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Former Winnipegger Mira Sucharov bares her soul in new memoir

Mira Sucharov/book cover

Reviewed by BERNIE BELLAN
There’s something strangely compelling about reading the memoir of a talented individual who has decided to lay it all out for total strangers to discover some of her innermost secrets.

A few years back I reviewed a memoir by Henriette Ivanans, who happens to now be living in Winnipeg (married to Kevin McIntyre, about whom we have written many times in this paper). In her memoir, titled “In Pillness and in Health: A memoir” Henriette revealed her long and arduous struggle with addiction to a panoply of different types of medications. She was so searing in her self-criticism that it was almost painful reading her amazing story of survival against all odds.
Now, in a different way, well known academic and commentator Mira Sucharov discusses her own long-held emotional struggles, first triggered by the divorce of her parents when she was five, in her memoir, titled “Borders and Belonging: A Memoir”.
I have to admit that I have only a passing acquaintance with Mira’s career – which might help me to be more objective in discussing her memoir. I hadn’t ever read anything else she has ever written – which would probably come as a surprise to her, since I am well aware that she is a prolific writer with a reputation as a Middle East expert.
It’s not that I’ve shied away from reading anything by Mira Sucharov – it’s just that I’ve never enjoyed reading academic articles about the Middle East, even though I myself have a background in Political Studies – as she does. Ever since I finished university – which was ages ago, I’ve preferred to distance myself from anything that’s footnoted.

But “Borders and Belonging” is no academic treatise. Mira Sucharov is a talented writer who certainly knows how to tell a story; in this case the story is one of anxiety and elation as she forged a deeply held love for Israel from a very young age. Yet, as much as her interest in Israel has been a central focus of her life, her determination to view Israel in as objective a manner as possible has taken its toll.
Her opening chapter relates a story that reveals the extent to which she’s been ostracized by a very good portion of the Canadian Jewish community for daring to question Israel’s behaviour vis-à-vis the Palestinians. During her career as an academic, for which she’s received multiple awards (not that she discusses any of those in her book; any Google search will readily disclose how well respected Mira is as a professor and a commentator), she’s received scorn from both the right and the left for daring to attempt to be even handed in her assessment of Israel and the Palestinians.
No doubt what many members of the Winnipeg Jewish community will find particularly interesting though are Mira’s recollections of growing up here, where she attended Jewish day schools and, more significantly for readers of this paper, where she attended a summer camp that had a Labour Zionist orientation (which, interestingly, she never refers to by its name: Camp Massad).

Mira at Camp Massad, 1989

For anyone who’s attended Camp Massad, reading Mira’s reminiscences about camp life would be reason enough to want to read the book, as her descriptions of that camp are as well drawn as one could find anywhere in reading about a summer camp.
But, it’s in Mira’s painful discussion of the traumas she’s endured in her life – which is not really all that long yet, since she must either just be 50 or close to it, based on certain references she makes that she provides some of the most jarring passages. I’ve already referenced her parents’ divorce which, as she describes it, occurred without any rancor between her parents and was as civil a breakup as one could hope to have. For Mira, however, it was a life-shattering experience and reading about how that break-up still reverberate with her offers a salutary lesson in how a marital break-up, no matter how well behaved the parents may be toward one another at the time of the break-up, can be so devastating for children all through their lives.

One other chapter that hits home like a ton of bricks is when Mira recounts reading a newspaper article about skin moles and takes a more careful look at a mole on her arm. Lucky for Mira, her mother didn’t procrastinate for one moment and, as it turned out, the mole was cancerous and likely would have led to an early death had it not been caught in time.
Later, Mira discusses allergies she has developed to certain foods and her frequent bouts with overwhelming anxiety. When she describes the often extremely stressful situations which she doesn’t avoid as an academic who is not afraid to take unpopular stands, it’s easy to understand the psychological toll that the career path she’s taken has had on her.
The memoir is not written in chronological fashion; it flits back and forth between episodes that occurred at various times in Mira’s life. Of all her experiences, however, in addition to her love of Camp Massad, it is the many times that Mira has visited and lived in Israel about which she writes most evocatively.

Mira at Massada in 1983
with her bobe, Marian Margolis

Her first visit to Israel was in 1983 with her bobe, Marian Margolis. That visit led to such a deep affection for Israel that Mira was motivated to return over and over again where, at various times, she was a student, a resident of a kibbutz (also while she was a student), and an academic.
And although a search of her online biography reveals that Mira received her MA from the University of Toronto and her PhD from Georgetown, in her memoir she writes only about her time spent at McGill, from where she obtained her BA. She admits that she was drawn to McGill because that was the school her father attended and she wanted to emulate his experience as much as possible. While her mother is also referred to in very loving terms, it is Mira’s relationship with her father that resonates throughout this memoir.

