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World-famous Klezmer musician visits Winnipeg for ten days
By SHARON LOVE Dr. Alan Bern, the world famous and Berlin based Klezmer musician, scholar, teacher and cultural activist, was here in Winnipeg from November 13th, 2022 until the 23rd. In that time frame he held three workshops, was involved in two concerts, was an honoured guest and speaker at The Museum for Human Rights, and was a guest lecturer for Dr. Itay Zutra’s Yiddish in North America class at the University of Manitoba (in which I am a student).
They say that it takes a village to raise a child. Well, that is the best description as to how Dr. Bern’s visit here came about. According to Dr. Ben Baader, Associate professor at the University of Manitoba, the planning process for Dr. Bern’s visit took several months. Initially, Professor Laura Loewen, of the Faculty of Music was contacted by the Embassy of the Federal Republic of Germany. She did much of the organizing and was then joined in the planning process by University of Manitoba professors Simone Mahrenholz, Itay Zutra and Ben Baader. Also at the university, the Desautels Faculty of Music, the Mauro Institute for Peace and Justice, the Department of German and Slavic Studies, along with the Rady JCC, all played their part.
Dr. Bern was born in Bloomington, Indiana and has an MA degree in Philosophy and a DMA in music composition. He is widely known for his work in the promotion and preservation of Yiddish music. He has been based in Berlin since 1987 and has also done much of his work in Weimar. He is the founder and artistic director of the Yiddish in Summer Weimar program, and the founder of the Other Music Academy (OMA). He is also a founding member of the Klezmer groups ‘Brave Old World’ the ‘Other Europeans’ and the ‘Semer Ensemble’. He is also an international music conductor and arranger for theatre and dance productions. In 2016 he was the recipient of the Weimar Prize in recognition of his cultural contributions to that city. Earlier this year he received the Order of Merit of the Federal Republic of Germany. He has also been featured in many audio recordings and films.
Dr. Bern’s first three lectures were held at the University of Manitoba. He spoke about why Yiddish matters and traced the history of the Yiddish language up until today’s new Yiddish music. During his second lecture he spoke of the Shoah and the new Yiddish song. His third lecture was hands on and he introduced music students to the origin and the philosophy behind the Hasidic Nign.
The Sunday afternoon concert held at the Berney Theatre was definitely jam packed. The program opened with an introduction by Dr. Bern and his brief explanation of Nigunim as wordless songs which serve to move Hasidic Jewry beyond the rational towards the mystical prayer. This was followed by three musical numbers performed by the Desautels Klezmer Group from the the Desautels Faculty of Music, accompanied by Dr. Bern on the accordion and Myron Schultz on clarinet. The audience was invited to join in with some chanting on cue. I have a feeling that these dozen students playing various instruments were not aware of this genre of music prior to Dr. Bern’s visit and his hands on workshop and they seemed to be enjoying themselves. The family of one of the violinists was sitting in front of me. I could just tell that they were inspired and pleased. Myron Shultz and Alan Bern played a few lively numbers together.
The musical portion of the afternoon was followed by the screening of ‘The New Klezmorim. Voices Inside the Revival of Yiddish Music.’ This documentary was filmed in 1998 both at Klez Canada in the Laurentians and at the Askenaz festival in Toronto and is a study of the revival of Klezmer music and Yiddish culture commencing in the 1970’s. At the end of the film we were joined via Zoom from Toronto by David Kaufman, the producer, in discussion with Alan Bern.
‘An Evening with Dr. Alan Bern’’ took place on Monday the 21st at the Canadian Museum for Human Rights. Opening remarks came from Myka Burke, the Communications and Culture Officer of the Embassy of the Federal Republic of Germany in Ottawa. Greetings were extended by Jutta Essig, Honourary Consul of the Federal Republic of Germany and by Gustavo Zentner, President of the Jewish Federation of Winnipeg.
Those in attendance were treated to a screening of ‘60 Years in 22 Minutes,’,a biography of Alan Bern starting from his childhood. This was followed by an interview with Matthew Cutler (CMHR Vice-President, Exhibitions) in conversation with Dr. Bern. Some topics discussed were Bern’s interest in the philosophy of music and how it can be a vessel for bringing people together, the Klezmer revival, why he is based in Berlin, the Shoah and Jewish relations vis a vis the Republic of Germany today.
The evening closed with a musical performance by Dr. Bern and a reception.
The highlight for me of Bern’s visit was his lecture for the Yiddish Culture in North America class the next afternoon. The focus with video was on three specific entertainers and musicians and their roles in the revival of Yiddish and Klezmer music. They were: revival pioneers Adrienne Cooper(z”l), Josh Waletzky, and present day musician and songwriter, Klezmer-Yiddish -Punk Rocker Daniel Kahn (who is now based in Berlin). I found Bern to be very personable, knowledgeable and having presented a very friendly and ‘haimish’ atmosphere at the events that I took in.
On Wednesday November 23rd, at the Eva Clare Hall, the performances of the final term Chamber Music students took place. Bern conducted the Desautels Klezmer group in performance one last time.
What can I say but Dr. Alan Bern was very busy during his time spent here. I am sure that his audiences learned a lot, and enjoyed themselves. Kudos to the Embassy of the Federal Republic of Germany and to Prof. Laura Loewen who got the ball rolling and to the rest of those who joined in to ensure that this project was such a success!
And I am still humming those nigunim…..
