola/Leah is very close to my own life, and I’d never really explored Chozrim beteshuva in my books, so I was eager to keep exploring her character.
JP&N: From what Pamela Kramer writes about “An Observant Wife” in her review, it seems that a recurrent theme in this book and your others is that the ultra Orthodox are no different in most respects than any other human beings in terms of their needs. What I often wonder though is whether the kind of repression that I associate with ultra Orthodox life masks greater psychological problems among ultra Orthodox Jews than non ultra Orthodox?
NR: From my personal experience, it all depends on the sect. I view modern Orthodox as pretty much the same as secular society when it comes to repression. After all, no one does exactly what they feel like doing because of the consequences. Chassidic sects are something else. In my opinion they are pretty much all cults and yes the repression can be psychologically damaging as it is in any cult.
JP&N: The notion of someone from a non-observant background, such as Leah in this novel, adopting fully the role of an ultra Orthodox wife is something that I’ve seen over and over again in real life, including in my own family.
Invariably these women become “holier than thou”. Do you think there’s a common thread that runs through women who come from non-observant backgrounds and become ultra Orthodox?
NR: As you’ll see when you get into An Observant Wife, the newly Orthodox are usually looked down upon by those born into the tradition who consider themselves holier than though. The newly religious are always apologizing for the things they don’t know. But if you are referring to the need of people who become religious to clash with people living their former lifestyle, I would say that holds true of anyone who becomes a true believer, whether religious or vegetarians, or people who give up gluten. I think whenever you take restrictions upon yourself, you feel the need to justify it and reject everyone else, just to reassure yourself you are doing the right thing, especially when it gets hard.
JP&N: Are you going to be talking only about your new book in your presentation?
NR: Actually, I’ll be discussing a whole range of subjects including how difficult it has been to have started the whole genre of books about the ultra Orthodox. I was considered a whistle blower, and still am.
Local News
Winnipeg Jewish Theatre breaks new ground with co-production with Rainbow Stage
By MYRON LOVE Winnipeg Jewish Theatre is breaking new ground with its first ever co-production with Rainbow Stage. The new partnership’s presentation of “Fiddler on the Roof” is scheduled to hit the stage at our city’s famed summer musical theatre venue in September 2026.
“We have collaborated with other theatre companies in joint productions before,” notes Dan Petrenko, the WJT’s artistic and managing director – citing previous partnerships with the Segal Centre for the Performing Arts in Montreal, the Harold Green Jewish Theatre in Toronto, Persephone Theatre in Saskatoon and Winnipeg’s own Dry Cold Productions. “Because of the times we’re living through, and particularly the growing antisemitism in our communities and across the country, I felt there is a need to tell a story that celebrates Jewish culture on the largest stage in the city – to reach as many people as possible.”
Last year, WJT approached Rainbow Stage with a proposal for the co-presentation of “Fiddler on the Roof.” Rainbow Stage management was really enthusiastic in their response, Petrenko reports.
“We are excited to be working with Winnipeg’s largest musical theatre company,” he notes. “Rainbow Stage has an audience of more than 10,000 people every season. Fiddler is a great, family-oriented story and, through our joint effort with Rainbow Stage, WJT will be able to reach out to new and younger audiences.”
“We are also working to welcome more diverse audiences from other communities, as well as newcomers – families who have moved here from Israel, Argentina and countries of the former Soviet Union.”
Helping Petrenko to achieve those goals are two relatively new and younger additions to WJT’s management team. Both Company Manager Etel Shevelev, and Head of Marketing Julia Kroft are in their 20s – as is Petrenko himself.
Kroft, who is also Gray Academy’s Associate Director of Advancement and Alumni Relations, needs little or no introduction to many readers. In addition to her work for Gray Academy and WJT, the daughter of David and Ellen Kroft has been building a second career as a singer and actor. Over the past few years, she has performed by herself or as part of a musical ensemble at Jewish community events, as well as in various professional theatre productions in the city.
