Features
New movie tells story of Joseph Bau, whose dramatization of his marriage in Plazow concentration camp to his wife Rebecca was an unforgettable scene in the movie “Schindler’s List”
By MARTIN ZEILIG A new movie, to be released this coming September, tells the incredible story of Joseph Bau, a Holocaust survivor, master forger, animator, and artist whose own illustrated memoir, Dear God, Have You Ever Gone Hungry? was published in 1998 (Arcade Publishing 1998; Shlomo Yurman, translator).
In that book, Joseph Bau (who lived from 1920-2002) shares his experiences during World War II, including his time spent in various concentration camps. The book also tells of his marriage to his fellow inmate, Rebecca Tennenbaum , within the infamous Plaszow concentration camp.
The scene of the secret marriage ceremony between Joseph and Rebecca (who lived from 1919-1987) on February 14, 1943 was famously dramatized in a short, but poignant scene, in Steven Spielberg’s Academy Award-winning movie, “Schindler’s List.”
A gripping new movie, “Bau, Artist at War” (produced by Deborah Smerecnik, Sean McNamara, David Brookwell, Marc and Michelle Griffith; and distributed by Paramount), is based in large part on Joseph Bau’s memoir. The film was written by Deborah Smerecnik, Ron Bass, and Sonia Kifferstein.
Directed with great skill by award-winning director Sean McNamara and featuring stellar performances by Emile Hirsch (who appeared in “Once Upon a Time in Hollywood”) as the protagonist, and Inbar Lavi (who appeared in the Israeli television series “Fauda” and the U.S. television series “Imposters”) as Rebecca, the movie is a combination love story and espionage tale that deserves attention in an era, as one commentator has said, “where survivors are fading away, and the Holocaust is slipping from memory.”
It’s also a story about resistance during the Holocaust.
“Because of the understandable need to see light in this dark period, the word ‘resistance’ has been stretched to cover all manner of cultural expression: lectures, reading and discussion circles, theatrical presentations, musical concerts, and even the struggle to maintain one’s moral and spiritual integrity, one’s very humanity, have all been held up as acts of resistance,” Dr. Lionel Steiman, a retired professor of history at the University of Manitoba, has written.
The film depicts how years after the war and, despite his reluctance at first, Jospeh was called upon to be a key witness in the trial of the brutal Nazi officer Franz Gruen, portrayed with frightening intensity by Yan Tual. Gruen had tortured Bau in Plaszow and had killed his father before Joseph’s eyes. Joseph Bau is thrust back into vivid memories of suffering and loss.
But, Bau is no longer the victim. The climactic court scene is a testament to the seamless combination of intelligent scripting, skillful direction and brilliant acting.
“Franz Gruen was finally convicted for his crimes against humanity and lived out the rest of his days in prison,” says information that appears on screen at the film’s conclusion.
“In Joseph’s work for the resistance, in both the ghetto and in Plaszow, Joseph saved close to one thousand prisoners. Rebecca also helped to save numerous members of the Resistance in Plaszow by risking her life as a spy in Goethe’s office. After the war, she testified at six Nazi court hearings, where she was essential in garnering justice for the Holocaust victims.
“Rebecca continued her work as an aesthetician, through which she helped survivors heal emotionally. She encouraged her clients to share their pain with her in the safety and privacy of her home.
“When Israel became a nation, Joseph left a lucrative graphic design career in Poland, and he and Rebecca ‘went home’ to Israel in 1950. Joseph continued his artistic pursuits, opening the first animation studio in Israel. He is often referred to as the Walt Disney of Israel.
“After the Holocaust, he continued his efforts on behalf of the Jewish people by becoming the lead forger for the Mossad, the Israel intelligence agency. Joseph forged I.D. documents for many of Israel’s heroes, such as Six Day War spy Eli Cohen, and the men who captured the Nazi Colonel Adolf Eichmann in Argentina. Both Joseph and Rebecca left behind an international legacy of selflessness, happiness, laughter and love.”
Josef and Rebecca Bau were also among those honoured by the B’nai B’rith World Center in Jerusalem and the Committee to Recognize the Heroism of Jewish Rescuers during the Holocaust during a Zoom meeting on Holocaust Martyrs’ and Heroes Remembrance Day (Yom Hashoah, Tuesday, April 21, 2020) “to extol the heroism of some 20 Jews who endangered themselves during the Holocaust to rescue fellow Jews,” noted an article in The Jewish Post & News that was published a few days after the ceremony.
