Local News
New coffee table book takes a delightful look at Winnipeg’s rich repository of mural art
By BERNIE BELLAN Back in the fall – when our brief dalliance with the relatively loose Covid restrictions that had been in place over the summer started to come to an end, Kayla Gordon found herself with time on her hands.
Now, for anyone who knows Kayla, she’s constantly buzzing with ideas – whether it’s to create a new theatre project or, as has been more recently the case, to take her camera out somewhere and start taking photos.
As a matter of fact, under the tutelage of expert photographer Keith Levit, Kayla herself has fashioned quite a reputation as a photographer. She could often be seen at Jewish events, such as past Negev Galas, working taking photographs in tandem with Keith.
Thus, for someone who’s always been positively bursting with energy, having to hunker down again during the reimposed social distancing rules in the fall, Kayla says that “if I didn’t have a creative outlet of some sort, I would have gone crazy.”
Because travel was difficult during Covid, Keith and Kayla set out to take photos of buildings close to home. While they were out shooting it hit her, she explains: “There are literally hundreds of murals all over Winnipeg walls. Why not take photos of the incredible art around the city….”and so they did.
Thus began a project that has now culminated in a beautiful hardcover 80-page coffee table book titled “The Murals of Winnipeg”.
Kayla says that she first emailed Bob Buchanan, who runs a website devoted entirely to murals in Winnipeg, known appropriately enough as www.themuralsofwinnipeg.com. He wrote her back saying and there was no way a book like this could be created unless several organizations were involved. One of the main organizations was Take Pride Winnipeg. So, Kayla did some research and found out she knew the president of the board and he put her in touch with Tom Ethans, the executive director of Take Pride Winnipeg. Tom loved the idea and Kayla convinced him that it could be a fundraising book to raise money for emerging artists and for future murals. In addition, to help defray the printing costs. Kayla approached two Winnipeg financial companies: Lawton Partners and Sigurdson Financial Group, to become sponsors of the project.
While only 110 copies of the book have been printed thus far, as Kayla says, “If they sell out, we can always order more.”
So, what did Kayla and Keith do to get the photos for the book?
Beginning in October they went out looking for every possible mural they could find. The website themuralsofwinnipeg.com steered them in the right direction, but as Kayla points out, “Between the two of us we took almost 2000 photos of about 500 murals in and around Winnipeg”.
The next step was to narrow it down to 300 photos of a variety of murals and then, with the help of Bob and Tom on many Zoom sessions, they narrowed it down to 170 photos that made it into the book… a small percentage of all the murals in the city perhaps- but it was important that the murals had some connection to Take Pride Winnipeg or to one of the Biz’s in the city – either by way of a commissioned project, or a project that was created through Take Pride Winnipeg, also or through the West End BIZ, Transcona BIZ, etc. That was key.
When it came to creating and producing the book, Kayla explains that it was important that they obtain the permission of the artists. All the murals reflect work done by living artists, and each mural represented is included with the permission of the artist or artists – who were thrilled to have their work represented, Kayla says. “We wish we could have included more.” she adds, “but it would have made the book too large”.
Probably the best-known mural artist in this city is Charlie Johnston, whose works are almost instantly recognizable, and whose murals certainly form a major part of the book. Other well-known mural artists such as Mandy van Leeuwen and Jennifer Mosienko also have their works prominently featured in the book.
Each photograph is accompanied by the name of the artist or artists who were responsible for producing that mural.
In speaking with Kayla, I wondered whether anyone had ever attempted to produce a similar book in the past.
The answer, perhaps surprisingly, was “no”.
She added this comment: “This book has been a labour of love. We had no idea there were so many wonderful murals in our city. It has been a pleasure photographing the work of so many incredibly talented artists. We were thrilled to collaborate with Take Pride Winnipeg on all the many components of the book. We look forward to seeing more new murals in the future, and we hope you enjoy the book as much as we enjoyed photographing the art.
“Thank you to all the artists as well as the following:
“Tom Ethans – Executive Director, Take Pride Winnipeg
“Bob Buchanan and the Murals of Winnipeg website
“(Bob also contributed some of the photos.)”
As someone who has had the opportunity to preview the project (albeit only online), I must say that it’s a gorgeous looking book. And, for only $50 (which will also fetch you a tax receipt to boot), the book is a steal of a deal.
The book is now available from Take Pride Winnipeg.
