Features
New movie tells story of Joseph Bau, whose dramatization of his marriage in Plazow concentration camp to his wife Rebecca was an unforgettable scene in the movie “Schindler’s List”
By MARTIN ZEILIG A new movie, to be released this coming September, tells the incredible story of Joseph Bau, a Holocaust survivor, master forger, animator, and artist whose own illustrated memoir, Dear God, Have You Ever Gone Hungry? was published in 1998 (Arcade Publishing 1998; Shlomo Yurman, translator).
In that book, Joseph Bau (who lived from 1920-2002) shares his experiences during World War II, including his time spent in various concentration camps. The book also tells of his marriage to his fellow inmate, Rebecca Tennenbaum , within the infamous Plaszow concentration camp.
The scene of the secret marriage ceremony between Joseph and Rebecca (who lived from 1919-1987) on February 14, 1943 was famously dramatized in a short, but poignant scene, in Steven Spielberg’s Academy Award-winning movie, “Schindler’s List.”
A gripping new movie, “Bau, Artist at War” (produced by Deborah Smerecnik, Sean McNamara, David Brookwell, Marc and Michelle Griffith; and distributed by Paramount), is based in large part on Joseph Bau’s memoir. The film was written by Deborah Smerecnik, Ron Bass, and Sonia Kifferstein.
Directed with great skill by award-winning director Sean McNamara and featuring stellar performances by Emile Hirsch (who appeared in “Once Upon a Time in Hollywood”) as the protagonist, and Inbar Lavi (who appeared in the Israeli television series “Fauda” and the U.S. television series “Imposters”) as Rebecca, the movie is a combination love story and espionage tale that deserves attention in an era, as one commentator has said, “where survivors are fading away, and the Holocaust is slipping from memory.”
It’s also a story about resistance during the Holocaust.
“Because of the understandable need to see light in this dark period, the word ‘resistance’ has been stretched to cover all manner of cultural expression: lectures, reading and discussion circles, theatrical presentations, musical concerts, and even the struggle to maintain one’s moral and spiritual integrity, one’s very humanity, have all been held up as acts of resistance,” Dr. Lionel Steiman, a retired professor of history at the University of Manitoba, has written.
The film depicts how years after the war and, despite his reluctance at first, Jospeh was called upon to be a key witness in the trial of the brutal Nazi officer Franz Gruen, portrayed with frightening intensity by Yan Tual. Gruen had tortured Bau in Plaszow and had killed his father before Joseph’s eyes. Joseph Bau is thrust back into vivid memories of suffering and loss.
But, Bau is no longer the victim. The climactic court scene is a testament to the seamless combination of intelligent scripting, skillful direction and brilliant acting.
“Franz Gruen was finally convicted for his crimes against humanity and lived out the rest of his days in prison,” says information that appears on screen at the film’s conclusion.
“In Joseph’s work for the resistance, in both the ghetto and in Plaszow, Joseph saved close to one thousand prisoners. Rebecca also helped to save numerous members of the Resistance in Plaszow by risking her life as a spy in Goethe’s office. After the war, she testified at six Nazi court hearings, where she was essential in garnering justice for the Holocaust victims.
“Rebecca continued her work as an aesthetician, through which she helped survivors heal emotionally. She encouraged her clients to share their pain with her in the safety and privacy of her home.
“When Israel became a nation, Joseph left a lucrative graphic design career in Poland, and he and Rebecca ‘went home’ to Israel in 1950. Joseph continued his artistic pursuits, opening the first animation studio in Israel. He is often referred to as the Walt Disney of Israel.
“After the Holocaust, he continued his efforts on behalf of the Jewish people by becoming the lead forger for the Mossad, the Israel intelligence agency. Joseph forged I.D. documents for many of Israel’s heroes, such as Six Day War spy Eli Cohen, and the men who captured the Nazi Colonel Adolf Eichmann in Argentina. Both Joseph and Rebecca left behind an international legacy of selflessness, happiness, laughter and love.”
Josef and Rebecca Bau were also among those honoured by the B’nai B’rith World Center in Jerusalem and the Committee to Recognize the Heroism of Jewish Rescuers during the Holocaust during a Zoom meeting on Holocaust Martyrs’ and Heroes Remembrance Day (Yom Hashoah, Tuesday, April 21, 2020) “to extol the heroism of some 20 Jews who endangered themselves during the Holocaust to rescue fellow Jews,” noted an article in The Jewish Post & News that was published a few days after the ceremony.
