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Winnipeg Jewish Theatre to premiere first live show since February 2020

Stars of the new WJT show
left: Becky Frohlinger
right: Justin Stadnyk

By BERNIE BELLAN Amidst all the plans that had either to be shelved or retooled as a result of Covid, perhaps no organization within our community has had to constantly rejig its plans more than the Winnipeg Jewish Theatre.

 

Beginning with the cancellation of a new play by Winnipeg’s own Daniel Thau Eleff, “Narrow Bridge”, which was scheduled to receive its world premiere on March 28, 2020, followed by a series of changes to the 2020-21 program, ultimately the WJT did find success going online with two separate productions this year: “Becoming Dr. Ruth” – in February, featuring a repeat of her award-winning role by Mariam Bernstein – and which was offered on demand to at-home audiences; and, more recently the free streaming online of “True Colours” in March.

WJT Artistic Director
Ari Weinberg

While WJT Artistic Director Ari Weinberg was quite pleased with the reception that both those productions received from at-home audiences, he’s more than a little excited to once again being able to offer Winnipeg audiences live theatre, beginning August 26, with eight performances of a play that is particularly timely given the circumstances in which we’ve all found itself, titled “Dear Jack Dear Louise”.

Recently I had the chance to talk to Ari about this impending production which, by the way, features the youngest member of the immensely talented Frohlinger siblings, Becky Frohlinger (sister to Alexandra and Joey), along with another talented Winnipegger, Justin Stadnyk.

Following are excerpts from my conversation with Ari Weinberg:
JP&N: “When was the decision made to do a live show?”
Ari: “The plan was always to do a live show. Our plan all along was to do two digital shows, and then a live show – and this is it. We had hoped to do it in May, and then it got bumped. Then we were hoping for late June or early July, and then it got bumped. So this is actually the third time we planned to do it.”

JP&N: “What will the seating capacity be?”
Ari: “Eighty seats.”

JP&N: “How many performances will there be?”
Ari: “Eight performances. We usually do eight, but if it continues to sell as well as it has been we can add one or two shows.”

JP&N: “So tell me something about this show. I’ve never heard of it.”
Ari: “Well, the reason that almost no one has heard of it is that it actually premiered in December 2019, just before the start of Covid. We’re doing the Canadian premiere of it; it’s actually the second production of it anywhere in the world.
“Ken Ludwig is the playwright. He’s a master of comedy. He wrote ‘Lend Me a Tenor’ – a very funny farce. He wrote the book for ‘Crazy for You’, also a very funny musical.
“This is the story of his parents. All four of his grandparents met at a barbeque during the Second World War. One set had a single son, the other had a single daughter. The son was off being a doctor in the army and the daughter was off aspiring to be in musicals in New York City.
“So the grandparents thought: ‘We should get them to start writing to each other. So Jack picked up a pen and wrote to Louise and she responded, and they kept in touch throughout the war. They were supposed to meet, but various obstacles kept popping up, so they wrote letters to each other for four years and met at the end of the war – and got married, and had Ken and his brother.
“When they both passed away, he inherited the letters that they had written to each other, and he thought: ‘There’s a play here’, so it’s sort of an homage to his parents.”

JP&N: “You know, this reminds me of a play put on at the Fringe Festival a few years ago (2014, to be exact) by Susan Freedman, who was the daughter of the late Sam and Brownie Freedman. (The play was titled “Spilling Family Secrets”.) It was a one-woman show based on letters they had written to one another.”

Ari: “This one is quite hilarious, too, especially Louise. She’s quite a vivacious character who’s trying out for Broadway musicals. She’s excitable and she has all kinds of hilarious adventures that she relates to Jack throughout the play.”

JP&N: “It must involve more than reading letters.”
Ari: “No – and that’s why I planned it. It’s a perfect ‘social distancing’ play. The characters don’t even meet until the final moment of the play. They’re in their two separate worlds.
“This is actually a perfect show to do in a tent. He has his army tent and a little foot locker and she’s in a boarding house in New York City, but it’s the two of them in their separate worlds conversing with one another.”

JP&N: “Is there any singing, because I know that both Becky and Justin are very talented singers?”
Ari: “No – they’re both incredible singers, but there’s no singing in the play.”