Another episode though that will probably upset more traditional readers is when Mira describes her love affair with an Arab student at McGill. While she is hardly graphic in her description, she is certainly far more candid in what she writes than anything she has to say about her husband who, for all intents and purposes, comes across as a nice Jewish boy who would certainly meet with the approval of most bobes.
Toward the end of the book Mira summarizes the conflicting forces that have shaped her life in a paragraph that both offers a glimpse of the emotional currents that are still swirling within her, it also gives you an idea just how gifted she is as a wordsmith:
“Panic. It’s like being a child of divorce all over again as I try to pull the pieces together: safety and danger, reality and fear, swinging between houses with different carpets, between marriages and separations, between my real home and my dad’s home and the home-away-from-home that is summer camp, between the reality of the present and my nostalgia for the past, between Israel as a lived reality and my image of the place, between political poles, between parts of my community and between my community and that of others—as I try to locate a single, coherent, authentic narrative that is safe and secure and true.”
It’s not always easy reading a memoir where the author dissects her life in such an open and candid manner, and I’m not sure how many of the individuals whose paths have crossed Mira’s would be aware of the emotional angst which is so pervasive throughout this book, but it takes a very brave individual to have written such an open and, at times, quite raw, recounting of a life.

“Borders and Belonging: A Memoir”
By Mira Sucharov
Published by Palgrave Macmillan, September 2020

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Filmmaker Shira Newman brings wealth of experiences to role of Rady JCC Coordinator of Arts & Older Adult Programming

