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Local musical theatre veteran expresses her admiration for Winnipeg Music Festival talent

Music Festival entrants, clockwise from
top left: Yale Rayburn-Vander Hout,
Hannah Schaeffer, Zoe Reider, Gregory Hyman

By MYRON LOVE Regular readers of The Jewish Post & News will no doubt be aware that this writer has been highlighting the outstanding achievement of younger members of our community competing in the annual Winnipeg Music Festival. This year, however, I am taking a slightly different approach with a focus on the other side of the equation – that is, on one of the judges.

Debbie Maslowsky has been a fixture of the musical theatre scene in Winnipeg for almost as long as I can remember. Her career started in high school and continued through Rainbow Stage, the Royal Manitoba Theatre Centre, the Winnipeg Jewish Theatre and much more – including numerous Yiddish concerts in partnership with her late brother, Jerry.
This year though, was the first time that she was asked to be an adjudicator for the Winnipeg Music Festival’s musical theatre category and, she confesses, she was blown away by the talent that was on display.
“It was soul-filling,” she says, “especially after these last couple of years. I was impressed by the commitment of the young performers. I also have to credit the accompanists and voice teachers in helping to choose the right material for the participants.”
Maslowsky herself notes that she has never competed in the Music Festival. “Music theatre wasn’t one of the categories when I was growing up,” she observes. “And I wasn’t that competitive.”

She came to the festival this year through a recommendation from a voice teacher, she reports, based on experience gained over many years as a teacher of musical theatre and coach.
“The adjudicators work within specific guidelines, she says. “We are not looking necessarily for the best singer, but rather, base our decisions on the overall performance including gestures, movement and confidence.”
She points out that songs today are more story-driven than they used to be. Reflecting that, she points out, the festival organizers this year, for the first time, separated the musical theatre category into songs written before 1995 and after –with more recent songs conveying a lot more information aimed at driving the story.
Maslowsky reports that she was overwhelmed by the sheer number of submissions – more than 200 – all of which were virtual performances. “They were all wonderful and interesting in different ways,” she says.

Yale Rayburn-Vander Hout

One of those performances that obviously got her eye was that of Yale Rayburn-Vander Hout who scored a first place standing in the CLASS 1257C MUSICALS 1965 TO 1999, UP TEMPO, 16 YEARS AND UNDER category with his interpretation of “Mr. Cellophane” from the musical “Chicago”.
He was also in the running for the Rainbow Stage Trophy.
Last year, the 15-year-old son of Samantha and Peter was runner-up in in two categories – Vocal Solo, Musical Theatre, Up Tempo and Ballad, for males, 16 and under.
The Grade 10 Gray Academy student has been studying voice with Kelly Robinson for six years and was scheduled to appear in Rainbow Stage’s 2020 production of “the Wizard of Oz”, which was, however, cancelled due to Covid. He has also taken part in his school’s musical productions.
“I feel real good about my performance at the Music Festival this year and am looking forward to competing again next year,” he says.
He adds that he is hoping to pursue a career in musical theatre.

 

 

 

Hannah Schaeffer

Also under consideration for the Rainbow Stage Trophy this year was Hannah Schaeffer, who finished first in CLASS 1207E-14 MUSICALS 2000 TO PRESENT, UP TEMPO, 14 YEARS AND UNDER category – with a performance of “Watch What Happens” from the musical “Newsies” – and was runner up in the CLASS 1207D-14 MUSICALS 1965 TO 1999, BALLAD, 14 YEARS AND UNDER category for “Home” from “The Wiz”.
This is the fourth year that the older daughter of Marc Schaeffer and Kai Sasake has participated. Last year, the then Grade 8 Grant Park Student finished first in the Vocal Solo, Musical Theatre, Ballad, Girls, 14 and under and was recommended for the provincial competition. The year before, she had a second-place finish as part of a vocal trio. In 2019, she won gold in the Vocal Solo, TV and movie musicals at the Girls 12 and under category and scored a first place finish as part of a trio in the Musical Theatre Grade B level. That year, she was also the recipient of a Winnipeg Music Festival scholarship.
“I am looking forward to competing in next year’s festival, too,” she says.
The young singer has been taking singing lessons for six years and participates in her school’s musicals. She is scheduled to sing the role of Roxie Hart in the upcoming Grant Park High School production of “Chicago” in April.

