Local News
New documentary by Winnipeg filmmaker Yolanda Papini-Pollock exposes horrors of Falun Gong persecution in China
By MYRON LOVE
Genocide can take different forms. The Holocaust, for example, and the more recent Rwandan genocide were condensed in a frenzy of killing. For the Indigenous peoples of the Americas and Australia, the killing and attempted erasure of their cultures transpired over several hundred years.
Then, there is the matter of the Falun Gong.
Falun Gong (also known as Falun Dafa and Qi Gong) is a practice combining simple exercises with meditation based on the principles of truthfulness, compassion and forbearance.Of ancient Chinese origin, the practice – with the encouragement of the Chinese Communist government – developed a very large following in modern China. In 1999, however, Li Peng, chairman of the Standing Committee of the National People’s Congress, decided that practicing Falun Gong was a threat to the Chinese Communist government. He initiated a thoroughgoing campaign to demonize the practice and eradicate anyone who continued to practice the tradition.
The horrors of the ensuing persecution of Chinese Falun Gong practitioners have been effectively brought out in filmmaker Yolanda Papini-Pollock’s new documentary, “Painful Truth: The Falun Gong Genocide”, which the filmmakers premiered at the Berney Theatre on Thursday, January 9.
The half hour film demonstrates once again how easy it can be to demonize members of a segment of a population – who may stand out because of their ethnic origin, race, religious beliefs or sexual orientation. What is unusual about the Falun Gong is that the people being persecuted are ethnic Chinese – no different than their fellow Chinese citizens – who were simply pursuing an activity (non-political) that made them feel better physically and mentally.
“Painful Truth” is, in a sense, a follow up to Papini-Pollock’s “Never Again: A Broken Promise”, a documentary focusing on genocide that included interviews with Holocaust survivor Edith Kimelman, as well as survivors of the Rwandan genocide, Yazidi persecution and a former Residential school student.
It was at the premiere of that film that Papini-Pollock learned about the plight of the Falun Gong. One of those in the audience was Dr. Maria Cheung, Associate Professor at the Faculty of Social Work, University of Manitoba, herself a Falun Gong practitioner and survivor of the Chinese gulag, who brought up the issue.
How many practitioners of Falun Gong are there in China? By 1999, about 100-million Chinese were involved in the practice of Falun Gong. Jiang Zemin feared that this had become a cult that might threaten the rule of the Chinese Communist government.
Maria Cheung observed that dictatorships – such as Communist China – need to continually be creating new “enemies” to keep the people onside.
The evening began with a demonstration of Falun Gong exercises by ten practitioners dressed in colourful garments.
Then, through visuals and interviews with former Falun Gong prisoners who are now living in Canada, “Painful Truth” delved into the multimedia propaganda campaign against Falun Gong, the social shunning, the large scale arrests and torture and, worst of all, the murders of Falun Gong prisoners for their body parts for transplantation.
The Chinese government’s harvesting of organs from Falun Gong prisoners was first exposed by Winnipeg’s own David Matas, a world leader in the fight for human rights, who, in 2009, in partnership with former Member of Parliament David Kilgour, released “Bloody Harvest: The Killing of Falun Gong for Their Organs”.
Both Matas and Cheung appeared on stage after the screening of the documentary to answer questions about the persecution of the Falun Gong. Matas explained that he learned about the Chinese Government’s organ harvesting through encounters he had as an immigration lawyer with Chinese immigrants to Canada who had been imprisoned for their practice of Falun Gong.
“They would talk about the torture, but also mention how they were subject to frequent blood tests and examinations of the health of their internal organs,” he says. While there are no public records or eye-witness accounts of Chinese organ harvesting from Falun Gong prisoners (whose bodies would have been cremated), Matas and Kilgour extrapolated from organ transplant figures from before 1999 and after.
Matas noted that China does not have a tradition or history of organ donation. Before 1999, he said, it was well known that the Chinese Government removed the organs of prisoners who were executed for the small number of organ transplants that took place. After 1999 – and the beginning of the arrests of Falun Gong practitioners, the number of organ transplants increased exponentially.
What has been the world’s response to the exposure of this sordid crime against humanity? Matas noted that Israel was a world leader in responding to this issue. Israel was paying all the expenses for Israelis travelling to China for organ transplants. After learning of the source of the transplanted organs, the Israeli government cut off insurance for organ transplants in China, criminalized participation in organ abuse abroad, set up an inspection system to check if Israeli hospitals are bringing in organs from outside the country and changed the rules so that people who know they are dying can choose to donate their organs for transplant after their passing.
He adds that 14 other countries – including Canada – have also passed or are in the process of passing rules monitoring the origins of organs for transplants.
The premiere was co-sponsored by Winnipeg Friends of Israel (which Papini-Pollock co-founded four years ago) along with B’nai Brith Canada and its League for Human Rights.