Etel Shevelev is also engaged in a dual career. In addition to working full time at WJT, she is also a Fine Arts student (majoring in graphic design) at the University of Manitoba. Outside of school, she is an interdisciplinary visual artist (exhibiting her work and running workshops), so you can say the art world is no stranger to her.
(She will be partcipating in Limmud next month as a member of the Rimon Art Collective.)
Shevelev grew up in Kfar Saba (northeast of Tel Aviv). She reports that in Israel she was involved in theatre from a young age. “In 2019, I graduated from a youth theatre school, which I attended for 11 years.” In a sense, her work for WJT brings her full circle.
She arrived in Winnipeg just six years ago with her parents. “I was 19 at the time,” she says.
After just a year in Winnipeg, her family decided to relocate to Ottawa, while she chose to stay here. “I was already enrolled in university, had a long-term partner, and a job,” she explains. “I felt that I was putting down roots in Winnipeg.”
Etel expects to graduate by the end of the academic year, allowing her to focus on the arts professionally full-time.
In her role as company manager, Shevelev notes, she is responsible for communications with donors, contractors, and unions, as well as applying for various grants and funding opportunities.
In addition, her linguistic skills were put to use last spring for WJT’s production of “The Band’s Visit,” a story about an Egyptian band that was invited to perform at a cultural centre opening ceremony in the lively centre of Israel, but ended up in the wrong place – a tiny, communal town in southern Israel. Shevelev was called on to help some of the performers with the pronunciation of Hebrew words and with developing a Hebrew accent.
“I love working for WJT,” she enthuses. “Every day is different.”
Shevelev and Petrenko are also enthusiastic about WJT’s next production – coming up in April: “Ride: The Musical” debuted in London’s West End three years ago, and then went on to play at San Diego’s Old Globe theatre to rave reviews. The WJT production will be the Canadian premiere!
The play, Petrenko says, is based on the true story of Annie Londonderry, a young woman – originally from Latvia, who, in 1894, beat all odds and became the first woman to circle the world on a bicycle.
Petrenko is also happy to announce that the director and choreographer for the production will be Lisa Stevens – an Emmy Award nominee and Olivier Award winner. (The Olivier is presented annually by the Society of London Theatre to recognize excellence in professional London theatre).
“Lisa is in great demand across Canada, and the world really,” the WJT artistic director says. “I am so thrilled that we will be welcoming one of the greatest Jewish directors and choreographers of our time to Winnipeg this Spring.”
For more information about upcoming WJT shows, readers can visit wjt.ca, email the WJT office at info@wjt.ca or phone the box office at 204-477-7515.
Local News
Rising Canadian comedy star Rob Bebenek to headline JCFS’ second annual “Comedy for a Cause”
By MYRON LOVE Last year, faced with a federal government budget cut to its Older Adult Services programs, Jewish Child and Family Service launched a new fundraising initiative. “Comedy with a Cause” was held at Rumor’s Comedy club and featured veteran Canadian stand-up comic Dave Hemstad.
That evening was so successful that – by popular demand – JCFS is doing an encore. “We were blown away by the support from the community,” says Al Benarroch, JCFS’s president and CEO.
“This is really a great way to support JCFS by being together and having fun,” he says.
“Last year, JCFS was able to sell-out the 170 tickets it was allotted by Rumor’s,” adds Alexis Wenzowski, JCFS’s COO. “There were also general public attendees at the event last year. Participants enjoyed a fun evening, complete with a 50/50 draw and raffle. We were incredibly grateful for those who turned out, the donors for the raffle baskets, and of course, Rumor’s Comedy Club.
“Feedback was very positive about it being an initiative that encouraged people to have fun for a good cause: our Older Adult Services Team.”