“Bau, Artist at War” is a testament to the supremacy of love, perseverance, defiance and even humor during the worst of times. It’s a life affirming message.
Five stars.
The official theatrical release date will be in September 2024. A trailer of “Bau, Artist at War” is available on the IMDB website.
Co-producer and writer Ms. Smerecnik was the primary investor in the film.
“I’ve been working on it for almost fifteen years,” she said during an interview on May 12.
She also mentioned that she first met Joseph and Rebecca Bau’s daughters, Hadasa and Clilia Bau, who operate the Bau Museum in Israel, in 2009.
“We appreciate the limited release (into 50 theatres in the U.S. and possibly internationally) Paramount will be undertaking. But, we’re looking for a wider release of the movie,” she said.
She added that investors are required to help support that hoped-for wider release. Any investors will get 120 percent of their investment returned, Ms. Smerecnik said.
“They are the first to be paid back from the investor pool,” she said.
“As well, they will be listed as executive producer.”
Ms. Smerecnik can be contacted at the email address: dbsmer@gmail.com
Features
Musings from Dizengoff Street – by Bruce Brown
(August 8, 2026)
Outside Basimta Café in Central Jerusalem. Love the red shirt against a tiny sea of black. Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat. For the last six weeks Israeli headlines shouted about the cafe chaos. With the ultra-religious blocking entrances and storming the café. While shouting ‘Shabbos! Shabbos!’ Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas. So the wife and I thought we would check it out. And. Yes. Buy something to support the business. Uproar. Not. Blocked entrances. Not. Storming the café. Not. Albeit there were police barriers separating the devout protesters from the coffee drinkers. The protesters being just a few dozen black clad, pious Jews. Mostly teenagers. And yes. Shouting ‘Shabbos! Shabbos!’ Certainly underwhelming in its reported mayhem. Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed. If you do, you’re misinformed.” But I did enjoy my iced matcha.
(August 6, 2026)
Here we go again. Another round of forever negotiations. As someone who negotiates for a living. The way things are going in the straits. If I had to recommend a book on the subject to a new hire. Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well. I would choose the latter.
(August 3)
Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head. For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party. No less a political earthquake in my little shtetl. Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections. Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold. In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system. To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies. Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019.
(August 1)
Although both sides say they are open to diplomacy. Neither really trusts the other. And American military action, or its threat, continues. I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison. Possibly this weekend. Yikes! Prompting me, at 2:30 AM, to dash around the house stocking my safe room. Bottled water. Canned food. Medicines. Documents. The beat goes on….
If it’s crazy here. It’s insane in Italy. With a recent online ‘Jew Hunt’ in the Milan area. Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels. The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected. Although they deny involvement?! This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy. I’ll stick with stocking the saferoom.
Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York. But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic. Maybe Mandami should be arrested! Or at least impeached. For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.
Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS
Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.
As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?
Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?
Seemed like an appropriate way to end this musing.
Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s some information about Bruce – and awards he’s received for his writing:
Bruce Brown. Canadian born. Now living in Israel (for a long time). Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night. He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025. And wrote the 1998 satire, “An Israeli is….” Bruce’s musings are political, social, economic and personal. With lots of biting, contrarian, sardonic and irreverent insight.
Features
K-tip placement at Sets on Corydon
Precision K-Tip placement: Where art meets ultimate hair engineering. ✨
Every strand is custom-blended to achieve seamless movement, zero detection, and absolute freedom (yes, even high ponytails on day one). Precision styling takes patience and technical mastery—the result speaks for itself.
.
Features
Israel pavilion ambassadors – then and now
By BERNIE BELLAN Given that Folklorama is on again and the Israel pavilion – Shalom Square, is in full swing, I thought it timely to resurrect an article I first posted to this website in August 2023.
But before reading that article, I wanted you to see who this year’s ambassadors are for Shalom Square:
It was back in 2023, however, that I set out to answer a question that I had asked our readers to help answer: Where was the very first Israel pavilion located? Some readers had thought it was the Golden Age Club, which used to be located on Pritchard and Salter. But others weren’t so sure. Here then is what I wrote back in August 2023 – when, with the help of a librarian at the Winnipeg Public Library, I was able to solve the riddle of where the first Israel pavilion was located:
It was earlier in August 2023 that I had raised a number of questions about the history of the Israel pavilion at Folklorama.
Among those questions were: Where was the first Israel pavilion located and when did the Israel pavilion actually become a permanent fixture in the YMHA on Hargrave (before moving to its current home in the Asper Campus)?