JP&N: “So maybe we can ask them to stay after the play is over, pass a cup around, and ask them to sing for us.”
Ari: “Yah, we’ll ask them to take requests.” (Ed. note: This is all tongue in cheek, in case you think this is meant to be taken seriously.)

JP&N: “Let’s talk a little about Becky (Frohlinger) and Justin (Stadnyk). I know Becky very well and I also know Justin from a show that he was in with my son at Rainbow Stage” (which also included Alexandra and Joey Frohlinger, but not Becky, who was too young to appear on Rainbow Stage at that time).
Ari: “This is actually their fifth show together. It feels like a homecoming in many ways. It’s great to have Becky back in Winnipeg.” (Ed. note: When we last mentioned Becky in a column it was in August 2016, when Becky was appearing in a production of ‘Shrek the Musical’ at Rainbow Stage. Becky was already a seasoned performer by then, also having just graduated with a Bachelor of Fine Arts in Musical Theatre from Elon College in North Carolina.)

JP&N: “We’ve been following the careers of all three talented Frohlinger siblings for years.”
Ari: “I know, I’ve been hearing lots of anecdotes about the Frohlingers.”
(A perusal of Justin Stadnyk’s website reveals that he was born in 1985 and has been performing in the musical theatre world for years. Justin is also a dedicated yoga practitioner and teacher.)
“Something that might interest you is that Justin and I were in the same class together at Sheridan College.
“Justin became a dad during the pandemic and this is his first show back. This show is a labour of love for the both of them – as well as the Winnipeg Jewish Theatre.”

JP&N: “Okay, so how long does the show run?”
Ari: “It’s 90 minutes – without an intermission.”

JP&N: “It’s under a canopy, is it?”
Ari: “Yes, it’s under a tent. Three of the sides are open. We’ve got good air flow.”

JP&N: “Are you encouraging people to wear masks?”
Ari: “Masks are strongly recommended.”

JP&N: “Do you have to present a proof of vaccination to enter?”
Ari: “No, we checked with the province, and because we’re outdoors and because there’s good air flow, and because we’re under 100 people, and because people are socially distanced in the seats – seats are either in pairs or singles – vaccination is not mandatory. We’re assuming that the majority of our audience is vaccinated, but that’s why masks are strongly recommended.”

JP&N: “Let’s talk a little about the two shows you did online this year. I know the Dr. Ruth show did quite well.”
Ari: “Yes, it was a great success for us. We had lots of people watch it – and it was watched all over the world.
“Then we did our production of ‘True Colours’ – and it’s currently part of the Stratford Festival streaming platform.”

JP&N: “I was going to ask you about Daniel Thau-Eleff and the lousy luck he’s had. His play (‘Narrow Bridge’) has been canceled twice now, hasn’t it?”
Ari: “We have a plan to do one digital production in the fall, then two live productions, both Canadian premieres. One is a production we’re hoping to do live and in person in February, and the other in a tent again next summer. It’s a musical that we’re hoping to do live at the campus.
“Then, the following year, we’re hoping we’ll be fully back in the season, and that’s when we’re hoping ‘Narrow Bridge’ will make it to the stage.”

JP&N: “So that’ll be 2022-23 – right?”
Ari: “Yes.”

JP&N: “It’s becoming ‘A Bridge Too Far’ by now.”
Ari: “Yes, a very long, narrow bridge.”

JP&N: “Coincidentally, I’m going to be running a story this issue about the Jewish Foundation and how they came through for so many Jewish organizations during the pandemic, including Winnipeg Jewish Theatre. I don’t know if you had been able to carry on without that funding.”
Ari: “A hundred per cent. They and the Winnipeg Foundation have been great foundations of support for us.”

JP&N: “Anything else you want to say, Ari?”
Ari: “Just that we’ve already sold 50% of the available tickets (as of August 12), so this is not a show where you should sit back and think about whether you want to buy tickets. This is definitely a case where you should pick up the phone and call or get to a computer and go online and book.”