Local News
Winnipeg Jewish Theatre breaks new ground with co-production with Rainbow Stage
By MYRON LOVE Winnipeg Jewish Theatre is breaking new ground with its first ever co-production with Rainbow Stage. The new partnership’s presentation of “Fiddler on the Roof” is scheduled to hit the stage at our city’s famed summer musical theatre venue in September 2026.
“We have collaborated with other theatre companies in joint productions before,” notes Dan Petrenko, the WJT’s artistic and managing director – citing previous partnerships with the Segal Centre for the Performing Arts in Montreal, the Harold Green Jewish Theatre in Toronto, Persephone Theatre in Saskatoon and Winnipeg’s own Dry Cold Productions. “Because of the times we’re living through, and particularly the growing antisemitism in our communities and across the country, I felt there is a need to tell a story that celebrates Jewish culture on the largest stage in the city – to reach as many people as possible.”
Last year, WJT approached Rainbow Stage with a proposal for the co-presentation of “Fiddler on the Roof.” Rainbow Stage management was really enthusiastic in their response, Petrenko reports.
“We are excited to be working with Winnipeg’s largest musical theatre company,” he notes. “Rainbow Stage has an audience of more than 10,000 people every season. Fiddler is a great, family-oriented story and, through our joint effort with Rainbow Stage, WJT will be able to reach out to new and younger audiences.”
“We are also working to welcome more diverse audiences from other communities, as well as newcomers – families who have moved here from Israel, Argentina and countries of the former Soviet Union.”
Helping Petrenko to achieve those goals are two relatively new and younger additions to WJT’s management team. Both Company Manager Etel Shevelev, and Head of Marketing Julia Kroft are in their 20s – as is Petrenko himself.
Kroft, who is also Gray Academy’s Associate Director of Advancement and Alumni Relations, needs little or no introduction to many readers. In addition to her work for Gray Academy and WJT, the daughter of David and Ellen Kroft has been building a second career as a singer and actor. Over the past few years, she has performed by herself or as part of a musical ensemble at Jewish community events, as well as in various professional theatre productions in the city.
Etel Shevelev is also engaged in a dual career. In addition to working full time at WJT, she is also a Fine Arts student (majoring in graphic design) at the University of Manitoba. Outside of school, she is an interdisciplinary visual artist (exhibiting her work and running workshops), so you can say the art world is no stranger to her.
(She will be partcipating in Limmud next month as a member of the Rimon Art Collective.)
Shevelev grew up in Kfar Saba (northeast of Tel Aviv). She reports that in Israel she was involved in theatre from a young age. “In 2019, I graduated from a youth theatre school, which I attended for 11 years.” In a sense, her work for WJT brings her full circle.
She arrived in Winnipeg just six years ago with her parents. “I was 19 at the time,” she says.
After just a year in Winnipeg, her family decided to relocate to Ottawa, while she chose to stay here. “I was already enrolled in university, had a long-term partner, and a job,” she explains. “I felt that I was putting down roots in Winnipeg.”
Etel expects to graduate by the end of the academic year, allowing her to focus on the arts professionally full-time.
In her role as company manager, Shevelev notes, she is responsible for communications with donors, contractors, and unions, as well as applying for various grants and funding opportunities.
In addition, her linguistic skills were put to use last spring for WJT’s production of “The Band’s Visit,” a story about an Egyptian band that was invited to perform at a cultural centre opening ceremony in the lively centre of Israel, but ended up in the wrong place – a tiny, communal town in southern Israel. Shevelev was called on to help some of the performers with the pronunciation of Hebrew words and with developing a Hebrew accent.
“I love working for WJT,” she enthuses. “Every day is different.”
Shevelev and Petrenko are also enthusiastic about WJT’s next production – coming up in April: “Ride: The Musical” debuted in London’s West End three years ago, and then went on to play at San Diego’s Old Globe theatre to rave reviews. The WJT production will be the Canadian premiere!
The play, Petrenko says, is based on the true story of Annie Londonderry, a young woman – originally from Latvia, who, in 1894, beat all odds and became the first woman to circle the world on a bicycle.
Petrenko is also happy to announce that the director and choreographer for the production will be Lisa Stevens – an Emmy Award nominee and Olivier Award winner. (The Olivier is presented annually by the Society of London Theatre to recognize excellence in professional London theatre).
“Lisa is in great demand across Canada, and the world really,” the WJT artistic director says. “I am so thrilled that we will be welcoming one of the greatest Jewish directors and choreographers of our time to Winnipeg this Spring.”
For more information about upcoming WJT shows, readers can visit wjt.ca, email the WJT office at info@wjt.ca or phone the box office at 204-477-7515.
Local News
Rising Canadian comedy star Rob Bebenek to headline JCFS’ second annual “Comedy for a Cause”
By MYRON LOVE Last year, faced with a federal government budget cut to its Older Adult Services programs, Jewish Child and Family Service launched a new fundraising initiative. “Comedy with a Cause” was held at Rumor’s Comedy club and featured veteran Canadian stand-up comic Dave Hemstad.