By MYRON LOVE As with many people I have interviewed over the years, Shira Newman’s life journey towards her present stage as Rady JCC Coordinator of Arts & Older Adult Programming has encompassed a range of different areas, including: fine arts, filmmaking and teaching stints, working at the Society of Manitobans with Disabilities, and the Women’s Health Clinic and, most recently before coming to the Rady JCC, the Prairie Fusion Arts and Entertainment Centre (as program co-ordinator) in Portage La Prairie.
The daughter of Joan and the late Paul Newman began her life in River Heights.  After graduation from Grant Park, she enrolled in Fine Arts at the University of Manitoba.  In addition to painting and drawing, she took a course in film – and found that she really enjoyed it.
“I learned a lot about the art that goes into filmmaking,” she recalls.  “We watched foreign films and independent films. I fell in love with the ideas of creating this three-dimensiomal world on the screen.”
After earning her first degree at the University of Manitoba, Newman worked for a few years at the aforementioned Women’s Health Clinic and the Society for Manitobans with Disabilities before returning – in her mid-20s – to university, this time Concordia in Montreal – to study filmmaking full time. 
After completing the two year program Newman returned to Winnipeg and became involved with the Winnipeg Film Group and the Winnipeg film community.
Over the next few years, she taught filmmaking in Winnipeg School Division No. 1, and also began to get work  in our city’s booming film production industry, working in set design and costuming..
Her big break came when she was asked by local filmmaker Sean Garrity to serve as script supervisor on one of his movies.
(According to Wikipedia,  a script supervisor oversees the continuity of the motion picture, including dialogue and action during a scene. The script supervisor may also be called upon to ensure wardrobe, props, set dressing, hair, and makeup are consistent from scene to scene. The script supervisor keeps detailed notes on each take of the scene being filmed. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scenes together in the order specified in the shooting script. They are also responsible for keeping track of the film production unit’s daily progress.)
“I knew Sean’s films and was excited that he asked to me to work with him,” Newman recalls.
That job led to many other assignments as a script supervisor over the next ten years. “I worked on a lot of Hallmark Movies being shot here as well as some Lifetime features,” she says.
The last movie shot in Winnipeg that Newman worked on was in 2018. It was called “Escaping the Madhouse: the Nellie Bly Story”.
It was about that time that Newman felt that she needed a change in direction.  “Making a movie is a world in itself,” she observes, “but the work isn’t steady.  I decided that I needed something more stable.”
Thus, she responded to an ad for a coordinator at the Prairie Fusion Centre in Portage. The Centre, she notes, has a gallery, a store and classes. She was responsible for educational programming.
Newman stayed at the Prairie Fusion Centre for a year – commuting every day from Winnipeg.  Then she saw the Rady JCC ad calling for a Coordinator for Arts and Older Adult Programming.
“It was a perfect fit for me,” she says.
Newman is now in her fourth year at the Rady JCC.  One of the first programs she introduced was a new social club for seniors – replacing the former Stay Young Club which had been disbanded some years before due to flagging attendance.
Club programs are Mondays at 11:00. “We have guest speakers and musical programs and we celebrate all the holidays,” Newman notes.
Last year, Newman introduced a new Yiddish Festival – picking up where the former Mamaloshen left off.  “While studying filmmaking, I developed an appreciation  for the 1930s Yiddish cinema,” she reports.  “In recent years, there has been a revival of interest in Yiddish culture, music and literature.”
For the first “Put a Yid in it Festival of new Yiddish Culture,” Newman brought in younger performers in the persons of ”Beyond the Pale”, a Toronto-based klezmer band that also performs Romanian and Balkan music – and, from Montreal, Josh Dolgin, aka Socalled – a rap artist and record producer who combines hip hop, klezmer and folk music.
“We had the concert at the West End Cultural Centre.” Newman reports. “We had a great crowd with people of all ages, including kids.”
For this second upcoming Yidfdish festival at the beginning of February, Newman is organizing three concerts featuring klezmer group “Schmaltz and Pepper” from Toronto;  “Forshpil”, a Yiddish and klezmer band from Latvia; and live music to accompany a 1991 movie called “The Man Without a World” – a recreation of a 1920s silent movie set in a  Polish shtetl.
This year’s festival will also include three movies and two speakers.  Among the movies is “The Jester”.  Co-directed by Joseph Green and Jan Nowina-Przybylski – who also made “Yiddle with His Fiddle” in 1936, “The Jester” is a musical drama involving a love triangle featuring a wandering jester, a charismatic vaudeville performer, and Esther, the shoemaker’s daughter, torn between her family’s desire for a prominent match and her own dreams.
“Yiddishland”,  by Australian Director Ros Horin,  focuses on the art and practices of a diverse group of innovative international artists who create new works about the important issues of our time in the Yiddish language, why they create in Yiddish, what it means to them personally and professionally, and what obstacles they must overcome to revive what was once considered a dying language..
“Mamele” is described as “a timeless masterpiece, brought to life by Molly Picon, the legendary Pixie Queen of the Yiddish Musical.  Picon shines as a devoted daughter who keeps her family together after the loss of their mother. Caught between endless responsibilities and her own dreams, her world changes when she discovers a charming violinist across the courtyard. Set in the vibrant backdrop of Lodz, this enchanting musical comedy-drama immerses audiences in the rich diversity of interwar Jewish life in Poland – featuring everything from pious communities to nightclubs, gangsters and spirited ‘nogoodnicks’’.”
The speaking presentation will nclude a talk by the University of Manitoba Yiddish teacher Professor Itay Zutra “exploring the resilience and survival of Yiddish art, from S. Ansky’s The Dybbuk to the demons of I.B. Singer, through the trauma of the Holocaust and beyond.”
There will also be a panel discussion highlighting the pivotal experience of the Jewish community in the 1919 Winnipeg General Strike, with a focus on Yiddish-speaking organizations and newspapers.
Back in late October, Newman organized our community’s first JFest – a celebration of Jewish Culture and the Arts – which highlighted the works of seven local Jewish artists.  She reports that the art exhibit was well attended.
She also mentions ongoing Rady JCC programs such as the long-running “Music and Mavens” and the annual Jewish Film Festival.
Returning to the subject of filmmaking, Newman has been a film programmer for the Gimli International Film Festival for the last four years. (The first years, she says, she served as the shorts programmer and the last three as the documentary film programmer.)
She adds that her first short film, “The Blessing,” which she made when she returned to Winnipeg from Montreal, was shown at various festivals, including the Toronto International Jewish Film Festival.It was also shown here in Winnipeg at the Winnipeg Jewish International Film Festival where it won the award here for “best short film by an  emerging or established local filmmaker.”
In her spare time, Newman reports, she has embarked on a new project.   “I am working on a documentary about Monarch butterflies and the community of people who are dedicated to preserving them. These are regular people who have become citizen scientists.  I am working with a  friend whose zaida was a biology teacher and instilled in his family a love of nature and conservation.  I have met people who have gone to Mexico to see for themselves where the butterflies spend their winters.”
Newman is anticipating that the new documentary will be completed within a year.