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The shift in the New Democrats

By NOAH STRAUSS The New Democrats have just wrapped up their 2026 national convention here in Winnipeg. While I was at the convention, I noticed a critical change in the party. Under the current NDP leadership the party and partygoers ignored promoting Canadian merchandise, including flags. It’s interesting to compare the party now to what it was when Jack Layton was the leader (from 2003-2011).
Layton was quite proud to be a Canadian. If you attended or saw any of his rallies you would have seen many Canadian flags, both on stage and in the crowd. Comparing Layton’s era to the current moment, not one Canadian flag was on stage at the recent national convention – only a Palestinian flag.
This should be concerning: Only one flag was present – and it wasn’t ours.
The NDP’s views have shifted and so has the membership. Approximately one in twenty people I saw were wearing keffiyehs. I wonder what was their affiliation to Palestine?
Avi Lewis is not helping the situation; he’s just pouring more gas on the fire. In his acceptance speech at the convention he proclaimed once more that he will not remain silent when Israel commits a genocide in Gaza. He had campaign signs that said ‘Free Palestine’ and ‘Libérer Palestine,’ both on stage and at his numerous campaign events.

In an email sent out to members of Independent Jewish Voices (IJV), an anti-Zionist organization, Lewis noted that he had become a member of that organization, saying “I was also proud to sign IJV’s Together Against Apartheid pledge.”
What does this all mean, though? The NDP have shifted from focusing on Canada and being proud of Canada to supporting a foreign cause and ignoring the facts. Avi Lewis doesn’t care about being Jewish, he cares about getting votes, and if that is what it takes, he’ll tell lies about Israel.
The NDP needs to remember that Canada needs to come first. To the person with the Palestinian flag on the stage: You need to put your Canadian pride first.
If the NDP wants to be seen as a real party, it will put Canada first once again.

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Rachel Fish, leader in combating antisemitism in academia, this year’s Kanee Distinguished Lecture series speaker