 

 

 

 

Zoe Reider

New to the Festival winner’s circle this year is Zoe Reider, who finished first in the Class 1692 Vocal Duet, Musical Theatre, 16 years, and who has been singing under Geoffrey Heal. The 15-year-old Gray Academy student says that she feels good about her – and her partner’s – performance and is proud to have finished first in her category.
The daughter of Ray Reider has been studying musical theatre with Brenda Gorlick at Winnipeg Studio Theatre for the past six years, at the Theatre Dance Centre under the direction of Kathleen Henry, and at Meraki Theatre Productions, which was founded by Taylor Gregory. Zoe notes that she also teaches dance at Meraki.
She notes that she has acted in several Fringe Festival shows.
“My goal is to appear on Broadway,” she says

 

 

 

 

 

 

 

 

 

Gregory Hyman

In the instrumental part of the Festival, Gregory Hyman once again shone. The 13-year-old son of Hartley and Rishona Hyman scored gold twice, playing classical guitar – Once in the category of Romantic Composers and a second time for a piece of his own choosing.
“I am happy to have won again,” says the Grade 8 St. John’s-Ravenscourt student. (This was the fifth year in a row that he has competed in the Festival.) “I enjoy the challenge of competing in the Festuival.”
Gregory has been studying guitar since he was five and has been taking voice lessons for the past five years.
Nor does he restrict his music making just to the yearly festival. Two years ago, he launched a career as a musician, producer and podcaster. His podcast, “Talk and Rock with Gregory Hyman,” now in its third season, features him interviewing various people in the music business across Canada. Two years ago the young talent, who has also taught himself electric and acoustic guitar, and who goes under the professional name “GMH Rocks”, released his first album, “Basement”, on all streaming platforms. He followed that with a single release in February 2021, and a new album this past February.

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Eyal Kraut: continuing the family medical tradition

Father & son: Drs. Allan & Eyal Kraut

By GERRY POSNER When you talk medicine and family connections to medicine, one of the families you have to think of almost immediately is the Berbrayer- Kraut family. There are three generations of doctors now in this family, starting with Dr. Peter Berbrayer, of blessed memory, an orthopaedic surgeon (and father of Karla); Dr. Allan Kraut (husband of Karla Berbrayer, an internal medicine and occupational health physician; and Allan and Karla’s son, Dr. Eyal Kraut, an endocrinologist, who now lives in Toronto. Not to be overlooked as part of the Berbrayer-Kraut family medical team is Dr. David Berbrayer, son of Peter, and a medical director in rehabilitation redicine in Toronto. Each of these men has made contributions in his respective field and I expect many readers are well aware of that. Perhaps, because he is still young, Eyal, one of four children of Allan and Karla, is less known – although, because of his participation in the community, I am betting younger readers will know him.

Eyal Kraut was born and raised in Winnipeg. He is a product of the then Ramah Hebrew School and later the Gray Academy. It is fair to say that Eyal was exposed to the Jewish world right from the start in many aspects, not the least of which was by way of his mother Karla’s having run the Music and Mavens Programme at the Campus for many years, as well as being a musical impresario of great renown. In his high school years, Kraut was active in multiple leadership positions, including student council and the Jewish Federation’s P2K committee ( now P2G).
And, he was not just limited to school activities as he was what might be called a “player” at the Herzlia Synagogue, where he often led services, not to mention his talent as a shofar blower ( no small skill; I know that from trying for a week without making a sound). Moreover, Kraut taught Bar/ Bat Mitzvah lessons, was on staff at the Rady JCC during his school days, also staff at Camp Massad. In short, Kraut was the full package coming out of high school. He attended the University of Manitoba and graduated with a Bachelor of Science degree. While at the university, he served as president of Hillel. Subsequently, he entered the University of Manitoba Medical School.

In 2014, Eyal Kraut graduated with his MD degree. During his time as a medical student he participated in the Manitoba Medical Students Association and also sat on numerous committees. Upon graduation, Kraut was off to Queen’s University for his residency in internal medicine. It was in Kingston that he met his future wife, Zoey Katz, who was from Toronto. The couple returned to Winnipeg for Eyal’s clinical fellowship in endocrinology, which is the specialty focussing on diabetes and hormones. While he was busy with becoming a doctor, his wife Zoey was a nurse at Children’s Hospital. Now that is taking togetherness to a new level. Even then, Eyal and Zoey helped to lead services at the Simkin Centre.