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Rabbi (to be) Lara Rodin

By GERRY POSNER In May 2025, the Jewish Theological seminary will welcome a new rabbi into the fold. A recent graduate of the seminary, she is a young woman from Western Canada with roots in both Winnipeg and Calgary. Her name is Lara Rodin.
Lara will be the new assistant rabbi at the Beth Tzedec Synagogue in Toronto (not to be confused with the Beth Tzedec Synagogue in Calgary, where her family still lives and where they remain members to this day). Her formal induction into the rabbinate will happen later this year, in May, in New York City.
Rabbi Rodin is a fresh, warm, and engaging young woman who already has made a difference in the lives of many families.
The jump from being Lara Rodin, daughter of Greg and Andria (Paul) Rodin, raised in a secular home, to a woman about to become a rabbi, was hardly preordained. Lara was born in Winnipeg, but she moved with her family at a young age to Calgary where she was a student at the Calgary Jewish Academy. Her connection to Judaism, though, was tenuous. Still, with her growing involvement in BBYO, also at Camps B’nai Brith at Pine Lake, Alberta and Hatikvah in BC, the seeds were already starting to grow and sprout. As well, Lara, had a strong Jewish influence from her maternal grandparents, Leonard and Elaine Paul, of blessed memory, both of whom were strongly centred in the Jewish world, particularly at the Bnay Abraham Synagogue in Winnipeg.

Lara was fortunate to attend McGill University in Montreal, where she obtained an Arts degree. Although her father Greg, a lawyer, had pushed her to study law, she was more interested in courses in philosophy and theology. She soon concluded that she need not focus so much on other religions, but work on the one she was born into.
That decision was the impetus for her to improve her Jewish learning. She even taught a class at the Shaar Hashomayim Synagogue in Montreal. That experience led to her seriously consider a career in teaching.
To proceed on a path to becoming g a teacher and also to further her Jewish education, Lara applied for and was accepted into the Pardes Institute of Jewish Studies in Jerusalem. It was there that not only did she complete her Masters in Jewish Education, Lara came to realize that, while she wanted to teach, she wanted to do it within a Jewish framework. It was the intense learning at Pardes that stimulated Lara’s passion to begin the trail to the rabbinate.

Once you learn more about Lara’s family history, however, you can see how her becoming a rabbi wasn’t all that surprising. When Lara was born, she came along with a twin brother, Isaac. When her father came into the birthing room to see his newborn children for the first time, he said that he sensed that one of the twins was destined to become a rabbi, but it was Isaac, not Lara. Even as the twins grew up, Greg’s sense of a rabbinical calling for his son persisted. When Lara declared her intention to pursue a career in the rabbinate, Greg was ecstatic, stating he had it right all along – he just missed the correct gender. He likely deserves a pass on this one as back at that time, female rabbis from Western Canada were largely unknown and even to this day, a rarity.

Thus, it came to pass that Lara Rodin entered the Jewish Theological Seminary School in New York. She had to cope with the consequences of Covid and so part of her programme had Lara stuck in the basement of her parents’ home in Calgary. In 2021, while still a student, Lara was privileged to become a Tanenbaum Fellow.
Subsequently she developed a more formal association with the Beth Tzedec Synagogue in Toronto, where she has been for the past three years. In 2023- 2024, Lara became a Resnick Fellow. Both the Resnick and Tanenbaum Fellowships were highly valuable to Lara as she proceeded in her Jewish education.

Along the way, even as far back as her attending Camp Ramah, Lara met a boy there who became her husband: Jonah Levitt. They were recently married at Beth Tzedec on August 18, 2024 – another really good reason to send your children to Jewish camps!

Aside from her responsibilities at Beth Tzedec to date, Lara has been working as a Rabbi in Residence at the Robbins Hebrew Academy in Toronto. There she is putting her skills as a teacher to good use. On top of that, she is the go-to person for conversions within the Conservative movement among several synagogues in the Toronto area. In that way Lara Rodin has made contact with many young couples, all inspired to become Jewish and, in many cases, more Jewish. This is a part of her job that she says she finds particularly challenging, yet satisfying.

Of course, if you really want to check out the newest addition to Beth Tzedec, the place to be is at synagogue, where she can be found most of the time. Her smile, her genuine warmth, and her depth of thought will be obvious immediately. Or, if you like to hike or cycle, when not in the synagogue or classroom, you are likely to find Lara participating in those activities.

As the Beth Tzedec synagogue celebrates its 70th anniversary in 2025, so too it now celebrates the addition to the synagogue of Rabbi Lara Rodin. A blessing for all of us.

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Attention snowbirds: Palm Springs condo for rent available immediately through April

Beautiful pool side 2 bedroom 2 bathroom condo with attached 2 car garage located in the beautiful Cathedral Canyon Country Club. Available from December to April 2025. 3750 usd per month.

For more information contact James at 204-955-2484

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