By MYRON LOVE The Jewish Heritage Center of Western Canada would  seem to have hit another home run with the announcement that Dr. Rachel Fish, a leading voice in tackling anti-Zionism and Jew hatred in North American academia, is this year’s guest speaker at the JHCWC’s upcoming annual Sol and Florence Kanee Distinguished Lecture – which is scheduled for Thursday, April 30, at the Shaarey Zedek Synagogue.  
The theme of her timely lecture will  be“How the Academy Has Created a Fertile Ground for Antisemitism,” a topic in which she is well versed.  Fish has an impressive resumé. She is the co-founder of the nonprofit “Boundless,” a think tank partnering with community leaders across North America to revitalize Israel education and take bold collective action to combat antisemitism.  She also serves as Director for The Brandeis University President’s Initiative on Antisemitism; is an associate research professor at the Cohen Center for Modern Jewish Studies; and teaches Israeli history and society at The George Washington University as Visiting Assistant Professor of Educational Leadership in the Graduate School of Education and Human Development.
In the past, she has served as Senior Advisor and Resident Scholar at the Paul E. Singer Foundation in New York City and Executive Director of the Schusterman Center for Israel Studies, where she trained the next generation of academics in the field of Israel Studies. She has also served on the faculty at Brandeis University, George Washington University, and Harvard University. She has has written articles for several publications in the mainstream press and academic journals, and co-edited the book “Essential Israel: Essays for the 21st Century.”
I had the pleasure of speaking with Dr. Fish a couple of weeks ago. My first question to her was how she finds the time to do all that she does.  Her response is that there are not enough hours in the day. Her multiple activities remind me of an expression I heard once years ago while I was a member of a short-lived Jewish international development group – “if you want to make sure something gets done, you give it to the busiest person you know.”
Fish observes that she has been explaining Judaism to non-Jews all of her life.  “I was raised in Tennessee in  a place called Johnson City in the foothills of the Smokey Mountains,” she recounts. “My parents were originally from Ohio.  There were very few Jews where we lived. My family spent a lot of time teaching our neighbours, teachers in my school  and others we associated with about Jews, our practices and the State of Israel.”
She recalls – as early as 2001 when she was studying at Harvard’s Divinity School, that she was noticing what she describes as a “strong undercurrent of anti-Israel feeling and Jew-hatred”.
“I was determined to pursue a career in higher education,” she notes, “in part because I believe that education matters, because I derive oxygen from teaching, and I particularly enjoy dealing with complex issues.  As well, I appreciate the opportunities that teaching at the university level gives me to share what I have learned in public forums such as the Kanee Lecture.”
Ideally, she observes, a professor should not – as much as humanly possible – be sharing her political or personal opinions in class. Higher education should be about creating a space where students can debate freely and challenge each other’s ideas.  Instead (as I am sure many readers are aware), too many educators are focused on indoctrinating their students in the teacher’s beliefs – with students with dissident opinion facing hostility and risking ostracism.
Too many universities have become ideological monocultures where critical thinking is discouraged and there is a litmus test for new hires.  She cites a FIRE (Foundation for Individual Rights and Expression) report in which an overwhelming majority of the faculty at many  leading universities share a leftist – anti-Israel, anti-Christian and anti-Conservative worldview.
That is particularly true with Ivy league and other elite universities in both the United States and Canada – and especially in their liberal Arts and Humanities programs. Much of the anti-Zionist and antisemitic atmosphere – such as the takeover of university quadrants in the wake of October 7 – has been created by outside agitators and foreign funders – notably the oil rich Islamic sheikhdom of Qatar.
“Where you have universities with strong administrative leadership,” she points out, “the level of hostility to Jewish students and threats of violence have not been allowed to take root.  It has only been the case where the administration and the board are weak.”
So why, I asked her, do so many Jewish students not seek out alternatives to these compromised campuses?. She responded that some Jewish students have chosen to enrol in universities in the southern United States where there is a more welcoming environment.
But many Jewish students, she observes, continue to enrol in leading universities such as Harvard and Yale, Cornell and UCLA (or York or the University of Toronto in Canada). Many Jewish students still share the belief that being identified with being affiliated with a  top flight university will benefit their future careers.
Sadly, she further points out, this poison has filtered down to the K-12 level. Many university education departments have graduated numerous indoctrinated teachers who have taken control of school boards and administrations and seek to impose their vile doctrines on susceptible young minds.    
Nevertheless, there are a great many state and lesser known universities  that provide a more welcoming attitude to Jewish students.    
Rachel Fish suggest that, for too long, North American Jewish communities have been complacent and not recognized the danger in our midst.  She does see some hopeful signs though.  She has observed that more and more communities, parents and student s have woken to the danger and begun to fight back.
“It’s difficult,” she acknowledges.  “It can feel overwhelming.  But we have to keep chipping away and not just let the other side win.” 
 
The Sol and Florence Kanee Distinguished Lecture series was inaugurated by the Jewish Heritage Centre of Western Canada in 2006 to celebrate Sol Kanee’s 95th birthday. In welcoming the audience to that first lecture, lecture series co-chair Harold Buchwald paid tribute to Kanee, who died on April 23 at 97, as a man who “cast a giant shadow” on world Jewish history in the second half of the 20th century.  The former resident of Melville, Saskatchewan, who spent almost all of his adult life in  Winnipeg, Kanee was a leader in the development of Israel and the Free Soviet Jewry movement as well as a macher in our Jewish community and across Canada.
 I would encourage readers who may be interested in learning more about the current state of antisemitism in academia – and want to support the JHCWC to go online at jhcwc.org for further information or to order tickets. The price of admission is $50.

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Young tech entrepreneur Adam Fainman gathering accolades locally and internationally

By MYRON LOVE Winnipegger Adam Fainman is taking the world by storm. In fewer than three years his new AI start-up – Moonlite Labs – has attracted thousands of users in 550 cities in 95 countries world wide.
 
As he explained in an interview in the Winnipeg Sun last June, Moonlite Labs is “a creative content platform designed to make multimedia storytelling radically more accessible. With a few prompts,” he noted, “users can generate professional grade videos, animations, voiceovers, talking avatars, music-reactive visuals, and more.”
 
On Tuesday, February 24, the young entrepreneur garnered his newest accolade when Winnipeg-based North Forge, Canada’s only start-up incubator, accelerator and fabrication lab, gave Fainman its DARE Emerging Innovator Award at a reception at the Royal Aviation Museum of Western Canada.
 