“Bau, Artist at War” is a testament to the supremacy of love, perseverance, defiance and even humor during the worst of times. It’s a life affirming message.
Five stars.
The official theatrical release date will be in September 2024. A trailer of “Bau, Artist at War” is available on the IMDB website.
Co-producer and writer Ms. Smerecnik was the primary investor in the film.
“I’ve been working on it for almost fifteen years,” she said during an interview on May 12.
She also mentioned that she first met Joseph and Rebecca Bau’s daughters, Hadasa and Clilia Bau, who operate the Bau Museum in Israel, in 2009.
“We appreciate the limited release (into 50 theatres in the U.S. and possibly internationally) Paramount will be undertaking. But, we’re looking for a wider release of the movie,” she said.
She added that investors are required to help support that hoped-for wider release. Any investors will get 120 percent of their investment returned, Ms. Smerecnik said.
“They are the first to be paid back from the investor pool,” she said.
“As well, they will be listed as executive producer.”
Ms. Smerecnik can be contacted at the email address: dbsmer@gmail.com
Features
Ontario Online Casinos Let Players Set Daily, Weekly and Monthly Deposit Limits
A deposit limit sets a ceiling on how much money someone can add to an online gambling account. In Ontario’s regulated market, players can choose limits covering 24 hours, seven days and one month, with the website’s system enforcing the amounts they select.
The settings are straightforward, but the timing deserves attention. A daily allowance may sit within weekly and monthly caps, while an increase can involve a waiting period. For adults using Chrome on a Chromebook, understanding these account rules starts with knowing where to find them.
Finding the Settings and Choosing a Period
Deposit controls sit within the gambling website’s account menus. The Tooniebet Ontario responsible gaming page is an operator-specific resource readers can consult alongside their account settings. ToonieBet is operated by Canadix Limited and regulated by the AGCO under an agreement with iGaming Ontario.
Ontario’s standards require an easy and obvious way to set financial and time limits during registration and afterward. Players must be offered deposit and loss limits when signing up, and the controls must remain easy to reach and change once an account is open.
Menu names differ between sites. Published examples place deposit limits under account settings or responsible-gaming tools, where players can select an amount and a period.
Each type of limit measures something different. Deposit limits cap money added to the account. Loss limits restrict net losses after winnings are taken into account, while time limits govern playing time. iGaming Ontario’s player guidance explains all three.
For Chromebook users, these settings are managed through the website’s account interface. Chrome’s own permissions handle separate browser functions, such as access to location information.
How Several Limits Apply to One Deposit
Players can have daily, weekly and monthly limits running together. A deposit must fit within every active cap.
Take a hypothetical account with limits of CAD $40 daily, CAD $100 weekly and CAD $250 monthly. These figures illustrate the process.
If someone has already deposited CAD $90 during the weekly period, the remaining weekly allowance is CAD $10. That becomes the most they can add, even when the daily limit has more room. Reaching the monthly cap would likewise block another deposit until some monthly allowance becomes available.
This is why checking all active limits matters. A new day may bring fresh daily capacity while the weekly or monthly total remains close to its ceiling. The longer periods continue to apply as the shorter one refreshes.
When Money Drops Out of a Rolling Window
The next question is when previous deposits stop counting toward a cap. Some sites use rolling periods, which track elapsed time from individual deposits.
Published Ontario policies include daily windows of 24 hours, weekly windows of 168 hours and monthly windows of 720 hours, equivalent to 30 days. Under that approach, each deposit frees up its corresponding allowance once it falls outside the window.
Suppose someone has a CAD $100 rolling weekly limit and deposits CAD $25 on Friday, followed by CAD $75 on Saturday. Seven days after Friday’s deposit, CAD $25 becomes available again. The other CAD $75 returns seven days after Saturday’s deposit.
Leaving the restored Friday allowance unused means it combines with Saturday’s restored amount. At that point, the full CAD $100 is available. Reviewing deposit dates and times helps explain how much room remains within a rolling period.
Changing a Cap Takes a Separate Step
A limit refreshing follows the schedule already attached to the account. Raising that limit requires a request and a wait.
Ontario’s standards require at least 24 hours before a player’s request to relax or remove an established limit can take effect. The existing limit remains enforceable during the cooling-off period.