In 2019, the couple made the decision to move to Toronto. Currently, Eyal works at a clinic in downtown Toronto, while at the same time he also has a weekly clinic at Mount Sinai Hospital. Yet, even with the move to Toronto, Eyal retained his medical license in Manitoba and for several years, he returned to Winnipeg for several days every two months to run a small endocrinology clinic in Winnipeg, located at Confusion Corner, called Cardio 1 Lifesmart. That is what I call staying connected to your roots. Even then, Eyal used his spare time to head to the Rady JCC, as JCC memberships are honoured everywhere there is a JCC. The routine of trips to Winnipeg ultimately concluded just recently – at the end of October. Eyal and Zoey now have a two-year-old son, Asher, with another baby on the way, so the trips to Winnipeg are no longer as feasible as they were. Still, Eyal is clear that he intends to make regular visits (to see family of course,) also to show his kids what life is like in Winnipeg. This is one guy who appreciates from whence he came.

Even with his impressive background, what really makes Eyal stand out is a talent that no one likely knows about and that is Eyal’s ability to recognize people. It was at Beth Tzedec Synagogue in Toronto not long ago – at Yom Kippur services, and with a full sanctuary, when out of the blue, a guy whom I did not know tapped me on the shoulder and asked if I was Gerry Posner. He just picked me out from my photo in the Jewish Post. That photo has me with a baseball cap on my head, but at synagogue I had a kippah on. Now, that is a rare talent. (Ed. note: Oh come on Gerry – you’ve written before how Winnipeggers, including the equally famous Rabbi Matthew Leibl – before he became a rabbi, have spotted you in baseball stadiums across North America and come up to you . You’re world famous for sure!)

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Latest Jewish Foundation Endowment Book of Life signings took place November 3rd

By MYRON LOVE Almost everyone has a story to tell.  And, for the past 25-plus years, the Jewish Foundation of Manitoba – through its ongoing Endowment Book of Life program – has been assembling stories of current and former members of our Jewish community.
As explained on the Foundation website, “the Endowment Book of Life program is a planned program that offers participants an opportunity to leave both a financial and historical legacy to the community.”
Donors promise to leave a bequest to the Foundation,  in return for which their family stories are inscribed in the Book of Life.


The annual official unveiling of new stories this year was held on Sunday, November 3, at the Shaarey Zedek Synagogue and included brunch, some musical entertainment featuring a talented quartet of singers – including Josh Bellan, Alyssa Crockett, Julia Kroft and Hailey Witt (who have seemingly been the young go-to performers at Jewish community functions over the past year or two)  – as well as a poetry reading by members of the StudioWorks Players – and comments by Rabbi Alan Finkel as to why he chose to add his and his family’s stories to the Endowment Book of Life.

Alan Finkel


In his remarks, Finkel, the recently retired rabbi of Temple Shalom, spoke of his family’s stories – in this case, his family’s stories of the Holocaust.  “My family has always shared their stories,” he noted.  ”Their stories are part of the Shoah Foundation’s collection of stories.  And both my mother (Carmela Finkel – who passed away three years ago) and my Aunt Betty (Kirshner) have shared their stories with hundreds of students at the Holocaust Education Centre. Later, my mother was honoured to have her story included as part of  the video displays at the Canadian museum of human Rights.
“But, even as I embraced the power of those survivors’ stories,” he continued, “I could see that the list of story tellers was getting ever shorter.  I wondered how those stories would continue to be told once there was no one left to tell them.”
Shortly after his mother’s passing, he said, the family came together to discuss how to continue their mother’s legacy. Their response was to create the Carmela Shragge Finkel Holocaust Education Endowment Fund at the Jewish Foundation of Manitoba – with proceeds directed toward the Jewish Heritage Centre of Western Canada.
“My page in the Endowment Book of Life is more about my personal life journey that led me to become a rabbi at 65,” he said, “but really, behind it all there are a lot of different threads and stories of Jewish community that intertwine and bind us to each other and to our Jewish community.  This, to me, is the real gift of the Endowment Book of Life project – allowing each of us to here to tell our own stories in our own ways, to find our own unique paths of building our Jewish community here in Manitoba  – and to celebrate how we are all part of klal Yisrael.”