“I dedicated the award to my zaida, Jacob T. Schwartz,” Fainman says, noting that his zaida was a prominent computer scientist and professor of Computer Science at the New York University Courant Institute of Mathematical Science, and founder, in 1964, of New York University’s Department of Computer Science – which he chaired for 16 years.

At the awards evening, Fainman adds, he had the opportunity to meet many of the movers and shakers in the industry here.
 
The son of Shane and Rachel Fainman began his life in Toronto. “My father is from Winnipeg, my mother from New York.  They met in the Sinai Desert at a music festival.”
 
The family moved to Winnipeg in 2006 when Adam was in high school.  After graduating from the University of Winnipeg Collegiate he went on to earn a B.Sc. in Computer Science from the University of Winnipeg.
 
“Performing was always my first love” he says.
 Post university, he began a career as a rapper, beatboxer, and producer under the stage name Beatox, touring across Canada and central Europe with his rare ability to combine story-telling and singing.
 
In 2015, he enrolled in a two-year digital media and design program at Red River Community College. After graduation, on the encouragement of a University of Toronto professor, he continued his studies in Toronto earning a Masters Degree in Music Technology and Digital Marketing.
 
“During the Covid shutdown,” he recounts, “I began experimenting with AI and producing music videos combining music, story-telling and animation.  I posted them on social media sites such as YouTube and TikTok. They went viral, garnering millions of views.  People were asking me if I could help them with creating similar videos.  I saw there was a gap in accessibility to this technology, so I decided I should create a platform as a solution”
 
“A friend of mine, Brayden Bernstein was involved in the tech scene in Winnipeg, saw the success I was having on TikTok and gave me some advice on how to go about this” Fainman continues.  “As well, a few colleagues from the University of Winnipeg expressed interest in building a solution together.”
 
Wanting to create a platform that would make it easy for others to replicate what he was doing, Fainman sought out resources in Winnipeg that might be able to help him.
 
He pitched his idea first to NRC-IRAP (National Research Council of Canada Industrial Research Assistance Program), Canada’s leading innovation assistance program for small and medium-sized businesses,
 
“They loved the concept and traction I was getting, and agreed to help fund us,” Fainman says.
  
His next stop was North Forge – in 2024 – where Moonlite joined their Ascent Program and was matched with mentors.
 
In early 2025,  Moonlite Labs made its official debut at the Manitoba AI Innovation Showcase where the new company was greeted with an award. “It was a massive confidence boost,” Fainman told the Sun in that earlier interview. “It was our first time sharing with the public what we’ve been up to for the last year. To win the award… that was very, very rewarding.”
Last June, the company made its presence known on the international stage at VivaTech 2025 in Paris — Europe’s largest startup and tech conference, with over 180,000 visitors.
Moonlite was selected as one of TechCrunch’s Top 30 Startups of the Year, a shortlist that included only two Canadian companies.

“Getting the AI Showcase award, getting into VivaTech, being selected as one of the top 30 startups of the Year by TechCrunch, that was pretty crazy,” Fainman told the Sun.“Backed by ScaleAI, Moonlite joined Canada’s official delegation at VivaTech, which had special visibility this year with Canada named Country of the Year at the conference.
“We had a massive space. The French president came through our whole area. It was the craziest thing,” Fainman recalled. “Everyone had their phones. It was like a mob… then we’re like, oh my God, it’s the French president. People were freaking out.”
 
As per the Sun story, Fainman was given two days to showcase Moonlite, with a booth for both the platform’s business-to-business (B2B) and business-to-consumer (B2C) offerings. But the most personal moment came on stage, where he delivered a presentation showcasing his journey from beatboxing artist to tech founder. 

With Moonlite Labs growing exponentially, Faiman and his team of eight are hoping to become as ubiquitous as Adobe and Canva.  “My ultimate goal is to help as many people as possible to create professional-grade videos and ultimately share their stories,” he comments.
 
He himself, he adds, is hoping to get back to live performances as well.  “I recently appeared at Festival du Voyageur and I have just completed my 4th studio album.  I can’t wait to use Moonlite for all my videos and world building” he reports.
 
Readers who might want to try Moonlite for themselves can go to https://moonlitelabs.com
You can get in touch with Adam Fainman at adam@moonlitelabs.com

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