Operators publish their own timings. Documented examples include a seven-day wait for deposit-limit increases or removals. Another published schedule allows increases after one day for a daily cap, seven days for a weekly cap and 30 days for a monthly cap.
Lower limits take effect immediately under these published policies. Some policies also restart the waiting period when a player requests another increase while an earlier change is pending. The effective date shows which amount currently applies.
Other Controls and Support
Deposit limits work alongside loss limits, time limits, short breaks and self-exclusion. Together, these give players ways to restrict account funding, gambling activity or access.
Ontario-regulated online casino play is restricted to adults aged 19 and older who are physically in Ontario. Gambling involves financial risk.
For concerns about your gambling or someone else’s, ConnexOntario offers free, confidential information and referral support around the clock. Call 1-866-531-2600 or text CONNEX to 247247. Standard message and data rates may apply.
Features
What “Best Odds” Really Means When Comparing Gambling Review Websites
The phrase best odds appears frequently in gambling discussions, but it is surprisingly easy to use imprecisely. MonsterBetList is primarily a casino review and rankings website, not a dedicated live sportsbook odds comparison terminal. That difference is central to evaluating what its reviews can and cannot establish. A casino rating may explain payout conditions, licence information and bonus restrictions, while a claim about the best available price on a sporting outcome requires a different kind of evidence altogether.
Odds and ratings answer different questions
Sports betting odds represent a price offered on a specified outcome. A review rating is an editorial judgement built from multiple criteria. These two numerical systems cannot be substituted for one another. A bookmaker rated highly for service may offer a less competitive price on a particular match, while a service with a more attractive price may impose different limits or verification rules.
Similarly, a casino review can discuss return-to-player statistics, but RTP is not the same as sportsbook odds. RTP describes a theoretical long-run percentage built into a game model. It does not tell a reader what will happen in one session and it is not an individually negotiable market quotation.
What makes sports odds comparable?
A fair odds comparison starts with identical selections: the same event, outcome, market rules and settlement conditions. Comparing a three-way football result with a draw-no-bet price is invalid because the products pay under different circumstances. The observation time also matters; displayed prices can change quickly as market information or trading decisions evolve.
The numerical format should be standardised. Decimal odds provide one convenient representation, but American and fractional formats express the same underlying idea differently. Converting these formats is straightforward. What matters is the net price, the operator’s rules and whether the quoted offer remains available when reviewed.
Overround explains the hidden cost of many markets
In a simplified two-outcome market, dividing one by each decimal price produces an implied probability. If the implied probabilities add to more than 100%, the excess is commonly described as the bookmaker’s overround. It is one way of understanding the margin embedded in prices, although individual market structure and adjustments can complicate the interpretation.
This concept explains why the word best should not be attached to a price without context. A strong headline may look appealing yet represent an ordinary margin after calculation. More importantly, any single quote is time-dependent. Genuine comparison requires a dated observation and equivalent market rules; broad editorial praise is not enough.
What casino rankings can establish instead
MonsterBetList publishes casino reviews and guides addressing licences, bonuses, payout experiences and responsible gambling. Those topics are relevant to evaluating consumer risk and service quality. A report about the length of a withdrawal process, for example, can be useful if its methodology is transparent. A bonus review can help identify restrictive wagering requirements that marketing headlines omit.
However, a casino ranking should not be presented as evidence that its highest-rated operator consistently offers the best sports prices. Unless a site publishes repeated market-by-market comparisons, that conclusion is not supported. Readers benefit when publishers clearly distinguish what was measured from what readers might assume was measured.
Bonuses can complicate comparisons
A sportsbook may offer free-bet tokens, cashback or other promotions. Their effective value depends on conditions rather than the largest number printed in a banner. Some credits are not withdrawable as cash; others require qualifying selections, minimum odds or a deadline. Casino welcome bonuses often introduce wagering requirements, game-contribution rules and limits on withdrawals. Combining these products under one generic promotional score can hide important differences.
For instance, a large matched deposit might require extensive play before bonus-related funds become eligible for withdrawal. The required betting volume is not a promise of profit. The presence of a promotion may therefore make comparisons more complex instead of simpler. Clear disclosures should precede any judgement about value.
Editorial independence and methods
Review sites sometimes state that rankings are editorially independent. Such a statement is relevant but does not replace evidence of consistent testing. Readers should look for the criteria used, the date of each review, whether real transactions were examined and how negative findings are treated. If one platform receives detailed testing while another is scored on marketing copy, the ranking loses comparability.