Drs. Stephen Tritt & Sharon Goszer-Tritt
David Wilder
Elly Kives

Signatories to the Book of Life this year included: Dr. Sharon Goszer Tritt and Dr. Stephen Tritt; Brenda Honigman – in memory of her late father Sam, and late brother Archie; Ellie Kives – in memory of her husband Philip; David Wilder; Alisa Abrams; Marlene Reiss and Perry Rose; and Moshe Selchen, in memory

Moshe Selchen (signing in memory of the latSaul Feldman)
Marlene Reiss & Perry Rose

of the late Saul Feldman, a friend of the Selchen family. Feldman was a little-known member of our Jewish  community who passed away a couple of years ago and left $2.6 million in his will to the Jewish Foundation.

Jewish Foundation CEO John Diamond


In his introductory remarks, John Diamond, the Jewish Foundation of Manitoba’s CEO, described the Endowment Book of Life program, as “one of our most successful.  We last hosted this event in 2022,” he noted, “and, I’m proud to say, I was a signer that year.”
Diamond explained why he and his wife, Heather, chose to commit to our community’s future. “In 2022,” he recalled, “we were beginning to glimpse what the world would look like post-pandemic. That prolonged period of uncertainty gave us the opportunity to think about our community’s future. If the generations before us had not been forward-thinking, prioritizing the next wave of Jewish Winnipeggers, where would we have been during the pandemic? How would our community have looked?
“Simply put, we were and are very fortunate. Thanks to that forethought, we were able to navigate that uncertainty. We need to continue putting future generations in a similar position to what we find ourselves in now.”
In her closing remarks, Dafna Shore, the JFM’s vice chair (who was filling in for chair Dan Blankstein, who was unable to attend), reported that the Endowment Book of Life currently contains over 800 stories.
“Each story is deeply personal and uniquely individual,” she pointed out.  “What makes this program so special – and why it resonates with so many people – is the change to immortalize stories that otherwise might go untold. 
“Every family has stories, some hidden away about what makes them exceptional. Very few are known beyond those who lived them. Sharing these stories in the Endowment Book of Life celebrates the lives lived in our community. They are an encyclopedia of what makes our community so rich in history, compassion and generosity.”
Shore thanked this most recent group of story tellers for sharing their stories and for committing to making a legacy gift. “Your gesture,” she said, “will serve to inspire the next generation to do the same. As long as our community has individuals who choose to put their community’s longevity at the top of their priorities, our community will continue to thrive.”

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2024 Yom Tov attendance meets expectations

By MYRON LOVE Congregational leaders in our community are, for the most part, quite pleased with Tom Tov attendance this past Yom Tov.
“We sold out our seats,” reports Dr. Rena Secter Elbaze , the Shaarey Zedek’s  executive director.
The remodeled and expanded Shaarey Zedek, our community’s oldest and largest congregation,  has a capacity of about 900 in the main sanctuary – with an additional 250 for the separate Family Service downstairs.
Once again, this year, the popular Rabbi Emeritus Alan Green – who was the Shaarey Zedek’s senior rabbi for 18 years – returned to lead Rosh Hashanah and Yom Kippur services in the main sanctuary with Cantor Leslie Emery, the Quartet, and the Ruach Volunteer Choir. Rabbi Anibal Mass led the popular family service with Noah Trachtenberg, a Youth Band and the Dor Chadash Youth Choir.
 
Shaarey Zedek has, over the past few years, built a substantial following for its Shabbat and Yom Tov services online.  Elbaze notes though that the number of people participating in Rosh Hashonah and Yom Kippur servicers online this year was considerably lower.  That was because, she says, many of those congregants were eager to come back to the shul – which just re-opened a couple of months ago after being closed for  three years due to construction – and daven in person.  
 
 
“We were essentially sold out for Yom Tov by early September,” reports Jonathan Buchwald, Congregation. Etz Chayim’s executive director.   “Our members were really excited about our first Yom Tov in our new building.” 
By necessity – in reflecting the congregation’s slowly declining membership numbers –  the new Etz Chayim – at 1155 Wilkes Avenue – is considerably smaller than its predecessor.  To accommodate the demand for Yom Kippur seating in particular, Buchwald had earlier reported, the Kol Nidre service was to be held at the Holiday Inn  Express at the airport – and there were two services for Yom Kippur day.
Buchwald notes that 335 were in attendance for the first services on Rosh Hashonah and Yom Kippur service and 120 for the second service on Rosh Hashanah – with 450 for Kol Nidre at the hotel. There were 250 for Neilah and 50 for the Young Family services. About 150 followed online.
As usual, Rabbi Kliel Rose and Cantor Tracy Kasner led Etz Chayim’s High Holiday services – with a separate family service geared toward families with young children as well as a Junior Congregation.
Over at Temple Shalom, our community’s 60-year Reform congregation,Past President Ruth Livingston says  that there was “good enthusiasm” for Yom Tov and that the congregation members were very happy  with the services led by cantorial soloist Janet Pelletier Goetz as well as long time Temple Shalom member Myriam  Saitman – who is set to begin training in September toward her rabbinical  ordination – and, for the first time, choir leader Erica Tallis –a  2020 graduate of the Desautels Faculty of Music at the University of Manitoba.