This year’s “Comedy for a Cause” evening is scheduled for Wednesday, February 25. Wenzowski reports that this year’s featured performer, Rob Bebenek, first made a splash on the Canadian comedy scene at the 2018 Winnipeg Comedy festival. He has toured extensively throughout North America, appearing in theatres, clubs and festivals. He has also made several appearances on MTV as well as opening shows for more established comics, such as Gerry Dee and the late Bob Saget.
For the 2026 show, Wenzowski notes, Rumors’ is allotting JCFS 200 tickets. As with last year, there will also be some raffle baskets and a 50/50 draw.
“Our presenting sponsors for the evening,” she reports, “are the Vickar Automotive Group and Kay Four Properties Incorporated.”
The funds raised from this year’s comedy evening are being designated for the JCFS Settlement and Integration Services Department. “JCFS chose to do this because of our reduction in funding last year by the federal government to this department,” Wenzowski points out.
“Last year alone,” she reports, “our Settlement and Integration Services team settled 118 newcomer families – from places like Israel, Mexico, Brazil, and Argentina. Each year, our program supports even more newcomer families with things like case management, supportive counselling, employment coaching, workshops, programming for newcomer seniors, and more.”
“We hope to raise more than $15,000 through this event for our Settlement and Integration Program,” Al Benarroch adds. “The team does fantastic work, and we know that our newcomer Jewish families need the supports from JCFS. I want to thank our sponsors, Rumor’s Comedy Club, and attendees for supporting us.”
Tickets for the show cost $40 and are available to purchase by calling JCFS (204-477-7430) or by visiting here: https://www.zeffy.com/en-CA/ticketing/jcfs-comedy-for-a-cause. Sponsorships are still available.
Local News
Ninth Shabbat Unplugged highlight of busy year for Winnipeg Hillel
By MYRON LOVE Lindsay Kerr, Winnipeg’s Hillel director, is happy to report that this year’s ninth Shabbat UnPlugged, held on the weekend of January 9-11, attracted approximately 90 students from 11 different universities, including 20 students who were from out of town.
Shabbat UnPlugged was started in 2016 by (now-retired) Dr. Sheppy Coodin, who was a science teacher at Gray Academy, along with fellow Gray Academy teacher Avi Posen (who made aliyah in 2019) – building on the Shabbatons that Gray Academy had been organizing for the school’s high school students for many years.
The inaugural Shabbat UnPlugged was so successful that Coodin and Posen did it again in 2017 and took things one step further by combining their Shabbat UnPlugged with Hillel’s annual Shabbat Shabang Shabbaton that brings together Jewish university students from Winnipeg and other Jewish university students from Western Canada.
As in the past, this year’s Shabbat UnPlugged weekend was held at Lakeview’s Hecla Resort. “What we like about Hecla,” Kerr notes, “is that they let us bring in our own kosher food, it is out of the city and close to nature for those who want to enjoy the outdoors.”
The weekend retreat traditionally begins with a candle lighting, kiddush and a traditional Shabbat supper. Unlike previous Shabbats UnPlugged, Kerr points out, there were no outside featured speakers this year. All religious services and activities were led by students or national program partners.
The weekend was funded in part by grants from CJPAC and StandWithUs Canada, along with the primary gift from The Asper Foundation.
Kerr reports that the activities began with 18 of our local Jewish university students participating in a new student Shabbaton – inspired by Shabbat Unplugged, titled “Roots & Rising.”
In addition to Shabbat Unplugged, Hillel further partnered with Chabad for a Sukkot program in the fall, as well as with Shaarey Zedek Congregation and StandWithUs Canada for a Chanukah program. Hillell also featured a commemoration of October 7, an evening of laser tag and, in January, a Hillel-led afternoon of ice skating.
Coming up this month will be a visit to an Escape Room – and a traditional Shabbat dinner in March.
Kerr estimates that there are about 300 Jewish students at the University of Manitoba and 100 at the University of Winnipeg.
“Our goal is to attract more Jewish students to take part in our programs and connect with our community,” she comments.