Local News
Synagogues’ leadership report positive outcomes for Yom Tov this year
By MYRON LOVE After three long years, Jewish Winnipeggers were able to return to synagogue for Yom Tov in reasonable numbers. “We weren’t sure what was going to happen this year,” says Ruth Livingston, the president of Temple Shalom, our community’s only Reform Congregation. “But we were delighted with the turnout. It felt to me like we were a community again.”
Livingston’s sentiments were generally shared by all active synagogue leaders. (The Chavurat Tefila and Talmud Torah shuls in north Winnipeg were unable to offer Yom Tov services this year.) Despite some continuing hesitation, these same leaders were pleased with the number of people who showed up for High Holiday services this year.
“We were cautiously optimistic,” notes Rob Waldman, the president of the egalitarian Chevra Mishnayes congregation in Garden City. “But we were quite pleased with our attendance. Despite some of our members still being uncomfortable with in-person services, we sold 90 seats – exceeding our expectations.”
Still with the North End, the venerable House of Ashkenazie, the last of our community’s older-style Orthodox coaggregations, enjoyed its largest Yom Tov turnout in several years. Congregation President Gary Minuk reports that about 50 were in attendance for the first day of Rosh Hashonah and over 40 for Kol Nidre. “We even had visitors from Toronto and New York davening with us,” he says. (The Ashkenazie is 100 years old this year. Minuk reports that a shul dinner to commemorate the occasion has been discussed, but the details at this point haven’t been finalized.)
South Winnipeg’s Orthodox Adas Yeshurun Herzlia Congregation also had reason to be pleased with Yom Tov numbers this year. “We have fully re-opened our synagogue to our regular members,” says Jack Craven, the president of the congregation. Yom Tov turned out well for us. Our numbers were as we expected. It was good to see most people coming back. We hope to see even more members returning as the year progresses.” As most readers of this newspaper already are aware, there is big news happening with both of our community’s largest synagogues.
For Congregation Etz Chayim, this past Yom Tov was most likely the last to be celebrated at its current location. After nearly 70 years in North Winnipeg, our community’s second oldest and largest congregation is following the flow and planning to move south in early summer. Due in part to the growing trend of people staying home to watch services online and a continued exercise of caution – including distancing – Etz Chayim’s High Holiday attendance remained far short of pre-Covid lockdown times. In an earlier interview, Jonathan Buchwald, Etz Chayim’s executive director, reported that the synagogue executive was planning to cap attendance at between 350 and 375 in-person worshippers – about one-third of capacity. This compares with 50 worshippers allowed into the building for each of the two days of Rosh Hashanah and 100 for Kol Nidre and Yom Kippur last year. The final numbers, Buchwald says, were about 350 for the first day of Rosh Hashonah and 320 for Kol Nidre. For the other days – the second day of Rosh Hashona and Yom Kippur day – the number in attendance were between 250 and 300. “This year, too,” Buchwald adds, “our junior congregation and family services were back – as well as the in-person choir. “It was really nice to have a live congregation again.”
Shaarey Zedek’s attendance was constrained this year not so much by lingering Covid concerns but more so by the capacity of the Berney Theatre’s 200 seat auditorium where Winnipeg’s largest and oldest congregation was forced to hold High Holiday services while the Shaarey Zedek building itself is undergoing a major expansion and upgrade, which will be ongoing for the next two years. Ran Ukashi, the congregation’s executive director, reports that while over 100 people bought tickets for the in-person services, there were 350 screens – with 570 viewers watching online. Last year, Ukashi points out, Shaarey Zedek’s High Holiday services were entirely online. “It is a different feeling not being in our own building for Yom Tov,” he comments, “but, in general, people were positive about being able to attend High Holiday services in person.”
And, after two years absence, Camp Massad resumed its innovative and frailich Rosh Hashonah service. Daniel Sprintz, the camp’s executive director, reports that, as was the norm before Covid, Massad hosted its Rosh Hashonah program on the second day. “We offered a creative and interactive service that combines some traditional prayers with contemporary readings, folk music and our usual Camp Massad shtick,” Sprintz says. “Our services were our usual shtick, followed by an outstanding Kiddush lunch and tashlich by the water.” Sprintz notes that past Rosh Hashonahs at Massad have attracted as many as 150 participants.
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