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Talented Winnipeg composer Sara Kreindler teams up with her mother Reena Kreindler to create new satirical show to premiere here in May
By BERNIE BELLAN It’s been many years since I’ve heard from Sara Kreindler. Sara’s name first appeared in The Jewish Post & News in 2002 when a satirical musical titled “A Touch of Class” was reviewed by the late Arnold Ross. That particular production featured songs from popular Broadway shows that touched upon themes such as “greed, poverty, oppression, and social unrest.”
When she appeared in that show, Ross noted, Kreindler had just recently returned to Winnipeg from England, where she had obtained a doctorate in Social Psychology from Oxford University.
While at Oxford, Kreindler found time to compose a satirical musical titled “Charity,” which played to rave reviews there, and was performed five times.
Continuing in the theme of writing satirical musicals, Sara has now teamed up with her mother, Reena, to write a new musical titled “A Perfect Man,” which is set to run at the Gargoyle Theatre from May 6-17.
According to a press release we received, “A Perfect Man” is “a satirical musical, set on a fictional analogue of ‘The Bachelor’.
“The story follows an anthropologist who arrives to research TV’s hottest reality-dating show — only to discover she’s been made a contestant, and the bachelor is her high school crush. Past and present collide against an exuberant pastiche score that uses vintage musical styles to highlight modern absurdities.”
“Praised as ‘a musician [who] can make biofuels funny’ (CBC), Sara is known for whip-smart satire on a panoply of topics. Her digital musical, ‘Larry Saves the Canadian Healthcare System, created during her former life as an academic, has garnered over 84,000 YouTube views. Naturally, she had a field day with the subject of reality dating.
“The topic just begs for campy zaniness, which I think we all need in these times — but also for a more cerebral critique of what these shows say about the culture that spawned them,” says Kreindler. And thanks to the romance context, the satire is woven into a deeper, more personal story. “It’s satire with a heart.”
Here is some more information about Sara Kreindler, taken from a 2009 article I wrote about her:
“Born in Israel, Sara’s precocious talent was nurtured by her mother, Reena, whose own particular talent is literary, not musical. According to Reena, however, Sara was singing from the time she was a baby, and she began to study piano at the age of four.
“As a young girl, Sara began writing her own songs and poems, along with the “occasional musical”, notes Reena. Yet, Sara’s rare talent put her at odds with the typical interests of other children her own age, on top of which she attended a school to which she was exposed to a fair degree of antisemtism.
“As a result, Sara says, being bullied was a common aspect of her childhood. On one occasion, when she was nine, she notes, Sara fought back against one particular bully by reciting the following little ditty:
“I write so many epigrams to you that all the people laugh.
I’m tired of writing epigrams.
I want to write your epitaph!”
“Sara went on to compose a musical titled ‘Flutesong’ while she was a student at Vincent Massey Collegiate, she says. After doing her undergraduate work at the University of Manitoba, majoring in Psychology, Sara won a Rhodes Scholarship to attend Oxford University.
“Sara eventually earned a doctorate in Social Psychology and returned to Winnipeg, where she began teaching at the University of Manitoba, but she said she didn’t enjoy the “mass production” style of teaching upwards of 300 students at a time, so she switched careers and began doing health research for the Winnipeg Regional Health Authority.”
All the while Sara has been continuing to compose and perform her own songs, often teaming up with her mother, as she has for “A Perfect Man.”
Showtimes and ticket information for The Perfect Man are available at:
http://www.thegargoyletheatre.com/upcoming-events/the-perfect-man
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Rabbi Kliel Rose to leave Congregation Etz Chayim for new post in Ottawa
The following email from Congregation Etz Chayim Executive Director Morissa Granove was sent to members of the congregation on Friday, April 10:
“Dear Members and Friends,
“As we know, Rabbi Kliel recently spent a weekend with Kehilllat Beth Israel where he has since been offered a position. After much thought and consideration, he has made the decision to sign a contract in Ottawa. He will continue to lead our congregation through Yom Kippur.
“This news marks a significant ending for our Etz Chayim community, and at the same time with change comes opportunity. Congregation Etz Chayim will soon embark on our own Rabbinical search with excitement as we look for our perfect candidates and explore the new possibilities that will help us to continue to shape a strong future for our synagogue and members.”
Kliel Rose took up the position of rabbi at Etz Chayim in August, 2018.
In an article announcing his appointment to the position in the June 6, 2018 issue of The Jewish Post & News, Myron Love wrote:
The congregation has been without a permanent rabbi since last summer when Rabbi Larry Lander chose to retire – after ten years here – and relocate to Toronto.
Kliel Rose is already a well-seasoned rabbi. He was ordained in 2004 by the Jewish Theological Seminary in New York.
He previously served as spiritual leader at the West End Synagogue in Nashville and Temple Enamu-El in Miami Beach. His current posting is Beth Shalom Synagogue in Edmonton.
Following the example of his parents, Kliel Rose has been active in interfaith dialogue and human rights work for which he was honoured in 2014 with the Human Rights Hero Award by Truah: The Rabbibic Call for Human Rights.
He has also participated in the Kellogg Management Education for Jewish Leaders program at Northwestern University and was most recently chosen to be among 20 rabbis from different denominations chosen to train in the Clergy leadership Incubator – a two-year program, under the leadership of Ranni Sidney Schwarz, intended to educate younger rabbis in innovative thinking, change management and institutional transformation.
In Edmonton, Rose also served as Jewish chaplain at the University of Alberta and took the lead on a program called “Faith and Inclusion”, whose mandate was to support individuals with cognitive and physical learning challenges to feel more welcome within various faith communities.