For the second year in a row, South end Winnipeg further offered a fourth liberal Jewish option in the form of Rabbi Matthew Leibl’s “Services on the River: A Modern High Holidays.”
The former Shaarey Zedek – and now independent – rabbi’s services were held once again at The Gates on Roblin – which can accommodate up to 300. Last year, Leibl reported in an earlier interview, about 250 people attended his service. He was expecting to have similar number this year.”
 “Services on the River: A modern High Holidays” services were scheduled for the second day of Rosh Hashanah, Erev Yom Kippur and Yom Kippur morning. The services also featured the husband and wife cantorial team of Justin Odwak and Sarah Sommer.
All services were 90 minutes.  

Still with the South End, Jack Craven president of Orthodox congregation Adas Yeshurun Herzlia says that people are happy that things are back to normal.  “We had a good crowd for Yom Tov,” he says.
The congregation – led by Rabbi Yossi Benarroch  – has a membership of about 100  and can accommodate up to 250.  

 “We were filled up for Rosh Hashonah and Yom kippur,” notes Rabbi Avroham Altein, Winnipeg’s senior Chabad-Lubavitch Rabbi of the south end Lubavitch Centre.  “We also had a full house for Erev Simchas Torah.”
The Lubavitch Centre has a capacity of between 200 and 300.
 
The Simkin Centre also held Yom Tov services – on all three days – that were open to the general public.  The services were led by Steven Hyman with the Simkin Centre Choir under the direction of Bonnie Antel.

In the North End, the Conservative egalitarian Chevra Mishnayes congregation –  the largest congregation in that part of the city with the relocation of Etz Chayim south – saw a bit of a bump in  attendance.
“We had 20 new people this year,” reports Chevta Mishnayes President Rob Waldman.  “This is the first time that we have seen an uptake in attendance for Yom Tov since before the Covid lockdowns.”
Last year, just under100 came to the Garden city shul for Yom Tov.
This year’s service were once again led by Al Benarroch.

About 18 months ago, a new North End Orthodox congregation came into being as a result of the merger of the struggling Chavurat Tefila and Talmud Torah Beth Jacob members.  The renamed Chavurat Tefila Talmud Torah Congregation – located at on the corner of Hartford and McGregor in West Kildonan – attracted between 40 and 50 daveners for its first Yom Tov services last year last year and about the same number this year.
Services at the shul this year were led by Cantor Menachem Frenkel from Silver Spring, MD.
“Cantor Frenkel was recommended by a friend and member of the shul,” says Cary Rubenfeld, the shul’s treasurer and spokesperson.  “He was quite well received by the congregation.  He is a multi-talented ba’al tefilah.  He brought with him an extensive range of traditional and contemporary melodies which the congregants enjoyed.”  

The venerable House of Ashkenazie, the last of our community’s old-style Orthodox congregations, was once again the only shul to report a bit of a decline in attendance from last year – with attendance for Yom Tov hovering around 30.  Shul President Gary Minuk avers though that the Ashkenazie – which still holds services throughout the year on Thursday mornings – will continue to carry on “as long as we can still make minyans.”

Our community’s most northerly High Holiday services were held at Camp Massad. After a two year absence due to the Covid lockdowns,  Camp Massad resumed its innovative Rosh Hashanah service last year.  In pre-Covid times, Massad executive director Danial Sprintz noted last year,  Rosh Hashanah at Massad had attracted as many as 150 participants.  In 2023, 90 attended.  This year’s attendance, he reports, was slightly higher.
“Our people were excited to come together,” he says.  “We always offer a creative and interactive service that combines some traditional prayers with contemporary readings, folk music and our usual Camp Massad shtick.”

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