Commercial incentives should also be visible. Referral relationships or sponsorships do not automatically make every observation inaccurate, but they create reasons to ask how rankings are insulated from revenue. A publication that explains its methodology and corrections process gives readers a stronger basis for trust than one that simply declares its winners.
Licensing and dispute rights before price claims
A marginally attractive price is of limited value when the operator is not legally available to the reader or does not provide meaningful avenues for redress. Regulations vary by jurisdiction, and a licence in one country may not authorise service in another. It is prudent to verify the legal entity behind a brand and the current status of any licence through official records.
Consumers should also review identity verification, account restrictions and dispute resolution procedures. These operational conditions influence the actual experience of using a gambling service. A sensible evaluation includes them before discussing promotions or theoretical market advantages.
Why guaranteed-profit language is a warning sign
No ordinary review or odds list can guarantee that an individual will win money from gambling. Claims of certain returns often omit the fact that results are uncertain, prices move and transactions are subject to restrictions. Casino games generally incorporate a house advantage, and sports outcomes remain uncertain regardless of a persuasive analysis. The safest response to absolute promises is scepticism.
Readers should also avoid treating gambling as a means of addressing financial problems. Chasing previous losses and increasing stakes to recover money can deepen harm. Consumer-oriented coverage is more valuable when it explains risk and offers realistic options for stepping away.
Conclusion: define the claim before ranking the service
“Best odds” is a specific comparative proposition, not a synonym for a high casino rating. MonsterBetList can be examined for its published casino research, review structure and risk disclosures, but those materials should not be stretched into claims they have not tested. Clear definitions, dated evidence and honest limitations are the foundations of trustworthy comparison journalism.
Features
Noah Wyle explains Robby’s controversial behaviour in season two of The Pitt
Noah Wyle believes audiences struggled to accept the changes in Dr. Michael “Robby” Robinavitch during the second season of The Pitt. In a recent interview with Vanity Fair, Wyle explained why viewers reacted strongly to the emergency physician’s increasingly difficult behaviour, arguing that audiences often expect their heroes to maintain an unrealistic standard of “purity”.
(Spoiler warning: for anyone who hasn’t yet watched The Pitt, this article contains minor spoilers.)
In season one of the HBO medical drama, Robby was a dedicated doctor whose composure and clinical instincts made him a reliable member of staff. Season two revealed a more troubled side of the character, with grief and deteriorating mental health affecting his relationships with colleagues.
“An interesting American hypocrisy”
Wyle, who also works as a writer, director and executive producer on the show, sees Robby’s behaviour as part of a character journey rather than a sudden departure from the person audiences admired.
He said that viewers often forgive villains who occasionally do something admirable but tend to judge traditionally heroic characters much more harshly when they make mistakes. Wyle described this as “an interesting American hypocrisy”.
Wyle credited executive producer John Wells for encouraging the team to tell Robby’s story honestly.
Gaming and the success of House
Wyle has suggested a potential five- or six-season trajectory for Robby, with the character currently moving from denial towards recognizing his problems and seeking a way forward. Season two was uncomfortable for viewers, as Robby struggled to acknowledge his condition.
The success of The Pitt, particularly if it lasts for that five- or six-season run, may interest game developers. House, another of the most popular TV medical dramas, inspired two games back in its heyday. In 2008, Exelweiss designed a cellphone game for the show, releasing Spanish and English versions. Two years later, Legacy Interactive released a video game based on the series; players acted as House’s diagnostic team to solve five unusual medical cases.
For now, iGaming companies like Casino Days Ontario are more focused on the immensely popular slots themes, such as ancient civilizations, as well as variations on table classics like poker and blackjack.
The Pitt has been credited with reviving the medical drama, after a successful era of shows that included House (a “prickly” take on the format, in the words of one critic) alongside ER, Grey’s Anatomy, and The Good Doctor. That same critic praised The Pitt for showing that TV medical dramas can be “satisfyingly elongated”, which could inspire developers who specialize in RPGs or other long form games.
Season three could change Robby’s relationships
Wyle offered a glimpse of how the next season might develop Robby’s complicated connection with Dr. Langdon.
Their relationship changed after Langdon disappointed his mentor in the first season. Robby was reluctant to welcome him back in season two, leaving the two characters more separated despite their history.
Robby will return to the hospital after spending a couple of months away, potentially confronting embarrassment about his previous conduct and uncertainty about his abilities.