Here is how you can order your copy of the book:
“With a tax deductible $50.00 donation to Take Pride Winnipeg, you will receive a free copy of “The Murals of Winnipeg”.
“Visit the website takepride.mb.ca and click the “Donate Now” button. In the “Message for Take Pride Winnipeg Inc” section, indicate that your donation is for the mural book, and include your address/phone number for delivery. A charity receipt will be sent by CanadaHelps.
Local News
Bark Mitzvah at the Simkin Centre August 13, 2026
By BERNIE BELLAN On a beautiful summer day at the Simkin Centre residents and family members – along with staff, were treated to a delightful “dog day afternoon” when scores of dogs were brought to the front courtyard outside the centre to celebrate what was titled a “Bark Mitzvah.”
Now, no dogs were called up to the podium to read from the Torah – or even to bark out a blessing, although as I canvassed many owners of dogs that were there – inquiring as to whether their dogs had received any special training for the day, I was pleased to hear that many dogs came from good “Jewish homes” and were good “Jewish” dogs. (I would suppose, in the case of our own dog that would mean that she’s been spoiled rotten.)
Some owners though maintained that their dogs had been brought up quite disciplined – although to be honest none of the dogs that I saw seemed to be be rigorously paying attention to any commands. Most were of the Goldedoodle, Yorkie variety. There was one rescue dog in the midst. It seemed quite confused, surrounded as it was by all those lap dogs.
The entire event was presided over – with great humour, but also a certain amount of seriousness, by Rabbi Matthew Leibl, who explained to the very large audience why having a special day celebrating dogs was entirely consistent with Jewish tradition.
Following is part of the transcription of an interview I conducted with Rabbi Lebil following his remarks explaining why he thought holding a “Bark Mitzvah” would be a good event to have. (You can watch the entire video at the end of this story. But where there was a great deal of laughter coming from people who were listening to my interview YouTube inserted the word “laughter” – which should give you an idea how fun an interview it was.)
As Rabbi Leibl explained to me, “I’ll tell you a serious story. When I was training – and I trained with Rabbi Annabal Mass… our teacher, Rabbi Steven Glade, encouraged everyone to consider a blessing of the animals ceremony because he said it’s a monster event. Just look around. It brought out so many people. It’s one of those events you can tie in loosely to a Jewish event – which it is. I mean we did it on Rosh Chodesh Elul- the new year of the animals and this whole idea it’s very similar to Tu B’Shvat- reimagining something old from Mishna to do it like this – but look at the attendance. I mean everyone wants to bring their dog and at a personal care home they say that music, babies, and dogs are the three biggest things that get through to everyone.”
I had to ask about kashrut, however (as I’ve been told repeatedly that kashrut is an essential element of the Simkin Centre – no matter how few residents may care about kashrut. Look – if I’m sent to cover something as frivolous as a “Bark Mitzvah” you can hardly expect me to refrain from going after my pet bugaboo at the Simkin Centre – and how ridiculous it is to require that the centre remain kosher when most of the residents could care less about kashrut), so I said to Rabbi Leibl: “No milk bones here, I hope. I expect that this is a strictly kosher event.”
His response: “I’m not sure. I wasn’t put in charge of that, so I can’t say. But no one’s going to be serving them any of the food that we eat. I can tell [laughter] you that.”
I said: “I’m not sure how to read that. [laughter].”
I asked whether there were Jewish dogs mixed in with non-Jewish dogs? (Dog assimilation is a serious issue.)
Rabbi Leibl replied: It’s inter denominational. [laughter] . I guess I don’t think we check to see if the dogs were uh circumcised. “
I asked: “Are we… [laughter] Are we mixing Jewish and non-Jewish dogs?”
Rabbi Leibl: “I don’t know that dogs have a faith. I’m not sure. I think they do. I think they’re of all faiths. ”
I asked: “Okay. And you know where bark mitzvahs originated?”
Rabbi Leibl: I’m sure it’s probably something silly.
Me: “It was gay guys in New York.”
Rabbi Leibl: ” Really?”
Me: ” Yes. Because they didn’t have kids. They started having bark mitzvahs.”
Rabbi Leibl: “That was probably more of an individual dog thing. This is a communal thing. It’s just a catchy title for publicity, Bernie. It’s the blessing of the animals. That’s the real thing.”
Me: “I was told that some of these dogs are on medication – as are many of the residents.”
Rabbi Leibl: “That’s low hanging fruit, Bellan. Low hanging fruit.”
Here’s the complete video of my interview:
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