That evening was so successful that – by popular demand – JCFS is doing an encore. “We were blown away by the support from the community,” says Al Benarroch, JCFS’s president and CEO.
“This is really a great way to support JCFS by being together and having fun,” he says.
“Last year, JCFS was able to sell-out the 170 tickets it was allotted by Rumor’s,” adds Alexis Wenzowski, JCFS’s COO. “There were also general public attendees at the event last year. Participants enjoyed a fun evening, complete with a 50/50 draw and raffle. We were incredibly grateful for those who turned out, the donors for the raffle baskets, and of course, Rumor’s Comedy Club.
“Feedback was very positive about it being an initiative that encouraged people to have fun for a good cause: our Older Adult Services Team.”
This year’s “Comedy for a Cause” evening is scheduled for Wednesday, February 25. Wenzowski reports that this year’s featured performer, Rob Bebenek, first made a splash on the Canadian comedy scene at the 2018 Winnipeg Comedy festival. He has toured extensively throughout North America, appearing in theatres, clubs and festivals. He has also made several appearances on MTV as well as opening shows for more established comics, such as Gerry Dee and the late Bob Saget.
For the 2026 show, Wenzowski notes, Rumors’ is allotting JCFS 200 tickets. As with last year, there will also be some raffle baskets and a 50/50 draw.
“Our presenting sponsors for the evening,” she reports, “are the Vickar Automotive Group and Kay Four Properties Incorporated.”
The funds raised from this year’s comedy evening are being designated for the JCFS Settlement and Integration Services Department. “JCFS chose to do this because of our reduction in funding last year by the federal government to this department,” Wenzowski points out.
“Last year alone,” she reports, “our Settlement and Integration Services team settled 118 newcomer families – from places like Israel, Mexico, Brazil, and Argentina. Each year, our program supports even more newcomer families with things like case management, supportive counselling, employment coaching, workshops, programming for newcomer seniors, and more.”
“We hope to raise more than $15,000 through this event for our Settlement and Integration Program,” Al Benarroch adds. “The team does fantastic work, and we know that our newcomer Jewish families need the supports from JCFS. I want to thank our sponsors, Rumor’s Comedy Club, and attendees for supporting us.”
Tickets for the show cost $40 and are available to purchase by calling JCFS (204-477-7430) or by visiting here: https://www.zeffy.com/en-CA/ticketing/jcfs-comedy-for-a-cause. Sponsorships are still available.
Local News
Ninth Shabbat Unplugged highlight of busy year for Winnipeg Hillel
By MYRON LOVE Lindsay Kerr, Winnipeg’s Hillel director, is happy to report that this year’s ninth Shabbat UnPlugged, held on the weekend of January 9-11, attracted approximately 90 students from 11 different universities, including 20 students who were from out of town.
Shabbat UnPlugged was started in 2016 by (now-retired) Dr. Sheppy Coodin, who was a science teacher at Gray Academy, along with fellow Gray Academy teacher Avi Posen (who made aliyah in 2019) – building on the Shabbatons that Gray Academy had been organizing for the school’s high school students for many years.
The inaugural Shabbat UnPlugged was so successful that Coodin and Posen did it again in 2017 and took things one step further by combining their Shabbat UnPlugged with Hillel’s annual Shabbat Shabang Shabbaton that brings together Jewish university students from Winnipeg and other Jewish university students from Western Canada.
As in the past, this year’s Shabbat UnPlugged weekend was held at Lakeview’s Hecla Resort. “What we like about Hecla,” Kerr notes, “is that they let us bring in our own kosher food, it is out of the city and close to nature for those who want to enjoy the outdoors.”
The weekend retreat traditionally begins with a candle lighting, kiddush and a traditional Shabbat supper. Unlike previous Shabbats UnPlugged, Kerr points out, there were no outside featured speakers this year. All religious services and activities were led by students or national program partners.
The weekend was funded in part by grants from CJPAC and StandWithUs Canada, along with the primary gift from The Asper Foundation.
Kerr reports that the activities began with 18 of our local Jewish university students participating in a new student Shabbaton – inspired by Shabbat Unplugged, titled “Roots & Rising.”
In addition to Shabbat Unplugged, Hillel further partnered with Chabad for a Sukkot program in the fall, as well as with Shaarey Zedek Congregation and StandWithUs Canada for a Chanukah program. Hillell also featured a commemoration of October 7, an evening of laser tag and, in January, a Hillel-led afternoon of ice skating.
Coming up this month will be a visit to an Escape Room – and a traditional Shabbat dinner in March.
Kerr estimates that there are about 300 Jewish students at the University of Manitoba and 100 at the University of Winnipeg.
“Our goal is to attract more Jewish students to take part in our programs and connect with our community,” she comments.