As part of my search for answers to those questions I turned to David Cohen, who had long been the coordinator of the Israel pavilion when it was located on Hargrave, but who didn’t step into that role until 1975.
David thought that the Israel pavilion hadn’t moved to Hargrave until 1974, but he wasn’t sure where the first Israel pavilion had been located.
I tried to find information using the Winnipeg Public Library online digital archive. In case you didn’t know, anyone with a library card can access the library’s online archive. You can also have access to newspaperarchive.com through the library’s digital archive. Newspaperarchive.com is an invaluable reference tool for journalists especially – or anyone wanting to access old newspaper archives, for that matter, but ordinarily you would need a subscription to newspaperarchive.com in order to use it. For some reason, however, the search function in the Winnipeg Public Library’s digital search engine didn’t produce results when I entered the word “Folklorama.”
As a result I called the Winnipeg Public Library for assistance and received great help from someone by the name of Louis-Phillipe. After taking my information, Louis-Phillipe phoned me to say that he had found out that the library had compiled a file of press clippings related to Folklorama going back to the very first year, 1970.
Further, Louis-Phillipe said, he had found a list of the 22 pavilions in that first year of Folklorama, along with where they were located. It turns out that the Israel pavilion was actually located in two different venues that first year: the Rosh Pina and the Shaarey Zedek.
The next day I also heard from reader Phyllis Dana, who confirmed that the Israel Pavilion had been in both synagogues. Phyllis also remembered that the only food served that first year was honey cake.
But the pièce de resistance came when I heard from reader Marilyn Breitman (née Stitz), who now lives in Calgary, when she phoned me on Monday, August 21 (which is when she received the August 16 issue of the paper with my story about Folklorama).
Marilyn told me that, not only did she remember that the first Israel pavilion alternated between the Rosh Pina and the Shaarey Zedek, she had actually been the female representative of the Israel pavilion that first year. Her title, Marilyn said, was simply “Jewish.”
But, as you might also recall, the entire confusion over where the first Israel pavilion was located began with an email I had received from Roz Greenfeld, who had written to correct my mistake when I had written in the August 2 issue that the Israel pavilion had been located in the YMHA from the very beginning.
Roz pointed out that, in 1971, the second year of Folklorama, the Israel pavilion was located in “Council House” or, as it was better known, “The Golden Age Club,” on Pritchard and Salter. How did she remember that? Roz was the female representative of the pavilion that year. Her title, as I found out was “Miss Judea,” she said.
So, if the Israel pavilion was located at both the Rosh Pina and Shaarey Zedek in that first year of Folkorama, and in the Golden Age Club that second year, where was it after that?
It was left to Jewish Heritage Centre of Western Canada archivist Andrew Morrison to come up with the answer to that question. Andrew informed me that the Israel pavilion did indeed move to the YMHA in 1972 and remained there for the next 25 years, until it moved to the Asper Campus in 1997.
There was a further footnote to the story, which is when I decided to try my luck with the Winnipeg Public Library’s online archive one more time. This time, rather than searching for “Folklorama,” I tried searching for old copies of both the Free Press and the Tribune from August 1970. I did manage to get results for the Tribune and when I entered a specific search within the Tribune I found a picture of all the famale representatives of pavilions – in bathing suits.
It turned out – and this was corroborated by both Marilyn Breitman and Roz Greenfeld, the female representatives had to parade in unison – in bathing suits, as part of Folklorama festivities. Each year, as well, a queen of Folklorama was chosen. Neither Marilyn nor Roz was made queen, both of them told me, although Roz was voted “Miss Congeniality.”
In addition to finding out about the early days of the Israel pavilion, I also learned that the Chai dancers were not regular performers at the Israel pavilion in those early years – as they eventually did become. Chai performers would dance only one night in those first years, with other entertainment the other nights.
I did enlist Andrew Morrison’s help once again and did find that Chai performed only one evening during the first few years of Folklorama – from 1970 to 1976. In 1977 Chai began performing every night of Folklorama, but there were other performers on hand as well, including Jerry Maslowsky and Rabbi Yosel Rosenzweig. In 1978 the Chai Folk Ensemble was the featured entertainment every evening; however, a notice that appeared in our paper did say that whistler Harvey Pollock would “be on hand” to entertain – whatever that meant.
While some may wonder of what earth shaking importance all this is, I ask: Isn’t it fun to look back in time – for just a little while, instead of worrying about more immediate problems, such as global warming, inflation, terrorist attacks in Israel, and whether Donald Trump will be president while he’s in jail?
